Lino Cut (41 results)

No Binding. Condition: Good. Margaret Lewington Artist Postcard Summer A Lino Cut, image condition as new, reverse side now showing a few feint foxing spots, otherwise in good order. Has not been posted.We use Polyprotec Postcard Sleeves, or similar, for storage and protection when shipping items. They are always included, plus FREE SHIPPING within the UK.

Hardcover. Condition: Good. No Jacket. no dj, top of spine frayed, corners bumped and worn; spine faded; minor stains on cover, back inside cover has pencil drawings and stamp "Printed in Britain"; pencil signature and notation on ffe. 65 Pages. linocuts Wonderful examples of lino cuts; A few ads in back. Preface by F J Glass, rest of text appears to be written by the publisher who makes lino cut tools for students.

Stapled/Handsewn Booklet. Condition: Very Good. 1st Edition. About the book: Softcover/Stapled booklet. First Printing. Booklet is in very good condition. Additional photos available upon request. We're not satisfied unless you are.

Soft cover. Condition: Fine. 2000, 4 page pamphlet featuring one poem, one lino cut (colour) | this copy is in fine condition, almost good as new | professional booksellers based in the UK | we package with great care and usually dispatch within 24hrs, always within two working days | please request scans or further information on any of our listings, which are all in stock and ready to be dispatched.

Hardcover. Brown boards with red lettering; 65 pp.; richly illustrated. Preface by F.J. Glass. Good (Boards are heavily shelf/edgeworn, damp-stained, smudged and bumped; interior is very clean, aside from page 31, which has smudging in the bottom corner, which does not interfere with the illustration; textblock is cracked and warped a little at the gutter.).

Soft cover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Handset in Univers, with display in Uncial. Number 05 of 80 copies printed in black and blue on Sheepstor hand-made paper. Sewn. A very good copy. Signed by Toni Savage. Signed by Author(s).

Number 261 of 310 copies handset in Times Roman, printed in black on Basingwerk Parchment, and signed by the artist. Sewn into amber paper covers, cut flush, printed in black on the front and with the press mark on the back. A fine copy.

Condition: Good. First edition (hardback). 4to (26cm by 21cm), vi, 65pp, 4pp adverts. Full-page b&w illustrations. Original brown cloth spine, printed brown boards. Some rubbing and staining of the boards, contents VG; overall, this book is in good to very good condition.

Handset, text in Palatino, display in Sistina, Goudy Text and Dutch Initials. One of 170 copies printed in black (the device in brown) on Mellotex paper. Sewn into citrine card covers, cut flush, printed in black on the front, with an engraving in brown, russet antique laid endpapers. A fine copy. The first edition. It was subsequently reprinted on at least two occasions (1978 & 1984).The essay first appeared in The Times of 6 August 1975.

Hardcover. Condition: Very Good. 1st Edition. Handset in Joanna Italic and Romulus Italic. Number 041 of 245 copies printed in black (the lino cut in scarlet) on Maidstone paper. Bound in scarlet cloth boards with a paper label on the spine. A very good bright copy.

Magazine. Condition: Fine. 1st Edition. Pages unnumbered, illustrated in B&W lino - Nederlandse tekst. - God in De Porseleinkast - Gedichten - Frans Pointl - Lino Cut By Louk Hessing ingeplakt naast het derde gedicht; kinderverdriet - Naam van de vorige eigenaar in balpen op het schutbald. Ingesloten een getypte brief van de uitgever waarschijnlijk aan een recensent. In fotocopie uitgegeven. Goede conditie, een beetje verbruind aan de randen interieur mooi. Size: 218 x 169 Mm. Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Revised Edition. 56 pages of text with 19 plates. There are tape marks to endpapers both front and rear from plastic placed over dust jacket. Dust Jacket is very good.

Number 91 of 100 copies handset in Bembo, printed on cream wove paper and signed by the author. Printed paper wrappers. Edges a little soiled. A very good copy.

Softcover. Condition: Very Good. 1950. A clean and well-presented print produced in 1950 for John O'Connor's 'Canals, Barges and People'. Free from any notable creases or wear, and professionally mounted, itself bearing a few minor knocks and bumps around the outer corners but no major wear. Why on Amazon do most sellers not describe their actual book? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley CAMBO & PBFA(now lapsed) members here in Leicester City Centre. Size: 285 x 325 mm. 1. Item Type: Book. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Art & Design; Britain/UK; 1950s; Inventory No: 49503.

Hardcover. Condition: Very Good. Revised. The Bodley Head, 1948. Hard cover, revised edition. Foxing to endpages, otherwise VG condition in VG dust jacket; a nice clean copy.

Hardcover. Condition: Fine. 1st Edition. Handset in Joanna Italic and Romulus Italic. Number 007 of 245 copies printed in black (the lino cut in scarlet) on Maidstone paper. Bound in scarlet cloth boards with a paper label on the spine. A fine copy. Signed by the illustrator on the title-page. Signed by Illustrator(s).

