Aut, Signed (14 results)

Gr.-8vo. IX, 163 S. Originaler Verlagskarton. Sehr guter Zustand! (Università degli studi di Milano, Pubblicazioni dell'Istituto di diritto Romano, 32). In italienischer Sprache. Mit handschr. Widmung des Verfassers auf Vorsatz.

Volume: 1 23,5x16,5 cm., in brossura, pp. 82 (2), 70 poesie, prima edizione, in italiano, buone condizioni. Dedica autografa personalizzata in copertina veduta dei campi dei prigionieri di guerra italiani in India a Yol, Punjab, sullo sfondo la catena del Dhola Dhar dell'Himalaya: Disegno eseguito nel 1944 dal prigioniero di guerra Felice Manzinello.

DAS ROMANISCHE CAFE Erscheinungen und Randerscheinungen rund um die Gedächtniskirche, mit 11 Abbildungen Haude & Spenersche Verlagsbuchhandlung Berlin, 1. Auflage 1965, ERSTAUSGABE, 102 SS. gebunden (Hardcover) - mit eigenhändiger Widmung, Empfehlung, Ort, Datum, Unterschrift signiert Dem großen Martin Held ein kleines Büchlein von GEORG ZIVIER Berlin-Grunewald 6.XI.1965 (für MARTIN HELD (* 11. November 1908 in Berlin; 31. Januar 1992 ebenda; gebürtig Martin Erich Fritz Held) bekannter deutscher Theater- und Filmschauspieler).

Broschiert. Condition: Gut. 133 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Stempel.); Leichte altersbedingte Anbräunung des Papiers. der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. LATEINISCH. Vom Autor signiertes Exemplar. la Gewicht in Gramm: 270.

Hardcover. Condition: Fine condition. (FlugBlatt-Presse). Artmann, H.C. DER AERONAUTISCHE SINDTBART ODER SELTSAME LUFTREISE VON NIDERCALIFORNIEN NACH CRAIN DREIBEGSTES ABENDTEUR AUT CAPITUL. Illustriert von Peter Malutzki. [Lahnstein], FlugBlatt-Presse, 1987. One of 120 numbered copies, signed by the artist. Decorated paper over boards. 67, [1] pp. Fine. Signed.

Hardcover. Condition: VG. First Edition. 8vo 8" - 9" tall; Signed by Author. Very Good. A rare collection of short stories by Julian Osgood Field writing under the pseudonym. The title story "Aut Diabolus Aut Nihil" about a group of devil worshippers evoking a young man, "The Kiss of Judas" deals with the decendents of Judas. Bleiler 1747 - "Short stories told in the decorated style of the 1890's. Imaginative, original.". Osgood was an american sociolite and writer, educated in England and lived largely in London and Paris and became an intimate of the future King Edward VII. Field was a crook, moneylender's tout and pursued by many creditors. Inscribed to H Beerbohm on the half title, dated 1899. Quite possibly the english actor and theatre manager Sir Herbert Beerbohm Tree VG copy, toning on endpapers, cocked spine, rubbing on edges and some bend corners. Ex Libris on front endpaper. Some small and large chips on page edges due to crudely opening of pages. Ink stain visible on top edge of several pages in back. 32 pages of advertisements in the back dated October 1894. Provenance - From the Gary Munson Collection. Signed.

Hardcover. Condition: Good. No Jacket. Hamburg et Lipsae, 2°, 1766. [IV] - 66 + 22 app. 22 coloured copper-engraved plates marked A-Y: in frames decorated with flowers and ornaments a total of 243 depictions of various types of eyes and eyeballs. Plate N is signed 'Martini de Drazowa'. VD 18, 10918418. Printed in two columns, the left column in Latin, the right column in German. Arabic pagination of the pages in the centre of the upper margin between inverted round brackets, simple lines, bold printed initials in two lines.- Card covers covered with starch paper, spine and corners of light calf, 6 bindings in the spine, in the second field a torso of the original gilt title on a strip of leather from the original binding, in the first, third and fourth fields a torso of leather with gilt decorations. Protective cardboard case covered with starch paper and bordered at the entrance hole with a strip of calfskin. Lacking title page, otherwise in very good condition. John Taylor (1703 Norwich - 1772 perhaps in Rome) was one of the first eye surgeons in Britain, but with a reputation as a quack. According to various claims, he blinded hundreds of patients. He operated twice on Johann Sebastian Bach and is also said to have blinded him, Bach died not long after the second operation. In 1758 he operated on Handel, whose health also deteriorated after the operation and died a few months later. He was a great promoter, giving long speeches and praising his art before each operation. He died in obscurity and completely blind, David Johann Martini de Drazowa (c.1720 in Holland - after 1760), a Dutch copper engraver, worked for many years in Hamburg, where he produced several panoramic views of the city and engravings for the German edition of Molière. His ancestor was Samuel Martin of Dra ov (1593 Hořovice - 1639 Pirna), a bachelor and master of the liberal arts, publisher and Lutheran religious writer, who received the surname "of Dra ov" in 1619 from Emperor Frederick the Great. He was banished from Prague in 1622, then travelled in Germany, Holland, England and France, and from 1632 lived in Pirna, Saxony. Signed by Illustrator(s).

