William Friedlander (18 results)

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. William Christenberry, Lynn Davis, Terry Evans, Lee Friedlander, Annie Leibovitz, Karen Halverson, Sally Mann, Mary Ellen Mark, Richard Misrach, Hope Sandrow, Fazal Sheikh, William Wegman (photographers) (illustrator). Stated First Edition. Clean hardcover stated First Edition in clean unclipped dust jacket. Rust brown cloth boards with gold lettering on spine; no fraying, no fading, very small bump to bottom board edge near spine. Binding is tight and square, hinges are sound. All pages and edges are clean with clean dark green endpapers. No names, writing or marks. 130 four-color and duotone photographs by great nature photographers such as Annie Leibovitz, Sally Mann, William Wegman, William Christenberry and others who are tops in their field. Foreword by Terry Tempest Williams; Essay by Andy Grundberg. 160 pages. Clean dust jacket is unchipped, not price clipped, one 1" closed edge tear at bottom right flap fold; now enclosed in new archival quality removable mylar cover.

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Paperbound. Condition: Very Good. First Edition. pict paper wraps, 96 pages, title page port., b & w illustrations from photographs, lyrics and music notation, light soil to wraps, short bio on Cohen by William Kloman CONTENTS: A bunch of lonesome heroes ; Bird on the wire ; The butcher ; Hey, that's no way to say goodbye ; Lady Midnight , Master song ; The old revolution ; One of us can not be wrong ; Priests ; Seems so long ago, Nancy ; Sisters of mercy ; So long, Marianne ; Stories of the street ; Story of Isaac ; The stranger song ; Suzanne ; Teachers ; Tonight will be fine ; Winter lady ; You know who I am. Size: 12 Mo., Book.

Hardback. Condition: G++. No Jacket. New Edition. c1900. Some spine wear. SPECIAL POSTAGE RATES APPLY GB £5.

Paperback. Condition: Used - Good. Department of Landscape Architecture, Harvard University, Cambridge, MA, undated (1975?). 169 pages. Maps, plans, halftones. 8.5 x 11", printed wrapper over cardboard. Wrap rubbed, chips, tears, text clean, tight, G.

Soft cover. Condition: New. 1st Edition. Price is net to all; promotional discounts do not apply. SHIPPING NOTE: Due to size and weight (e.g., multi-volume sets), additional shipping fees apply (calculated at checkout). First edition, first printing. Signed by Friedlander. Boxed set of six volumes sharing the following format: Soft cover. No dust jacket as issued; contained in a printed paper-covered slipcase. Photgraphs by Lee Friedlander. Set 240 pp., with 191 duotone plates. 9 x 8-1/2 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New in publisher's shrink-wrap (opened only for signature). From the publisher: "In the 1960s and '70s, Lee Friedlander (born 1934) developed his signature approach to documenting the American "social landscape": deadpan, structurally complex black-and-white photographs of seemingly anything, anybody or anyplace that passed in front of his lens. But as he was making his name as a documentary photographer capturing the look and feel of modern American life, he was also photographing his closest friends, a practice he has continued throughout his long career. A slipcased set of six paperback books, The Mind and the Hand presents the photographer's intimate portraits of six of his best friends taken over the past five decades. The subjects, each presented in their own separate volume, comprise a veritable who's who of one of America's most fertile periods in photography: Richard Benson, William Christenberry, William Eggleston, Walker Evans, John Szarkowski and Garry Winogrand. Each volume begins with a relevant quote from its subject." Signed by Author.

LeatherBound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1917 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 4 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

[32] pp.; 26.7 x 21 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with the United States Pavilion designed by Chermayeff & Geismar and related exhibits at the Japan World Exposition, held in Osaka, Japan, in 1970. Includes statements by Richard Nixon and Howard Chernoff. American photographers featured include Andre Kertesz, Diane Arbus, William Garnett, Garry Winogrand, Duane Michals, Lee Friedlander, Joel Meyerowitz, Paul Vanderbilt, Bruce Davidson, and Ansel Adams. Eight additional artists were included as part of the "New Arts pavilion," with work by Claes Oldenburg, Robert Whitman, Boyd Mefferd, Tony Smith, Newton Harrison, and Rockne Krebs. "In a completely enclosed area in the United States Pavilion stands the results of a pioneer experiment in which industrial corporations sheltered artists in residence and gave them the opportunity to explore advanced technology and transmute it into art." -- from the catalogue. Texts in English and Japanese. Fair / Good. 8.4 cm. of creasing, bumping, and handling wear to top right corner of publication with 2.8 cm. crease/bumping to top edge of covers; rubbing of spine edge; 2.4 cm. of bumping and creasing to bottom right corner of publication; and 7 cm. embossed markings on recto carrying through to title page. Bumping also carries through to pages, contents otherwise clean and unmarked.

