Color Etching, First Edition (90 results)

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Large quarto. Color illustrations. As new in as new DJ. 198 pages.

Softcover. Condition: Very Good. 1st Edition in English. (Paris): Flammarion / Zimmerli Art Museum, (1992). 12.25 x 9.5 in. 198pp, Index, Notes, Bibliography, Brief Biographies. Profusely illustrated in color. Stiff card wrappers with slight wear, few small light red smears to rear cover. Using selections from the collections at Bibliotheque Nationale in Paris and the Zimmerli Art Museum at Rutgers University, the compilers/authors "explore the origin and expansion of color etching in France, tracing its development of printmaking within the nineteenth-century renaissance of printmaking in France and analyze its aesthetic evolution in relation to major artistic movements such as Impressionism and Symbolism" (dj).ISBN 2080135384 (same ISBN as hardcover issue).; Color Illustrations throughout; 12 1/4 x 9 1/2 inches; 198 pages.

Soft cover. Condition: Near Fine. No Jacket. 1st Edition. Large quarto in stiff paper covers. Color and B&W illustrations. Near fine condition. 198 pages.

Mounted on Board. Condition: Fine. Colour Etching (illustrator). Original Artwork. #35 of 150. A striking multicolor image with Statue of Liberty at center. Signed, dated and numbered by the artist. Described as a color etching but appears to be lithographic.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. Bound in publishers original green cloth with the title stamped in blind on the spine.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 198 pages : illustrations (some color) ; 31 cm. Subjects; Gogh, Vincent van 1853-1890. Bibliothèque Nationale de France (Paris) (Perm.). Jane Voorhees Zimmerli Art Museum (New Brunswick, N. J.) (Perm). Etching 20thcentury france Exhibitions. Color prints, French Exhibitions. Color prints 19th century France Exhibitions. Color prints 20th century France Exhibitions. 3 Kg.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 198 pages : illustrations (some color) ; 31 cm. Subjects; Gogh, Vincent van 1853-1890. Bibliothèque Nationale de France (Paris) (Perm.). Jane Voorhees Zimmerli Art Museum (New Brunswick, N. J.) (Perm). Etching 20thcentury france Exhibitions. Color prints, French Exhibitions. Color prints 19th century France Exhibitions. Color prints 20th century France Exhibitions. 1 Kg.

Hardcover. 8°, Original-Leinen im originalen Umschlag, dieser ist etwas randlädiert. 132 Seiten in deutsch und englisch, reich einfarbig und farbig bebildert. Beiliegend eine farbige Originalradierung, diese wurde vom Künstler in Bleistift numeriert (141/150), signiert (K. Nagaoka) und datiert ('81). Druckvermerk mit der handschriftlichen Exemplar-Nummer in schwarzem Stift. In gutem Zustand. -- Original linen binding in the original dust jacket, which shows some edge wear. 132 pages in German and English, richly illustrated in monochrome and color. Enclosed is an original color etching, numbered (141/150), signed (K. Nagaoka), and dated ('81) in pencil by the artist. A colophon with the handwritten copy number in black pen is also present. In good condition. signed and numbered color etching 1-150: ISEKI/PY XXIX (see page 78) -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! K03405.

Finely Framed. Condition: Fine. Original Artwork. One of the artist's original strong impressions, nicely colored, signed by him when issued [not a later estate signature].

Finely Framed. Condition: Fine. Original Artwork. One of the artist's original strong impressions, nicely colored, signed by him when issued [not a later estate signature].

No Binding. Condition: Fine. First Printing. Original color etching, 15 3/4" h x 15" w , numbered 22/75, titled and pencil SIGNED BY ARTIST/ Fine, old pencil price verso, old Roten inventory number in pencil bottom edge front Karen Parker was known to have studied at Atelier 17, Paris with Stanley Hayter in the 1970s. .Well suited for framing, will be shipped flat, please select priority mail shipping to help defray expense. SIGNED BY ARTIST.

