Joseph David, Signed (16 results)

First Edition. Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. ; 160 pages; Physical desc. : 160p. : ill. ; 23cm. Subject: Psychology, Industrial. Medicine -- Industrial diseases, Stress. Job stress. SIGNED and inscribed by author. Series: The care and welfare library. 3 Kg.

First Edition. Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. ; 160 pages; Physical desc. : 160p. : ill. ; 23cm. Subject: Psychology, Industrial. Medicine -- Industrial diseases, Stress. Job stress. SIGNED and inscribed by author. Series: The care and welfare library. 1 Kg.

Hardcover. Condition: Very Good. No Jacket. Author signed & inscribed (& dated 1931). Cloth spine, paper covered boards. Slight foxing to end-papers & closed edges; otherwise very good indeed. Signed by Author(s).

Hardcover. Condition: Good. First Edition. Hardcover. No DJ. 1ST ILLUSTRATED EDITION LIMITED EDITION #40 OF 170 COPIES SIGNED BY AUTHOR AND ARTIST. Pages are clean and unmarked. Covers (orange flexible) show light edge wear with rubbing/light scuffing. Binding is tight, hinges strong. COVER MAY NOT MATCH THE PICTURE ON THIS SITE. Previous owners bookplate on inside front cover.; 100% Satisfaction Guaranteed! Ships same or next business day! Signed by Author.

Soft cover. Condition: Near Fine. 1st Edition. soft cover in near fine condition,photography by paul pearce,signed by joe orffeo and david pratt. Signed by Author(s).

Vorsatz mit persönlicher Widmung des Verfassers sowie handschriftlichen Einträgen.

Echtfoto. Condition: Sehr gut. Großformatiges Druckerfoto ca A4 von Patricia Gerndt udn David O. Joseph bildseitig mit schwarzem Stift signiert mit eigenhändigem Zusatz "Liebe Grüße" /// Estrella (* 15. Januar 1983 als Patricia Gerndt in Stuttgart) ist die Tochter eines Musikproduzenten. Sie verfügt über eine klassische Gesangs- und Klavierausbildung. 2003 schaffte sie mit dem Sommerhit La Fiesta Loca erstmals den Sprung in die deutschen Charts. Von 2010 bis 2014 arbeitete sie als Moderatorin beim Radiosender R.SH (Radio Schleswig-Holstein) in Kiel. Dort vertrat sie zunächst in Carsten Köthes Frühstücksclub die Wetterexpertin Katharina Nicolaisen, im Spätsommer 2012 wechselte sie ins Nachmittagsprogramm als Co-Moderatorin von Volker Mittmann. Seit 2014 moderiert sie beim Berliner Radiosender 94,3 rs2. Soie ist Sängerin des Popduos Blue Lagoon Blue Lagoon (auch Schreibweise ?Bluelagoon?) ist der Name eines deutschen Pop-/Dance-Projektes, das 2004 vom Stuttgarter Produzenten Felix J. Gauder (siehe auch: Novaspace) gebildet wurde. Der Bandname bedeutet schlicht ?Blaue Lagune? Sämtliche Singles und Alben wurden von dem Münchner Label Konsum Records, einem Sublabel der Kosmo Music GmbH, veröffentlicht. /// Blue Lagoon (auch Schreibweise ?Bluelagoon?) ist der Name eines deutschen Pop-/Dance-Projektes, das 2004 vom Stuttgarter Produzenten Felix J. Gauder (siehe auch: Novaspace) gebildet wurde. Der Bandname bedeutet schlicht ?Blaue Lagune? Sämtliche Singles und Alben wurden von dem Münchner Label Konsum Records, einem Sublabel der Kosmo Music GmbH, veröffentlicht. Estrella (* 15. Januar 1983 als Patricia Gerndt in Stuttgart) ist die Tochter eines Musikproduzenten. Sie verfügt über eine klassische Gesangs- und Klavierausbildung. 2003 schaffte sie mit dem Sommerhit La Fiesta Loca erstmals den Sprung in die deutschen Charts. Von 2010 bis 2014 arbeitete sie als Moderatorin beim Radiosender R.SH (Radio Schleswig-Holstein) in Kiel. Dort vertrat sie zunächst in Carsten Köthes Frühstücksclub die Wetterexpertin Katharina Nicolaisen, im Spätsommer 2012 wechselte sie ins Nachmittagsprogramm als Co-Moderatorin von Volker Mittmann. Seit 2014 moderiert sie beim Berliner Radiosender 94,3 rs2. David O Joseph (* 6. November 1977 in München) ist der Sohn einer Deutschen und eines Nigerianers. Seine Musik ist vom Reggae, Hip-Hop und R ?n? B beeinflusst. Seinen ersten Chart Hit landete er im Sommer 2002 mit der Single Butterfly. David hatte als Kind auch schon Statistenrollen im Theater und in Fernsehproduktionen wie zum Beispiel Derrick und übte sich als lokaler DJ in diversen Lokalitäten. Er hatte auch diverse Features mit Tom Novy, Zoe Mazah, Patricia Blanco, Simone Arnes, Mic Donet, Wouffey Amadeuz, Einer Münchens Feinstes (EMF und Feinkost Paranoia) und Grosses K (Neuer Süden). Bandgeschichte Mit einer Coverversion von Matthew Wilders Hit Break My Stride aus dem Jahr 1983 erreichten Blue Lagoon im September 2004 Platz zwei der deutschen Singlecharts. Auch ihr zweiter Hit war eine Coverversion. Do You Really Want to Hurt Me?, im Original 1982 ein Hit von Culture Club, stieg im Januar 2005 auf Platz 13 der deutschen Charts ein. Zeitgleich veröffentlichten Blue Lagoon ihr Debütalbum Clublagoon, das neben den Covern weiterer Klassiker auch einige neue selbstgeschriebene Kompositionen enthielt. Im Sommer 2005 folgte mit der Single Heartbreaker ebenfalls eine Coverversion. Ursprünglich wurde das Lied 1982 von den Bee Gees für Dionne Warwick geschrieben, welche hiermit einen weltweiten Erfolg hatte. Die im Sommer 2006 veröffentlichte Single Isle of Paradise war die erste nicht gecoverte Single. Im Winter 2006 kam die Single What Becomes of the Broken Hearted heraus, die wieder ein Remake war. Das Original stammt von Jimmy Ruffin aus dem Jahr 1966. Mitte Januar 2007 erschien dann der zweite Longplayer Sentimental Fools, aus dem (nach den drei Singles Heartbreaker, Isle of Paradise und What Becomes of the Broken Hearted) aber keine weiteren Singles ausgekoppelt wurden. Ende Juli 2008 kehr.

