Manuel Robbe (30 results)

Soft cover. Condition: Very Good. Manuel Robbe: From Impressionism to Symbolism essay by Gabriel P Weisberg 1987 softcover published by Galerie Michael Robbe was a master of the Belle Epoque 184 oil paintings and aquatints are illustrated, 88 in color. "very good, some cover wear, clean and tight" DGRAY8.

Soft cover. Condition: Very Good. Manuel Robbe (illustrator). 1st Edition. 12mo. Stapled Wraps, One Folded Leaf which opens out and lists 16 items. Each with a colour illustration, title description and price etc. Ex libris plate Fabio Castelli . Light wear, else very good. Size 15 x11cm ((6 x 4 inches).

Condition: Good. 18mo. Stapled Wraps, One Folded Leaf. Very Good, minor wear to cover. Color Plates.

Condition: Good. 8vo. Twice-Folded Sheet. Very Good.

Soft cover. Condition: Near Fine. 1st. rubbing along spine edges. Manuel Robbe (1872-1936) was a master of the color aquatint. This is the catalogue of an exhibition at Galerie Michael in 1987. 184 oil paintings and aquatints are illustrated, 88 in color. 83pp 0.72lb 11.0x8.5x0.3in.

302pp. Prof. illus. Lrg. 4to. Wraps.

Bildgröße 23x28 cm.

Bildgröße 23x31 cm.

Paperback. White wraps with illustration and black lettering. vii, 26 pp. 100 bw plates. Three-page introduction by Gabriel Weisberg, catalogue of 100 pictured works. VG (Wraps show mild shelfwear and foxing on the edges and corners; pages are clean; binding is solid).

Condition: Good. 4to. [ca. 40 pp.]. Hard Cover. Very Good. B&W Plates of Aquatints. From the library of Pasquale Iannetti. Scarce. Note: All pages are B&W reproductions.From the Collection of Steve Reoutt (1938-2008).A longtime California College of the Arts Graphic Design faculty member (41 years to be exact) and professor emeritus, Reoutt also was a book illustrator, curator, painter, and genuinely appreciated and loved member of the CCA community.He was born in 1938 in Shanghai to Russian parents. He came to the United States when he was just 12-years old. He went on to co-found the San Francisco chapter of the AIGA, including serving a nine-year board position as design historian. In 2001 Reoutt received the AIGA Fellowship award for "personal and professional contributions to raising the standards of excellence within our design community." He passed away May 14, 2008.

Condition: Good. 4to. [ca. 50 pp.]. Hard Cover. Good. B&W Plates of 100 Color Aquatints. From the library of Pasquale Iannetti. Scarce. Note: All pages are B&W reproductions.From the Collection of Steve Reoutt (1938-2008).A longtime California College of the Arts Graphic Design faculty member (41 years to be exact) and professor emeritus, Reoutt also was a book illustrator, curator, painter, and genuinely appreciated and loved member of the CCA community.He was born in 1938 in Shanghai to Russian parents. He came to the United States when he was just 12-years old. He went on to co-found the San Francisco chapter of the AIGA, including serving a nine-year board position as design historian. In 2001 Reoutt received the AIGA Fellowship award for "personal and professional contributions to raising the standards of excellence within our design community." He passed away May 14, 2008.