No Binding. Condition: Near Fine. First Printing. Original color etching, 20 1/2" h x 15" w taped in old Roten Galleries mat 24" x 20". Pencil SIGNED BY ARTIST and # 33 of an edition of 50 prints. (Roten Galleries catalogue 1969, p.55) Near Fine, old Roten inventory number in pencil bottom edge, tape shadows to margins of print hidden by old mat. With the old mat replaced, well suited for framing, will be shipped flat. Please select priority shipping to help defray shipping cost. . SIGNED BY ARTIST.

Condition: Collectible. Limited/Numbered/Signed/First. nFINE. Pale blue boards. The limited edition was restricted to 150 copies. Opposite the title page is an original frontis color etching of a miner - pencil signed and numbered 141/150. Evergood was based in NYC having studied in Paris. Discovered by the great art collector Joseph Hirshhorn, he worked in oils, sculpture, etchings and lithography, having studied with both André Lhote and Stanley William Hayter. His works have been highly sought after since then and examples can be found in the collections of America's most renowned museums. Scarce nFINE copy. Very desirable/collectible book with signed etching. [B13]. Signed by Author/Artist.

Condition: Collectible. Limited/Numbered/Signed/First. nFINE/VG+. Pale blue boards. complete jacket with 2 minor edge chips. FLAT SIGNED by AUTHOR-ARTIST with inscription dated 1950 on ffep, to patrons of his artwork. The limited edition was restricted to 150 copies. Opposite the title page is an original frontis color etching of a miner - pencil signed and numbered 150/150, making this the absolute last copy produced. Evergood was based in NYC having studied in Paris. Discovered by the great art collector Joseph Hirshhorn, he worked in oils, sculpture, etchings and lithography, having studied with both André Lhote and Stanley William Hayter. His works have been highly sought after since then and examples can be found in the collections of America's most renowned museums. Scarce nFINE copy with jacket. Very desirable/collectible book with signed etching. RARE with double signatures. [B13]. Signed by Author/Artist.

First edition of these poems by Viladot. Illustrated with a signed color etching by Josep Guinovart. Edition limited to 42 copies. Printed on fine wove paper. Large folio, original wraps. Fine.

