Fleuron Journal Typography (47 results)

Hardcover. Condition: Acceptable. Ex-library copy with usual stamps and marking. Please note this is the 1924 edition of NUMBER 3, including essays by W. A. Dwiggins, Harold Child, and Frank Sidgwick, among others. This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Oversized.

Hardcover. Green cloth boards with gilt spine lettering; light gray dust jacket with red lettering, 164 pp (18), bw illustrations. Contents include: On Script Types; Robert Bridges, George Moore, Bernard Shaw, and Printing; The Typographical Work of Percy Smith; Contemporary Printers: II. Emery Walker; Tendencies in German Book-Printing Since 1914; On the Work of Bruce Rogers; Book Reviews; Typographical Reviews. In addition to the illustrations in the text there is a collotype plate facing page 30. Good+ (foxing on block and end pages, text and illustrations are otherwise very clean. Dust jacket has soiling and overall wear.).

Hardcover. Condition: Very Good. Inserted examples; illus., 11 x 8.5", cloth backed boards, 127pp + "Examples" and "Advertisements", covers, toned, worn and stained, spine is chipped and torn at ends, endpapers spotted, some finger soiling to text, but textblock is good, with errata slip inserted at front, and "Medici Society" address label affixed on title page for this American edition. SWAF.

hardcover. Condition: Very Good.

Hard Cover. Condition: Good. Hardback, green cloth, gilt title to spine. 28.5cm x 22.5cm. 164pp. Numerous colour and monochrome illustrations, tipped-in specimens, papers, facsimiles, some folding. Printed at the Curwen Press. Spine faded. Foxing to edges and end-papers, occasional foxing to contents. Bookplates of Will and Sebastian Carter to front pastedown. Private ownership. A heavy book, additional postage may be required for orders outside the UK. (bs6).

Hardcover. Condition: Good. No Jacket. Condition: Good +; Hardcover, no dustjacket as issued. Facsimile of Numbers I and II of the Fleuron orignially published in 1923-1924. Book is full of examples of print and printed materials, many in color. The book is in Good+ condition with some soiling to covers and fading to spine. Interior pages clean and unmarked and the binding is tight. Photos upon request.

Hardcover. Condition: Very Good+. Limited Edition. Very light wear at edges; light toning to blanks facing front and rear brown endpapers. ; 1000 copies printed. Brown cloth, spine lettered and decorated in gilt. Illustrations throughout including tipped-in or folded examples of typographic and graphic design, some in color. ; 4to 11" - 13" tall; 252 pages.

hardcover. Condition: Very Good.

Hardcover. Condition: Good. Seven volumes, complete. Cloth and quarter cloth with paper-covered boards. large 4to., illustrated with numerous color and monochrome illustrations, , line blocks, mounted plates and booklets, facsimiles, type samples, with inserted specimens and extensive type and book reviews. A good set, with significant wear to the covers, soiling and spotting to some prelims as expected. The first four volumes were printed at the Curwen Press, and the last three at the Cambridge University Press. This well used set is from the library of Swiss typographer Max Caflisch, as evidenced by his signature in several places and an invoice in one volume. Many of the articles have been annotated and with words translated by him, in pencil in his attractive, very minute hand. This renowned and influential journal is known for it's superior quality and articles from the most prominent typographers and writers of the day. A sumptuous production that is becoming somewhat difficult to assemble complete. Prospectus is loosely inserted in volume VII. Volumes 1-4 are in archival mylar.

hardcover. Condition: Good. cover shows minor wear, tear, staining. pages lightly tanned and clean.

Hardcover. Condition: Very Good. shows minor wear.

4to. First edition. One of 1150 copies on antique wove paper. Original teal cloth, gilt to spine. Printed in Barbou type by Walter Lewis at the University Press, Cambridge. Illustrated throughout and with tipped in specimen pages, etc, some folding. Cloth a little dulled by dust with light wear to the corner tips. A little light foxing to the endpapers. The rear hinge is cracked but holding firm. Good +. The contents include Stanley Morison on Decorated Types; Paul Beaujon on Decorative Printing in America; and Albert Windisch on the Work of Rudolf Koch.

Hard Cover. Condition: Good +. Hardback, green cloth, gilt title to spine. 28.5cm x 22.5cm. 164pp. Numerous colour and monochrome illustrations, tipped-in specimens, papers, facsimiles, some folding. Printed at the Curwen Press. Spine discoloured. Foxing to edges and to inside. Previous owner's bookplate to front pastedown.

