Juan Gris, Signed (11 results)

1st English Edition. Very good copy in the original title-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong.Provenance; the critic and poetry activist Charles Tomlinson's copy; signed by him. Physical description: xiii, 177 pages illustrations, plates (some color), portraits 30 cm. Subjects: Gris, Juan 1887-1927.Gris, Juan 1887-1927 Biography. Gris, Juan 1887-1927 Criticism and interpretation. Painting 20th century Spain. Artists Spain; Biography. 4 Kg.

1st English Edition. Very good copy in the original title-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong.Provenance; the critic and poetry activist Charles Tomlinson's copy; signed by him. Physical description: xiii, 177 pages illustrations, plates (some color), portraits 30 cm. Subjects: Gris, Juan 1887-1927.Gris, Juan 1887-1927 Biography. Gris, Juan 1887-1927 Criticism and interpretation. Painting 20th century Spain. Artists Spain; Biography. 2 Kg.

Condition: 0. Erste Ausgabe. - Nr. 29 von 90 (ges. 112) Exemplaren auf Arches-Bütten (Gesamtaufl.: 112), im Druckvermerk vom Autor und Künstler signiert. - Aus dem Verlag der Pariser Galerie Simon von Daniel-Henry Kahnweiler. Die Dichtung stammt aus Tristan Tzaras postdadaistischer Phase, bevor er sich dem Surrealismus zuwandte. Die Illustrationen von Juan Gris (1887-1927) changieren zwischen Figuration und Kubismus. Es handelt sich um das einzige Werk des Künstlers mit Radierungen, zudem um das einzige, in dem Tzara und Gris zusammenarbeiteten. - Umschlag leicht fleckig bzw. (Ecken) bestoßen. Vorsätze m. schmalen Abklatschspuren von Klebebändern, sonst gutes Exemplar. - Monod 10806; Skira 144; Kahnweiler 294; Rauch 99; Hugues 19; Hofer 126; nicht bei Bolliger. Sprache: Französisch Gewicht in Gramm: 500 8°. Mit 4 ganzs. Orig.-Radierungen u. 4 radierten Vignetten im Text v. Juan Gris. 36 nn. Bll., Illustr.-OKart. m. radiertem Deckeltitel u. -illustration v. Juan Gris.

Hardcover. Condition: Near Fine. First edition. Small octavo. 32pp. Illustrated. Quarter cloth and papercovered boards. Some light sunning at the extremities, else near fine. Inscribed by author Daniel Henry to noted bibliographer Donald Gallup.

Hardcover. 4to. pp. xiii, 177, [1]. tipped-in frontis., 113 illus. on 34 double-sided plates & 58 text illus. index. cloth (bit soiled, extremities bit rubbed & frayed). presentation copy, with short inscription on half-title dated 1958. First Edition of the English Translation. Freitag 3956. Lucas p. 152. Signed by Author(s).

Condition: Très bon état. in-4, broché, 344 pp., autoportrait-frontispice, 50 planches hors-texte et de nombreuses reproductions in-texte, index. Édition originale de cette belle monographie. Exemplaire du service de presse avec un envoi autographe signé "à Georges Bataille, son ami fidèle Daniel H. Kahnweiler". Feuillet d'addendum joint. Rappelons que Kahnweiler avait édité "L'Anus solaire" à la Galerie Simon en 1931.

Dust Jacket Condition: dj. GRIS, Juan (illustrator). . A Book Concluding With As A Wife Has A Cow. A Love Story. Orne De Lithographies Par Juan Gris Paris: Editions de la Galerie Simon, 1926. Full Description: STEIN, Gertrude. GRIS, Juan, [artist]. A Book Concluding With As A Wife Has A Cow. A Love Story. Orne De Lithographies Par Juan Gris Paris: Editions de la Galerie Simon, 1926. Limited edition, one of 90 copies printed on Arches paper and signed by Gertrude Stein and Juan Gris on the limitation page, from a total edition of 112. This copy being number 81. Small quarto (9 1/2 x 7 1/4 inches; 240 x 185 mm). 22 pp. With four lithographs by Juan Gris, one of which is in color. Title printed in red and black. Publisher's printed paper wrappers. In the original glassine dust jacket. Glassine is lightly browned and chipping. A small closed tear repair to title-page, not affecting text. Some minor creasing to wrappers. Otherwise an about copy. "Stein was an American novelist, born in 1874 into an affluent upper-middle-class Jewish family. She studied psychology and medicine before moving to Paris in 1904. There she became one of the foremost connoisseurs of modern art and an early champion of Cubism. She was especially close to Picasso, and it is likely that she met Gris sometime in 1910 through their mutual friend; however, she did not start collecting Gris's work until 1914, when she bought the first painting from the artist's gallerist, Daniel-Henry Kahnweiler. ris valued Stein's feedback, and he trusted her taste in and opinions on art. They visited each other frequently and were known to engage in deep and intellectual conversations. She appreciated the artist especially for the exactitude of his Cubism and his intricate compositions. When Gris's sales and self-esteem were low, Stein tirelessly promoted his work by sending journalists to his studio, publishing texts about him, and collecting his works. In 1926 they collaborated on a project, with Gris contributing four lithographs to Stein's publication A Book Concluding with as a Wife Has a Cow: A Love Story. When Gris died in May 1927, Stein was heartbroken. Two months later, she published a personal epitaph in the magazine Transition. In her Autobiography of Alice B. Toklas, Stein would later acknowledge Gris's importance to Cubism by elevating him to the same level as Picasso, where in her eyes he belonged: 'T]he only real cubism is that of Picasso and Juan Gris. Picasso created it and Juan Gris permeated it with his clarity and exaltation.'" (Christine Burger, Dallas Museum of Art). HBS 69576. $8,500. Signed.

