Bartolozzi, First Edition (76 results)

Soft cover. Condition: Very Good. No Jacket. First Edition. 19-page auction catalog, not illustrated. Previous owner's stamp on front cover.

Softcover. Condition: Good Condition. Dust Jacket Condition: No Dust Jacket. First Edition. 270 Items listed for sale. Rubbed, little soiled, edge chipping, staples rusting. For detailed information on the individual items in this and other auction catalogs, go to the Rare Book Hub. They have created a searchable database of literally millions of auction records, going back to the 1800's. Size: Octavo (standard book size). 20 pages. Quantity Available: 1. Shipped Weight: 1 pound or less. Category: Reference; Art & Design. Pictures of this item not already displayed here available upon request.

Condition: Good. 1924. First Edition. 162 pages. No dust jacket. Pictorial cloth covered boards. Black and white illustration plates. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Pages 63 and 65 with small corners torn away. Boards have mild shelf wear with light rubbing and corner bumping. Some moderate marking and tanning. Gilt lettering to spine is slightly dulled.

ilustraciones. Rústica. Primera edición. 57 pp 11x15.

First Edition. Provenance: Bookplate of John E. Pritchard. Very good copy in the original illustrated, paper-covered boards. Spine bands and panel edges somewhat edge-nicked and rubbed as with age. Remains particularly well-preserved overall. Series; Great engravers. Physical description; 15, [126] pages : chiefly illustrations ; 21 cm. Notes; Includes bibliographical references. Subjects; Bartolozzi, Francesco 1727-1815. Stipple engraving 18th century. Engraving England. Engraving England 18th century. 3 Kg.

Card Covers. Condition: Very Good. First Edition. 44 pages, colour illustrations. Price list laid in. Minor wear, unmarked. [813] Size: 255mm. x 175mm.

Condition: Fair. First edition (hardback). 4to (28cm by 22cm), xlix, 82pp. Numerous plates (in colour and b&w). Original blue cloth, gilt titling to the front board and the spine, top edge gilt. The binding is scuffed and dusty, and there is some foxing of the preliminary pages; overall, the book is in good minus condition. Suitable as a reading, working or reference copy.

Quarter-leather and cloth, 4to, frontispiece portrait, xlix, [1] pp, plates (including colour) 1-56 pp, 57-82 pp. Leather powdering and scraped, boards a little scratched, some light fingermarking to contents.

Condition: Fair / Aceptable. [PRIMERA EDICION].- Madrid: Sucesores de Rivadeneyra, 1924.- 59 p., [2 h.]: Ilustraciones entre el texto, algunas a toda plana; 8ş minúsculo (14,8 x 10,3 cm).- (La Novela de Hoy. Año III. 28 marzo 1924, nş 98). Falto de las cubiertas originales. Se han remplazado por otras de papel para su protección. Libro en español LITERATURA Y FILOSOFÍA ESPAÑOLAS DE LOS SIGLOS XIX-XXI Y SU HISTORIA EN GENERAL.

First Edition. Provenance: Bookplate of John E. Pritchard. Very good copy in the original illustrated, paper-covered boards. Spine bands and panel edges somewhat edge-nicked and rubbed as with age. Remains particularly well-preserved overall. Series; Great engravers. Physical description; 15, [126] pages : chiefly illustrations ; 21 cm. Notes; Includes bibliographical references. Subjects; Bartolozzi, Francesco 1727-1815. Stipple engraving 18th century. Engraving England. Engraving England 18th century. 1 Kg.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. Paperback copy in plain white card cover, unclipped dustjacket in new removable protective clear sleeve. 43pp. Illustrated throughout, separate price list. Not library copy, no inscriptions. (41/6).

Encuadernación de tapa dura. Condition: Muy bueno. 1Ş Edición. (Literatura castellana. Narrativa. Primera edición). Madrid, CIAP, 1930. 260 p. 2 h. Iniciales y viñetas a dos tintas. Láminas f.t. en color. 8ş mayor. Encuadernado en media piel con nervios y dorados en lomo, sin las cubiertas originales. Corte superior pintado. Muy buen ejemplar. 1Ş edición. JL4229.

Condition: Bueno. 1Ş ed. 11.5x18. 2 vols. (completo). Rústica. Cubiertas de Bartolozzi. . Cubiertas algo rozadas. . Español. Rústica. Cubiertas de Bartolozzi.

12 x 17 cm. Condition: Gut. 1st edition. 81 Seiten + plates grüner Originalleinenband mit Titelprägung; gut erhaltenes Exemplar mit zahlreichen Bildtafeln (well-kept copy with numerous plates) Sprache: Englisch Gewicht in Gramm: 1.