4to viii+168pp+ tipped in specimens etc. Original green cloth (some spots on backstrip) some foxing to prelims., a very good bright copy. First edition.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. One of 1150 (1310) standard copies printed in Barbou type on Abbey Mills paper. 8pp insets of Lutetia italic, Stempel Baskerville, New Hellinic, a 12pp specimen of Weiss roman, and a 16pp specimen of Monotype Pastonchi. The are also broadsides of Lutetia, Weiss, Baskerville and Naudin bound in. Many illustrations in the text, inserted plates include work of Rudolf Koch and various inscriptions. Turquoise cloth, gilt on spine. Lacking dust-jacket, endpapers dusty. A very good copy. Principal contents: The Work of Rudolf Koch, by Albert Windisch; Geofroy Tory, by A.F. Johnson; On Decorative Printing in America, by Paul Beaujon; Decorated Types, by Stanley Morison; Bernard Naudin, Illustrator, by Luc Benoist; Address by Citizen Sobry on the types of Gille, edited by Daniel berkeley Updike.

Condition: Good. London: The Fleuron, 1923. 1st edition. No. 1. 4to hardcover. viii+127pp+examples and ads. Good book. Boards and endpapers slightly dampstained. Williams & Wilkins Company bookplate on front pastedown. Errata slip tipped in on half title page. (Typography, Graphic Design) Inquire if you need further information.

Hardcover. Condition: Very Good condition. Dust Jacket Condition: No jacket, as issued. First Greenwood edition. Westport, Connecticut: Greenwood, 1970. Numbers 1 and 2, bound as 1 book. Very Good condition. Covers lightly finger soiled. HARDCOVER. 1970. Facsimile reprint of this periodical's first 2 numbers (1923-1924). Beautifully illustrated, with much in gorgeous full color. THE FLEURON is the most important English language periodical devoted to the history and practice of typography. Included here are significant articles by Francis Meynell, Stanley Morison, Holbrook Jackson, Daniel Berkeley Updike, Bruce Rogers, etc. This impressive edition REPRODUCES EVERYTHING and even DUPLICATES ALL OF THE ORIGINAL EDITION'S TIPPED-IN FULL COLOR PLATES, FOLD-OUTS, AND SPECIMENS. Ulrich/Kup describes THE FLEURON as: "A significant, learned and copiously documented periodical. THE FLEURON, under intelligent editorship, marched from effort to perfection. Fine printing, book illustration, printer's profiles, challenging reviews of new printing types. A periodical once consulted-never forgotten. the leader of modern typography. It devoted all of its efforts to the promotion of the highest standards in design and printing." Hart 247 says, "One cannot give this undertaking too much praise, for the articles are most informative and of interest to all appreciators of fine printing." Bound in the original cream-color cloth, stamped in red and black. A volume from the publisher's ART OF THE BOOK series. Oversize Hardcover. 8.75" wide by 11.25" tall by 1.5" thick. This large heavy book will require extra postage for Priority and International shipments, but only the standard charge for media mail. First Greenwood edition. Oversize Hardcover. Very Good condition/No jacket, as issued. 2 volumes, bound as 1. Great Packaging, Fast Shipping.

Hardcover. Condition: Very Good. 1st Edition. FIRST EDITION,1930, 4to.pp.xii (2) 252,25: many illustrations,facsimiles, tipped-in plates & inserts, a very good copy in original buckram of the most splendid & substantial volume of the series with an index to all seven volumes. Spotless cover and pages. Includes; Morrison s First Principles of Typography, Warde on Gill, Koch on Holz, Updyke on Cleland, Ewald on Officina Bondini, Van Krimpen on Typgraphy in Holland; Insert short story by Rose Macaulay, Misfortunes, illustrated by wood engravings by Denis Tegetmeir, and not as stated as by Stanley Morrison, printed in the new Bembo , faint stamps of the Ipswich printer, W.S. Cowell on end paper. A nice clean copy with excellent provenance.

4to. xvi+206pp+ tipped in specimens etc. Original yelow cloth (some darkening to backstrip) some foxing to prelims., a very good copy. First edition. Limited to 1250 copies.

hardcover. Condition: Very Good.

cloth. 4to. cloth. xvi, 205, (21) pages. Vol. V. Limited to 1370 copies. Article on Karl Klingspor by Julius Rodenberg including a list of books printed at the Private Press of the Gebr. Klingspor, articles on Laboureur, Bulmer, and "Towards an Ideal Italick" by Stanley Morison. Small bump along bottom of front cover and small tears at spine ends.

