Williams Terrick (13 results)

Hardcover. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Second Edition. 61 pages. Blue jacket over cloth. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning. Unclipped jacket has light edge wear with minor tears and chipping. Mild rubbing and marking.

1 Good. moderate shefwear, ex museum stamp to blank flyleaf, artist name printed on cover.

Hardcover. Condition: Very Good. Illustrated Throughout (illustrator). Reprint Edition. Windsor & Newton, Ltd. Nd HB Tall 12mo Contents foxed, small bookshop sticker inside back cover, else unmarked and tight in lightly used green boards with price sticker upper rh corner. Illustrated by the author. art; book is not dated, but believed to be 1925 hardcover edition (1/7/20- 50362 ) Size: 6 x 8".

First Edition. Very good copy in the original plain, paper-covered boards. Spine bands and panel edges somewhat dulled and rubbed as with age. Bumped corners. Some light foxing to prelims. Remains well-preserved overall. Publication year suggested. Physical description; 61 pages, 5 plates ; (8ş). Subjects; Williams, Terrick, 1860-1936. Landscape painting Technique. Oil painting Technique. Painters Great Britain. Instruction. 3 Kg.

Hardcover. Condition: Very Good. No Jacket. The boards are slightly marked. Internally clean and tightly bound. Our orders are shipped using tracked courier delivery services.

Soft cover. Condition: Very Good. 1st Edition. 4to. Original paper wrappers, stapled. 7 colour and 12 b/w illusts, 63 item catalogue.

First Edition. Very good copy in the original plain, paper-covered boards. Spine bands and panel edges somewhat dulled and rubbed as with age. Bumped corners. Some light foxing to prelims. Remains well-preserved overall. Publication year suggested. Physical description; 61 pages, 5 plates ; (8ş). Subjects; Williams, Terrick, 1860-1936. Landscape painting Technique. Oil painting Technique. Painters Great Britain. Instruction. 1 Kg.

Soft Cover. Illus,; 52pp. orig. wrappers,

Hardcover. Condition: Very Good. No Jacket. Fifteenth Thousand. Hardback copy in tan boards with black lettering to front and spine, no dustjacket. 44pp. Colour and b/w plates, b/w illustrations within text. Not library copy, no inscriptions. (28/3).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Illustrated by the Author (illustrator). Like with most (or all) of the others for sale, no date is given. Other sellers are indicating that they believe the book was published in 1925. My book states 'Seventh Thousand' on the title page, which makes it an earlier printing than any of the others I looked at. This book still has its dust jacket which sets it apart from all of the other copies for sale on the Internet. And happily the jacket is in very nice condition. You can see the covers of the book itself in the last few photos. They are in quite decent condition. There are couple of small spots on the front. There is also some light toning off a few of the cover edges. The black lettering on both the front and on the spine is nicely bright. The spine looks very good. The cover edges look very good. So do the top two corners. The bottom two corners have small spots of rub-through. The page edges look very good, very clean. The book is very solidly bound from cover to cover. The pages are nicely tight, perhaps even a little too tight creating a little bit of crinkling/rippling at the margins of the pages just adjacent to their junctures. The covers are nicely, tightly bound. The pages are exceptionally clean. Scrolling through, I haven't found any instances of conspicuous soiling. The glossy pages of the illustrations (black-and-white and color) are very clean as well. There is no foxing anywhere in the book. I'm not seeing any placeholder creases. There are no turned-down corners. There are no markings in the book. There are no attachments of any kind. There is an inscription on the blank front end paper. It says 'To Lucy Virginia, Sept 9, 1945, the signature is a scribble (so just pick any famous painter). There is no other writing to be found anywhere in the book. You can see the dust jacket in the first few photos. It's quite clean. There is a slight bit of toning off a couple of edges. The thin spine is toned/tanned. There is not a great deal of wear. There are two smallish tears off the top edge of the front cover. There's the tiniest bit of loss at the spine ends and off the bottom edge of the middle edge between the front cover front flap, and off the top edge of the middle edge between the rear cover and rear flap. All in all, the jacket presents very well, as you can see in the photos. The flaps are quite decent shape, very clean, a little toning. The top edge of the rear flap has some thin crinkling/wrinkling. The price is on the front cover and not on the front flap. The jacket is NOT clipped. Both flaps advertise Winsor & Newton's Art Manuals. The jacket is protected by a fitted cover. Terrick Williams was a British painter who was a member of the Royal Academy. He was elected a member of the Royal Institute of Painters in Water Colours in 1904. His work was regularly exhibited at the Royal Academy from 1891. He was elected an Associate of the Royal Academy (A.R.A.) in 1924, a Royal Academician (R.A.) on in 1933, and a Senior R.A. in 1936. In 1933 he was also elected President of the Royal Institute.'.

8vo, 61pp, colour and black and white illustrations. A good hardback copy in heavily worn blue leather. News clipping stuck to front pastedown. . From the library of Austraian Artist, Victor E. Cobb, with his signature.

All three items concern Littlejohns' 'British Watercolour Painting and Painters of Today' (London: Pitman, 1931)'. First Letter: 12mo, 3 pp. 43 lines. Text clear and entire. On two leaves attached to one another in a corner by a pin. Good, on lightly-creased paper. Interesting and informative letter concerning 'two watercolours' which Williams would 'like to be 'reproduced in [Littlejohn's] work on water colours'. Gives details of the titles of the works and the name and address of the owner, 'who has consented to send them'. Discusses the techniques employed in executing the two works, and the paper they were painted on. Second Letter (to 'Dear Sir' [i.e. Littlejohns]): 12mo, 1 p. Four lines. Good. Thanks him 'for the prints of my two water colours', which he thinks are 'excellent'. Third Letter (to Pitman): 12mo, 1 p. 8 lines. Good. Acknowledging the 'very welcome gift of copies' of the book. 'I think the reproductions of my own watercolours are excellent and, as far as I am able to judge, the others are equally good & the book is a most pleasant possession'.