Wittmann Susan (17 results)

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  • Language: English

    Published by Yale University Press, 2012

    0300185391 / 9780300185393

    • Hardcover

    Seller: Bookmans, tucson, AZ, U.S.A.Bookmans

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    Hardcover. Condition: Good. . Satisfaction 100% guaranteed.

  • Language: English

    Published by Yale University Press October 2012, 2012

    0300185391 / 9780300185393

    • Hardcover

    Seller: A Cappella Books, Inc., Atlanta, GA, U.S.A.A Cappella Books, Inc.

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    Condition: Used - Very good

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    Oversized Hardcover. Condition: Very Good. Dust Jacket Condition: No Jacket As Issued.

  • Language: English

    Published by Yale University Press, 2012

    0300185391 / 9780300185393

    • Hardcover

    Seller: Great Matter Books, Grand Rapids, MI, U.S.A.Great Matter Books

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    Condition: Used - Near fine

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    Hardcover. Condition: Near Fine. Near Fine condition hardcover book, no dust jacket. Very slight shelf wear and shallow scratching to covers and spine. Very slight bumping to corners and spine edges. Slightest yellowing to text block edges. All of our books are individually inspected and described. Never X-library unless specifically described as such.

  • Language: English

    Published by Yale University Press, 2012

    0300185391 / 9780300185393

    • Hardcover

    Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.Powell's Bookstores Chicago, ABAA

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    Condition: Used - Very good

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    Hardcover. Condition: Very good. Cloth, no dj. Minor shelf wear. Else very sound.

  • Language: English

    Published by Yale University Press, 2012

    0300185391 / 9780300185393

    • Hardcover

    Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.Powell's Bookstores Chicago, ABAA

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    Hardcover. Condition: Used-Very Good. Cloth, no dj. Minor shelf wear. Else a bright, clean copy.

  • Language: English

    Published by Yale University Press, 2012

    0300185391 / 9780300185393

    • Hardcover

    Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.Powell's Bookstores Chicago, ABAA

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    Hardcover. Condition: Used-Very Good. Cloth, no dj. Minor shelf wear. Else a nice, clean copy.

  • More images

    Language: English

    Published by Yale University Press, 2012

    0300185391 / 9780300185393

    • Hardcover
    • First Edition

    Seller: Southampton Books, Sag Harbor, NY, U.S.A.Southampton Books

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    Condition: Used - As new

    US$ 35.00

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    Hardcover. Condition: Like New. First Edition. First Edition, First Printing. Published by Yale University Press, 2012. Folio. Hardcover. Book is like new.

  • Language: English

    Published by Yale University Press, 2012

    0300185391 / 9780300185393

    • Hardcover

    Seller: From Away Books & Antiques, Greenville, ME, U.S.A.From Away Books & Antiques

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    Condition: New

    US$ 44.00

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    Hardcover. Condition: New. New copy in publisher's shrink wrap. Location K125.

  • Language: English

    Published by Yale University Press, 2012

    0300185391 / 9780300185393

    • Hardcover

    Seller: WeBuyBooks, Rossendale, LANCS, United KingdomWeBuyBooks

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    US$ 49.51

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    hardcover. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

  • Published by Yale University Press, 2012

    0300185391 / 9780300185393

    • Hardcover
    • First Edition

    Seller: Tacoma Book Center, Tacoma, WA, U.S.A.Tacoma Book Center

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    Hardcover. Condition: As New. No Dustjacket. First Edition. ISBN 0300185391. Oversized, Heavy, Hardback. No dustjacket as issued. Near Fine Condition. Tight, bright, attractive copy with no markings to the book. As new condition. No statement of later printing on copyright page. No Signature.

