Vojtech Lahoda (72 results)

Hardcover. Condition: Fine. Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Verschmutzung / Farbtonveränderung.

Soft cover. Condition: Very Good. 4Vo 243Pp. Impeccablepaperback.

Hardcover. Condition: As New. Leichte Kratzer / Abnutzungen / Druckstellen.

Condition: neu. OBrosch. (laminiert), 248 Seiten mit farbigen und SW-Abb., 22,5 x 30 cm, neu, originalverpackt. Sprache: englisch || Proceedings of a conference organized by the Institute of Art History Prague and New York University in Prague; Contributors: Timothy O. Benson, Anna Brzyski, Linara Dovydaityte, Eva Forgácz, Irina Genova, Tomasz Gryglewicz, Jeremy Howard, Giedre Jankeviciute, Eduards Klavin?, Ljiljana Kole?nik, Vojtech Lahoda, Esther Levinger, Christina Lodder, Marian Mazzone, Myroslava M. Mudrak, Katarzyna Murawska-Muthesius, Martina Pachmanová, Damjan Prelov?ek, Ivanka Reberski, Nicholas Sawicki, Deborah Schultz, Andrzej Szczerski, Darko ?imici?, Maria Elena Versari, Annika Waenerberg, Anna Wierzbicka, Mathew S. Witkowsky, Isabel Wünsche and András Zwickl. Book Language/s: English.…

Square 8vo. Original black and white lettered pictorial laminated boards (Fine), no dustwrapper. Pp. 167, illus with coloured plates (no inscriptions; Czech text).

paperback. Condition: Very Good. 1990 Prague City Gallery. Fine condition clean and unread, no marks. Cover is clean and strong, spine is smooth and not creased.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

85 Seiten, kartoniert mit Umschlagklappen, Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: eng.

paperback. Condition: near fine. Foreword by Jaroslav Fatka. Extensively illustrated. 280pp., tall 8vo, plain white wrappers with pictorial dust wrappers. Prague: Prague City Galleries, (1990). A near fine copy of this scarce catalog.

Condition: neu. OKart., 631 Seiten mit zahlr. Abb., 4° (19,5 x 26,5 cm), neu. hardback, 631 pp. with many illustrations in colour, 4to, brand-new copy. "The book presents awide spectrum of scientific research, viewed from the perspective of the centenary of the First World War, the "Great War of White Men" and supposedly the "war to end all wars", which from the resulting postcolonial and multicultural viewpoints irreversibly altered not only Europe but the entire world. It addresses the tension between local ethnic or esoteric traditions, and cosmopolitan rhetoric in political and aesthetic narratives while the global map, especially the Old Continent, fundamentally changed. Newly formed states established their identity not only through the traditional visual arts, but more profoundly in new building works, contemporary design, filmmaking and photography, and popular culture, including functional typography, transformative modes of social communication and the general conditions of everyday life, accelerating the processes of emancipation of the "imagined communities" and intensifying the discourses of marginalized "others". Exploring grounded studies of previously unknown archival materials and deploying the latest methodological approaches of the humanities, the book also presents complex strategies of dissemination, translation and the instrumentalization of modern visual language, e.g. in propaganda, especially in the so-called "peripheral" regions. Particular emphasis is placed on the role of the international avant-garde network in the creation and transfer of aesthetic and sociopolitical ideas in modern magazines and new media, as well as in the examination of how the understanding of (supra)nationality and the pre- or post-WWI avant-garde was affected by historiography and the limits of universality, specifically from the 1950s until the present day." Book Language/s: English.…

1. Auflage, OBrosch., 319 Seiten mit zahlr. Abb., 8° (16,5 x 23,5 cm), Buch ist neu. Book Language/s: English.

Hardcover. Condition: As New. Leichte Kratzer / Abnutzungen / Druckstellen. Zdenek Rykr je dnes razen k nejoriginalnejsim umelcum prvni poloviny 20. stoleti v Cechach. Velka skala Rykrovy kreativity ukazuje na neuveritelnou tvurci energii umelce, ktery neustrnul a vzdy hledal nove vyzvy. Pokud v soucasnosti verejnost vi neco o Zdenku Rykrovi, pak bohuzel stale jen neprimo. Vetsinou ji nic nerika ani jeho dilo, ani jeho osud, muze vsak znat mourenina z cokoladove tycinky Kofila. Mnoho konzumentu teto lahodne cukrovinky netusi, ze autorem grafickeho navrhu Kofily, stejne jako provazkoveho pisma Orion nebo orionske hvezdy, je prave Rykr. Jeho vazba k tovarne na cokoladu byla v ceskem prostredi natolik vyjimecna, ze se stala hlavnim motivem teto publikace.…

Soft cover. Condition: As New. 1st Edition. As new. Published by Alvar Aalto Museum, Finland, 2003, 96 pages, large softcover in thick wraps, 12.75" by 9.25". Published for a Finnish exhibition of Sudek's commercial photography of the 1920's, with 54 photos.

Paperback. Condition: Near fine in wraps. First Edition. 17 x 21cm 96pp near fine paperback with Czechoslavakian and English text together with colour reproductions.

Softcover, 86 pages; in English and Czech; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Fine. Edice Detail, Prague, 1994. Softcover, 85 pp. With side-by-side text in Czech and English. Collage work by the Czech avant-garde writer, critic and artist Karel Tiege (1900-1951). All works are from the collection of the Prague Musuem of National Literature. Illustrated in black & white. In fine condition.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: neu. OKart., 184 Seiten mit zahlr. Abbildungen, 4°, neu, originalverpackt. || Original cardboard, 184 pages with numerous illustrations, quarto, brand-new copy, original wrapping. Book Language/s: English, German.