Includes "The 'Garamond Types: A Study of XVI and XVII century sources,' by Paul Beaujon; 'Towards an Ideal Italic,' by Stanley Morison; 'J.E. Laboureur Illustrator,' by Paul Istel; 'William Bulmer,' by H.V. Marrot; etc. Quarto. Illustrated with type facsimiles, reproductions, and tipped-in plates. Cloth. Covers lightly soiled. Very good. First edition. One of 1,250 copies on antique laid paper.

cloth. 4to. cloth. xvi, 205, (21) pages. Vol. V. Limited to 1370 copies. Article on Karl Klingspor by Julius Rodenberg including a list of books printed at the Private Press of the Gebr. Klingspor, articles on Laboureur, Bulmer and "Towards an Ideal Italick" by Stanley Morison. Only minor cover wear. Very good condition.

Includes 'Modern Printing in the Netherlands' by J. Van Krimpen; 'The Typographical Work of Eric Gill' by Paul Beaujon; 'The Typography of the 'Nineties' by A.J.A. Symons, 'First Principles of Typography' by Stanley Morison, et al. Quarto. Illustrated with type facsimiles, reproductions, numerous tipped-in color plates. Cloth. A very good copy, lacking the d.j. First edition. One of 1,000 copies.

Includes: 'The Work of Rudolf Koch' by Albert Windisch; 'Geofroy Tory,' by A.F. Johnson; 'Deecorated Types' by Stanley Morison, etc. Quarto. [xiv], [267] pp. Illustrated with type facsimiles, reproductions, numerous tipped-in color plates. Cloth. Some light foxing, light dampstaining to binding near top edge, not affecting text. Printer Ward Ritchie's copy, with his bookplate and name in pencil. Laid in is a 1934 newspaper article about Rudolf Koch, which has resulted in some offsetting to an interior page. A very good copy in dust jacket that is torn along front joint. Uncommon in jacket. First edition.

Hard Cover. Condition: Very Good binding. Dust Jacket Condition: Good dust jacket. Volume No. VII only. With essays on Typography in Holland, Eric Gill, First Principles of Typography, Heinrich Holz, Typography of the Eighteen-Nineties, The Officina Bodoni, Thomas Maitland Cleland, additional shorter essays on typographical history, type reviews, book reviews, and an index at the rear. The volume also with folding facsimile plates, tipped in booklets, and other facsimiles of typographical samples. Slight dusty odor. Mild foxing to the edges of the textblock. Small chips and tears to the dusjacket, with minor loss to the extremities of the spine. Red cloth with a Good dustjacket. Very Good binding / Good dust jacket.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 28 x 22 cm. Quarto. Complete set, mixed edition. Some foxing in volume 1 &2. Cloth spine of volume 1 faded, scuffed on front cover. Volumes 1 & 2 are quarter cloth with paper over boards. Volumes 3 & 4 are bound in black cloth. Volumes 3-7 are limited editions on hand-made paper while volumes 1 & 2 are of the standard edition, 1/1000 copies on Antique Cream Laid paper. Vol III: 48/125, vol IV: 78/120, vol V: 90/110, vol VI: 11/160, vol VII: 128/210 Small closed tears to spine of volume 4. Volumes 5, 6, & 7 are in dust jackets. The deluxe limited editions feature additional illustrations not present in the standard edition. Volume 6 with a pamphlet of Greek type specimen "The New Hellenic" which has an engraving signed by David Jones (pamphlet mounted opposite page 231). The final volume is signed by one of the editors, Stanley Morison, on the colophon page, as well as artist Eric Gill on his Perpetua type specimen preceding page 51. Jackets with a few small closed tears. Extensively illustrated throughout with type specimens, engravings, portraits, head and tail pieces, and high quality color facsimiles of pages from finely printed books. Tipped inclusions in volumes 5,6 & 7. One of the most important and influential typographical periodical. Many of the most important people in the book arts and typography for the time period are discussed and illustrated such as Karl Klingspor, Rudolf Koch and J. E. Laboureur. Beatrice Warde's (writing as Paul Beaujon) important scholarly article on Garamond typefaces appears in volume 5. Reference: Grant Shipcott. Typographical Periodicals Between the Wars: A Critique of The Fleuron, Signature and Typography.

Hardcover. Condition: Near Fine. The copy on offer is the Deluxe Edition printed in an edition of 160 copies of which 150 were for sale. Printed on hand-made paper and containing several tipped in exhibits that were not in the regular edition, including an illustration by David Jones that is pencil signed accompanying The Flying fisherman that is reproduced within the volume. Also, there is a copperplate engraving accompanying De Compensatione Rerum, a prize essay for the Chancellor's Latin Prose at the University of Oxford, 1922. Some slight wear to the tips but overall a beautiful collector's copy of one of the most acclaimed typographic journals of the 20th century. Book.

