John Gilbert, Signed (27 results)

Soft cover. Condition: As New. Limited Edition. Limited edition of 286 copies - this is number 92. Signed by Author(s).

Hardcover. Condition: Good. various {photography} (illustrator). 1st Edition. This first edition has little corner bumping or edge wear. Unclipped DJ has some edge darkening with age. Interior text has slightly darkened with age, two sections of black and white photographic illustrations. Author has signed and inscribed the Title page {bold}. A good copy. Signed by Author(s).

1st edition. Review copy, signed by Gilbert Cunningham. Near fine cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; xi, 62 pages, 19 cm. Subjects; German poetry To 1400 ; Translations into English. Goethe poetry. Translation, poetry. Translation, critical notes. Signed copies. Presentation copies. 3 Kg.

Hardcover. Condition: Good. Hardcover. No DJ. "OF THIS BOOK TWO HUNDRED AND TWENTY-FIVE COPIES HAVE BEEN PRINTED ON VAN GELDER HAND-MADE PAPER". INSCRIBED TO PREVIOUS OWNER AND SIGNED BY AUTHOR. PAGES CLEAN AND UNMARKED. Covers show light edge wear with rubbing/heavy scuffing. Binding is tight, hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day! Signed by Author.

1st edition. Review copy, signed by Gilbert Cunningham. Near fine cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; xi, 62 pages, 19 cm. Subjects; German poetry To 1400 ; Translations into English. Goethe poetry. Translation, poetry. Translation, critical notes. Signed copies. Presentation copies. 1 Kg.

Hardcover. Condition: Very Good. Dust Jacket Condition: Poor. First Edition. Signed by the author John Gilbert. Heavy book may require extra postage unless posted within South Africa. Publication of 125 pages. The dust jackets is worn, large chipped pieces and tears. Internally the pages are clean and complete. Tightly bound and presented in cellophane. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services. Signed.

revised edition hardback in original cloth Very Good octavo xii + 306pp., frontis., b/w plates, ep maps, bibliog., index, Signed Inscribed on the verso of the half-title 'with greetings from the author of this gossip, Alec H. Chisholm, Sydney Sept. 1959' Also presentation inscription from Colin Roderick on the half-title.

Cloth. Condition: Near Fine. Dust Jacket Condition: Very Good. First Edition. Near Fine in a very good Jacket PP 160 index illustrations presentation inscription from the author on the fep. Signed by Author(s).

No Binding. Condition: Fine. No Jacket. 1875 March 6th Original Antique Print taken from The Graphic: FATHER OF TWENTY CHILDREN WAS HE Overall size of this print is approx 40cm x 28cm with large margins, perfect for mounting for home, business, interior decorators, hotels, pubs, boardrooms and restaurants. All our prints are ORIGINALS ANTIQUES AND GUARANTEED TO BE AS DATED. Please note we are offering an ANTIQUE PRINT on this listing unless otherwise described. These prints are taken from the THE GRAPHIC and in many cases, there will also be text on the reverse of the image side. The Graphic was first published in 1869, founded by William Luson Thomas and was a weekly newspaper reporting details of local, UK and worldwide events and stories. The Graphic is known for its coverage of of the following subjects: The Wars, Ships, Boats, Guns, Sailing, Portraits, Fine Art, Old and Antique Prints, Wood Cut, Wood Engravings, Early Photographs, Victorian Life, Victorian Culture, Kings, Queens, Royalty, Travels, Adventures, Natural History, Birds, Fish, Mammals, Fishing, Hunting, Shooting, Fox Hunting, Sprts including Tennis, Cricket, Football, Horse Racing etc. WE ARE HAPPY TO COMBINE POSTAGE FOR UP TO 10 ITEMS FOR NO ADDITIONAL CHARGE OVER THE SINGLE ITEM POSTAGE COST FOR OVERSEAS BUYERS. FOR UK BUYERS, POSTAGE IS FREE. PLEASE NOTE THAT IF YOU WOULD LIKE THE ITEM TO BE SENT BY TRACKED AND SIGNED FOR MAIL, YOU WILL NEED TO PAY THE APPROPRIATE HIGHER POSTAL CHARGE. 1875 Antique Print - FINE ART Father Twenty Children John Gilbert (G131) 1875 Antique Print - FINE ART Father Twenty Children John Gilbert (G131) 1875 Antique Print - FINE ART Father Twenty Children John Gilbert (G131)Click image to enlarge Description1875 March 6thOriginal Antique Print taken from.

