Dordrecht, Signed (12 results)

Original publisher's paper-covered boards, pictorial front- & backcover, 4to: chronology on 1st endpaper, 440pp., very richly illustrated, appendices, sources / bibliography. On DVD: Sermons of [former] ministers - other text files - many historical photographs of unions and churches in the area - pictures of the restoration. With printed & signed dedication. Very fine copy.

1869 Antique Print - DORDRECHT HOLLAND RAILWAY BRIDGE WORKS DORT (029) For more info please ask seller a question. Royal Mail 2nd Class - £0.00 Royal Mail 2nd Class Signed For - £4.50 Standard Int'l age - £4.00 Royal Mail International Signed - £8.00 No PICK UP OPTIONSorry, our items are NOT available for pick-up.PAYING VIA PAYPALWe accept on our all our items so you can shop with confidence.Simple choose the option when proceeding through the checkout.

No Binding. Condition: Good. Lettre autographe signee de Corneille L. LANDRE en date du 29 juin 1880, Dordrecht. Lettre de 2 pages dans laquelle il est question d'un extrait de memoire. Etat: Voir photos pour plus de details. Dimensions : 13,5 x 21,1 cm. 2 pages. Signed by author or artist.

Perkament. Condition: Zeer goede staat. Eerste druk. Een van de 150 genummerde en gesigneerde luxe exemplaren in vol perkamenten band - dit is no. 9 - 309 pag - geillustreerd - uitklapbare platen Size: 6L6. Signed by Author.

Two pages printed and handwritten. Signed by Knottenbelt, De Raadt, Den Band, Van Hoevell.

Farbaquatintaradierung auf Glanzseide (!) Inet / Wikipedia // Vollmer // Heinr. Fuchs: Die österreichischen Maler`, Bd. 1 // Schr. 256 // Nagykikinda, heute Kikinda, Serbien 1898, ab 1908 Wien, gest. 1978 ebda. Er war ein Grafiker und Radierer und Landschaftsmaler. Erste Ausbildung an der Graphischen Lehr- und Versuchsanstalt. Ab 1922, nach ersten künstlerischen Erfolgen, widmete sich Hans Figura ganz der Grafik und der Malerei. Der Schwerpunkt seiner künstlerischen Arbeit lag auf dem Gebiet der Radierung, speziell der Farbradierung. So entstanden zwischen 1918 und 1974 mehr als 850 Radierungen von hoher Präzision in der Wiedergabe des Landschaftscharakters und der Darstellung der darin vorkommenden Baulichkeiten. Auch druckte er auf weißer Seide. Er zeichnete im weichen, aquatintaartigen Stil, ähnlich den Werken der Grafiker und Radierer Luigi Kasimir und Josef Eidesberger. Seine häufigsten Motive sind historisch, kulturell und touristisch bedeutsame Städte und Landschaften in Europa und den USA. -Das sehr gut erhaltene Blatt (Seide) im schlichten, chamoisfarbenen Lagerpassepartout aufmontiert. -Das Lager-PP nicht mit dem PP des Fotos identisch! Anm. zur Rechnungstellung: Die Buchpreise beinhalten die reduzierte MwSt von 7 %, diese wird gesondert ausgewiesen // Rechnungen für Kunstgegenstände wie Grafiken, Gemälde weisen gem. § 25a Abs.3 Satz 1 UStG (Differenzbesteuerung) bzw. § 25a Abs.3 Satz 2 UStG (Margenbesteuerung) keine MwSt aus (brutto = netto). 0 Gewicht in Gramm: 2001 32x24,5 cm ( Abb.). Mit Bleistift signiert und im linken unteren Eck hs. beziffert (256).

8+236 pag. Contemp. full leather with gold stamped covers. Good copy. Mainly printed music above the text. Signed by P.D. Huet for the Synode.

