Comparative Criticism Volume Knowledge by Shaffer (16 results)

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some wear and internal barcode may have been clipped, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Condition: Good. Volume 14. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780521431040.

hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Very Good+ Hardback in Very Good dust jacket. Slight rubbing to jacket. Clean copy. xxvi + 282p.

Hardcover. Condition: As New. Dust Jacket Condition: Fine. Almost as new.

Hardcover. Condition: As New. Dust Jacket Condition: Fine. First Edition. Unworn, uncreased, unclipped and shiny dj is very slightly sunned/faded in the spine area.

Hardcover. Condition: Like New. Reprint. A bright, clean hardback, firm and square with strong joints, just a few very minor rubs. Hence a non-text page is stamped 'damaged'. Despite such this book is actually nearly new condition. Thus it looks and feels unread with contents that are crisp, fresh and tight. Now offered for sale at a special bargain price.

Condition: New.

Condition: New. In.

Condition: New.

Hardcover. Condition: new. Hardcover. Performance models have received increasing attention in the theoretical move towards open texts. Conceptions of open, reader-based or audience-based texts have paralleled the questioning of rational, authority-driven modes of knowledge. Literary theory's stress on performance leads back, paradoxically, to the exploration of practical knowledge - skills, intuition, wisdom. Michael Robinson's leading article examines the mutually defining properties of (female) gender and performance in the nineteenth century. Wittgenstein's role in the shift of philosophy towards the inquiry into the uses of language is explored by the late Peter Stern on 'Wittgenstein and Literature', and by Peter Hughes on Wittgenstein's difficulty with Shakespeare. Henriette Herwig looks at the role of signs in Kafka, Derrida and Pierce. Drew Milne examines the challenge to Aristotle's theory of tragedy made by Augusto Boal's 'Theatre of the Oppressed' in Latin America. A rich variety of performance media and genres is presented in this volume.The important Russian writer Mikhail Bulgakov is being performed again in new productions in Russia; Lesley Milne reports on The White Guard in Moscow and Kiev, and Patrick Miles translates the previously censored scenes of the play. Kleist's classic essay on the marionette theatre, in a new translation by David Paisey, recasts the metaphor 'all the world's a stage' for modern times. The interpretation/translation by wellknown translator Harry Guest of Alain Bosquet's poem 'Your blood: some sort of epic'; translations of a short story by Charles Cros by lain White and of an episode of Witold Gombrowicz's novel Trans-Atlantyk by George Hyde; a prize-winning radio dialogue from Sweden by Lars l,Jeberg, with his introduction, and a BBC radio play by Gabriel Josipovici. Hannah Vincent's adaptation of Kafka's short story The Burrow for the stage won her a very well-received production at the Young Writer's Festival at the Royal Court Theatre Upstairs in 1988. This volume contains the annual bibliography of comparative literature for the year 1989. Literary theory's stress on performance leads back, paradoxically, to the exploration of practical knowledge - skills, intuition, wisdom. Michael Robinson's leading article examines the mutually defining properties of (female) gender and performance in the nineteenth century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Performance models have received increasing attention in the theoretical move towards open texts. Conceptions of open, reader-based or audience-based texts have paralleled the questioning of rational, authority-driven modes of knowledge. Literary theory's stress on performance leads back, paradoxically, to the exploration of practical knowledge. This volume contains the annual bibliography of comparative literature for the year 1989. It contains numerous intriguing articles. Michael Robinson's leading article examines the mutually defining properties of (female) gender and performance in the nineteenth century, whilst Drew Milne examines the challenge to Aristotle's theory of tragedy made by Augusto Boal's 'Theatre of the Oppressed' in Latin America. A rich variety of performance media and genres is presented in this volume. The important Russian writer Mikhail Bulgakov is being performed again in new productions in Russia; Lesley Milne reports on The White Guard in Moscow and Kiev, and Patrick Miles translates the previously censored scenes of the play.

Hardcover. Condition: Like New. Like New. book.