no binding. Condition: very good. The coloured etching titled "The Orchard." from the coloured etching by Manuel Robbe appeared in The Studio, a leading British art periodical active during the 19001910 period and known for featuring artists aligned with Symbolism, Art Nouveau, and modern French printmaking. This delicate rural landscape by French artist Manuel Robbe (18721936), who was renowned for his mastery of colour aquatint etching, presents a peaceful orchard scene on the edge of a small European village. Red-roofed cottages and a church steeple with a clock tower rise subtly in the background, partially obscured by dusky trees. A gentle pathway or fence line winds through the field, guiding the viewer's eye toward the buildings. The etching's palette leans heavily into autumnal browns, yellows, and russet tones, washed in a soft sepia glow that lends the image a sense of timeless calm and pastoral nostalgia. The caption reads: "THE ORCHARD." FROM THE COLOURED ETCHING BY MANUEL ROBBE. (By permission M. Ed. Sagot), and is accompanied by The Studio's iconic insignia. Robbe's characteristic technique, combining painterly softness with etched texture, is well preserved in this high-quality period reproduction, which reflects The Studio's commitment to accessible fine art publishing. This idyllic countryside scene evokes the calm of post-Impressionist realism and rural simplicity, making it a quintessential image of early 20th-century French landscape art. Approximate Image Size: 7 1/2 X 5 3/4 inches Approximate Overall Size with Margins: 11 x 8 inches CONDITION: VERY GOOD CONDITION. Very bright and clean with exquisite detail. Blank on reverse side. NOTE THE FOLLOWING BEFORE YOU PURCHASE: This is a GENUINE VINTAGE PRINT. It is NOT a modern reproduction, ie. a laser scan, photocopy etc. It is the original from the antique or vintage publication. This print was published on the date mentioned, or circa of the date mentioned at the top of the page. The term "print" is referred to an image on a piece of paper. The print I have for sale, like many antique prints that you see online, originate from an antique or vintage book or atlas publication. The publication may not always be known. If you have any questions, emails are welcome. Shipped Unmatted.

no binding. Condition: very good. The coloured etching titled "The Critics." from the coloured etching by Manuel Robbe was published in The Studio, a celebrated early 20th-century British art periodical dedicated to modern and decorative arts. This charming and subtly satirical work by French artist Manuel Robbe (18721936) captures two elegantly dressed women intently examining an artwork within a gallery or studio space. The central figures are rendered in soft, velvety tonesone in a flowing white skirt and black jacket with a feathered hat, bending slightly to scrutinize the canvas, while the other stands upright, also deeply engaged. Behind them, walls are adorned with framed prints or paintings, suggesting an environment of cultivated taste. The painting they examine appears to be a Rococo-style scene with frolicking figures, hinting at a nostalgic or romanticized vision of art that contrasts subtly with the modern viewers. The caption below reads: "THE CRITICS." FROM THE COLOURED ETCHING BY MANUEL ROBBE. (By permission M. Ed. Sagot), alongside The Studio's distinctive logo. Robbe was renowned for his aquatint techniques and evocative depictions of Parisian leisure and bourgeois life, often imbuing his subjects with irony or introspection. The visual quality of this print is excellent, reflecting Robbe's skill in atmospheric tonal transitions and the period's advanced colour etching reproduction methods. The print blends elegance, humour, and quiet social commentary on taste, gender, and the act of art appreciation itself. Approximate Image Size: 7 1/4 X 5 3/4 inches Approximate Overall Size with Margins: 11 x 8 inches CONDITION: VERY GOOD CONDITION. Very bright and clean with exquisite detail. Blank on reverse side. NOTE THE FOLLOWING BEFORE YOU PURCHASE: This is a GENUINE VINTAGE PRINT. It is NOT a modern reproduction, ie. a laser scan, photocopy etc. It is the original from the antique or vintage publication. This print was published on the date mentioned, or circa of the date mentioned at the top of the page. The term "print" is referred to an image on a piece of paper. The print I have for sale, like many antique prints that you see online, originate from an antique or vintage book or atlas publication. The publication may not always be known. If you have any questions, emails are welcome. Shipped Unmatted.

Paperback. Condition: Very Good. Catalogue raisonné Sm 4to, 26 pp, very good in illustrated wraps (light toning to spine; covers a tad soiled; light bumping to corners; else fine internally). 100 aquatints illustrated in monochrome with detailed descriptions (medium, edition size, dimensions). Edition unstated, but presumed small, due to the extreme scarcity of this volume. About as close as it gets to a catalogue raisonné on this important French printmaker.

Condition: Good. 4to. [83 pp]. Soft-cover. Very Good. Minor crease on bottom corner of front cover, and some shelf wear around spine. 184 oil paintings and aquatints are illustrated, 88 in color. Minor shelf wear. Scarce. From the library of Pasquale Iannetti, as indicated by stamp and nameplate on front pages.

Condition: Good. Poster. 22.5 x 17 inches. Image of "Deux femmes dans un parc.".

In-4 - N°3 de 1982 bel état.

In-4 - N°4 de 1982 bel état.