Condition: Fair. 2002, softcover, klein scheurtje in rug, small tear in back.

Condition: New. 2023. Hardcover. . . . . .

Soft Cover. Condition: Very Good. Text in English and Czech. 86 pp. Minor rubbing to covers; spine end bumped. Teige studied history of art at the Philosophical Faculty of Charles University in Prague He devoted himself to extensive theoretical, publicist, lecturing, editiorial and organizational activities as well as being the leading initiator and representative of Czech avantgarde culture between the wars, primarily in the field of art, literature, architecture, photography, film and theatre. In 1920 he became a co-founder of the artistic group Dev?tsil (1920-1932) and the first chairman of Leva fronta (Left Front) (1929-1935). In 1934 he became a member of the Prague surrealist group, and was its spokesman until 1947. In the field of art theory he was a leading figure in the establishing of the programmes of proletarian art, poetism and constructivism. As an artist, his early paintings and graphics were influenced by cubism. Later on, he devoted himself to typography and book design characterized by constructivism. Within the framework of poetism, he developed the "pictorial poem". From 1934 until his death he worked systematically on the creation of surrealist collages. Karel Teige's most significant publications include Modern Czech Architecture (1924), Film (1925), Construction and Poem (1927), The World Which Laughs (1928), The Smallest Apartment (1932), The Art Fair (1936), a monograph on the artists Jan Zrzavý (1923) and Styrsky and Toyen (1938) which he published together with Vitezslav Nezval. His Manifesto of Poetism (1928) was also issued in collaboration with Nezval. In the 1940s he worked on questions concerning the philosophy of modern art in the book The Developmental Changes in Art, which had to wait until 1967 until it was allowed to be published for the first time.…

Condition: new.

Hardcover. Condition: new. Hardcover. An examination of the cultural and artistic consequences of post-WWI nationalism in Europe. World War I was a seismic event in Europe whose most concrete ramifications were the sweeping changes made to maps of the continent after 1918. A number of new, independent states were established in the wake of the Armistice, and these tectonic developments found varied expression in the arts, transforming the image of the continent both cartographically and artistically. This new edited collection focuses primarily on how modernism and the avant-garde responded to these geographic changes in Central and Eastern Europe, the Baltic States, and Scandinavia. The contributors explore the clashes between the national, the transnational, and the cosmopolitan as they played out in diverse artistic genres. In many countries across Europe, the struggle for national independencewhich in many cases began in the nineteenth century and culminated only after World War Ihad important cultural and artistic consequences, which are only beginning to be understood. This bookcopublished with Artefactumprovides a crucial new lens to rethink the methodological tools used to understand the complexity and the multiplicity of avant-garde forms in twentieth-century Europe, encouraging scholars to reconstruct global cultural history without tired nationalistic approaches. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: New. Instant Presence. Representing Art in Photography - Hana Buddeus; Vojtech Lahoda; Katarina Masterova; Costanza Caraffa; Antonin Dufek; Amy Hamill; Sarah Hamill; Geraldine A. Johnson; Mariana Kubistova; Megan R. Luke; Jan Mlcoch; Helene Pinet; Rolf Sachsse *** [EN] Categories: Art | Condition: new | Binding: Paperback | Along with the digitization of collections and the redefinition of analog archives, a whole range of new topics has emerged, connected with the issue of photographing works of art. Photographs of this type, stored in. *** [DE] Kategorien: Kunst | Zustand: neu | Einband: Taschenbuch | Zusammen mit der Digitalisierung von Sammlungen und der Neudefinition analoger Archive ist eine ganze Reihe neuer Themen aufgetaucht, die mit der Problematik der Fotografie von Kunstwerken verbunden sind. Fotografien dieser Art, die in. *** [CZ] Kategorie: Umeni | Stav: Novy | Spolu s digitalizaci sbirek a redefinovanim analogovych archivu se objevila cela rada novych temat, spojenych s problematikou fotografie umeleckych del. Fotografie tohoto typu, ulozene ve. …

Hardcover. Condition: Fair. Aus einer Bibliothek ausgesondert/ Stempel; Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Verschmutzung / Farbtonveranderung. Rozsahla monografie mapuje ceske umeni mezi lety 1938-1948 a konfrontuje ho s pokleslou kulturni urovni daneho obdobi, ovlivneneho totalitnimi rezimy. V techto dramatickych letech si vnitrni svobodu udrzela zejmena tvorba nejmladsich umelcu, kteri se distancovali od svych predchudcu a zpochybnovali modernismus. Jejich prace byla zalozena na osobnim vztahu k existenci "ted a tady". Po valce se ukazalo, ze dejiny moderniho umeni pokracuji, avsak nadeje na obnoveni svobodneho verejneho prostoru byla brzy znicena komunistickym prevratem. Mezi vice nez padesati umelci, kteri jsou v knize zastoupeni, najdeme jmena jako Frantisek Hudecek, Bohumir Matal, Toyen a Jindrich Styrsky. Kniha kombinuje studie k zakladnim umeleckohistorickym otazkam s hesly zachycujicimi klicove pojmy kulturnich dejin. Zajimavosti jsou rucne vlepovane "osudy" umelcu a faksimile katalogu vystavy Art tchecoslovaque 1938-1946, ktera se konala v Parizi v cervnu 1946. Poprve je zde take zverejnen seznam tzv. zvrhlych umelcu.…

Hardcover. First Edition. 22 x 28cm 212pp hardback in near fine condition with dust jacket. Czechoslavakian text with colour reproductions. Near fine in near fine dustjacket.

Condition: New.