Hardcover. Condition: Good. 4to, illustrated, quarter cloth with paper sides (nos. 1 and 2) and full cloth (nos. 3 to 7); original dustjacket for no. 3 only, all other dustjackets are later-made with title and volume number printed on the spine panel (presumably by a previous owner). With numerous color and black-and-white illustrations, tip-ins, and specimens, some fold-out. Printer and typographer Bernard Newdigate (1869-1944) positively gushes over the first volume in his "Book Production Notes" for The London Mercury: "The first number of The Fleuron is a brilliant piece of book-production. The book itself is a sumptuous production of the Curwen Press and shows, both in its general appearance and in nearly every detail, the care and skill and good taste which have conspired to the splendid achievement" (quoted by Ruari McLean in "The Most Underrated of Typographers," Matrix 6, pp. 172-3). "The Fleuron was an occasional journal of the arts of the book, in hardback form; it was a sumptuous publication which included the writings of many contemporary scholars as well as original work by artists, and specially composed type specimens of many types as they appeared. It had sprung from conversations between [Stanley] Morison and Oliver Simon, designer at the Curwen Press" (Sebastian Carter, in "Stanley Morison and Jan van Krimpen," Matrix 8, p. 117). Volume 5 with the booklabel of Charles Antin, proprietor of the Serendipity Press, on rear pastedown; prior owner signature on vol. 6 pastedown. Contents generally very good to near fine. Most condition issues are with the covers: some wear to head and/or foot of spine of all volumes except vol. 3 (most heavily in vol. 5); vols. 1 and 5 rear hinge has short or partial split; vol. 2 has horizontal inch-length heavy crease along top of both boards and one-inch split at the hinge; light cover edge wear to vols. 1, 2 and 4; some light soiling to covers, except vol. 5, which is heavily soiled; spines to vols. 2 and 4 a bit faded. Pastedowns and first and last few leaves foxed. Dustjackets show some chipping; vol. 1 spine jacket panel partially repaired.

Limited Edition of 210 de luxe copies on handmade paper (from a total edition of 1210). Cloth, gilt-stamped cover titles and cover device,4to, 29 cm, xii, 253, 24 pp plus inserts, plates (some colour). The last and greatest issue of The Fleuron, Stanley Morison and Oliver Simon's showcase for the typographic arts, here in one of the "de luxe" copies. This differs from the ordinary copies in that it has a binding designed by Jan Van Krimpen, it includes some additional illustrations, and has some of the illustrations printed direct from the original plates, and it is printed on English handmade wove paper and signed by Stanley Morison. Grant Shipcott in his informative book "Typographical Periodicals Between the Wars" enthused:about the volume. Contents include Typography in Holland, by J. Van Krimpen, Haarlem; Eric Gill, Sculptor of Letters, by Paul Beaujon, London with A List of Books with lettering and illustrations by E. G. compiled by Douglas Cleverdon; also The Passion of SS. Perpetua & Felicity in a new translation by W. H. Shewring with engravings by E. G.; First Principles of Typography, by Stanley Morison, London; Heinrich Holz, by Rudolf Koch, Offenbach; An Unacknowledged Movement in Fine Printing, by A. J. A. Symons, London; The Officina Bodoni, by Friedrich Ewald, Hannover; Thomas Maitland Cleland, by D. B. Updike, Boston; Footnotes To Book Production : Early Italics in the German Empire, by A. F. Johnson; Epitaph upon "Period" Printing, by Paul Beaujon; Baskerville's Jobbing Work, by Graham Pollard; The Trusler Script Types, by Stanley Morison; The earliest known work of Arrighi, by Stanley Morison. Also : Type reviews (with specimen works printed in the types) of Centaur roman, Bembo roman, Treyford roman and italic, Antigone greek, Bernhard roman, italic and script, Goudy Modern roman and italic, Romanée roman, Perpetua roman and italic.; Book reviews; Index to the Fleuron I-VII, etc. etc. Copy No. 198, numbered and signed by Stanley Morison, and with the Perpetua type specimen signed "Eric G." [=Gill]. Covers a little rubbed with fading to the lower edge and lower spine-corner of front board, very minor bumping to spine, otherwise Good in a dustwrapper which is chipped and somewhat browned and soiled with tears to the lower front hinge (tape repair on reverse).