Flow Chart by Ashbery John (27 results)

Condition: Good. . . All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping.

Condition: acceptable. Cover image may vary. Cover is worn. Pages are sunned. Item has staining. Paperback.

paperback. Condition: Very Good. Very Good. Used with some reading wear but is still in great reading condition. No markings in text.

Paperback. Condition: Good. First paperback edition. Light wear and bumped corners.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. 1st thus.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condition: Good. Clean Pages. Proceeds benefit the Pima County Public Library system, which serves Tucson and southern Arizona. Slight edge wear and bumping.

paperback. Condition: Very Good. First Edition. Stated First Noonday Paperback Edition (1998), tight clean unmarked, no creases no slant, some light edge wear on covers, NO age toning, Very Good Plus overall condition.

paperback. Condition: Near Fine. Unmarked book in great shape. Ships daily.

Soft cover. Condition: Fine. 1st Edition. Very fine softcover, first paperback of this issue. No writing, no creases. 216 pages. M07343.

hardcover. Condition: Acceptable. Stains to cover, page edges, and/or pages inside. Water damage to book. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Softcover. BITTE BEACHTEN: KEIN VERSAND AUSSERHALB EU - PLEASE NOTE: NO SHIPPING OUTSIDE EUROPEAN UNION. Aus dem Amerikanischen übersetzt von Matthias Göritz und Uda Strätling. Klappbroschur, 381 Seiten. 22 x 19 cm. Gewicht: 1100.

First Edition. Fine cloth copy in a very good, slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 216 pages. Subjects; American poetry. 1900-1999. Poetry, Modern 20th century. United States. English poetry. 3 Kg.

Hardcover. Condition: Like New. 1st edition 2nd printing - slight stain on page edge - otherwise a fine clean like new collectible with like new dust jacket - enjoy.

22 x 18,5 cm. 381 S. Klappbroschur. guter Zustand.

Hardcover. Condition: Good. Dust Jacket Condition: Good. Hardcover with clipped dust jacket, in good condition. Jacket is marked and sunned. Rear upper edge of the jacket and board are notably rubbed in places. Boards are slightly marked, and page block head is lightly blemished. Possibly a presentation copy to a teacher as FEP is filled with signatures. Binding is sound and pages are clear. LW. Used.

Softcover/Paperback. 380 S. Innen wie außen ein sehr gutes Exemplar. Einband und Leseseiten sind sauber und ohne Anstreichungen. Sehr guter Zustand, fast wie neu. 9783939557296 Sprache: Deutsch Gewicht in Gramm: 800.

Soft cover. Condition: Very Good. 1st Edition. 1st edition thus. A very good copy with light marks to front edge of block.

First Edition. Fine cloth copy in a very good, slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 216 pages. Subjects; American poetry. 1900-1999. Poetry, Modern 20th century. United States. English poetry. 1 Kg.

Hardcover. First Edition, First Printing. Square Octavo, 216 pages. In Very Good minus condition with a Very Good minus dust jacket. Spine red with white lettering. Dust jacket protected with mylar covering, price uncut: "$20.00". Slight age toning to edges of dust jacket and edges of boards. Minor foxing to edges of text block. Signed by Ashbery on title page. Shelved Case 0. 1399843. Shelved Dupont Bookstore.

Hardcover. Condition: new. New Copy. Customer Service Guaranteed.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. First Printing. A Fine copy in blue cloth, in a bright Fine dustwrapper (from design by Trevor Winkfield), not price-clipped. SIGNED (no inscription) on the title page by Ashbery. 216pp. A long poem, continuously unfolding with vivid and often irrational imagery. Q19389.

First edition, first printing. Signed by the author. Original blue cloth lettered in gilt to the spine, in the dustwrapper illustrated by Trevor Winkfield. A fine copy, the binding square and firm, the cloth and gilt fresh, the contents, except for some light ink offsetting from a no longer present receipt to the front free endpaper, clean throughout. In the fine, bright dustwrapper. A lovely copy. In 1987, Ashbery's friend, the artist Trevor Winkfield (who would eventually provide the jacket illustration), suggested to the poet that he write a one-hundred-page poem about his mother, who had recently died. Ashbery, according to John Shoptaw, later "recalled thinking, 'Say, that's something I haven't done before!', hasten[ing] to add, 'of course, it's not about my mother'." 'Flow Chart', Ashbery's longest single poem, was indeed originally written as a one-hundred-page, single-spaced typescript (this framework was deliberately obscured in the published version). Beginning on December 8, 1987, the poet decided in advance to finish the one hundred pages on July 28, 1988, his sixty-first birthday. An oblique elegy (complementing the earlier fifty-dizain 'Fragment' written in the wake of his father's death), the poem is also capacious and brimming with life, its long Whitman-esque lines exploiting the full span of the volume's large quarto pages. The poem has been compared to Wordsworth's 'Prelude', and the first page's "emptiness / so sudden it leaves the girders / whanging in the absence of wind" may recall the "gentle breeze" fanning Wordsworth's cheek having "escaped / [.] the vast city" (Ashbery, though, remains "in the published city", charting the flow). 'Flow Chart' is dedicated to Ashbery's bibliographer, lover, and eventually husband, David Kermani. (John Shoptaw, 'On the Outside Looking Out: John Ashbery's Poetry' [Cambridge, MA: 1995]. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

First UK edition, first printing. Signed by the author. Publisher's original blue cloth with gilt titles to the spine, in dustwrapper. A near fine copy, the binding square and firm with a little bumping and a small nick at the base of the spine, the cloth and gilt bright and fresh. The contents are clean throughout and without previous owners' inscriptions or stamps. Complete with the bright original dustwrapper that has a small nick and some creasing at the base of the spine, and is otherwise without fading, loss or tears. Not price-clipped (£16.95 to the lower front flap). In 1987, Ashbery's friend, the artist Trevor Winkfield, suggested to the poet that he write a one-hundred-page poem about his mother, who had recently died. Ashbery, according to John Shoptaw, later "recalled thinking, 'Say, that's something I haven't done before!', hasten[ing] to add, 'of course, it's not about my mother'". 'Flow Chart', Ashbery's longest single poem, was indeed originally written as a one-hundred-page, single-spaced typescript (this framework was deliberately obscured in the published version). Beginning on December 8, 1987, the poet decided in advance to finish the one hundred pages on July 28, 1988, his sixty-first birthday. An oblique elegy (complementing the earlier fifty-dizain 'Fragment' written in the wake of his father's death), the poem is also capacious and brimming with life, its long Whitman-esque lines exploiting the full span of the volume's large quarto pages. The poem has been compared to Wordsworth's 'Prelude', and the first page's "emptiness / so sudden it leaves the girders / whanging in the absence of wind" may recall the "gentle breeze" fanning Wordsworth's cheek having "escaped / [.] the vast city" (Ashbery, though, remains "in the published city", charting the flow). 'Flow Chart' is dedicated to Ashbery's bibliographer, lover, and eventually husband, David Kermani. (John Shoptaw, 'On the Outside Looking Out: John Ashbery's Poetry' [Cambridge, MA: 1995]. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

pp. 354-(6) 8° gr. Coll. "I dardi del poeta". Tiratura di 500 esemplari di cui i primi 100 (ns. n.93/100), contengono una incisione a colori, volante, protetta da velina di Tullio Pericoli interpretativa del poema. L'incisione è riportata su entrambe le copertine. Nota al testo e bio-bigliografica. Con un ritratto fotografico dell'autore. Testo italiano inglese. In perfetto stato bross. ed. sovracc. ill. a colori, custodia ed. in cartone marezzato blu e oro.