Paperback. Condition: Good. Dust Jacket Condition: Poor. 171 p. Includes: illustrations, maps, bibliography. 0.0.

[32] pp.; 26.7 x 21 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with the United States Pavilion designed by Chermayeff & Geismar and related exhibits at the Japan World Exposition, held in Osaka, Japan, in 1970. Includes statements by Richard Nixon and Howard Chernoff. American photographers featured include Andre Kertesz, Diane Arbus, William Garnett, Garry Winogrand, Duane Michals, Lee Friedlander, Joel Meyerowitz, Paul Vanderbilt, Bruce Davidson, and Ansel Adams. Eight additional artists were included as part of the "New Arts pavilion," with work by Claes Oldenburg, Robert Whitman, Boyd Mefferd, Tony Smith, Newton Harrison, and Rockne Krebs. "In a completely enclosed area in the United States Pavilion stands the results of a pioneer experiment in which industrial corporations sheltered artists in residence and gave them the opportunity to explore advanced technology and transmute it into art." -- from the catalogue. Texts in English and Japanese. Very Good. Light rubbing of covers and cover edges. Light dinging: 2 mm. and 7 mm. to first page and 2 mm. to first six pages. contents otherwise clean and unmarked.

Soft cover. Condition: Fine. 1st Edition. 1976-1983. First edition, first printing. 27 volumes sharing the following format: Soft cover. Saddle-stiched (staple bound); no dust jacket as issued. Volumes are contained in two silver printed paper-covered slipcases. Photographs and text by various artists (see below). Additional text by Jane Livingston. Includes a catalogue of each exhibition and brief biographies of the artists. 16-40 pp. each. 8 x 8 inches. Exhibition catalogues produced for the historic 1976 Bicentennial project "The Nation's Capital in Photographs": 1) Lewis Baltz: Maryland 2) Joe Cameron: The Extended Mall 3) Robert Cumming 4) Roy DeCarava 5) Lee Friedlander 6) John Gossage: Better Neighborhoods of Greater Washington 7) Jan Groover 8) Anthony Hernandez This set also contains the following exhibition catalogues: 9) Jerry Burchard 10) William Christenberry: Color Photographs 11) Langdon Clay: Color Atlas: Including Flat Lands and Related Views 12) Mark Cohen 13) Gregory Conniff 14) Linda Connor 15) Frank DiPerna: Color Photographs 16) Emmet Gowin: Photographs 1966-1983 17) Arnold Kramer: Interior Views 18) Helen Levitt 19) Jerome Liebling 20) Sally Mann: The Lewis Law Portfolio 21) John McIntosh 22) Mike Mitchell: Other Lights 23) Mark Power: Beauty and the Beast 24) Addison N. Scurlock 25) Rosalind Solomon 26) A Selection of Photographs from the Collection of Sam Wagstaff 27) Janica Yoder. Fine (slipcase with moderate scuffing; all catalogues Fine, except for the Gowin catalogue which has creasing to the rear cover). Exhibition catalogues produced for the historic 1976 Bicentennial project "The Nation's Capital in Photographs": 1) Lewis Baltz: Maryland (The Nation's Capital in Photographs,1976). 24 pp., with 14 black-and-white plates. Exhibition dates: June 19-September 12, 1976. 2) Joe Cameron: The Extended Mall (The Nation's Capital in Photographs, 1976). 24 pp., with 15 black-and-white plates. Exhibition dates: December 11, 1976-February 20, 1977. 3) Robert Cumming: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: February 14-May 9, 1976. 4) Roy DeCarava: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: February 14-May 9, 1976. 5) Lee Friedlander: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: December 11, 1976-February 20, 1977. 6) John R. Gossage: Better Neighborhoods of Greater Washington (The Nation's Capital in Photographs, 1976). 24 pp., with 15 black-and-white plates. Exhibition dates: September 24-November 21, 1976. 7) Jan Groover: The Nation's Capital in Photographs, 1976. 24 pp., including two 2-page gatefolds, with 7 black-and-white plates and 7 four-color plates. Exhibition dates: September 24-November 21, 1976. 8) Anthony Hernandez: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: June 19-September 12, 1976. Other exhibition catalogues: 9) Jerry Burchard, 1978. 16 pp., with 10 black-and-white plates. Exhibition dates: April 21-June 4, 1978. 10) William Christenberry: Color Photographs, 1978. 16 pp., with 5 tipped-in four-color plates. Exhibition dates: December 21, 1978-February 11, 1979. 11) Langdon Clay: Color Atlas: Including Flat Lands and Related Views. 1979. 16 pp., with 4 tipped-in four-color plates. Essay by Lloyd Fonvielle. Includes a checklist of the exhibition, biography, exhibition history and bibliography. Exhibition dates: Exhibition dates July 21-September 23, 1979. 12) Mark Cohen, 1981. 24 pp., with 12 black-and-white plates. Exhibition dates: October 10-December 13, 1981. 13) Gregory Conniff, 1980. 20 pp., with 11 black-and-white plates. Exhibition dates: December 19, 1979-February 3, 1980. 14) Linda Connor. Unpaginated, with 13 duotone plates, printed by Schneidereith and Sons, Baltimore, Maryland, from separations by Prolith International, Beltsville, Maryland. Exhibition dates: November 20, 1982-January 2, 1983. 15) Frank Di Perna: Color Photographs, 1977. 16 pp., with 8 four-color plates. Exhibition dates: June 4-July 17, 1977. 16) Emmet Gowin: Photographs 1966-1983. 40 pp., with 20 duotone plates. Exhibition dates: September 7-November 13, 1983. Includes a biography, exhibition history and bibliography. Text by Peter Bunnell. Limited to 2000 copies. CONDITION: Near Fine (creasing to the rear cover, else Fine). 17) Arnold Kramer: Interior Views, 1978. 16 pp., with 9 black-and-white plates. Exhibition dates: April 21-June 4, 1978. 18) Helen Levitt, 1980. 12 pp., with 6 four-color plates and 1 black-and-white plate. Exhibition dates: February 9-March 23, 1980. 19) Jerome Liebling, 1980. 16 pp., with 9 four-color plates and 1 black-and-white plate. Exhibition dates: December 5, 1980-January 24, 1981. 20) Sally Mann: The Lewis Law Portfolio, 1977. 16 pp., with 9 black-and-white plates. Exhibition dates: September 24-November 13, 1977. 21) John McIntosh, 1979. 20 pp., with 6 tipped-in four-color plates. Exhibition dates April 21-June 18, 1979. 22) Mike Mitchell: Other Lights, 1977. 16 pp., with 9 black-and-white plates. Exhibition dates: September 24-November 13, 1977. 23) Mark Power: Beauty and the Beast, 1979. 12 pp., with 5 four-color plates. Exhibition dates: October 4-December 9, 1979. 24) The Historic Photographs of Addison N. Scurlock. 24 pp., with 14 black-and-white plates. Exhibition dates: June 19-August 29, 1976. 25) Rosalind Solomon: Washington, 1980. 20 pp., with 11 black-and-white plates. Exhibition dates: May 15-June 29, 1980. 26) An Exhibition of Photographs from the Collection of Sam Wagstaff. Exhibition catalogue, featuring a list of works by 19th- and 20th-Century artists. 12 pp., with 21 black-and-white thumbnail illustrations and two black-and-white plates. Exhibition dates: February 3-March 26, 1978. 27) Janica Yoder, 1979. 16 pp., with 10 black-and-white plates. Exhibition dates: February 29-April 22, 1979.

