Willy Pseud (20 results)

SingleIssueMagazine. Condition: Good. Vol. 11, No. 3. Pulp magazine. [Edited by Mortimer Weisinger.] Cover art by Brown (?) for "The Dual World" (novelet) by Arthur K. Barnes. Includes "Murder in the Void" (novelet) by Edmond Hamilton; "Terror in Utopia" (novelet) by Paul Ernst; "The Reinmuth Rider" by John Victor Peterson; "The Man Who Looked Like Steinmetz" by Robert Moore Williams; "Wings Across the Cosmos" by Polton Cross [John Russell Fearn]; "The Year of Unreason" by J. Harvey Haggard; "The Great Illusion" by Willl Garth [Edmond Hamilton]; "Time on My Hands" by Mort Weisinger. Special Article: "The Conquest of the Deep" (article) by Willy Ley. Special Features: "Science Quiz"; "If- (A Picture Feature)" by Jack Binder; "Scientifacts" by J. B. Walter. Other Departments and Features: "The Story Behind the Story"; "Forecast for the Next Issue"; "Science Questions and Answers"; "The Science Fiction League"; "The Reader Speaks"; "The 'Swap' Column." Illustrated by Leo Morey, Murphy, and Wesso. Tanned; edges trimmed with stains; edge and corner wear; address label bits adhered along inside foredge; owner's marks (Lynn Hickman of First Fandom) on first page. Book.

SingleIssueMagazine. Condition: Good. Vol. 11, No. 3. Pulp magazine. [Edited by Mortimer Weisinger.] Cover art by Brown (?) for "The Dual World" (novelet) by Arthur K. Barnes. Includes "Murder in the Void" (novelet) by Edmond Hamilton; "Terror in Utopia" (novelet) by Paul Ernst; "The Reinmuth Rider" by John Victor Peterson; "The Man Who Looked Like Steinmetz" by Robert Moore Williams; "Wings Across the Cosmos" by Polton Cross [John Russell Fearn]; "The Year of Unreason" by J. Harvey Haggard; "The Great Illusion" by Willl Garth [Edmond Hamilton]; "Time on My Hands" by Mort Weisinger. Special Article: "The Conquest of the Deep" (article) by Willy Ley. Special Features: "Science Quiz"; "If- (A Picture Feature)" by Jack Binder; "Scientifacts" by J. B. Walter. Other Departments and Features: "The Story Behind the Story"; "Forecast for the Next Issue"; "Science Questions and Answers"; "The Science Fiction League"; "The Reader Speaks"; "The 'Swap' Column." Illustrated by Leo Morey, Murphy, and Wesso. Tanned; edges chipped; spine faded with tears and losses; corner losses; minor stains. Book.

Originele halflinnen band met (iets beschadigd) stofomslag, nog een goed exemplaar. Please see description or ask for photos.

Originele halflinnen band met (iets beschadigd) stofomslag, nog een goed exemplaar. Please see description or ask for photos.

Condition: Buono (Good). 0. In-16°, pagine 311, [3]. Con numerose vignette in bianco e nero nel testo di A. Roubille. Brossura editoriale figurata. Willy (1859-1932) ebbe una certa fama con romanzi e novelle d'umorismo parigino, come la serie fortunata di Claudine (1900-1903), dovuta in realtà in gran parte alla moglie Colette. L'opera è corredata da numerose illustrazioni di Auguste Roubille (1872-1955), pittore, decoratore, incisore, disegnatore e caricaturista francese. Collaborò ai principali giornali umorististici dell'epoca, tra i quali: "Rire", "Sourire", "Cri de Paris", "Cocorico". Bénézit IX, 128. Book.

Originele halflinnen band met (iets beschadigd) stofomslag, nog een zeer acceptabel / goed exemplaar. Please see description or ask for photos.

Originele halflinnen band met (iets beschadigd) stofomslag, nog een goed exemplaar. Please see description or ask for photos.

4to. 162 pp. Text illustrations by Orban & Schneeman. Colour-illustrated softcovers, cover art by Hubert Rogers, (uniform light interior toning as usual, slight shelfwear, slight dustsoiling front cover, 1 tiny closed tear at fore-edge, chip to rear corner), still G copy. First edition of this installment in Astounding Stories considered Campbell's "Golden Age," and which here featured the conclusion to Van Vogt's "Slan," De Camp's, "Justinian Jugg's Patient," and Willy Ley's "Fog.".

4to. 160 pp. Text illustrations by Dold, Orban, Scheeman, Thomson, Wesso. Colour-illustrated softcovers, cover art by Thomson, (uniform light interior toning as usual, slight shelfwear, couple minor closed tears, predation with loss at upper fore-edge), Poor copy. First edition of this installment in Astounding Stories, featuring the first installment of L. Ron Hubbard's "The Tramp," of a hobo who gained superpowers, Willy Ley's "Orbit XXIII-H" who had begun using his pen name as the Nazi's consolidated power in Germany.

4to. 159, [1] pp. Text illustrations by Dold, Wesso, Thomson. Colour-illustrated softcovers, cover art by Harold V. Brown, (uniform light interior toning as usual, slight shelfwear, very small closed tear at foot of spine), still VG bright copy. First edition of this installment in Astounding Stories, featuring Willy Ley's "At the Perihelion" who had begun using his pen name as the Nazi's consolidated power in Germany, Coblentz's "The Reign of the Long Tusks," and conclusion of Williamson's "The Blue Spot.".