Two printed titles with elaborate engr. architectural borders, woodcut initials, 1 (of 2) engr. portrait in the text and 49 engr. plates in vol. 1 (33 + 34 on 1 leaf), and 24 engr. plates in vol. 2. Text printed in 2 cols. 9 (of 10) unn. leaves; 3 unn. leaves. Oblong folio (280 x 350 mm). 17th cent. marbled boards (new endpapers). Leiden, Henricus Hondius, 1604-1605. First edition of Vredeman's "Perspective" issued by Hondius, and printed simultaneously also in French, Dutch and German. Present here is the valuable Latin version, "the classical language in which Vredeman's architecture is clad and thus becomes timeless in its character" (Millard, p. 20f.). This is one of the most celebrated works on such a subject and was issued by the Flemish born Hendrik Hondius the Elder (1573-1650). The plates for the most part are engraved and a few signed by him after Hans Vredeman. Plate 14 in part 2 is after Paul Vredeman, and 4 plates in this part are signed with the monogram DB (probably Theodore de Bry or Bartholomaeus Dolendo). The painter and architect Hans (or Jan) Vredeman de Vries was born 1527 to a German soldier in Leeuwarden, Netherlands and probably died in Antwerp 1604. "The King of Architects" (Fowler) together with Hans van Schille worked at the fortification of the city of Antwerp, and also at the triumphal arches built for the entry of the future Philip II into Antwerp in 1549. As a consequence of the religious upheavals of the period, Vredeman worked in Hamburg, Danzig and Prague before returning to Holland. He wrote and illustrated the present guidebook on perspective for designers, painters, and architects. It became one of the major books on this subject, and through Vredeman de Vries' various publications he is recognised as the "foremost among sixteenth century Netherlandish (architectural) authors" (Millard, p. 19). The two volumes illustrate stage perspective, interiors, furniture, palace and garden architecture. Vredeman de Vries was capable of truly artistic landscaping in the Northern Renaissance and served as a model for some patrician gardens in Germany (cf. E. Haupt, Baukunst der Renaissance in Frankreich und Deutschland, 1916). The book includes a number of scenes and projections employ one-and-multi-point perspective. These were essential demonstrations for artists of those days. This work on perspective summarizes Vredeman's knowledge of art, science, and geometry. This copy has the same collation as the Fowler copy at Johns Hopkins University library which also lacks at the beginning of vol. 1 the leaf A1v with an engraved portrait on left half and a printed poem on right half of this leaf. There are complete copies known, but in fact there is no copy of this Latin edition in the holdings of the BL London, the Royal Library The Hague, Utrecht, Dresden, Heidelberg, Beinecke or Centre d'Architecture at Montreal. The only two but incomplete copies in Austria are in the holdings of the University of Technology Library at Vienna, and in the Univ. Libr. Salzburg. The only copy in Switzerland in the holdings of the ETH- Library in Zurich is also incomplete and a mixed-up one (1st part in Latin, 2nd part in French). Other incomplete copies are known in the holdings of the Bavarian State Library Munich, the V & A Mus. London, the Pierpont Morgan Library New York.- Engr. titles slightly frayed at lower margin, some foxing, otherwise a neat and rare copy. - Cf. Cicognara 867 (French ed.); Millard, Northern European Books, 139 (lacking engr. title to part II); Berlin Cat. 4704; Fowler 432 (same collation); cf. Nagler I, 1757; Borggrefe, Heiner. Hans Vredeman (2002). ART - GENERAL & APPLIED ; SCIENCE: ARCHITECTURE ; SCIENCE: GENERAL ;

