Vleughels (14 results)

Etching and Engraving. Condition: Very Good. Original French etching with burin engraving, plate dated 1721. Plate (image) approx. 20 × 27.5 cm (7 × 10 in): Support sheet approx. 31 × 41 cm (12 ¼ × 16 in) - the original print is trimmed to (or just inside) the platemark and laid overall to this larger laid paper backing Inscriptions "N. Vleughels pinx." lower left; "E. Jeaurat sculp. 1721 - Paris chez Jeaurat" lower right; long French caption from Seneca beneath image. Provenance Private New England collection. Guaranteed 18th-century impression, not a modern reproduction. Condition Early, inky impression with crisp burin lines and delicate etching textures. The print was neatly trimmed by an 18th-century owner and pasted to a sturdier laid sheet (full margins of that support present). Backing shows even age-tone, scattered foxing, a few soft creases, and a small ink docket "262" at upper right. Image itself is clean and unmarred; no tears or repairs. References Portalis & Beraldi II/494; Inventaire du Fonds Français (Jeaurat); single recorded state. Subject Jason's infidelity drives Medea to vengeance: Creusa lies poisoned in the foreground, Medea's children slain beside her, while the sorceress escapes in a serpent-drawn chariot bursting through the clouds above-a dramatic Baroque tableau after Vleughels.

Paris, Laget, 1975. Fort in-4, rel. d'éditeur pleine toile brune sous jaquette, XII-259 pp., 265 reproductions en noir sur 160 planches. Avec bandeau d'éditeur. Monographie comprenant le catalogue raisonné, et accompagnée de documents, d'une bibliographie et d'un index. Ouvrage récompensé par le Prix de la Fondation Paul Cailleux et le Prix Borghèse. /92F Minimes frottements à la couverture, sinon très bon état.

schöner alter Stich, im Papprahmen (ca. A4 Größe) mit 2 kleinen Klebebändern montiert, Maße Blatt 25,2 x 16,9 cm gut erhalten, am Rand etwas fleckig de 1 S. 490 g.

The standard monograph and catalogue raisonne. Edition limited to 800 numbered copies. 265 illustrations. Large 4to, publisher's cloth. Fine in a lightly soiled and worn dj.

Couverture rigide. Condition: bon. R320176097: 1876. In-8. Cartonné. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur frais. 41 eaux-fortes originales (collationnées) - sous chemise cartonnée avec fermeture à lacets - plats de la chemise tâchés. . . . Classification Dewey : 767-Eaux-fortes.

Condition: Good. 4to. 19 x 25cm. Contemporary calf with gilt spine.100 half-page etchings.xlii, 358, [6]pp.OCLC Number :177708811:Splendid engraved frontispiece of the dedicatee, the nine-year-old Louis XV, sitting on Athena's knee as the figure of Fable points out a seductively naked Truth to the lad by Coypel and Tardieu. Engraved title vignette by Vleughels and Simoneau. .in-4, de XLII-358pp.-3ff. Plein veau époque, dos orné, pièce de titre de maroquin rouge, Ce charmant ouvrage contient 100 fables d'Antoine Houdar de La Motte (1672-1731), imitées sur les fables de Jean de La Fontaine et d'Esope. Bien complet des 100 gravures sur cuivre à mi-page par Coypel, Cochin, Picart? « Très belle édition rare et recherchée. (.) Les vignettes sont jolies et spirituelles, surtout celles gravées par Gillot" Cohen, 594, "Jolie édition" Brunet III, 801. Dacier considère cet ouvrage comme le "Premier Livre illustré au XVIIIe siècle ».Très belle édition rare et recherchée, les vignettes sont jolies et spirituelles, surtout celles gravées par Gillot. (Cohen-594) Coiffe supérieure arrachée, rousseurs, mouillure marginale en fin.

