Bebel August, Signed (10 results)

Perfect. Condition: Good. Erstausgabe. Helmut Hirsch: Freiheitsliebende Rheinländer. Neue Beiträge zur deutschen Sozialgeschichte. Econ-Verlag 1977 (1. Auflage). Broschur, 272 Seiten, ordentlicher Zustand. Vom Verfasser signiert "Zum Andenken an einen Treff, Kaiserswerth '81". Vom Autor signiert.

OKart. 21x14 cm. Condition: Sehr gut. Mit Abb. i. Text. 196 S. - mit handschriftl. Widmung d. Autors auf dem Vorsatz. Zahlungen mit PayPal möglich. Sprache: Deutsch Gewicht in Gramm: 398.

34 x 25 cm. 212 (2) S. Grauer leicht jugendstiliger Orig.-Leinenband mit goldgepr. Deckelvignette. Ganzrotschnitt. Reich an Karikaturen, teils farbig. Dietzel/Hügel 2866.- Die Zeitschrift erschien von 1882-1910, "gilt als "Proletarier" unter den in München erschienenden Satirezeitschriften. (Wikipedia). - Es fehlen 5 folgende Blätter: 50/51, 93/94, 131/132, 164/165, davon sind 2 Reklameseiten. - Sehr gut erhalten. Signatur des Verfassers.

Signed lower left. W H Caffyn was an artist and illustrator whose work included the First World War poster 'Come along, boys! Enlist to-day'. This illustration of the German Marxist politician, writer, and orator, Ferdinand August Bebel (1840 - 1913) was done for the publishers J M Dent. 260 x 210 mm Drawing, pencil and crayon Fine condition.

The two parts, apparently from different letters, are both on bifoliums: the first, numbered '2', is 4pp., 12mo; the second, numbered '5', is 4pp., 16mo. In good condition, lightly aged. The second bifolium signed at end: 'Best Wishes to Mrs C. | Yrs | J B. Askew'. Written in a neat if somewhat eccentric hand. The first bifolium begins: '[] is very sore. Nothing will be done at the Congress except Bebel [August Bebel (1840-1913), German socialist] will speak and move a resolution to the effect that the Party stands by its present program and tactics. There has not been a word paid as to the possibility of asking B. to reconsider his position in the party. I think after K's book this would be unnecessary. K's position is so much the stronger, it must win. And his book according to Dietz the publisher is selling faster than B's, which few people expected. I am going to review the book in the Social Dem. next month or so I think. I think of making it a general review of the Controversy whether this will be possible or not I dont know.' The first part continues with reference to ''s Review in Fabian news'; 'the suicidal manner Justice is running an anti-Semitic campaign' (he has 'written to say they must choose between Soc: Dem: & Anti-S. Either the Jews are the principle evil or capitalism'); Hyndman, who is 'at the old game again'. He is 'going fm the Congress to Hannover tonight for the week', and will 'write an acc. In Justice and possibly the Newcastle Daily Leader a rather Whig organ from a non party standpoint'. The first bifolium ends with news from Germany ('full of scandals here ministerial crises- official denials. So on.'), concluding with a reference to 'Dr. von Miquel [Johann von Miquel (1828-1901)] Prussian Finance Minister & Ex-Communist & friend of Marx now organizer of the Anti-Soc: Dem: campaign', who is 'much implicated in he press activity of a certain von Zedlitz who []'. The second bifolium begins: '[] Julius Motteler speak? I have just had a letter from Bach who is very despondent over the S.D.F. Which he says is so stupid. He was very angry with their tactic in the Labour Rep: Conference, as he asked why he didnt put a motion forward condemning the war, as he thought they ought to lay stress on that rather than on resolutions about the class war but told him he hadnt time. I must say the S.D.F. Are maddening with their silly abuse of the I.L.P. You have seen they accuse the I.L.P. of treachery. I wrote a letter to Justice protesting against this & defending the I.L.P. on the strength of what I had seen in Justice.' He continues with reference to ''s article in the May Day no. of "Justice"' and the relative threats posed by England and Russia. 'Russia now is proceeding very rapidly on the lines of capitalistic development and it is not impossible that the autocracy may derive a fresh lease of life from it especially as the middle class are more afraid of the proletariat than of the autocracy'. He ends on the questions of 'the minutes of the Congress of the German Party' and 'the result of the Parl: Com: on municipal Trading'.