Flight, Claude (illustrator). The First UK Printing published by John Lane / The Bodley Head Limited, London in 1927. Large 8vo., beige linen-covered boards lettered and decorated in red to upper cover, and lettered in red to the backstrip; top-stain red remains vibrant ; with frontis and a further nine illustrations in full colour, as well as eighteen in black and white, the latter both full-page and in text; The BOOK a Very Good++ smart example with slight toning and light marking to the boards ; with a little rubbing along the spine folds ; endpapers offset with a near contemporary penned ownership name and date to front paste down; internally very good, lightly toned with occasional spots to the margins due to the quality of the paper stock used. The First UK edition, which includes an original linocut, 'Crossing the Road' by Claude Flight printed from the artist's original lino blocks in red, cobalt blue and black. Flight was educated at the Grosvenor School of Modern Art, which had been founded by the Scottish wood engraver Iain Macnab in 1925. It was there that the art of original linocut was first pioneered in the UK and Flight, surrounded by a team of talented young artists and teachers including Cyril Power and Sybil Andrews, soon began teaching there himself. Known for championing MacNab's principles of rhythms, counter-rhythms, sweeping lines and carefully organised sequences of differing colours, Flight is remembered today for developing the art of lino cutting to its full potential. His students later included the artists Margaret Barnard, Leonard Beaumont, Dorrit Black and Diana Drew. Published relatively early on into his career, the present work includes plates by Diana Drew, who at age just 13 and 15 shows "good direct cutting of well-arranged imaginative design" and "a more mature conception based on visual facts". The in-text illustrations further show various tools needed for lino cutting, including oil stones, gouges, burnishers and rollers. Increasingly scarce as the first issue. Ashton Rare Books welcomes direct contact.

Hardcover. Revised eidtion. Octavo, 56 pages + 19 leaves of plates. In Fair plus condition with a Fair minus dust jacket. Spine is blue with brown print. Dust jacket in mylar. Top portion of spine torn away, edgewear with small tears at spine ends and flap corners, toning to spine, damp stain to edges. Price unclipped: "12s. 6d. net". Boards in grey cloth with orange print. Light wear to spine caps and corners, damp stain to spine. Text block has spine crack at page 56. Illustrated: color frontispiece, b&w and color plates; "With eleven illustrations in colour and sixteen in black and white"- title page. NOTE: Shelved in Netdesk Column A (ND-A). 1381259. FP New Rockville Stock.

Soft cover. Condition: Near Fine. Handset in Monotype Light Sans and SB Cheltenham Bold; colophon in Monotype Plantin. One of 200 copies printed in black (title-page in blue-grey, colophon in red) on white cartridge paper. Stapled into overlapping black paper covers, printed in orange-brown on the front. A very good to fine copy Taurus Poem 5.

Soft cover. Condition: Very Good. 1st Edition. Handset in Bembo. '45 copies survived of which this is number 12,' Printed in black (the alphabet in green or orange, the illustrations in various colours) on Snoscene white cartridge paper. Sewn into overlapping Barcham Green green paper wrappers, printed in black on the front (a little faded at the fore-edge). A very good copy. About thirty copies were for sale.

Single leaf, (406x278mm), image size 258x248mm printed in red from 25 separated blocks. Fine. An attractive interpretation of DePol's portrait of Birmingham's great printer. The overall image was transferred by Richard Lawrence onto 25 individual blocks of lino each element of the overall image being then cut by various persons attending the conference, the whole was then locked together and copies pulled for the cutters with a few overs for distribution.

Handset in De Roos, with display in De Roos semibold. One of 110 copies printed in black and grey on Curtis Colophon paper. Sewn into overlapping Tabasco Della Robbia paper covers, blind-blocked and printed in grey. A fine copy.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 106. A perfect gift for your loved ones. Reprinted from 1927 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 106.

Soft cover. Condition: Fine. 1st Edition. Handset in Garamont, kennerley Old Syle Italic, Optima Italic, Cloister Old Style Italic and Amazone. One of 249 copies (all numbered 38) printed in black and blue on white Nekoosa paper and a green-sided paper. Cordoba brown paper covers, printed in black, white, green and yellow. A fine copy.

Hardcover. Condition: Fair. No Jacket. ii-vi, 65pp, b/w illustrated, brown boards with title in dark red to front, dark brown spine. Very shelfworn, boards faded and toned, edges chipped, corners rubbed and bumped. Some toning to eps and pages, slight foxing in places. Size: 4to - over 9¾ - 12" tall. Book.

Revised Edition. 19 x 26cm very good hardback in dust jacket, the revised edition of 1948. The exhibition Flight organised at the Redfern Gallery in London in 1929 was "the first exhibition devoted exclusively to the linocut in Britain; its success at the Redfern Gallery, London, led to a series of eight annual exhibitions which he arranged, initially at the Redfern and then at the Ward Gallery, London, until 1937" (ODNB). As he proudly remarks in the preface, "that over fifteen hundred in this short time, and at a price of one and a half to three guineas each, are now on the walls of British homes, proves that a good deal of interest has been taken in the pictorial side of this craft". With colour plus black and white reproductions.

Soft cover. Condition: Fine. 1st Edition. Handset in Monotype Garamond and printed in grey and red. One of 10 (150) special copies printed on Japanese Mungei (sic) paper. Unsewn leaves loose in French-folded (Canson-mi-teintes?) scarlet paper covers. A fine copy. Rare. (Askam A1:) Anthony Baker started his publishing career with this small collection of epitaphs, distributed free to friends and acquaintances as a Christmas greeting . The special copies are incorrectly described in the colophon as being printed on Mungei (a misspelling of Mingei), rather than the Gifu Shoji they were actually printed on.

Hardcover. Condition: Good. No Jacket. Hardcover - clean, no marks, clean inside, no dj - from a private collection - very clean, frontspiece color illustraion is loose.

1st edition. Provenance: David Gould's copy. Good copy in the original title-blocked cloth. Boards dust-toned. Spine bands and panel edges slightly bumped and rubbed as with age. Internally, bright and clean. Remains quite well-preserved overall. Physical description: vi, 51 pages, 17 unnumbered leaves of plates : illustrations (some color) ; 26 cm. Subjects: Linoleum block-printing. Color prints. Linogravure. 3 Kg.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1948 hardcover with dust jacket. Revised edition. The book is in very good condition, clean, square and tight. slight damp stain bottom of back cover. (no damage, not internal.) The dust jacket is very good condition, tanned spine, with chips and bumps, see photos. postage quoted covers Fedex delivery.