Berlin, Verlag Junge Generation, (1934). 108 S. Mit Text-Illustr. u. Einband-Zeichnung von R. Busoni. (Ca. 18,5 x 11,5 cm). Farb. illustr. OPp. Eymer S. 572 u. 298. - Der Schriftsteller Willy Richard Sachse (1896-1944), Sozialist u. Kommunist, organisierte als Matrose im Ersten Weltkrieg politischen Widerstand u. leistete später Widerstand gegen den Nationalsozialismus; 1942 wurde er festgenommen, 1944 hingerichtet. - Rafaello Busoni (1900-1962), Graphiker, Zeichner, Maler u. Illustrator (vgl. Z. F. Phillips: German Children's and Youth Literature in Exile, 1933-1950). - Rücken mit Schabstelle sonst gutes Exemplar.

8° 233 S. OLwd. DEA. - Einer der vielen frivolen Romane aus dem Grimm-Verlag Budapest.

Paperback. Condition: Fair. 298 p. ; 21 cm. Dutch.

Milano-La prora, 1942 in 8° pp. 312. Unito a: IDEM. L'amore di Mascha Labedeff. Milano-La prora, 1943 in 8° pp. 227. Leg. cartoné edit. ill. a colori.

213 S.,1 Bl. (Anzeigen). Erste Ausgabe. - Hayn/Gotendorf VIII, 542. - Ohne den Vortitel. - Bindung tls. leicht gelockert. Gutes, weitgehend fleckenfreies Exemplar. Sprache: Deutsch Gewicht in Gramm: 700 Lwd. d. Zt. mit goldgepr. Rtit. (kaum berieben).

Livre broché. Condition: Bon état. Paris, Editions Montaigne, 1927, in-8, broché, 192 pp. Très bon exemplaire. Considérations générales. Hygiène. Aphrodisiaques alimentaires. Agents physiques. Aphrodisiaques médicamenteux chez les Anciens. Effets des aphrodisiaques sur les animaux. Les bulbes d'alliacés. Les champignons. La mandragore ou duadim. Les aroïdés. Chanvre indien. Opium. Les labiées. Panax ou Oi-gin-seng. Poivres, bétel. Substances animales. Aphrodisiaques fabuleux. Excitations mécaniques. - Douleur infligée et douleur reçue. Amour et douleur. Fétichisme. Etc. Etc. Edition originale.

4to. 162 pp. Text illustrations by Kramer, Ley, Orban, Schneeman & Wesso. Colour-illustrated softcovers, cover art by Hubert Rogers, (uniform light interior toning as usual, slight shelfwear, ever so slight chipping head & foot of spine, faint crease front cover), still VG bright copy. First edition of this installment in Astounding Stories considered Campbell's "Golden Age," and which here included Smith's "Gray Lensman" debut, Jameston's "A Question of Salvage," Ley's "Earth's Second Moon," and others.

8°. 280 S. Pappband d. Zt. mit aufgezogener illustrierter Orig.-Broschur. |Erste deutsche Ausgabe| von Colette's 'Claudine s'en va'. Hier in der nachgebundenen Broschur, unbeschnitten. Einband etwas fleckig, Seiten vereinzelt leicht fingerfleckig, 3 S. mit kleinen Randeinrissen. In dieser ersten, lt. Polunbi verboten und "unbrauchbar zu machen[den]" Ausgabe sehr selten. Hayn-Got. VI, 74; Polunbi 32.

8vo, pp. 256; photographic illustrations throughout; a very good copy in contemporary red morocco-backed boards with marbled sides, spine lettered directly in gilt, ribbon place-marker, with the original halftone photographic wrappers bound in; contemporary postcard (140 x 90 mm) from Willy to 'Mon ami Pierrot' loosely inserted.First edition of these vignettes of bohemian life in fin-de-siècle Paris by author and critic Willy, illustrated by nearly one hundred photographs of the author himself, as well as Marcel Boulestin, Marcelle Rossat, and Colette's famous French bulldog, Toby-Chien.In 1893 Willy married Colette, the author of the renowned semi-autobiographical Claudine novels, published under Willy's name between 1900 and 1903; they separated in 1906. 'Willy the voyeur was a pioneer of what would become the "illustrated novel", publishing in 1904 a work that presented itself as a "modern" attempt to include in the novel many "photographic illustrations", in which the author himself can be recognized' (Kristeva, Colette (2004), p. 473, n. 74). Willy blurs the distinction between reality and imagination in these images, in which figures move beyond the confines of photographic borders, and through the character of Henry Maugis, both a figure who appears repeatedly in the Claudine novels and another of Gauthier-Villars's pseudonyms.His attempts at self-promotion in En Bombe ultimately rely upon the commercial success of Colette's novels; contemporary advertisements, likely authored by Willy himself, ask readers: 'Who hasn't read the Claudine books? Who doesn't want to get to know these enigmatic characters, portrayed by Willy with such wit and daring? En Bombe, with its 100 photographs, is not only a book, but an album: L'Album des Claudine' (cited in Bartl, Kraus, and Wimmer eds., Skandalautoren (2014), p. 444 trans.).A loosely inserted postcard bearing a photograph of Willy and Colette perhaps attests to Willy's reputation as something of a libertine. Here, he jokes with his friend and former secretary Pierre Varenne about his latest dalliance with a 'jolie Russe', adding that he wouldn't mind if her fiancé caught typhoid fever or cholera. Language: French.

4to. 162 pp. Text illustrations by Cartier, Gilmore, Isip, Kell, Ley & Wesso. Colour-illustrated softcovers, cover art by Virgil Finlay, (uniform light interior toning as usual, slight shelfwear, every so slight chipping head & foot of spine, faint crease front cover), still VG bright copy. First edition of this installment in Astounding Stories considered Campbell's "Golden Age," and which here included Robert Heinlein's debut story "Life-Line," along with "General Swamp, C.I.C." under Hubbard's Engelhardt pseudonym, as well as de Camp's "Blue Giraffe," and Willy Ley's "Space War.".