  • Published by New York New Haven; London: Bard Graduate Center: Decorative Arts, Design History, Material Culture; Yale University Press, 2012

    • Hardcover
    • First Edition

    Seller: MW Books, New York, NY, U.S.A.MW Books

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    Original price: US$ 66.00
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    1st edition. Fine copy in the original colour printed boards. Particularly and uncommonly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 459 pages: illustrations (some color), portraits; 28 cm. Notes; Includes bibliographical references (pages 437-448) and index. Contents; Introduction / Kenneth L. Ames -- The circus Americanized / Janet M. Davis -- The transnational history of the early American circus / Matthew Wittmann -- The American circus in Victorian Britain / Brenda Assael -- American circus posters / Paul Stirton -- Shelburne Museum's Colchester posters and circus advertising / Kory W. Rogers -- The circus parade / Gregory J. Renoff -- Circus music in America / Leon Botstein -- The American circus tent / Fred Dahlinger, Jr. -- Elephants and the American circus / Susan Nance -- Horses and cat acts in the early American circus / Brett Mizelle -- Performed identities as circus illusions / Peter Tait -- The Americanization of the circus clown / Rodney Huey -- The American circus spectacle / Jennifer Lemmer Posey -- The circus in nineteenth-century American children's literature / Ellen Butler Donovan -- Circus toys in the gilded age / Eugene W. Metcalf -- The WPA circus in New York / Susan Weber -- Disability and the circus / Rachel Adams. Summary; The circus is a source of nostalgia for Americans of all ages, either from memories of attending P. T. Barnum's "Greatest Show on Earth," or through the colorful evocations in many movies, television programs, and books. Interest in the circus phenomenon is unflagging, yet there have been few publications that look closely at how the circus's European origins were refashioned for an American audience. Lavishly illustrated and carefully researched, this volume explores how American culture, values, demography, and business practices altered the fundamental nature of the European circus, and how, by the end of the 19th century, they had transformed it into a distinctly American pastime. At the peak of its cultural significance, the circus was a sophisticated combination of theater and business, and made effective use of advertising, train travel, and hyperbole. The subjects in The American Circus reflect this complexity, ranging widely from thematic explorations of circus music and elephants to more closely focused studies of objects such as circus toys, souvenirs, and performers' costumes. The book also explores the dark and even nefarious side of the circus, and its associations with marginalized dimensions of American life and culture. With contributions from leading scholars, this stylishly designed volume aims to identify the salient features of an Americanized cultural product and to analyze its appeal for American audiences. Subjects; Circus - United States - History - Pictorial works. PERFORMING ARTS / Circus. HISTORY / United States / General. ANTIQUES & COLLECTIBLES / Americana. ANTIQUES & COLLECTIBLES / Popular Culture. 2 Kg.

  • Published by The G & L press (Tucker Slingsby Ltd), 2014

    • Hardcover
    • First Edition

    Seller: The Groaning Board, Kensington, CA, U.S.A.The Groaning Board

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    Hardcover. Condition: Fine. 1st Edition. Fine hardcover, clean and tight. No writing or food stains. Decorative cover. Publication of Godolphin & Latymer, an independent day school for girls in Hammersmith, West London. Lovely photographs, fine recipes. 208 pp. M01330.

  • Published by New York New Haven; London: Bard Graduate Center: Decorative Arts, Design History, Material Culture; Yale University Press, 2012

    • Hardcover
    • First Edition

    Seller: MW Books Ltd., Galway, IrelandMW Books Ltd.

