Lithographer, Signed (10 results)

Hardcover. Condition: Fair/good. Signed and briefly inscribed by the author. Also a Christmas card from author. COLLECT SIGNED BOOKS. Signed by Author(s).

Soft cover. Condition: Very Good. A reprint of the Ohio State Archaeological Historical Quarterly, illus., inscribed by the Author, wraps, VG. Inscribed by Author(s).

(ROSENTHAL, ALBERT). Albert Rosenthal. Painter, Lithographer, Etcher. Reprinted from "The Print Connoisseur." Phila.: Privately printed, 1929. Illus. Fine in orig. cloth. Signed by the artist. Signed.

Hardcover. Condition: Fine. First Edition. Limited to 150 copies. Signed by Lynton R. Kistler, Norman Tanis, and printer Pall W. Bohne. Includes an introductory comment by Jacob Zeitlin. 16mo: [2], 29, [1] p. with textual illustrations. Original printed paper-covered boards over a brown cloth spine with gilt titles. A fine copy.

8vo. pp 29. Signed by the printer Paul Bolme - Lynton Kistler, and Norman Tanis. Fine copy with illustrated cover, lettered gilt at spine. Fine. First Edition. Hardback. No Dustjacket.

Gr. 4° (39 x 30 cm). 487 (1) pages. With near to 400 colored illustrations. Original-cloth. In slipcase in leather / Original-Leinen. Im Original-Lederschuber. (Slipcase slightly rubbed, longer private dedication on paste-down / Schuber etwas berieben, längere private Widmung auf dem Vorsatz). -- Englischsprachige Ausgabe / Language: English. -- Nummer 1889 (von 3000 Exemplaren), signiert vom Herausgeber Walton Rawls, der die historischen und künsterlisch-biographischen Hintergründe beleuchtet. Wuchtige und farbkräftige Edition mit gut 400 Bilddarstellungen der amerikanischen Genrekünstler Nathaniel Currier und James M. Ives. / Number 1889 (of 3,000 copies), signed by the editor Walton Rawls, who illuminates the historical and artistic-biographical background. A powerful and colorful edition with over 400 illustrations by the American genre artist Nathaniel Currier and James M. Ives.

Hardcover. Condition: Very Good. Hardcover Very Good Santa Susana Press, hardcover One of 150 bound copies, SIGNED BY Kistler and Pall Bohne, printer and binder Cover, binding and pages in excellent condition.

2 voLumes in-4 ( 325 X 250 mm ) de 215 et 220 pages, pleine toile sous jaquettes illustrées en couleurs, étuis. Textes en français, anglais et allemand. TOME 1. Exemplaire enrichi d'un envoi autographe de l'auteur. Edition originale contenant 3 lithographies ORIGINALES tirées sur B.F.K. de Rives, dont une en couleurs, en frontispice, et deux en noir aux pages 44 et 196. Edition numérotée. Préface de Roger CAILLOIS. TOME 2. Préface de Marcel BRION un autre envoi autographe de l'auteur. Portraits et tableaux hors-texte en couleurs. Exemplaires à l'état de neuf. lithographie gravure peinture beaux-arts.

Hard Cover. Condition: Good binding. Signed. A scrapbook of works by Stow Wengenroth, who is considered one of the finest American lithographers of the 20th Century, and was called "America's greatest living artist working in black and white" by the American painter, Andrew Wyeth. Signed by the artist on the front pastedown, with some dampstaining: "Stow Wengenroth, Bayport Long Island N. Y." 28 small clippings of artwork by Stow Wengenroth published in the Theatre Magazine from 1929 to 1931; one newspaper clipping from the Morning Telegraph in 1928; one unused art proof submitted to the Theatre Magazine in 1929; one reproduction of a book illustration; four photographs of Stow and his workplace; one photograph of Stow's first wife; an original lithograph by the artist, unsigned, undated, of an untitled fisherman's shack; a hand drawn birthday card for his second wife; a booklet for an exhibition of Stow's works; and an issue of American Artist, for which he drew the cover art. Notes in ink on the blank scrapbook leaves. Half red cloth over black cloth boards, with moderate shelfwear, rubbing, and spots of discoloration. Housed in a hand made paper slipcase. Good binding.

Haghe features prominently in William Day's entry in the Oxford DNB, in which their firm's publication of Robert's 'Holy Land' (1842-49) is described as 'the most ambitious lithographic work ever published', for which 'Haghe, praised by Roberts for the faithful and artistic interpretation of his drawings, must bear most of the credit for the success of this publication'. See also the entry on the recipient Charles Manby (1804-1884), Secretary of the Institution of Civil Engineers. 2pp, 12mo. On the first leaf of a 12mo bifolium. In good condition, lightly aged, with strip of mount adhering to edge of blank second leaf. Addressed to 'Charles Mamby [sic] Esquire' and signed 'L Haghe'. Marked as 'Entered' at top left of first leaf. He has great pleasure in lending 'a large water colour drawing the only one I have by me' for 'your conversatione', and will send it 'to the institution 25 great George Street before the 26th'. He also thanks him for putting his name 'in the free list at the adelphi and Haymarket theatres'. He would 'in several instances have made use of the priviledge [sic]' had he been aware of it, and will now do so.