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condition: new. Hardcover. Performance models have received increasing attention in the theoretical move towards open texts. Conceptions of open, reader-based or audience-based texts have paralleled the questioning of rational, authority-driven modes of knowledge. Literary theory's stress on performance leads back, paradoxically, to the exploration of practical knowledge - skills, intuition, wisdom. Michael Robinson's leading article examines the mutually defining properties of (female) gender and performance in the nineteenth century. Wittgenstein's role in the shift of philosophy towards the inquiry into the uses of language is explored by the late Peter Stern on 'Wittgenstein and Literature', and by Peter Hughes on Wittgenstein's difficulty with Shakespeare. Henriette Herwig looks at the role of signs in Kafka, Derrida and Pierce. Drew Milne examines the challenge to Aristotle's theory of tragedy made by Augusto Boal's 'Theatre of the Oppressed' in Latin America. A rich variety of performance media and genres is presented in this volume.The important Russian writer Mikhail Bulgakov is being performed again in new productions in Russia; Lesley Milne reports on The White Guard in Moscow and Kiev, and Patrick Miles translates the previously censored scenes of the play. Kleist's classic essay on the marionette theatre, in a new translation by David Paisey, recasts the metaphor 'all the world's a stage' for modern times. The interpretation/translation by wellknown translator Harry Guest of Alain Bosquet's poem 'Your blood: some sort of epic'; translations of a short story by Charles Cros by lain White and of an episode of Witold Gombrowicz's novel Trans-Atlantyk by George Hyde; a prize-winning radio dialogue from Sweden by Lars l,Jeberg, with his introduction, and a BBC radio play by Gabriel Josipovici. Hannah Vincent's adaptation of Kafka's short story The Burrow for the stage won her a very well-received production at the Young Writer's Festival at the Royal Court Theatre Upstairs in 1988. This volume contains the annual bibliography of comparative literature for the year 1989. Literary theory's stress on performance leads back, paradoxically, to the exploration of practical knowledge - skills, intuition, wisdom. Michael Robinson's leading article examines the mutually defining properties of (female) gender and performance in the nineteenth century. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condition: new. Hardcover. Performance models have received increasing attention in the theoretical move towards open texts. Conceptions of open, reader-based or audience-based texts have paralleled the questioning of rational, authority-driven modes of knowledge. Literary theory's stress on performance leads back, paradoxically, to the exploration of practical knowledge - skills, intuition, wisdom. Michael Robinson's leading article examines the mutually defining properties of (female) gender and performance in the nineteenth century. Wittgenstein's role in the shift of philosophy towards the inquiry into the uses of language is explored by the late Peter Stern on 'Wittgenstein and Literature', and by Peter Hughes on Wittgenstein's difficulty with Shakespeare. Henriette Herwig looks at the role of signs in Kafka, Derrida and Pierce. Drew Milne examines the challenge to Aristotle's theory of tragedy made by Augusto Boal's 'Theatre of the Oppressed' in Latin America. A rich variety of performance media and genres is presented in this volume.The important Russian writer Mikhail Bulgakov is being performed again in new productions in Russia; Lesley Milne reports on The White Guard in Moscow and Kiev, and Patrick Miles translates the previously censored scenes of the play. Kleist's classic essay on the marionette theatre, in a new translation by David Paisey, recasts the metaphor 'all the world's a stage' for modern times. The interpretation/translation by wellknown translator Harry Guest of Alain Bosquet's poem 'Your blood: some sort of epic'; translations of a short story by Charles Cros by lain White and of an episode of Witold Gombrowicz's novel Trans-Atlantyk by George Hyde; a prize-winning radio dialogue from Sweden by Lars l,Jeberg, with his introduction, and a BBC radio play by Gabriel Josipovici. Hannah Vincent's adaptation of Kafka's short story The Burrow for the stage won her a very well-received production at the Young Writer's Festival at the Royal Court Theatre Upstairs in 1988. This volume contains the annual bibliography of comparative literature for the year 1989. Literary theory's stress on performance leads back, paradoxically, to the exploration of practical knowledge - skills, intuition, wisdom. Michael Robinson's leading article examines the mutually defining properties of (female) gender and performance in the nineteenth century. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condition: Neu. Comparative Criticism | Volume 14, Knowledge and Performance | E. S. Shaffer | Buch | Gebunden | Englisch | 2010 | Cambridge University Press | EAN 9780521431040 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.