Saint-Etienne : Editions S'printer. Directeur: Rémy Guichard. Un volume (23,5x28,5cm) sous couverture illustrée en couleurs par Cécile Giraud. 58 pages, en feuilles, illustrées en couleurs (lithographies offset) et en noir. Tirage à 1000 exemplaires sur vélin de Lana. Bon état. Livres.

Paris, 1975. XII, 258 pp. 265 b./w. ills. Hardcover, d/j.

Whole-length portrait of a standing woman, wearing long white veil hiding her face and holding a rosary. From a series of five prints representing women from Rome and its surroundings.Titled below: "Fille de Rome dottée, pour etre Mariée oú Religieuse." Signed and dated at bottom: "N. Vleughels Pinx. / E.Jeaurat Sculp. 1734. A.P.D.R." Etching and engraving on paper with margins; plate mark: 218 x 155 mm, total: 242 x 185 mm; some dirt on the margins especially, slightly yellowing paper. IFF 130.I.

Condition: Sehr gut. Format: 38 x 25,5 cm (bis zum Plattenrand beschnitten). *Nagler 47; Le Blanc 105 II. - Nicolas Vleughels (* 6. Dezember 1668 in Paris; 11. Dezember 1737 in Rom) war ein französischer Maler des Barock. Er war von 1725 bis 1737 Direktor der Académie de France à Rome in Rom. Als Maler war er unter anderem für mythologische und historische Gemälde bekannt. - Étienne Jeaurat (* 9. Februar 1699 in Paris; 4. Dezember 1789 in Versailles) war ein französischer Maler und Kupferstecher. Er war ein Schüler von Nicolas Vleughels, der ihn 1724 mit nach Rom nahm. - Sauber und gut erhalten. Sprache: Deutsch Gewicht in Gramm: 800.

Image 57 x 83.5 cm (22.5 x 32.75 inches), frame 69.5 x 95.5 cm (27.5 x 37.75 inches) The singer holds an open book of music in her right hand from which she is singing. The accompanying musicians include another woman playing a keyboard instrument; a bass viol player; a transverse flute player; a recorder player; and a violinist. A young girl standing next to the singer holds open a large scroll of music to which the singer points with her left hand. The artist appears to be drawing our attention to a particular composition and perhaps to the composer, who may be the woman at the keyboard. She seems to attract the greatest attention from the other accompanying musicians and is certainly at the heart of the music-making. The artist portrays the three women (the singer, the young girl holding the music, and the woman at the keyboard) in detail, with a radiance not evident in the rendering of the other musicians, suggesting a depiction of three music-loving sisters or family members. Provenance Christie's South Kensington, London, sale of Old Master Pictures, 23 April 2004, lot 195 Minor superficial scratch to central area; the canvas apparently relined and mounted on a new wooden stretcher, possibly mid-20th century; gallery number VK910 to verso of wooden stretcher. In very good condition overall. Nicolas Vleughels, friend of important French painter Antoine Watteau (1684-1721), was a notable painter active in France and Italy in the late 17th and first third of the 18th century. He spent considerable time in Rome, where he became director of the l'Academie de France (1724-37); many of his paintings demonstrate the influence of the Roman style.

Leather Bound. Condition: new. Language: French. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2026, utilizing the invaluable guidance of the original edition published many years ago in 1728. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages:- 246, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 246.

Condition: sehr guter Zustand. Kupferstich von Edme Jeaurat, 1725, nach einem Gemälde von Antoine Pesne, Paris 1723 (Louvre, Paris). 38:26 cm. Le Blanc 105; Thieme/Becker XVIII, p. 478, XXVI (Pesne), p. 469, XXXIV (Vleughels), p. 461; Drugulin 22046.- Vollrandig. Leicht stockfleckig.

Leather Bound. Condition: New. Language: French_italien. Language: French_italien. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in '1735-01-01/1735-01-01,17. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French_italien, Vol:- Volume 1st, Pages:- 317, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 1st 317 317.