Hardcover. Condition: Fine. Limited First edition. 13/17. Oblong Quarto. Unpaginated. Original half cloth over paper covered boards with newsprint and labels with lettering in the German national colors on cover, red, respectively yellow lettering on labels of spines with belly band in German National colors as issued. Three color title pages. Vol. I.: Dedicated to all those who had the courage to demonstrate in the streets for democracy, and those who didn't get what they had hoped for, and especially to Sigrun. Historical review with collected material depicting the deterioration of the DDR. Based essentially on East German material, particularly from the State run newspaper "Neues Deutschland" from the years 19881990. Extraordinary documentation with harsh satirical undertones and occasional historical backdrops, e.g. the building of the Berlin war on August 13, 1961 (article entitled "The Peace was Saved - Der Frieden wurde gerettet). Illustrated throughout with reproductions of newspaper articles and photographs as well as color reproductions of photographs of politicians, advertisements, maps, and tables, leading up to the massive popular demonstrations in East Germany, the fall of the DDR government on November 9, 1989, and the restructuring of the government throughout the remainder of the year. Commentary on numerous events documented printed in red in margins. At rear a shortened version of the 10-Point-Program to overcome the division of Germany and Europe, presented to the West-German parliament on November 28, 1989, by Helmut Kohl. Vol. II.: The coverage in this volume is entitled "On the Way to a Currency Union January 1990," covering the first international diplomatic meetings with foreign governments in view of the new situation, new rules for the military, the first trials relating to abuse of official positions, President Hans Modrow's concept for a united Germany, a draft for the reconstitution of local governments, the establishment of the Treuhand Gesellschaft for the National Property, the inauguration of Lothar de Maizierre as new President in April of 1990, draft of a treaty between DDR and BRD, excluding nuclear issue, including a number of critical articles relating to the development of the new direction. All articles are from the newspaper Neues Deutschland: Sozialistische Tageszeitung with some articles of the Berliner Zeitung leading up to the official unification on October 3, 1990, under chancellor Helmut Kohl. An epilog describes the radical changes the East German population had to undergo. Illustrated as volume one. Both volumes with text in German. Printed with Cannon iP4300 on Rainbow colored 160g paper. In very good, near fine condition. [WITH] Eight Original Color Linocuts and One Etching of Water Tower Aria by Lothar Nowack Linocuts 6/22 Wasserturm Altglienicke, 1977 (11 3/4 x 14 1/2") Randlage 6/26 Betriebsbahnhof Schöneweide 77 (11 3/4 x 16 1/2") Randlage / with light water staining in print and in margins 8/26 Berlin Schöneweide 77 (11 3/4 x 16 1/2") Randlage 8/12 Wasserturm Hohen Neuendorf 77 (11 3/4 x 16 1/2") 8/12 Berlin-Knaakstraße 78 (11 3/4 x 14 1/2") 8/18 Berlin - Buch, (am Steiner Berg) 78 (11 3/4 x 16 1/2") Randlage 8/20 Berlin (Betriebsbahnhof) Rummelsburg 78 (11 3/4 x 16 1/2") Randlage 7/18 Berlin Heimersdorf 78 (14 1/4 x 19 3/4") Etching 12/13 Berlin - Ostkreuz 76 (5 1/2 x 8 1/4") Randlage matted etching Hohen Neuendorf. 19761978. Eight original limited edition linocuts and one etching of East Berlin water towers. Five of the linocuts reproduced by the Berlin publisher amBEATion in its magazine Randlage No. 1 in 1978.* Officially East Germans were not permitted to publish in West Germany, therefore participation in Randlage could bring about repercussions giving the series of Randlage publications a dissident flair. In Randlage No.1 the artist Lothar Nowack published his artwork under the pseudonym State Prosecutor L. N. * Randlage Nr. 1: Valentin Rothmaler. Die Wasserturm-Arie von Berlin (The Water Tower Aria of Berlin). 64/300. 16pp. Original four panel color lithographic wraps. Illustrated title page. Collection of 20 intricate b/w reproductions of Berlin towers. The towers from East-Berlin are reproduced from color linocuts by State Prosecutor L. N. (pseudonym for the artist Lothar Nowack), format 23 x 33 cm, the West-Berlin towers from color aquatint etchings by Valentin Rothmaler, format 15 x 21 and 20 x 29 cm. Text and cover art by Valentin Rothmaler.

Tjorg Douglas Beer, geboren 1973 in Lübeck. Studium an der Hochschule für bildende Künste Hamburg. Original-Farbradierung, 5-farbig von 2 Platten, mit Prägestücken auf Zerkall Bütten 300 g/qm, Drucker: Kunst- und Radierwerkstatt Willi Jesse, Inh. Jäger, Berlin. Unterhalb der Abbildung von Tjorg Douglas Beer in Blei signiert. Edition der Griffelkunst Hamburg, 2006. Griffelkunst Verzeichnis der Editionen 321 A 1. Maße Blatt: 57,0 x 76,0 cm. Maße Platte: 51,0 x 69,0 cm. Sehr gutes, tadelloses Exemplar. Original color etching, 5 colors from 2 plates, with embossed pieces on Zerkall handmade paper 300 g/sqm, printer: Willi Jesse art and etching workshop, owner Jäger, Berlin. Signed in lead below the image by Tjorg Douglas Beer. Edition of Griffelkunst Hamburg, 2006. Griffelkunst index of editions 321 A 1. Sheet dimensions: 57.0 x 76.0 cm. Plate dimensions: 51.0 x 69.0 cm. Very good, immaculate copy.

Tjorg Douglas Beer, geboren 1973 in Lübeck. Original-Farbradierung, 4-farbig von 3 Platten mit Prägestücken und Silberfolie auf Zerkall Bütten 300 g/qm, Drucker: Kunst- und Radierwerkstatt Willi Jesse, Inh. Jäger, Berlin. Unterhalb der Abbildung von Tjorg Douglas Beer in Blei signiert. Edition der Griffelkunst Hamburg, 2006. Griffelkunst Verzeichnis der Editionen 321 A 6. Maße Blatt: 57,0 x 76,0 cm. Maße Platte: 49,5 x 69,5 cm. Sehr gutes, tadelloses Exemplar. Original color etching, 4-colored from 3 plates with embossed pieces and silver foil on Zerkall handmade paper 300 g/sqm, printer: Kunst- und Etchingwerkstatt Willi Jesse, owner Jäger, Berlin. Signed in lead below the image by Tjorg Douglas Beer. Edition of Griffelkunst Hamburg, 2006. Griffelkunst List of Editions 321 A 6. Sheet dimensions: 57.0 x 76.0 cm. Plate dimensions: 49.5 x 69.5 cm. Very good, immaculate copy.