1891 Antique Print - FINE ART Don Quixote Niece Housekeeper John Gilbert (137) For more info please ask seller a question. Royal Mail 2nd Class - £0.00 Royal Mail 2nd Class Signed For - £4.50 Standard Int'l age - £4.00 Royal Mail International Signed - £8.00 No PICK UP OPTIONSorry, our items are NOT available for pick-up.PAYING VIA PAYPALWe accept on our all our items so you can shop with confidence.Simple choose the option when proceeding through the checkout.

Hardcover. Condition: Near Fine. Signed limited edition No. 38 of 1,200 copies. Light edge wear to a few pages. Small mark to board edge. Signed by Author(s).

Hard Cover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. Laid-in (not attached) is a photo-card SIGNED by John Baldessari (signed on rear of photo--signature only). 144 pages. $25.00 price present on DJ flap. Laid-in is original New York Times obituary for Baldessari. Size: 4to - over 9¾" - 12" tall. AUTHOR SIGNATURE.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. SIGNED by author. Physical description: 239 p.; 24 cm. Note: First paperback copy published by The Aquarian Press in 1986: "This Teitan Press edition has been extensively revised and corrected". Subjects: Hockley, Frederick; 1808-1885; Occultism; Occultisme; Personal correspondence;Rosicrucians. 3 Kg.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. SIGNED by author. Physical description: 239 p.; 24 cm. Note: First paperback copy published by The Aquarian Press in 1986: "This Teitan Press edition has been extensively revised and corrected". Subjects: Hockley, Frederick; 1808-1885; Occultism; Occultisme; Personal correspondence;Rosicrucians. 1 Kg.

Condition: Good. Typed Letter Signed, Aerogramme, Folded Illustrated Sheet, 11.5" x 8.5". Good with marginal tears.Provenance: Herb Yellin (1935-2014) was the highly respected publisher and founder of Lord John Press, considered by many to be one of the most important small presses of the 20th century.

Condition: Good. Typed Letter Signed, Aerogramme, Folded Illustrated Sheet, 11.5" x 8.5". Good with marginal tears.Provenance: Herb Yellin (1935-2014) was the highly respected publisher and founder of Lord John Press, considered by many to be one of the most important small presses of the 20th century.

Condition: Good. Typed Letter Signed, Aerogramme, Folded Illustrated Sheet, 11.5" x 8.5". Good with marginal tears.Provenance: Herb Yellin (1935-2014) was the highly respected publisher and founder of Lord John Press, considered by many to be one of the most important small presses of the 20th century.

Hardcover. Condition: Gut. Shakespeare's sämmtliche Werke. Eingeleitet und übersetzt von A. W. Schlegel . Illustrirt von John Gilbert. 4 Bände. Stuttgart, Eduard Hallberger, (1874-). 27 x 20 cm. OKalikobände mit reicher Gold- und Schwarzprägung, Goldschnitt, signiert C. Hasert, Stuttgart. - Einbände berieben und bestoßem, zwei Gelenke unten angeplatzt, Seiten leicht gebräunt, fliegende Vorsätze braunfleckig. Buch.

See his entry in the Oxford DNB. The recipient ('Broadley Pasha') was a renowned autograph collector and shady social figure, as well as the de facto editor of Edmund Yates's 'World'. 1p, 12mo. In fair condition, lightly aged, in trimmed windowpane mount, with traces of grey paper adhering to the blank reverse. Folded for postage. Addressed to 'Dear Broadley', and signed 'John Hollingshead'. He begins by thanking him for 'the very valuable notice in the World'. He will of course 'see to Monday night all right.' With regard to the Corinthian Club he ends: 'We are going on soundly & well, thanks to you & other friends. I do not tout for members, but they come.' By 1913 the Corinthian Club had amalgamated with the Sports Club.