E.Brief (3 S. 8° mit gedrucktem Kopf LEIPZIGEr GERICHTS-ZEITUNG und Reichsgerichts-Correspondenz) mit Ort, Datum, Unterschrift signiert Leipzig, 23.6.1890 - ausführlich an Herrn Bötticher mit Darlegung von Fragen zur Überlegung ".Doch, wie gesagt, machen Sie es, wie Sie es wollen ! Nur verschweigen Sie im zweiten Fall meinen Namen ! .".

No binding. Condition: Good. Hermann Struck. Portrait of August Bebel, 1909. Paper, lithograph. Size: 43.2x58.3 cm plus margins. Hermann Struck (1876 1944) was a German Jewish artist known for his etchings. Hermann Struck (Chaim Aaron ben David) was born in Berlin. He studied at the Berlin Academy of Fine Arts. In 1904, he joined the modern art movement known as the Berlin Secession. In 1900, Struck met Jozef Israels, a Dutch artist, who became his mentor. Both were recognized as leading artists of their time. In 1908, Struck published Die Kunst des Radierens (The Art of Etching), which became a seminal work on the subject. It was a textbook that offered both theory and practical instruction. Struck's students included Marc Chagall, Lovis Corinth, Jacob Steinhardt, Lesser Ury and Max Liebermann. In 1899, upon completing his studies at the Berlin Academy, he was banned from teaching there because he was Jewish. He signed his work with his Hebrew name, Chaim Aaron ben David, and a Star of David. Struck did commission portraits of Ibsen, Nietzsche, Freud, Albert Einstein, Herzl, Oscar Wilde and other leading figures of the time. Struck's home in Haifa has been open as the Hermann Struck Museum since 2013. Struck's work is held in the collections of several other institutions worldwide. (Brooklyn Museum, Jewish Museum (Manhattan), Haifa Museum of Art, Leo Baeck Institute, New York, University of Michigan Museum of Art, the British Museum, the Museum of New Zealand Te Papa Tongarewa, Fine Arts Museums of San Francisco), SKUKAZ000001 kaz_gr.

No binding. Condition: Good. Hermann Struck. Portrait of August Bebel, 1909. Paper, lithograph. Size: 43.2x58.3 cm plus margins. Hermann Struck (1876 1944) was a German Jewish artist known for his etchings. Hermann Struck (Chaim Aaron ben David) was born in Berlin. He studied at the Berlin Academy of Fine Arts. In 1904, he joined the modern art movement known as the Berlin Secession. In 1900, Struck met Jozef Israels, a Dutch artist, who became his mentor. Both were recognized as leading artists of their time. In 1908, Struck published Die Kunst des Radierens (The Art of Etching), which became a seminal work on the subject. It was a textbook that offered both theory and practical instruction. Struck's students included Marc Chagall, Lovis Corinth, Jacob Steinhardt, Lesser Ury and Max Liebermann. In 1899, upon completing his studies at the Berlin Academy, he was banned from teaching there because he was Jewish. He signed his work with his Hebrew name, Chaim Aaron ben David, and a Star of David. Struck did commission portraits of Ibsen, Nietzsche, Freud, Albert Einstein, Herzl, Oscar Wilde and other leading figures of the time. Struck's home in Haifa has been open as the Hermann Struck Museum since 2013. Struck's work is held in the collections of several other institutions worldwide. (Brooklyn Museum, Jewish Museum (Manhattan), Haifa Museum of Art, Leo Baeck Institute, New York, University of Michigan Museum of Art, the British Museum, the Museum of New Zealand Te Papa Tongarewa, Fine Arts Museums of San Francisco), SKUKAZ000002 kaz_gr.

Postkarte in Tinte eigenhändig signiert - mit Repro-Porträtfoto unter rostbraunes Passepartout (1 S. 4°) gerahmt.

Autograph note signed, one page, 4,5 x 3,5 inch, in German, to an unnamed correspondent - Bebel writes a legitimation for the entry into a house, written and signed in dark ink "A. Bebel", attractively mounted (removable) for fine display with a photograph, shows August Bebel in a chest-up portrait (altogether 8,25 x 11,75 inch), with mild toning, and paper-clip remnants to the upper right corner - in fine to very fine condition. "Diese Karte als Legitimation für den Eintritt in das Haus benutzen zu werden. Hochachtungsvoll - A. Bebel".