Hardcover. Condition: VG. Dust Jacket Condition: No Dustwrapper. 1st Thus. 211 pages + index. LACKS ALL PLATES.Bound in full vellum. Repaired small snag to head of spine.heavy book which will incur extra shipping 1st class UK and overseas.

Encuadernación de tapa dura. Condition: Bien. 1? Edición. Ibérico Europea de Ediciones, 1977. Arte. Ilustraciones b/n y color. Monografía sobre los trabajos en común de los artistas catalanes Eduardo Arranz-Bravo y Rafael Bartolozzi. 270 pp. 31 x 24. Tela editorial tapa dura con sobrecubierta de editorial ilustrada. Sin subrayados ni anotaciones. Perfecto estado de conservación. ISBN: 842560334X.

Hardcover. First Edition. Inscribed by the author, "Henry Compton with the kind regards of the author Andrew W Tuer. December 1881". Vol. 1 (of 2 though other some copies seem to be divided into 4). This copy consists of a frontispiece with tissue, 10pp including title, 211pp; 4pp of index; and 2pp of ads for the Leadenhalle Presse. The first half is an analysis of the work and production method of Bartolozzi. The second half is an analysis of values achieved in sales of his prints and a considerable catalogue of these. Bookplate of Donald and Norah Van den Bergh. 4 b&w illustrations, and 1 colour plate illustrating the art of stipple engraving. Vellum, somewhat browned in places, with gilt lettering. Frontispiece partly detached. Page edges are uncut and slightly browned where they lie proud of one another. Pasted in note from the publishers offering Bartolozzi principal plates. A rather handsome and educational attempt to capitalise on sales of his work, presumably. Signed by Author.

No Binding. Condition: Near Fine. Engraving (illustrator). First Edition. Image size 10 5/8" x 7 5/8", wide margins, 1" chip extending in about 3/8" from edge but remaining 3/8" beyond the plate mark; light foxing. Beneath the image, there are the credits to Reynolds and Bartolozzi, "Proof", "Ugolino", "London Printed for R. Sayer and J. Bennett, No. 53, Fleet Street, as the act directs, June 28, 1778.

SOFTCOVER. Condition: New. 1st Edition. Extra Large 4to. in colour printed stiff card covers, unpaginated, approx. 110pp on glossy art paper, colour plates, etc. Dual text in Spanish and French . [CONDITION: NEW copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Soft cover. Condition: Fine. No Jacket. 1st Edition. Published by Goldmark Gallery, Uppingham, Rutland in 2007, to accompany an exhibition that took place at the same venue from September 2007 onwards, here is the first softback printing of Francesco Bartolozzi: Stipple Engravings of Portraits by Hans Holbein from the Royal Collection (including a price list of the exhibits). pictorial card cover wraps, 44 magnificently illustrated pages in colour, the book is in fine condition.

First Edition. Very good copy bound in contemporary 1/2 leather over cloth. Gilt-blocked leather label to spine, with raised bands. Artist's name gilt-embossed to the front panel. All edges marbled. Light foxing to prelims. Spine bands and panel edges slighty rubbed and dulled as with age. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 82 pages : frontispiece, illustrations, color plates, portraits. Notes; Includes bibliography (p. xlviii-xlix). Subjects; Bartolozzi, Francesco 1727-1815. Bartolozzi, Francesco. Stipple engravers. Stipple engraving 18th century England. Engravers 18th century England. 3 Kg.

Hardcover. Condition: Fine. Dust Jacket Condition: No Dust Jacket. 1st Edition. pp VI, 211 + index. 1st printing. Prior owner name to flyleaf. Bound in white vellum, spine grubby.

Hardcover. Condition: Fair to Good. No Jacket. 1st Edition. Exlibrary, usual marks; 2 volume set; original 1881 edition in hand-sewn white vellum bindings; gilt titles on front and spine; gilt top edges; library call no. added at base of spines; covers heavily soiled; corners bumped and rubbed through; tears at spine heads; Vol I missing material at head of spine; Vol I hinges cracked; set internally in very good condition; page edges lightly toned; small chips at pages edges; all 13 plates in very good condition; some tissue guards creased.

Volume: 1 29,5x21 cm., legatura editoriale cartonata, con dorso pergamenato e titoli in oro, illustrata a colori - In copertina: Il borgo di Nicola; in retrocopertina: Portofino; pp. 248 (2), ricca ed ampia iconografia - illustrazioni in nero e a colori, in diversi formati, mappe, disegni, carte ecc., prima edizione, fuori commercio, in italiano, ottimo stato. In astuccio illustrato, con segni d'uso e tempo.

Soft cover. Condition: Good. 1st Edition. Sq. 12mo. Original paper covers. Engraved frontis, one two colour plate, 802 item catalogue. Covers rubbed and frayed with loss at one corner, light foxing and creasing.