Soft cover. Condition: Near Fine. 1st Edition. Large Format Soft Cover Catalog 10 1/4" X 8". Near Fine. Inscribed To Social Artist Wiliam Gropper And His Spouse: "To Bill & Sophie With Great Admiration For His Work And Thankful That You Are A Member Of The Aca Group. Herman. With All My Love To Sophie & Boill. Ella." Also, "To My Friend Bill Gropper- Nicolai Cikovsky 1959". Herman Baron Was The Founder Of The Aca Galleries (Also Known As American Contemporary Art And A.C.A. Gallery) In 1932 And Served As Its Director Until His Death In 1961. Inscribed by Author(s).

Soft cover. Condition: Near Fine. 1st Edition. Small 4to., loose pages, bound with string, with cover with paper label printed in black; slightly soiled. Uncorrected galleys, with several annotations by the publisher and signed by Blackburn. A handsome copy. Signed by Author(s).

paris MONNAIE - INDRE ET LOIRE 1849 une Lettre sur papier blanc, format : 20,3 x 13,5 cm, manuscrite à l'encre brune, signée du duc de Fezensac, adressée au Comte Amédée-David de Pastoret (lui aussi ECRIVAIN) , sans date (1849) lettre dont le texte suit : ". Ce vendredi.Vous mettez beaucoup trop de prix, mon cher Amédée, au pretendu ouvrage que je me suis permis de vous offrir; votre bienveillance et votre indulgence lui tiennent lieu d'intérêt et de talent, et quand à moi, je ne lui reconnais d'autre mérite que celui d'une vérité intransigeante. Vous m'avez témoigné le desir ainsi que Madame Pastoret d'entendre un autre ouvrage qui n'est pas plus un roman qu'une histoire. Si vous voulez l'un et l'autre venir demain Samedi à 2 heures chez Madame de Maillé, elle m'a chargé de vous y engager. Si non, je serais à vos ordres un autre jour. Mille compliments et cent mille remerciements.(signature) Duc Fezensac.". l'ouvrage cité dans la lettre est : "Journal de la campagne de Russie en 1812, par M. de Fezensac". publié en 1849(ce qui permet de dater cette lettre) . Raymond Aymeric Philippe Joseph de Montesquiou-Fezensac, né à Paris le 26 janvier 1784, mort le 18 novembre 1867 au château du Mortier, à Monnaie), baron de Montesquiou Fezensac et de l'Empire (1809) puis 2e duc de Montesquiou (1832), est un général et homme politique français de l'Empire et Aussi ECRIVAIN . Amédée, marquis de Pastoret, né à Paris le 2 janvier 1791 et mort le 18 mai 1857 dans la même ville, est un homme politique et auteur français . Mme Maillé chez la quelle, le duc de Fezensac invite le comte de Pastoret est : Blanche-Joséphine Le Bascle d'Argenteuil, par son mariage duchesse de Maillé, c'est une femme de lettres française, née à Tours le 22 avril 1787 et morte à La Roche-Guyon le 10 septembre 1851 . UNIQUE . en bon état (good condition).

Pappband. Condition: Gut. Dust Jacket Condition: Gut. alle 10 Bände um sehr guten Zustand, Schwarzer Speerholzschuber etwas berieben , eineSeitenplatte gebrochen, aber der Schuber ist in sich trotzdem stabil. dem unsignierten Bücher liegt eine Postkarte (Kestner Gesellschaft. Markus Lüpertz rezitiert eigene Poeme) bei bildseitig signiert von dem deutschen Maler und Bildhauer Markus Lüpertz (*1941). with postcard signed by Lüpertz. Size: 8°. Buch.

Image size 156 x 198, sheet size 197 x 238. Printed on china paper and laid down to mounting sheet. Signed by the artist. This humourous scene depicts six musicians plyaing the violin, flute double bass, trombone and [?]clarinet. A double bass player offers amorous advances to a young lady holding a tray of drinks, a dog and cat play in the foreground, and there is a general sense of confusion in the music performance. Mount browned. Signed.

A handsome and highly significant Texas stock certificate of the colonial era, with a detailed map of Austin's colony. This copy is made out in manuscript to Lorenzo de Zavala and signed by him on the verso. Zavala's grant from the Mexican government comprised much of the company's land holdings, and after moving (unwillingly) to Texas in 1835 after butting heads with Santa Anna, he became one of the chief figures in the Texan independence movement as well as the first Vice President of Texas. This document technically serves as a scrip allowing settlement and the future surveying of a plot (in this case one labor, or about 177 acres), rather than actual title to lands in Texas, although of course Zavala had no need to worry about that distinction. Other copies are known granting the holder a scrip for a much larger sitio, or about 4388 acres. "The Galveston Bay and Texas Land Company was founded in New York on October 16, 1830, for the purpose of colonizing the lands assigned to the empresarios Joseph Vehlein, David G. Burnet, and Lorenzo de Zavala. The colonization contracts covered an area in East Texas lying east of the San Jacinto River and south of a line running twenty leagues north of Nacogdoches (3,743,163 acres). The company, a real-estate promotion firm with agents, land counselors, surveyors, and salesmen, did not own land itself but sold scrip that allowed the settlers simply to move into the area allotted to the three empresarios. There the settlers had to complete all requirements of the Mexican colonization law before they could obtain title to land" - Texas State Handbook Online. "This certificate lists by date the four grants (there were two grants to Vehlein) to the three empresarios and gives the boundaries of the resulting tract. At the end is a provision that the location of the land is to be under supervision of the agent 'residing on the land' of the Trustees, who on surrender of the scrip reports to the Commissioner appointed by the Government, who issues titles 'Subject to the payments required by the Laws of the State'" - Streeter. STREETER TEXAS 1117. STREETER SALE 304. Old mounting tape at head, not impacting text, light soiling, lower edge worn. Very good.