4°. 27,5 x 22,5 cm. 3, 456, 2, 164, 3, 76 Blatt. Halblederband der Zeit auf fünf Bünden mit goldgeprägtem Rückentitel auf rotem, ledernem Rückenschild und marmorierten Vorsätzen. Niederländische Ausgabe. Mit gestochenem, allegorischem zweiten Titelblatt als Frontispiz eingebunden, Titelvignetten auf dem Haupttitelblatt und den Zwischentitelblättern in Holzschnitt, sowie weitere Holzschnittvignette und -initialen im Text. Enthalten sind das Alte Testament, das Neue Testament sowie die Apokryphen. Acte van Consent in Tinte unterschrieben von dem Utrechter Theologen und Opponenten der Hattemisten Jacob Ferdinand van Davenveld. Einband berieben und an den Kanten beschabt, Außengelenke aufgeplatzt (Rücken jedoch nicht gelockert), Ecken bestoßen, im Falz hinter dem Frontispiz etwas gelockert, Seiten nur leicht gebräunt und durchweg geringfügig stockfleckig sowie stellenweise etwas staubschmutzig. Im Ganzen gutes Exemplar. Dutch language edition. Half-leather binding of the times with 5 raised bands and gilt embossed title on red leather spine label as well as marbled end papers. With engraved allegorical title page bound as frontispiece, woodcut title vignettes for each title page, as well as other woodcut vignettes and initials. Includes the Old Testament, New Testament and Apocrypha. Acte van Consent signed in ink by the Utrecht theologian and opponent of the Hattemists Jacob Ferdinand van Davenveld. Binding rubbed and edges chipped, joints cracked (spine firm though), corners bumped, binding between frontispiece and title page a little loosened (otherwise firm), pages only slightly darkened and throughout with light foxing as well as partially dust stained. Altogether good copy.

Condition: Very Good. first edition thus. Translated Title: Bible That is The entire Holy Scripture containing all Canonical Books of the Old and New Testaments Translated faithfully from the original into our Dutch Language By Order of the High Mightiest Lords States General of the United Netherlands and according to the decision of the National Synod held in the years 1618 and 1619. Condition: Very Good. Old Testament only, as issued. BOOK INFO Published in 1777 by H. Brandt, et al. in Amsterdam. This copy contains only the Old Testament. The publisher printed the Old Testament, New Testament, Book of Psalms and other religious works separately. Researching this title in WorldCat (OCLC) revealed multiple copies with only the Old Testament and other copies containing the Old Testament, New Testament and Book of Psalms. Text in Dutch. Gothic typeface. Text in double columns ruled in black. In its original period fine full mottled calf binding. Boards with a variety of beautiful gilt roll bordering panels of a polished mottled calf or rich brown calf, corner gilt fleuron devices and a central gilt tooled rose. Spine with raised bands separating compartments ruled in gilt with gilt flower arrangements in a basket device. All edges gilt and gauffered. Imported Italian endpapers with hand-water colored rose-colored flower patterns. A striking contemporary Dutch fine binding! Verso of title page signed by Reverend Johannes Jacobus Kessler, Minister of the Divine Word of Amsterdam, below the coat of arms of the city of Amsterdam by order of the city council to prevent fraudulent copies. Thick duodecimo (12mo), collated and complete including blanks and all plates. Foliated (leaves are numbered rather than pages): 2 blanks, [2], 422, [2], 2 blank leaves; engraved title page, 20 copper engraved plates. CONDITION REPORT VERY GOOD for 250-year-old Bible in contemporary fine binding. Exterior and binding: Sun-darkened and cracking spine with dry leather, front hinge cracked. Binding holding firm with the exception of the front board being a little loose. Gilt work in excellent condition. Foot of spine with deeper crack and small area of loss. Rubbed joints, lightly rubbed edges. Interior: Some grubbiness, toning and fading of endpapers, some small chips. Text block is generally toned to lightly browned. Numerous pagination errors (as called for) but signatures and catchwords collate. Small loss of paper to leaf 118's fore-margin. A few other chips and multiple leaves with feathering along bottom edge. Other signs of light handling. Very few spots of foxing/light smudging. No writing, bookplates or ex libris marks. All in all, a nicely illustrated pocket-sized Dutch States Bible in gorgeous contemporary fine binding. ABOUT THE BIBLE The Statenbijbel (States Bible) was the first translation of the Bible from the original Hebrew, Aramaic and Greek languages into Dutch. It was ordered by the Synod of Dordrecht in 1618, financed by the government of the Protestant Dutch Republic and first published in 1637. Fine original full mottled calf.