Condition: Good. Initially, monthly newsletter of The Friends of Photography. Publication name changed in January 1987 to "re:view". Frequency of publication also changed throughout the time published, as noted below. Volume 1, Numbers 1-12, January - December 1978 Volume 2, Numbers 1-12, January - December 1979 Volume 3, Numbers 1-12, January - December 1980 and Workshop Edition Volume 4, Numbers 1-12, January - December 1981 and Workshop Edition Volume 5, Numbers 1-12, January - December 1982 and Workshop Edition Volume 6, Numbers 1-5, 7-9, 11-12, January - December 1983 and Workshop Edition Volume 7, Numbers 1-3, Special May Edition, 5-6, 8, 10, 12, 1984 Volume 8, Numbers 1-7, 8-9, 12, 1985 and Workshop Edition Volume 9, Numbers 1-12, January - December 1986 and Workshop Edition Volume 10, Numbers 1-12, January - December 1987 and Workshop Edition Volume 11, Numbers 1-12, January - December 1988 and Workshop Edition Volume 12, Numbers 1-10, January - December 1989 and Workshop Edition [September/October and November/December issues combined] Volume 13, Numbers 1-6, January - December 1990 [Published 6 time per year] Volume 14, Numbers 1-6, January - December 1991 and Workshop brochure Volume 15, Numbers 1, 3-6, January - December 1992 Volume 16, Numbers 1-6, January - December 1993 and Workshop brochure Volume 17, Numbers 1-6, January - December 1994 Volume 18, Numbers 1-4, January - December 1994 [Issued Quarterly] Volume 19, Numbers 1, 3, Winter and Fall 1995.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1905 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 73 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 73 Language: English.