8vo, 462pp., blue boards slightly worn on edges. Library casemark on spine. Some library stamps. Signed by author. Life of noted Irish antiquarian.

Echtfoto. Condition: Gut. Schönes Schwarzweissfoto von John Gilbert bildseitig mit blauem Stift signiert mit eigenhändigem Zusatz (unleserlich)", umseitig Klebspuren von Albummontage /// Autogramm Autograph signiert signed signee /// Gilbert (eigentlich John Cecil Pringle; * 10. Juli 1897 in Logan, Utah; ? 9. Januar 1936 in Los Angeles, Kalifornien) war ein US-amerikanischer Filmschauspieler. Er war vor allem an der Seite von Greta Garbo einer der größten Stars der ausgehenden Stummfilmära Ende der 1920er Jahre. John Gilbert war der Sohn englischer Wanderschauspieler. Seine Kindheit verbrachte er auf Tourneen mit seinen Eltern. Er besuchte später in Kalifornien eine Militärschule. In den 1910er Jahren kam er zum Film und erhielt 1915 eine Anstellung als Komparse bei der Filmgesellschaft Triangle von Thomas Harper Ince. Sein Filmdebüt hatte er im Jahre 1916. Gleichzeitig betätigte er sich auch als Autor und wurde 1919 von Maurice Tourneur als Schauspieler, Regieassistent und Drehbuchautor engagiert. 1921 ging Gilbert zur Fox Film Corporation von William Fox und übernahm bevorzugt die Rollen romantischer Liebhaber, die sein Image bis zum Ende seiner Karriere prägten. Nach dem Wechsel zu Metro Pictures Corporation, die kurze Zeit später zur MGM verschmolz, begann sein Aufstieg zu einem der erfolgreichsten Schauspieler der Stummfilmzeit. Sein erster großer Erfolg für das neu gegründete Studio war in Victor Sjöströms He Who Gets Slapped, in dem er 1924 neben Norma Shearer auftrat. Im darauffolgenden Jahr hatte er Hauptrollen in zwei der finanziell erfolgreichsten Produktionen des Jahrzehnts: als Prinz Danilo in Die lustige Witwe, wo sich die Hauptdarstellerin Mae Murray mit dem Regisseur Erich von Stroheim während der Dreharbeiten twelve weeks of volcanic outbursts of temperament lieferten. Ein noch größerer Erfolg war King Vidors Weltkriegsdrama Die große Parade. 1926 spielte er in Vidors La Bohème an der Seite von Lillian Gish und Lars Hanson. Seine Popularität stieg im folgenden Jahr, als er in Es war von Clarence Brown erstmals mit Greta Garbo vor der Kamera stand. Die Zusammenarbeit von Gilbert und Garbo wurde in Anna Karenina unter der Regie von Edmund Goulding und in Eine schamlose Frau aus dem Folgejahr fortgesetzt. Neben Ronald Colman/Vilma Bánky und Janet Gaynor/Charles Farrell waren die beiden eines der großen Leinwandpaare der Ära. Auf dem Höhepunkt seiner Karriere wurde Gilbert als der Nachfolger von Valentino gefeiert. Gilbert und Garbo gingen während dieser Zeit auch im Privatleben eine Liebesbeziehung ein. Der Übergang zum Tonfilm gelang John Gilbert entgegen den heute noch kursierenden Gerüchten relativ problemlos. Der Schauspieler handelte 1930 einen neuen Vertrag aus, der ihm für vier Filme jeweils 250.000 US-Dollar Gage sicherte, was Gilbert zu einem der bestbezahlten Stars neben Constance Bennett und Al Jolson machte. Was sich auf lange Sicht jedoch fatal für ihn auswirkte, waren seine teilweise heftigen Meinungsverschiedenheiten mit MGM-Chef Louis B. Mayer, was schließlich zu künstlerisch immer weniger befriedigenden Rollen führte. Auch hatte sich der Geschmack des Publikums gewandelt, und mit Clark Gable und Robert Montgomery hatte das Studio zwei neue Topstars. Gilberts heute noch bekanntester Film ist Königin Christine aus dem Jahr 1933 unter der Regie von Rouben Mamoulian, wo er neben Garbo spielt, die sich ausdrücklich für seine Besetzung im Studio starkgemacht hatte. Im Folgejahr drehte er seinen letzten Film. John Gilbert erlag 1936 - vermutlich als Folge seines langjährigen übermäßigen Alkoholkonsums - einem Herzinfarkt. Zu dem Zeitpunkt war geplant, ihn neben Marlene Dietrich und Gary Cooper in Perlen zum Glück einzusetzen. Nach seinem Tod wurde seine Rolle mit John Halliday besetzt. Filmografie (Auswahl) 1920: The White Circle 1922: Monte Cristo 1924 His Hour 1924: Der Mann, der die Ohrfeigen bekam (He Who Gets Slapped) 1925: Die lustige Witwe (The Merry Widow) 1925: Die große Parade (The Big Parade) 1926: La Bohème 1927: Es war (Flesh and the Devil) 1927: Anna Karenina (Love) 1927: Twelve Miles Out 1928: Four Walls 1928: Eine schamlose Frau (A Woman of Affairs) 1929: The Hollywood Revue of 1929 1929: His Glorious Night 1930: Redemption 1930: Make Way For a Sailor 1931: The Phantom of Paris 1931: West of Broadway 1932: Downstairs 1933: Fast Workers 1933: Königin Christine (Queen Christina) 1934: The Captain Hates the Sea /// Standort Wimregal PKis-Box8-U006 Sprache: Englisch Gewicht in Gramm: 10.