Parts 1-4 (of 6) in 1 volume. 1mo (full-sheet leaves, ca. 37 x 54 cm). (2), VI, 1-20; (2), VII-VIII, 21-40; (2), IX-X, 41-62; (2) XI-XII, 63-102 pp. With a general title-page, 4 part-titles (each with a woodcut vignette) and 50 engraved plates (signed I-XLVIII, including VII bis and XXX bis): 22 after Pierre Joseph Redouté, 17 after L. Freret, 4 after Fossier, 2 after P. Jossigny, 2 after J.G. Bruguiere, and 1 each after James Sowerby, Cl. Aubriet and Prévost. Original publisher's pink paste-paper wrappers over boards. Preserved in a professionally handmade box, made for this book. First and only edition of a sumptuous botanical work by the French botanist L'Héritier de Brutelle (1746-1800). In this work L'Héritier describes a great number of new taxa, including many growing in his own garden (of more than 8000 plants), the gardens of his friends and in the Jardin du Roi. Hunt describes this work as L'Héritier's "magnum opus" and as a benchmark in the history of 18th century flower books: "The book is splendid in spacious description, its charming exotic plates, its implications for taxonomic history; and fascinating as an imposing piece of eighteenth-century bookmaking, with its series of fascicles printed on broadsheets, its bibliographical algebra" (Hunt). - This is also the first publication of a work by the young botanical engraver Pierre Joseph Rédoute (1759-1840), who engraved at least the 22 plates he drew himself. It is in this work that Redouté emerges as an extraordinary botanical artist, because L'Héritier asked him to draw the majority of the plates. On the "Stirpes novae" L'Héritier and Redouté collaborated for the first time, but after that they worked together more often, for example on the "Sertum Anglicum" (1788). Their friendship proved a determining factor in Redouté's career and enabled him fully to develop his extraordinary talents. - "Stirpes novae" is in 1mo format (each leaf comprising a full sheet) rather than folio, as many bibliographies state, with pagination, but without quire signatures. Although the "Stirpes novae" was intended for publication in the years 1784 and 1785 and the part-titles of the fascicles are dated thus, Stafleu & Cowan and Hunt note that these are not the actual dates of publication. The present first four (of six) fascicles were published in March 1785, April 1786, April 1786 and March 1788 respectively. Originally the "Stirpes novae" were to comprise two volumes, but only the six fascicles of the first volume were actually published. - Pink paper wrappers rubbed and some paper missing on the front and back board. Board edges and corners worn. A tear in plate XXXI, otherwise a rare book in good condition. - De Belder 215. Hunt 673. Johnston 555. Nissen (BBI) 1190. Pritzel 5268. Stafleu/Cowan 4484. Cf. Buchheim, "A bibliographical account of L'Héritier's 'Stirpes novae'", in: Huntia, vol. 2, (1965), pp. 29-58.

Couverture rigide. Petri Didot natu majoris | Parisiis (Paris) Anno VII (1799) | 26 x 35 cm | relié | Edition originale. Reliure en plein cartonnage de l'éditeur, dos défraîchi malhabilement restauré à l'aide d'une pièce adhésive crème, plats salis et comportant des éraflures et manques angulaires, coins fortement émoussés. Deux mouillures en début et fin de volume, une petite déchirure sans manque sur les pages 17-18, quelques rousseurs. Notre exemplaire est bien complet de ses 10 planches en couleurs in-fine. Précieux envoi autographe signé de Antoine Jean Coquebert à (Georges) Cuvier. Rare exemplaire incomplet de ses tomes II et III, présenté en l'état mais d'une prestigieuse provenance. | [ENGLISH DESCRIPTION FOLLOWS] First edition. Publisher's binding in full boards, spine faded and clumsily restored with a cream adhesive piece, boards soiled and with scratches and corner losses, corners heavily bumped. Two dampstains at beginning and end of volume, a small tear without loss on pages 17-18, some foxing. Our copy is complete with its 10 color plates at rear. Precious autograph inscription signed by Antoine Jean Coquebert to (Georges) Cuvier. Rare copy lacking volumes II and III, offered as is but with prestigious provenance. *.

8°. Ca. 300 n.n. S. Originalpappband. Mit handschriftlicher Widmung von Federman aus dem Jahre 2005 auf dem Titelblatt. Sprache: deutsch.

4 parties en 3 tomes en un fort vol. in-4, [8] ff. n. ch. (titre, dédicace à Henri IV, préface), 352 pp., 149 pp., 304 pp. mal chiffrées (il y a plusieurs erreurs de chiffrage cumulatives à partir de 288), [9] ff. n. ch. de table, un f. vierge, [4] ff. n. ch. (titre de relais, dédicace à Louis XIII), 527 pp., [24] pp. d'index, texte dans un encadrement de filet noir, vélin rigide à petits rabats, dos à nerfs (reliure de l'époque). Il s'agit d'une version latine de l'ouvrage de Pierre Matthieu Histoire des derniers troubles de France, qui connut plusieurs versions depuis celle de 1594 et une histoire éditoriale compliquée ; manque celle donnée par Boutrays et qui s'intitule Rodolphi Boterei commentariorum de rebus toto pene orbe gestis libri XVI.Le titre du deuxième tome (qui se décline à son tour en deux parties) est : Historiarum Franciae, et rerum memorabilium in exteris provinciis, pace septem annis continuis durante, sub Henrico III Franciae et Navarrae Rege, gestarum, tomus secundus.Au CCF, exemplaires seulement à la BnF et à Sainte-Geneviève.Vignette ex-libris de la Bibliothèque Hammer à Stockholm, fondée par le collectionneur Christian Hammer (1818-1905). - - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.

4°. Gestochenes Frontispiz, 16 Bl. 375 [i.e. 675] S. Ganzpergament mit geprägtem Rückenschild. Moraltheologisches Werk des Jesuiten (Bocholt 1641- bei Oelde 1716), Schriftsteller, Theologe, Philosoph und Rektor der Kollegien in Coesfeld, Münster und Hildesheim. MITGEBUNDEN: Auctarium Exhortationum ad Religiosos . Köln, Meucher 1704. 2 Bl. 324 S. 2 Bl. - De Backer-S. III, 94, 8. Die "Exhortationes" erschienen zuerst 1702. - Innendeckel mit Besitzeintrag von 1704. Durchgehend gebräunt und leicht stockig.

ZUSTAND 1, hinterer Spiegel Lasche ohne CD.