Published by Prentice-Hall, Inc., Englewood Cliffs, 1967
Seller: The History Place, Palestine, TX, U.S.A.
Soft cover. Condition: Very Good Plus.
Published by New York: Adventure Publications, Inc. / Gernsback Publication 1st Edition, 1934
Seller: John McCormick, Mississauga, ON, Canada
First Edition
Soft Cover. Condition: Fair to Good. Sidney Riesenberg (front cover) (illustrator). First Edition. ----------sea adventure pulp magazine, standard pulp size. The FIRST ISSUE of a very rare magazine that only went to 4 issues, from Gernsback Publications. Cover creases, chipping to edges, small cover pieces missing, small splits to spine extremities, pages browning and fragile, back cover stain, a fair to good complete copy. Back cover advertisement is from Kalamazoo Stove Co.
Published by Scanlan's Literary House, New York and St. Jean, Quebec, 1971
Seller: Burnside Rare Books, ABAA, Portland, OR, U.S.A.
First Edition Signed
Paperback. First Edition. Complete run of seven issues plus the final, rare "Suppressed Issue" produced in Canada. Landmark article "The Kentucky Derby is Decadent and Depraved" in issue #4 signed by Ralph Steadman in red ink. A very Near Fine set, bright and clean set; truly excellent shape. No subscriber labels. Some wraps and contents age-toned, staples occasionally rusted. Scanlan's was a counterculture magazine that broke down nearly as many boundaries as its predecessor, Ramparts, during its short existence. It launched "gonzo journalism" with the article "The Kentucky Derby is Decadent and Depraved" by Hunter S. Thompson, illustrated by Ralph Steadman, in its June 1970 issue-- that's the one with Nixon's face being punched into oblivion. Steadman's splattery signature graces the negative space around the derby-goer's head on the article's title page. He and Thompson would go on to collaborate on the book Fear and Loathing in Las Vegas, which brought gonzo journalism widespread popularity. The set also features work by R. Crumb, Alfred McCoy (author of The Politics of Heroin), JFK investigator Jim Garrison's cohort William Turner, and Robert Altman well as other Thompson (AKA Raoul Duke) and Steadman work.