Full-page allegorical engraving on title verso, woodcut device, and 77 emblems after Adriaen van de Venne. Sm 8vo (162 x 105mm). [19]ff. 416pp. Late 19th century brown morocco, gilt ornament at each corner of covers, repeated in spine compartments, spine lettered in gilt, g.e. (spine a little faded). Jacob Cats' famous emblem book, Mirror of Old and New Times was first published in quarto at The Hague in 1632, this one of two Dordrecht editions of 1633, the first to be printed in 8vo, with the engravings copied and reduced. Here Cats uses popular rather than classical Dutch, which broadened its appeal and it soon became the source of many household sayings. Provenance: signed at head of title-page by 'Joseph Hearne'. Tear to p. 181/2 with no loss of text. Praz p. 301. Landwehr Low Countries 152. .

Glorification of Cornelis de Witt: the commander in armour, holding a commandostaf, is represented on the left, being crowned with laurel by flying putti while a Fame is blowing a trumpet. On the background the trip to Chatham (June 1667). On the left also a cornucopia with symbols of the prosperity of land and wealth. This illustration was used in Jan Wagenaar's "Vaderlandsche historie", published in Amsterdam between 1749-1759, in 21 volumes. This pint belongs to vol. XIII, p. 478. The original painting in the town hall of Dordrecht was destroyed in 1672, soon after the horrifying death of the de Witt brothes. Signed lower right corner: "S.Fokke fec"; on the left corner: "A. Schoumann del, naar 't Originele Model" l Etching on laid paper; tot.213 x 282 mm with margins, some damages along the margins. Signs of folding. PH4F.

Original copperplate engraving on a verge type hand laid paper. Sheet has image and text on front and rear. on paper. Size in cm: The overall size is ca. 24 x 41 cm. The image size is ca. 14.5 x 19 cm. Size in inch: The overall size is ca. 9.4 x 16.1 inch. The image size is ca. 5.7 x 7.5 inch.Proverb / ethics emblem : 'J. Cats. Klagende Maegden en Raet voor de selve: Beneffens eenige andere soo stichtige als innige Gesangen'. (Lamenting virgins and advice for same. also some edifying and profound hymns .) This plate shows an allegorical scene with the virgin of Dordrecht and a view of this city, The Netherlands. Also depicted several cherubs holding and reading books. This old antique engraved copperplate print and accompanying poetry originate from 'Alle de Wercken van den heere Jacob Cats.', (Complete Works of Jacob Cats) which was published from 1655 on. This plate is from a 1726 edition. The emblems depict lessons of many aspects of life. Each emblem typically has more than one meaning as Cats' poems talk about ethics, wisdom and morale from the perspective of love, religion and society. His work has often been critisized, but contains a treasure of truth and symbolism, often as relevant as it was during the times of it's creation. We might carry this item from a smaller size edition and a 19th c. ed. with steel engravings as well. Inquire if interested.Artists and Engravers: The Author is Jacob Cats, also known as Father Cats (born Nov. 10, 1577, Brouwershaven, Zeeland, Spanish Netherlands - died Sept. 12, 1660, Zorgvliet, near The Hague) Dutch poet. A magistrate and high official, he was enormously popular as a writer of emblem books, consisting of woodcuts or engravings with verses possessing a moral. His Mirror of Old and New Times (1632) contains many quotations that have become household sayings in the Netherlands, and he used it to express the ethical concerns of Dutch Calvinists, especially about love and marriage. The famous poetry by Jacob Cats is often accompanied by well engraved images after the design of Adriaen van de Venne. Not all engravings have been signed, but engravers indicated include J. Swelinc, I. Matham, Wil. Hondius, C. v. Quiborne, D. v. Bremden & possibly others.Condition: Fine. General age related toning. Occasional light staining. Image does not show entire page.Keywords: ANTIQUE SATIRE PRINT-DORDRECHT-NETHERLANDS-CATS(PCO) A189-36.