Folio, 10 ½ x 14 inches. A scarce sheet for the song "Good-Bye Lou," performed by Sissieretta Jones as Black Patti circa 1907. By the early twentieth century Sissieretta Jones (18681933), widely billed as "Black Patti," had transitioned from her earlier international career as a concert soprano into touring with her company, the Black Patti Troubadours, a large troupe founded in the mid-1890s. During the period in which this sheet was published, the Troubadours continued to present mixed programs combining comic sketches, popular songs, spiritual-style numbers, and specialty acts, touring extensively across the United States on regional theater circuits. The company typically traveled with a sizable cast and orchestra, appearing in opera houses, vaudeville theaters, and touring venues throughout the Midwest, South, and East. Jones's reputation as a classically trained vocalist remained central to promotion, and period notices frequently referenced her earlier performances at Madison Square Garden, the World's Columbian Exposition in Chicago, and before European royalty. By the later years of the Troubadours' activity the troupe was among the longest-running African American touring companies, sustaining annual seasons with new musical material issued as sheet music such as the present example. Friedlander was best known for his work on Broadway in the 1920s and 1930s. This composition was authored only two years after his first known publication, "The Man with the Jingle." During that period he also authored songs for his wife, the performer Nan Halperin. We find one other copy of this sheet, at the Hackley Memorial Collection at the Detroit Public Library (OCLC 51158817). Overall a fantastic survival from Jones' touring career, with a large photograph of her, seated, on the illustrated cover. Cover chipped and detached, binding split, some marginal dampstaining, fair to good overall but attractive.

Prints only, no sonnets. Folio [34 cm] Illustrated dedication/title page plus 11 mounted woodcut prints [images 5 1/2 x 7 1/2"; on paper 7 3/8 x 9 1/2"] on loose bifolia sheets [13"]. Each with a loose tissue guard. All prints are signed by Isaac Friedlander in pencil in the bottom right corner. The Sonnet number is written in pencil in the bottom left corner. The prints are in a folder with a mounted illustrated dedication page on the front wrap (1 1/2" closed tear to the front folder wrap at the foot of the spine). All contents housed in a black paper chemise portfolio with a paper title label on the front of the portfolio. The portfolio is in very good condition, with light rubbing and edge wear. Short closed tear to top edge. Light stain along top edge of one bifolium. Prints fine. It is commonly agreed upon that the author of the dedication, "T. T." is the publisher Thomas Thorpe, however the identity of the dedicatee W. H. has been the matter of widespread and often bitter dispute, and is considered to be one of the most elusive figures in literary history. With striking images illustrating the following Sonnets by Shakespeare: Sonnet 7 (traces the path of the sun across the sky); Sonnet 12 (the poet realizes that the young man's beauty will be destroyed by Time); Sonnet 27 (the poet laments that the night, which should be a time of rest, is instead a time of continuing labor as, in his imagination he wrestles to reach his beloved); Sonnet 34 (the sun is overtaken by clouds, and the sun/beloved is accused of having betrayed the poet by promising what is not delivered); Sonnet 53 (the poet praises the beloved as not only the essence of beauty, but also as the epitome of constancy; Sonnet 66 (the poet gives examples of the societal wrongs that have driven him to become weary of life and long to die, except that he would thereby desert the beloved); Sonnet 97 (the poet remembers his separation from his beloved as a period as bleak as winter); Sonnet 116 (the poet meditates on what he views as the truest and strongest form of love, that between minds); Sonnet 123 (the poet muses that there is nothing new under the sun); Sonnet 127 (the poet defends his love of a mistress who does not fit the standard conventional definition of beauty); Sonnet 144 (reflects an allegory of a person tempted by a good and a bad angel). Missing Sonnet 106 (?). Eleven powerful images by Isaac Friedlander. Prolific etcher and wood engraver Isaac Friedlander (1890-1968) was born in Mitau, Latvia. Friedlander, a fervent opponent of Czarist rule, was sentenced to death at the age of 16- a fate he managed to narrowly escape. He moved to Italy in 1912, where he befriended Russian artist Maxim Gorky. During this time, he studied etching, drawing, and relief printing at the Academy of Rome. He emigrated to the United States in 1929, eventually settling in New York where he worked as a full-time artist until his death. His work often emphasizes his native Riga, the urban drama of Depression-era New York, and the horror of the Holocaust. Friedlander's works are represented in numerous museums, including the Smithsonian, Bibliotheque Nationale, and the Brooklyn Museum.

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1905. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 73, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 73 73.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1866 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 1163 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 1163 Language: English.

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1866. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 1161, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 1161 1161.