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    1st edition. Fine copy in the original colour printed boards. Particularly and uncommonly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 459 pages: illustrations (some color), portraits; 28 cm. Notes; Includes bibliographical references (pages 437-448) and index. Contents; Introduction / Kenneth L. Ames -- The circus Americanized / Janet M. Davis -- The transnational history of the early American circus / Matthew Wittmann -- The American circus in Victorian Britain / Brenda Assael -- American circus posters / Paul Stirton -- Shelburne Museum's Colchester posters and circus advertising / Kory W. Rogers -- The circus parade / Gregory J. Renoff -- Circus music in America / Leon Botstein -- The American circus tent / Fred Dahlinger, Jr. -- Elephants and the American circus / Susan Nance -- Horses and cat acts in the early American circus / Brett Mizelle -- Performed identities as circus illusions / Peter Tait -- The Americanization of the circus clown / Rodney Huey -- The American circus spectacle / Jennifer Lemmer Posey -- The circus in nineteenth-century American children's literature / Ellen Butler Donovan -- Circus toys in the gilded age / Eugene W. Metcalf -- The WPA circus in New York / Susan Weber -- Disability and the circus / Rachel Adams. Summary; The circus is a source of nostalgia for Americans of all ages, either from memories of attending P. T. Barnum's "Greatest Show on Earth," or through the colorful evocations in many movies, television programs, and books. Interest in the circus phenomenon is unflagging, yet there have been few publications that look closely at how the circus's European origins were refashioned for an American audience. Lavishly illustrated and carefully researched, this volume explores how American culture, values, demography, and business practices altered the fundamental nature of the European circus, and how, by the end of the 19th century, they had transformed it into a distinctly American pastime. At the peak of its cultural significance, the circus was a sophisticated combination of theater and business, and made effective use of advertising, train travel, and hyperbole. The subjects in The American Circus reflect this complexity, ranging widely from thematic explorations of circus music and elephants to more closely focused studies of objects such as circus toys, souvenirs, and performers' costumes. The book also explores the dark and even nefarious side of the circus, and its associations with marginalized dimensions of American life and culture. With contributions from leading scholars, this stylishly designed volume aims to identify the salient features of an Americanized cultural product and to analyze its appeal for American audiences. Subjects; Circus - United States - History - Pictorial works. PERFORMING ARTS / Circus. HISTORY / United States / General. ANTIQUES & COLLECTIBLES / Americana. ANTIQUES & COLLECTIBLES / Popular Culture. 2 Kg.

  • Language: English

    Published by Bard College Center, 2012

    0300185391 / 9780300185393

    • Hardcover

    Seller: Revaluation Books, Exeter, United KingdomRevaluation Books

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    Condition: New

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    Hardcover. Condition: Brand New. 432 pages. 10.94x1.73x8.82 inches. In Stock.

  • Language: English

    Published by Yale University Press, 2012

    0300185391 / 9780300185393

    • Hardcover

    Seller: BWS BKS, Ferndale, NY, U.S.A.BWS BKS

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    Hardcover. Condition: New.

  • Published by New York, Bard Graduate Center / New Haven and London, Yale University Press ., 2012

    • Hardcover
    • First Edition

    Seller: Versandantiquariat Wolfgang Petry, Hannover, GermanyVersandantiquariat Wolfgang Petry

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    459 Seiten, zahlreiche Abbildungen, 4°, großformatiger Orig.-Pappband (Einband leicht bestoßen; sonst sehr gutes Exemplar). - Erste Ausgabe / First Edition. - Publishes by te Bard Graduate Center: Decorative Arts, Desighn History, Material Culture. - (SW: Zirkus; Kulturgeschichte; Amerika; amerikanischer Zirkus). - "The circus is a source of nostalgia for Americans of all ages, either from memories of attending P. T. Barnum's "Greatest Show on Earth," or through the colorful evocations in many movies, television programs, and books. Interest in the circus phenomenon is unflagging, yet there have been few publications that look closely at how the circus's European origins were refashioned for an American audience. Lavishly illustrated and carefully researched, this volume explores how American culture, values, demography, and business practices altered the fundamental nature of the European circus, and how, by the end of the 19th century, they had transformed it into a distinctly American pastime. - At the peak of its cultural significance, the circus was a sophisticated combination of theater and business, and made effective use of advertising, train travel, and hyperbole. The subjects in The American Circus reflect this complexity, ranging widely from thematic explorations of circus music and elephants to more closely focused studies of objects such as circus toys, souvenirs, and performers' costumes. The book also explores the dark and even nefarious side of the circus, and its associations with marginalized dimensions of American life and culture. With contributions from leading scholars, this stylishly designed volume aims to identify the salient features of an Americanized cultural product and to analyze its appeal for American audiences." (Verlag).

  • Language: German

    Published by New Haven and London Yale University Press, 2012

    Seller: Heinrich Heine Antiquariat oHG, Düsseldorf, NRW, GermanyHeinrich Heine Antiquariat oHG

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    (28 x 22,5 cm); 4°; 459,(1) Seiten mit zahlreichen, teils farbigen Abbildungen; Orig.-Pappband. Published by the Bard Graduate Center: Decorative Arts, Design History, Material Culture / New York. Schönes Exemplar. * Customers from outside the EU ask please for real shipping costs! - Ask for more pics ! * 2100 gr.