Kein Einband. Condition: Wie neu. Dust Jacket Condition: Wie neu. Joseph Beuys - Signed "Luther und die Folgen für die Kunst " - Exhibition Poster - Joseph Beuys & Caspar David Friedrich - 1983. ** Hand signed by Joseph Beuys, in bleu, center below. Sheet size : 84 x 59.4 cm ** This striking exhibition poster was created for "Luther und die Folgen für die Kunst" (Luther and the Consequences for Art), held at the Hamburger Kunsthalle from November 11, 1983, to January 9, 1984. The exhibition explored the impact of Martin Luther and the Protestant Reformation on the development of art, focusing on the tension between religious iconography and modern artistic interpretations. It brought together works by legendary German artists, including Joseph Beuys and Caspar David Friedrich. ** The poster design is both mystical and dramatic, featuring a gothic church silhouette rising from a dark, forested landscape, evoking themes of spirituality, nature, and transcendence. The central panel highlights one of the key works in the exhibition Joseph Beuys "Kreuz im Gebirge" a sculpture made from rough industrial materials, symbolizing the intersection of faith, history, and contemporary society. The use of blue monochrome tones enhances the feeling of depth and mystery, reflecting the Romantic ideals of Caspar David Friedrich, whose paintings often depict spiritual landscapes filled with longing and contemplation. ** Joseph Beuys (1921-1986) was one of the most influential conceptual artists of the 20th century, known for his social sculptures, performance art, and radical ideas on democracy and ecology. His participation in this exhibition connected the spiritual and philosophical impact of the Reformation with contemporary artistic expression, challenging traditional notions of faith and materiality. ** Caspar David Friedrich (1774-1840), a leading figure of German Romanticism, was known for his atmospheric and symbolic landscapes that conveyed a sense of divine presence in nature. ** This original exhibition poster is a rare and collectible piece of art history. *** SHIPPING: Worldwide shipping available *** CONDITION: in very good condition ***. Signatur des Verfassers.

1 lettre autographe signée 2 pp. In-4 16 août 1828 Bande de papier collée en marge haute (verso). Joseph-Denis Odevaere, peintre néoclassique flamandetélève de David[prix de Rome en1804], présente M. Maréchal, conservateur des archives du gouvernement. «Mr Maréchal s'occupant d'un ouvrage sur la ville de Bruges et sur l'influence que son commerce eut autrefois sur la civilisation de l'Europe, désire connaître quelques-unes de ses antiquités, et j'ai pris la liberté, monsieur, de vous l'adresser, assuré du service que je rendrais à deux hommes distingués qui s'occupent des mêmes études []». Élève de David, il est une figure importante du néoclassicisme belge. Il fut Prix de Rome en 1804.

No Binding. Condition: Near Fine. 1st Edition. 4to. Five sheets of handmade paper loose in portfolio, (printed paper label), with extra title and "Contributors" sheets; one corner of portfolio slightly creased. Edition limited to 55 numbered copies, each broadside signed by author and artist. The Starwheel Press was the child of George Szirtes, the poet, artist and translator, and his wife, the artist Clarissa Upchurch. "We ran it between 1976 and 1986 from our house in Hitchin," he told Cameron Self in an interview for the website Literary Norfolk, "on a big letterpress machine and an etching press in the cellar. It existed to bring together artists and mostly well-known poets (we contributed as artists, I only once produced poems for it). The poets included Peter Porter, Anne Stevenson, Kevin Crossley-Holland, Peter Scupham, Craig Raine, Wendy Cope and many others. There were five individual sheets of poem with etchings, in a card portfolio, all signed and hand-printed. We did one portfolio a year, working right through summer, not paying ourselves. The editions ran to 55 copies. They were sold at book, not art prices, and naturally they disappeared into collections." Spring Offensive's CONTRIBUTORS sheet begins with "Wendy Cope Teaches in a London school. A section of her work will appear in Poetry Introduction 5 to be published by Faber and Faber early in 1982." Cope had published a first, slim pamphlet, Across the City, with John Cotton's Priapus Press the year previously. She shared Poetry Introduction 5 (1982) with Blake Morrison, Medbh McGuckian, Michael Hofmann and others, but her first collection with Faber, Making Cocoa with Kingsley Amis, did not come out until 1986. It was the book that made her name. Cope here contributes "Autumn", Christopher Hope "Spring Snow", Jeremy Hooker "On a Child's Painting", Jenny Joseph "May Light" and Lotte Kramer "Faces". Signed by Author(s).