Couverture souple. Condition: bon. RO80123733: 15 déc. 1902. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 80 / 90 pages + XXVIII pages. Nombreuses illustrations et photos en noir et blanc et quelques-unes en couleurs , dans le texte et en planches avec serpentes. Tampon sur le 1er plat de couverture. Ouvrage en anglais. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.

In-4 - N° 2 de décembre 1981 - 1re année bel état.

Condition: New.

Condition: Good. 4to. 26 pp., Soft Cover, Very Good with slight staining on cover. "Manuel Robbe" inked along spine portion of cover. Black & white illustrations. Previous owner's stamp inside cover. First Edition.

Taschenbuch. Condition: Neu. La femme, un corps problématique chez Robbe-Grillet et Manuel Puig | Romans et corps | Luis Alfonso Castellanos Ramírez | Taschenbuch | 528 S. | Französisch | 2012 | Presses Académiques Francophones | EAN 9783838174372 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Paperback. Condition: Brand New. 528 pages. French language. 8.66x5.91x1.19 inches. In Stock.

Condition: Good. 4to. [83 pp]. Soft-cover. Very Good. 184 oil paintings and aquatints are illustrated, 88 in color. Minor shelf wear. Scarce.

F. A. Ackermann Kunstverlag, München, 1974. Blattmaß: ca. 44,2 x 61 cm, (Blattrand etwas fleckig)---- Slg. Josef Voggenauer, Archiv für alte und neue Werbegraphik, München / Printed in West Germany by lithographic process - 32 Gramm.

Condition: MOLTO BUONO. Roma, Paris, Eldec Edizioni Pregiate 2 voll. cm.35x45, pp.227, 231, num.figg.nt.e con 17 incisioni originali protette da veline e firmate tutte dallartista in originale. Esemplare mancante delle incisioni. Edizione con incisioni originali di Marc Dautry. 2 voll.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Comment ou de quelle manière le corps du personnage se construit-il Quels sont les éléments narratifs qui bâtissent la corporalité Comment les morceaux du corps et les repères dispersés dans les romans nous donnent-ils un seul profil, un seul corps Y aurai-il un seul processus, un moyen identique chez les écrivains dans la construction du corps Est-il possible d imaginer un même outil et une même structure analytique à la recherche du corps pour tous les récits On s intéressera à ces questions à partir des romans les plus significatifs de Robbe-Grillet et Manuel Puig. La représentation du corps est l image privilégiée à travers laquelle chaque roman symbolise sa création selon les figures des protagonistes; noyaux autour desquels on cherchera des structures parallèles dans la configuration de l image du corps chez ces romanciers. 528 pp. Französisch.

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Comment ou de quelle manière le corps du personnage se construit-il Quels sont les éléments narratifs qui bâtissent la corporalité Comment les morceaux du corps et les repères dispersés dans les romans nous donnent-ils un seul profil, un seul corps Y aurai-il un seul processus, un moyen identique chez les écrivains dans la construction du corps Est-il possible d'imaginer un même outil et une même structure analytique à la recherche du corps pour tous les récits On s'intéressera à ces questions à partir des romans les plus significatifs de Robbe-Grillet et Manuel Puig. La représentation du corps est l'image privilégiée à travers laquelle chaque roman symbolise sa création selon les figures des protagonistes; noyaux autour desquels on cherchera des structures parallèles dans la configuration de l'image du corps chez ces romanciers.Books on Demand GmbH, Überseering 33, 22297 Hamburg 528 pp. Französisch.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Comment ou de quelle manière le corps du personnage se construit-il Quels sont les éléments narratifs qui bâtissent la corporalité Comment les morceaux du corps et les repères dispersés dans les romans nous donnent-ils un seul profil, un seul corps Y aurai-il un seul processus, un moyen identique chez les écrivains dans la construction du corps Est-il possible d imaginer un même outil et une même structure analytique à la recherche du corps pour tous les récits On s intéressera à ces questions à partir des romans les plus significatifs de Robbe-Grillet et Manuel Puig. La représentation du corps est l image privilégiée à travers laquelle chaque roman symbolise sa création selon les figures des protagonistes; noyaux autour desquels on cherchera des structures parallèles dans la configuration de l image du corps chez ces romanciers.