First edition, with a presentation inscription from the author. Tall 8vo., orig. red cloth with decoration in gilt, bevelled edges, xvi, 88pp. With illustrations. Some minor wear to the head of the spine o/w a near fine copy.

First Edition. Quarto. Frontispiece, IX, [1] pages with 23 tipped-in plates (including the now famous Oscar Wilde - Caricature) with lettered tissue-guards. Original Hardcover with original dustjacket. The dustjacket very poor and fragmented but the Volume itself in excellent, firm condition. All colour-plates with tissue-guards in place and in wonderful condition. Excellent association-copy with the personal inscripton by Max Beerbohm to his friend Jack Lynch by incorporating the half-title: "Jack Lynch's copy of [Rossetti and his Circle] from Max - 1923". Rossetti and His Circle is a book of twenty-three caricatures by English caricaturist, essayist and parodist Max Beerbohm. Published in 1922 by William Heinemann, the drawings were Beerbohm's humorous imaginings concerning the life of Dante Gabriel Rossetti and his fellow Pre-Raphaelites, the period, as he put it, "just before oneself." The book is now considered one of Beerbohm's masterpieces. Beerbohm returned to England from his home in Rapallo in Italy so that he could study photographs of the subjects he depicted in his caricatures. During the winter of 1917 he rented a cottage in the English countryside near the home of his friend William Rothenstein so that he could work on his Rossetti drawings. Every day, carrying his portfolio of drawings with him, Beerbohm walked across the snow to visit Rothenstein. "No wonder Max was nervous of leaving his Rossetti caricatures in an empty cottage. What a remarkable reconstruction of a period!" Rothenstein later wrote. Rossetti and the Pre-Raphaelite Brotherhood had captured Beerbohm's imagination. "In London, in the great days of a deep, smug, thick, rich, drab, industrial complacency," he wrote, "Rossetti shone, for the men and women who knew him, with the ambiguous light of a red torch somewhere in a dense fog. And so he still shines for me." Beerbohm's caricatures include Dante Gabriel Rossetti with his sister Christina, John Ruskin, Algernon Charles Swinburne, William Holman Hunt, John Millais and George Meredith. In plate 22, Oscar Wilde, on his 1882 lecture tour in America, describes the delights of the Aesthetic Movement to a fascinated audience. This tour had been organised by Richard D'Oyly Carte to publicise the new Gilbert and Sullivan opera Patience. Sir Hugh Walpole bequeathed Beerbohm's original watercolour artwork for Rossetti and His Circle to the Tate Collection in London in 1941. A special limited edition of 380 numbered copies bound in white cloth was also published in 1922. These were signed by Beerbohm. (Wikipedia) The tipped-in Colour-Plates in this publication are furnished with lettered tissue-guards. We are listing here each of the Illustrations and the text-accompanying them: I - "D.G.Rossetti, precociously manifesting, among the exiled Patriots who frequented his father's house in Charlotte Street, That Queer Indifference to Politics which marked him in his prime and his decline" II - "British Stock and Alien Inspiration" III - "Rossetti's Courtship - Chatham Place, 1850 - 1860" IV - "A Momentary Vision that once befell Young Millais" V - "The sole Remark Likely to have been made by Benjamin Jowett about the Mural Paintings at The Oxford Union: 'And what were they going to do with the Grail when they found it, Mr.Rossetti ?'" VI - "Spring Cottage, Hampstead, 1860: 'Coventry Patmore very vehemantly preaches to the Rossettis that a Tea-Pot is not worshipful for its Form and Colour, but as a sublime Symbol of Domesticity'" VII: An Introduction - Miss Cornforth : "Oh, very pleased to meet Mr.Ruskin, I'm sure" VIII: "Blue China" [depicting Carlyle and Whistler] IX: "Woolner at Farringford, 1857" - Mrs.Tennyson: "You now, Mr.Woolner, I'm one of the most un-meddlesome of women; but - when (I'm only asking), when do you begin modelling his Halo ?" X: "Ford Madox Brown being patronised by Holman Hunt" XI: "The Small Hours in the Sixties at 16, Cheyne Walk. - Algnernon Reading "Anactoria" to Gabriel and William.

