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Published by U. Of Minnesota, Minneapolis, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
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Language: English
Published by Univ Of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
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Language: English
Published by University of Chicago press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
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Language: English
Published by Univ Of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
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Published by MP - University Of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
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Language: English
Published by Univ Of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
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Language: English
Published by University of Minnesota Press, 2000
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Language: English
Published by University of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
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Language: English
Published by Univ Of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
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Published by University of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
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Language: English
Published by University of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
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Language: English
Published by Univ of Minnesota Pr, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
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Published by Univ Of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
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Published by University of Minnesota Press, 2000
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Language: English
Published by University of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
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Language: English
Published by University of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
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Condition: New. 2000. 1st Edition. Paperback. Num Pages: 405 pages. BIC Classification: APFA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 152 x 22. Weight in Grams: 540. . . . . . Books ship from the US and Ireland.
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Published by Univ Of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
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Language: English
Published by Minneapolis: University of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
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Originalbroschur. Condition: Gut. X, 395 S. Einband berieben und etwas eselsohrig. - Of Images and Worlds: Toward a Geology of the Cinema JEAN-CLET MARTIN -- Cinema Year Zero GREGORY FLAXMAN -- Escape from the Image: Deleuze's Image-Ontology MARTIN SCHWAB -- The Eye of Montage: Dziga Vertov and Bergsonian Materialism FRANCOIS ZOURABICHVILI -- The Film History of Thought ANDRAS BÁLINT KOVÁCS -- Into the Breach: Between The Movement-Image and The Time-Image ANGELO RESTIVO -- Signs of the Time: Deleuze, Peirce, and the Documentary Image LAURA U.MARKS -- The Roots of the Nomadic: Gilles Deleuze and the Cinema of West Africa DUDLEY ANDREW -- Cinema and the Outside GREGG LAMBERT -- Midday, Midnight: The Emergence of Cine-Thinking ERICALLIEZ -- The Film Event: From Interval to Interstice TOM CONLEY -- The Imagination of Immanence: An Ethics of Cinema PETER CANNING -- The Brain Is the Screen: An Interview with GILLES DELEUZE. ISBN 9780816634477 Sprache: Englisch Gewicht in Gramm: 550.
Language: English
Published by Univ Of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
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Condition: Muy Bueno. University of Minnesota Press, 2000, 395pp, tapa blanda, muy buen estado//// Nota de la librería: Si no se especifica en la descripción anterior, los libros no tienen subrayados, anotaciones, firmas o defectos reseńables. ATENCIÓN: EL ENVÍO GRATUITO ES ORDINARIO SIN NÚMERO DE SEGUIMIENTO, y puede sufrir retrasos de varios días. Le dejarán un aviso en el buzón PARA LA RECOGIDA EN OFICINA. PRIORITARIO/CERTIFICADO CON ENTREGA A DOMICILIO POR SOLO 2,90 euros. AS5576.
Language: English
Published by University Of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The first broad-ranging collection on Deleuze's essential works on cinema. In the nearly twenty years since their publication, Gilles Deleuze's books about cinema have proven as daunting as they are enticing-a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher's immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze's cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuze's cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.Contributors: Éric Alliez, U of Vienna; Dudley Andrew, U of Iowa; Peter Canning; Tom Conley, Harvard U; András Bálint Kovács, ELTE U, Budapest; Gregg Lambert, Syracuse U; Laura U. Marks, Carleton U; Jean-Clet Martin, Collége International de Philosophie, Paris; Angelo Restivo; Martin Schwab, U of Michigan; François Zourabichvili, Collége International de Philosophie.Gregory Flaxman is a doctoral student in the Program of Comparative Literature and Literary Theory at the University of Pennsylvania. 408 pp. Englisch.
Language: English
Published by University Of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The first broad-ranging collection on Deleuze's essential works on cinema. In the nearly twenty years since their publication, Gilles Deleuze's books about cinema have proven as daunting as they are enticing-a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher's immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze's cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuze's cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.Contributors: Éric Alliez, U of Vienna; Dudley Andrew, U of Iowa; Peter Canning; Tom Conley, Harvard U; András Bálint Kovács, ELTE U, Budapest; Gregg Lambert, Syracuse U; Laura U. Marks, Carleton U; Jean-Clet Martin, Collége International de Philosophie, Paris; Angelo Restivo; Martin Schwab, U of Michigan; François Zourabichvili, Collége International de Philosophie.Gregory Flaxman is a doctoral student in the Program of Comparative Literature and Literary Theory at the University of Pennsylvania.