Volume: 1 30x29,5 cm., legatura in piena tela, sopraccoperta con illustrazione Opera in bianconero, p.100 (2), alcune pagine in cartoncino colorato, 92 illustrazioni in nero e a colori, + XVI tavole; alcune foto nei testi, prima edizione, in italiano, tiratura limitata e numerata, nostra copia n. 11/1000, alcuni strappi alla sopraccoperta, interno buone condizioni.

Single Sheet. Condition: Near Fine. Original Antique Engraving. Original Antique Stipple Engraving On Antique Laid Paper. Plate Mark 39.6 X 2.6 Cm. A Domestic Scene, Young Man Sitting At Right, Reading, With Two Women Working On Clothes, A Small Child, And A Dog. Original Hand Coloring. "Painted By Morland" At Lower Left, "Bartoloxxi St" At Lower Right, With Large Text "Domestic Happinesf" In Large Script At Bottom. Plate Mark Approximately 15 7/16" X 11 1/2"" Rectangular; Image Is Also Rectangular; Large Margins. Francesco Bartolozzi Ra (1727 - 1815) Was An Italian Engraver, Whose Most Productive Period Was Spent In London. Bartolozzi Was Born In Florence. He Was Originally Destined To Follow The Profession Of His Father, A Gold- And Silver-Smith, But He Manifested So Much Skill And Taste In Designing That He Was Placed Under The Supervision Of Two Florentine Artists, Including Ignazio Hugford And Giovanni Domenico Ferretti Who Instructed Him In Painting. After Devoting Three Years To That Art, He Went To Venice And Studied Engraving. He Particularly Admired The Work Of Joseph Wagner. His First Productions In Venice Were Plates In The Style Of Marco Ricci, Zuccarelli, And Others, While Working For Wagner, Which Began To Draw Attention. He Then Moved For A Short Time To Rome, Where He Completed A Set Of Engravings Representing Frescoes At Grottaferrata By Domenichino Depicting The Life Of St Nilus. He Soon Returned To Venice And Left For London In 1764. He Lived In London For Nearly Forty Years. He Produced An Enormous Number Of Engravings, Including Clytie After Annibale Carracci, And Of The Virgin And Child, After Carlo Dolci. A Large Proportion Of Them Are From The Works Of Cipriani And Angelica Kauffman. Bartolozzi Also Contributed A Number Of Plates To Boydell's Shakespeare Gallery. He Also Drew Sketches Of His Own In Red Chalk. Soon After Arriving In London, He Was Appointed 'Engraver To The King' With An Annual Salary Of £300. He Was Elected A Founding Member Of The Royal Academy In 1768, And In 1802 Became The Founding President Of The Short-Lived Society Of Engravers. His Pupils Were Michele Benedetti, Ignatius Joseph Van Den Berghe, Thomas Cheesman, Lambertus Antonius Claessens, Daniel Gardner, Christiaan Josi, Johan Fredrik Martin, Conrad Martin Metz, Luigi Schiavonetti, John Keyse Sherwin, Heinrich Sintzenich, Peltro William Tomkins, Don Bernardo Zilotti,[2] And Gabriel Scorodomoff. Bartolozzi Was Not The Inventor Of The So-Called Crayon Manner Of Engraving, Which Imitated The Subtleties Of Chalk Drawings, But He Made It The Fashion. In 1802, Bartolozzi Accepted The Post Of Director Of The National Academy Of Lisbon, The City Where He Died. His Son Gaetano Stefano Bartolozzi, Born In 1757, Was Also An Engraver, And The Father Of Madame Vestris. (Source: Wikipedia).

Single Sheet. Condition: Near Fine. Original Antique Engraving. 16" X 21". One Of A Large Suite Of Engravings By Bertolozzi, After The Original Drawings By Holbien In The Collection Of The Crown. A Well Colored Impression, With Artist And Engraver Names Immediately Beneath The Portrait, And Publishing Information Below.

No Binding. Condition: Fine. Engraving (illustrator). Original Antique Engraving. Image Size 9 1/8" X 6 1/4", Wide Margins. Beneath The Image, There Are The Credits To Rubens And Bartolozzi, "Rubens' Second Wife / From The Original At Houghton Hall In The Collection Of The Earl Of Oxford" With The Printers Information And Date Below.

First Edition. Good copy in the original gilt-blocked decorated cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Some loss to head of spine. Remains quite well-preserved overall. Physical description: xlix, 82 pages, illustrations, 22 color plates (including frontispiece, portraits), 28 cm. At head of title: "Connoisseur" extra number. Bibliography, by Dr. H.W. Singer: pages xlviii-xlix. Subjects: Bartolozzi, Francesco - 1727-1815. Engraving ; Catalogs. 3 Kg.