Hardcover. 8vo, 22cm, various paginations, engraved half-titles, 16 engraved frontispieces with tissue guards, extensively illustrations with engraved plates from illustrations by George Cruikshank, in contemporary half pollished crimson calf, gilt decorated raised bands, with gilt decorated borders and full decorations in the panels, gilt spine titles, marbled boards, gilt ruled boarders, matched marbled endpapers, t.e.g., each volume with heraldic bookplate, Note*, a near fine set (). ~ The best known historical novels of popular Victorian writer, William Harrison Ainsworth (1805-1882). Extensively illustrated and attractively bound in fine binding, signed "The Times Book Club". PROVENANCE: With the heraldic book-plates of American entrepreneur, Marshall Field, founder of the Chicago-based department store chain, Marshall Field & Company (later Macy's). Note*. The black title labels have turned to a light brown and somewhat match the spine colour (perhaps an original glue problem as the spines are not faded) all stamping is clear. No other sets of this issue on ABE.

No Binding. Condition: Very Good. An original pen and ink of The Miller of Dee in the style of John Gilbert. Circa mid to late 19th century. Whoever drew this added Gilbert's monogram to the lower left of the drawing but also added another signed monogram (probably their own) to the lower right. The drawing measures approx. 31.5cm x 23.5cm. Laid on card that measures approx. 35cm x 27cm. Signed by Illustrator(s).

Eigenhändiger Brief (in Tinte, 1 S. 8°, leichte Gebrauchsspuren) mit Ort, Datum, Unterschrift signiert 449 Strand, leharing X, Jan. 1, 1879 - an einen Herrn über eine Aufführung des "MESSIAH". ".Enclosed find a couple of seets for the performance of the MESSIAH tomorrow evening (Thursday) at ALBERT HALL (London). If you have time to come to the artists room during the intermission, I will be happy to make your personal acquaintance.".

1 lettre autographe signée 4 In-8 26/07/1848 En anglais. bon Lettre du peintre anglais Sir John Gilbert, dans laquelle il entretient son correspondant d'une affaire le concernant. Peintre, dessinateur et illustrateur anglais.