Frank Maier, geboren 1966 in Stuttgart. Studium der Bildhauerei 19891994 an der Staatlichen Akademie der Bildenden Künste Karlsruhe bei Werner Pokorny, Elisabeth Wagner und Harald Klingelhöller, 1994 Meisterschüler bei Harald Klingelhöller. Original-Farbradierung auf 300 g/qm Hahnemühle-Büttenpapier. Druck durch Detlef Jäger, Kunst- und Radierwerkstatt W. Jesse, Berlin. Unterhalb der Abbildung mit Prägestempel "Helge", rückseitig von Frank Maier in Blei signiert und datiert (2013). Edition der Griffelkunst-Vereinigung, Hamburg, 2013. Griffelkunst Verzeichnis der Editionen 351 A3. Maße Blatt: 64,6 x 50,4 cm. Maße Platte: 47,6 x 33,6 cm. Sehr gutes Exemplar. Original color etching on 300 g/sqm Hahnemühle handmade paper. Printed by Detlef Jäger, art and etching workshop W. Jesse, Berlin. Embossed stamp "Helge" below the image, signed and dated (2013) by Frank Maier in lead on the reverse. Edition of the Griffelkunst Association, Hamburg, 2013. Griffelkunst List of Editions 351 A3. Sheet dimensions: 64.6 x 50.4 cm. Plate dimensions: 47.6 x 33.6 cm. Very good copy.

(Friedrich Meckseper, geboren am 8. Juni 1936 in Bremen, gestorben 5. Juni 2019. Maler, Grafiker, Zeichner, Konstrukteur und Autor). Nummer 87 von 250 nummerierten Original-Farbradierungen auf Büttenpapier, von Friedrich Meckseper unterhalb der Abbildung in Blei signiert und datiert (75). Vernis mous, Aquatinta, Roulette auf Kupfer. 2 Platten, 3 Farben: gelb, graugrün, schwarz. Druck durch Hartmut Frielinghaus, Hamburg. Herausgegeben von der Griffelkunst-Vereinigung, Hamburg. Werkverzeichnis Cramer 169. Verzeichnis Griffelkunst F98. Hinter Glas/Passepartout im "antiken" schwarzen, teils vergoldeten Rahmen gerahmt. Maße Rahmen: 45,0 x 60,5 cm. Maße Abbildung: 18,0 x 22,0 cm. Rahmen altersbedingt mit Gebrauchsspuren, bestoßen. Grafik in sehr gutem Zustand. Number 87 of 250 numbered original colour etchings on handmade paper, signed and dated in lead by Friedrich Meckseper below the image (75). Vernis mous, aquatint, roulette on copper. 2 plates, 3 colours: yellow, grey-green, black. Printed by Hartmut Frielinghaus, Hamburg. Published by the Griffelkunst-Vereinigung, Hamburg. Catalogue raisonné Cramer 169, catalogue Griffelkunst F98. Framed behind glass/passepartout in an "antique" black, partly gilt frame. Dimensions of frame: 45,0 x 60,5 cm. Dimensions of image: 18,0 x 22,0 cm. Frame with age-related traces of use, bumped. Print in very good condition.

(Sub Signo Libelli), [1985]. Gilt orange-red morocco-backed boards (Phoenix Bindery). (4), 20 p. With two original, numbered and signed color lithographs by Chris Buursen. Set by hand from the Monotype Van Dijck and printed in red and black on heavy wove paper in 95 numbered copies. 1st edition. One of the 45 copies with the two fiery lithographs, beautifully bound in half morocco by Phoenix. This is a special copy: the binder has fastened an orange paper envelope onto the lower boards, holding two black and white proofs of the lithographs, a numbered and signed original color aquatint etching (portrait of Purdy), dedicated to Jan Bouman: '5/29 for Jan b. chris buursen 1985' (with accompanying silk paper cover) and a signed proof of this same etching in black and white (' test h.c.'). Also with two different prospectuses (one in blue and black, the other in black, but with different typography) and a smaller order form, all three in beautiful typography arranged by Ger Kleis and printed by hand. Breugelmans 137.