OPappband, 51(2) Seiten, mit s/w-Abbildungen. Auf dem Vorsatzblatt von Platschek signiert. Reihe: EVA Reden Band 25. Gutes Exemplar. Good copy. Signed by Platschek. Actually it is not possible, sending books to the USA. Aktuell können keine Bücher in die USA versandt werden. Sprache: Deutsch Gewicht in Gramm: 500.

Sin Encuadernar. Condition: Bien. 1ª Edición. Materia: Arte. Serigrafía. Arte pop. Impresionistas. Publicación: Madrid, colección "Girasol" editada por la Galería Sen c. 1980 Técnica: Serigrafía numerada y firmada por el artista a lápiz. (133/150) Medidas: 65 x 50 cm. Conservación: Buen estado, ligeros desperfectos en bordes del margen. Eugenio Chicano (Málaga, 1935-2014) fue un artista malagueño fundamental, reconocido por su extensa obra gráfica. Su estilo artístico, marcadamente influenciado por el Pop Art, se caracterizaba por el uso de colores vivos, una figuración audaz y una gran carga simbólica. Chicano fue pionero en la serigrafía en Málaga, técnica que, junto al grabado y la litografía, dominó para crear obras autónomas y acercar el arte a un público más amplio. Firmado por el ilustrador.

Condition: Good. Gouache on laid paper watermarked "Michallet." 38 x 29cm. Signed in pencil lower center. From the collection of Serge Lifar (1905-1986), with his collector's mark in the lower right corner. Subsequently acquired by Lifar's friend and colleague Jean Robin (See biography below). .Similar ballet drawings by Gris with the same provenance are at the The Wadsworth Atheneum Museum of Art, a prime repository of theater-set and costume designs related to the Ballets Russes since acquiring over 160 works on paper from the company's lead dancer and producer Serge Lifar in 1933, Provenance: Archive Jean ROBIN. Jean Robin : impressario of the dance, administrator and Director of tours of the ballets of the Champs-Elysées from 1945 to 1951, creator and director of the Festival Internationnal de Danse de Paris from 1963 to 1989, artistic director of the theater of the Champs-Elysées from 1954 to 1967, creator and director of the festival "Mai de Versailles" from 1961 to 1977, general secretary of the Orchestra of Paris from 1967 to 1976, director of the theater of the Gaité Lyrique from 1967 to 1973, vice-president of the International Center of the dance . Jean Robin is considered a pioneer for having established an annual event of truly international scope, dedicated to dance in all its forms. He collaborated with many artists (Cocteau, Boris Kochno, Sauguet, Auric, Roland Petit, Jean Babilée, Maurice Béjart, Rudolf Noureev.).

1 lettre autographe signée 1 In-8 2 janvier 1925 Bon "Mon cher ami. Je vous remercie vivement de la bonne place que vous m'avez accordé en "Europa". C'est très gentil de votre part. Je vous envoie mes meilleurs vux pour l'année qui commence. Bien amicalement vôtre". Le recueil collectif Europa-Almanach, édité en 1925 par Paul Westheim et Carl Einstein, lesquels entretenaient des liens étroits avec l'avant-garde artistique en France, comprend un article de Juan Gris sur le cubisme, en traduction allemande "Antwort". Participèrent également Léger, Brecht, Brancusi, Kandinsky, Picasso, etc. Peintreespagnolproche ducubisme. Il vécut et travailla en Franceà partir de 1906.