Hannelore Adams, geboren am 29.11.1938 in Meerbusch bei Düsseldorf, Studium an der Werkkunstschule Düsseldorf und an der Akademie für Bildende Künste in Hamburg bei Prof. Garve. Nummer 9 von 50 nummerierten, datierten (83) und von Hannelore Adams signierten und beschrifteten Exemplaren auf Büttenpapier BFK Rives und dem Prägestempel Hoeppner. Maße Abbildung/Platte: 19,8 x 24,5 cm. Maße Blatt: 50,5 x 66,0 cm. Sehr gutes Exemplar. Number 9 of 50 numbered, labeled and signed original etchings by Hannelore Adams on handmade paper. Measure image/etching: 19,8 x 24,5 cm. Measure sheet: 50,5 x 66,0 cm. Fine condition.

Hannelore Adams, geboren am 29.11.1938 in Meerbusch bei Düsseldorf, Studium an der Werkkunstschule Düsseldorf und an der Akademie für Bildende Künste in Hamburg bei Prof. Garve. Nummer 10 von 50 nummerierten, datierten (83) und von Hannelore Adams signierten und beschrifteten Exemplaren auf Büttenpapier BFK Rives und dem Prägestempel Hoeppner. Maße Abbildung/Platte: 24,8 x 19,8 cm. Maße Blatt: 66,0 x 50,5 cm. Sehr gutes Exemplar. Number 10 of 50 numbered, labeled and signed original etchings by Hannelore Adams on handmade paper. Measure image/etching: 24,8 x 19,8 cm. Measure sheet: 66,0 x 50,5 cm. Fine condition.

Hannelore Adams, geboren am 29.11.1938 in Meerbusch bei Düsseldorf, Studium an der Werkkunstschule Düsseldorf und an der Akademie für Bildende Künste in Hamburg bei Prof. Garve. Nummer 14 von 50 nummerierten, datierten (83) und von Hannelore Adams signierten und beschrifteten Exemplaren auf Büttenpapier BFK Rives und dem Prägestempel Hoeppner. Maße Abbildung/Platte: 24,8 x 20,0 cm. Maße Blatt: 66,0 x 50,5 cm. Sehr gutes Exemplar. Number 14 of 50 numbered, labeled and signed original etchings by Hannelore Adams on handmade paper. Measure image/etching: 24,8 x 20,0 cm. Measure sheet: 66,0 x 50,5 cm. Fine condition.

Condition: Sehr gut. (Marie-Antoinette Rouilly de Chevalier, geboren 1925.) Nummer 33 von 60 Original-Farbradierungen auf Büttenpapier. Unterhalb der Abbildung in Blei von Marie-Antoinette Rouilly de Chevalier signiert. Maße Blatt: 30,5 x 40,5 cm. Maße Abbildung: 22,0 x 29,5 cm. Sehr gutes Exemplar. Number 33 of 60 original color etchings on laid paper. Signed in pencil by Marie-Antoinette Rouilly de Chevalier below the image. Sheet dimensions: 30.5 x 40.5 cm. Image dimensions: 22.0 x 29.5 cm. Very good copy.

Joachim Palm, geboren 1936 in Potsdam. 1956-1962 Studium an den Kunsthochschulen Berlin und München. 1970/71 Stipendium der Villa Massimo, Rom; 1972. 1980 Professur an der Fachhochschule Augsburg. Nummer 65 von 250 nummerierten und von Joachim Palm unterhalb der Abbildung in Blei signierten Exemplaren. Druck von einer Platte, in 2 Farben: Schwarz und Rot durch Dunkes, München. Herausgegeben vom Verlag zehn neun, München 1971. Werkverzeichnis der Radierungen/Treeck 81. Maße Abbildung: 12,5 x 19,5 cm. Maße Blatt: 39,0 x 30,0 cm. Blatt im Randbereich wenig fleckig, ansonsten sehr gutes Exemplar. Number 65 of 250 numbered copies signed in lead by Joachim Palm below the illustration. Print from one plate, in 2 colors: black and red by Dunkes, Munich. Published by Verlag ten nine, Munich 1971. Catalog raisonné of the etchings / Treeck 81. Dimensions: 12.5 x 19.5 cm. Dimensions sheet: 39.0 x 30.0 cm. Sheet slightly stained in the margin area, otherwise a very good copy.

Condition: Sehr gut. (Wolff Buchholz, geboren am 18.10.1935 Hamburg, gestorben am 4.11.2010 ebenda. 1955 bis 1957 Studium an der Hochschule für Bildende Künste in Hamburg, u. a. bei Kurt Kranz, Johannes Itten und Theo Garve). Nummer 4 von 80 nummerierten, vierfarbigen Original-Farbradierungen (von 1 Kupferplatte, 3 Aquatintaschablonen) auf Büttenpapier. Unterhalb der Abbildung von Wolff Buchholz in Blei bezeichnet, datiert (71) und signiert. Werkverzeichnis Levy R7113, Seite 164. Maße Blatt: 47,0 x 65,5 cm. Maße Abbildung: 32,1 x 49,5 cm. Blatt mit minimalen Gebrauchsspuren, leicht angestaubt. Noch sehr gutes Exemplar. Number 4 of 80 numbered, four-color original etchings (from 1 copper plate, 3 aquatint stencils) on laid paper. Annotated, dated (71), and signed in lead by Wolff Buchholz below the image. Catalogue raisonné Levy R7113, page 164. Sheet dimensions: 47.0 x 65.5 cm. Image dimensions: 32.1 x 49.5 cm. Sheet with minimal signs of wear, slightly dusty. Still a very good copy.

Dieter Otto Berschinski, geboren 1941 in Bokellen/Ostpreußen. Studium an der Hochschule für Bildende Künste Dresden (HfBK) und der Städelschule Frankfurt am Main. Meisterschüler bei Johannes Schreiter. Nummer 5 von 100 mit Bleistift nummerierten, beschrifteten, datierten (77) und von Dieter Otto Berschinski signierten Original-Farbradierungen auf Büttenpapier. Maße Blatt: 26,8 x 37,8 cm. Maße Abbildung: 16,0 x 27,0 cm. Sehr gutes Exemplar. Number 5 of 100 original etchings in colors on handmade paper, numbered, labeled, dated and signed by Dieter Otto Berschinski. Measure sheet: 26,8 x 37,8 cm. Measure image: 16,0 x 27,0 cm. Fine condition.

Raimund Franke, geboren 1948 in Elten bei Rees. Original-Farbradierung auf Büttenpapier. Unterhalb der Abbildung von Raimund Franke in Blei signiert und datiert (95). Maße Blatt: 60,0 x 49,5 cm. Maße Platte: 33,5 x 32,0 cm. Sehr gutes Exemplar. Original color etching on handmade paper. Signed and dated in lead by Raimund Franke below the illustration (95). Dimensions sheet: 60.0 x 49.5 cm. Dimensions plate: 33.5 x 32.0 cm. Very good copy.

Condition: Sehr gut. (Alfred Pohl, geboren am 22. August 1928 in Essen, gestorben am 4. Februar 2019. Deutscher Graphiker und Holzschneider. Studium 1947 bis 1948 an der Werkkunstschule Trier, 1954 bis 1957 an der Pädagogischen Hochschule Lüneburg und von 1960 bis 1961 an der Werkkunstschule Hannover. 1965 Arbeit im Atelier von Johnny Friedländer in Paris.) Original-Farbradierung auf Büttenpapier. Nicht nummeriert, nicht signiert. Maße Blatt: 54,0 x 40,0 cm. Maße Abbildung: 34,5 x 25,0 cm. Sehr gutes Exemplar. Original color etching on laid paper. Not numbered, not signed. Sheet dimensions: 54.0 x 40.0 cm. Image dimensions: 34.5 x 25.0 cm. Very good copy.