Mark Innerst (51 results)

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover, 44 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Softcover, 48 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

paperback. Condition: Good.

Paperback. Condition: As New. Clean and unmarked, new looking, NO age toning, catalog from an exhibit, essay by Nathan Kernan, color reproductions of the work, a small round blue sticker on first page top corner only flaw.

Paperback. Condition: Good. covers have minor wear, front cover heavily creased, corners bumped and curled, binding tight, pages unmarked, 44 pages, catalog of an exhibition of surrealistic oil paintings by Mark Innerst, brief biography of the artist and his career color illustrations of works in the exhibit Size: 9.25 x 11.

Condition: Very Good. Very Good. 2010 D C Moore Gallery. Exhibition catalog. Softcover. Oversized. Color plates of the art works. High-quality glossy paper. NOT ex-library. Binding tight. Covers have light edge and surface wear. Pages clean and unmarked. 46 pages. Remains of old price on first page. Very small dent on bottom edge. Catalog of an exhibition held at DC Moore Gallery, New York, Nov. 4-Dec. 18, 2010. Essay by Michael Duncan.

Paperback. First edition. Fine/As New paperback with French flaps. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The catalogue for an exhibition of the New York City urban landscape paintings of Mark Innerst, held at the Paul Kasmin Gallery, NYC, September 8 - October 7, 2000. Essay by Katherine Gass. 32 pages; 10 full-page color plates, printed recto only, + 1 color studio view; 8.5 x 11.75 inches. Biography, exhibition history, collections list. LAID-IN are 2 illustrated exhibition announcements for show of the artist's work in 2010 and 2012.

Soft cover. Condition: Very Good. No Jacket. ExCat., New York, Nov 4- Dec 18, 2010. Catalogue essay by Michael Duncan. 46 unpp., 4 pp text, 7 misc pp about the artist., illus throughout in 4/c .

Softcover exhibition catalog, 40 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Paperback. Condition: Very Good. First Edition. 2 leaf exhibition pamphlet, essay, ill cover, 4 color plates, 4to.: Light bumping to copy, no ownership markings. ; Well packaged, ships with tracking.

Paperback. First edition. Near Fine with a touch of shelf wear and a bump at the crown. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalog for an exhibition of paintings by Mark Innerst, held at DC Moore Gallery, NYC, November 4 - December 18, 2010. Essay by Michael Duncan. 46 pages; color plates and text illustrations throughout; 10.5 x 11.25 inches. Biography/exhibition history. LAID-IN is the illustrated gallery exhibition announcement card and press release.

Soft cover. Condition: Fine. Book is in fine condition with no marks inside the text and no damage to the cover. From the estate of Jay Jenson, late curator of contemporary art at the Honolulu Museum of Art.

Paperback. Condition: Good.

Trade paperback. Condition: As New. First edition. "Mark Innerst is a painter who transforms the urban and rural landscape, investing it with a radiant beauty and complexity. Cities like New York and Philadelphia can simultaneously appear majestic, immense, and serene, as streetscapes become a series of soaring verticals or stacked, layered blocks of color. Buildings curve overhead or sweep downward to street level, where human activity is reduced to blurs of light and movement. In his new Midtown series, inspired in large part by the towers that line Manhattan's Sixth Avenue in the forties and fifties, as well as in his paintings of downtown Philadelphia, Innerst reduces architecture to abstracted elements, stripes and geometric shapes, that recede in rhythmic progressions to either an opening at the end of an urban canyon or the fa�§ade of another building, closing the view in upon itself. Innerst also paints panoramic vistas of rivers and estuaries, atmospheric landscapes intersected by prismatic hues that create bold visual effects. By emphasizing the refraction of light in these luminous environments, some of which include industrial buildings on a low horizon in the distance, he invites us to reflect on the interplay between an idealized landscape and the modern world. From his exacting use of glazes to his handmade frames, Innerst adapts tradition to his contemporary intentions. In his new work, he continues to draw upon the great tradition of nineteenth century European and American painting and the structural and expressive use of color as explored in mid-twentieth-century abstraction, as Edward Burns notes in his catalogue essay. His paintings are vibrant and inventive, anchored in his immediate environment, while at the same time, transcending everyday perception with a dynamic vision of the modern world.".

0 48 p. Very good. Signed by author. light shelf wear, ex museum stamp on blank flyleaf, INCRIBED BY ARTIST.

Paperback. Condition: Very good. Paperback. Very good paperback in an lightly rubbed integral jacket that has some darkening to the edges,

Softcover. Pictorial wraps. 12 pp. + 13 color plates. Exhibition held October 9 to November 8, 2003. Introductory essay by Nathan Kernan. Beautiful color plates. VG-. One page detaching, some underlining in pen.

Softcover. Condition: VG+. Color illustrated wraps with white lettering; 31 pp.; Profusely illustrated in color. Accompanied a 2014 gallery exhibition. Includes an essay, "Mark Innerst's Vistas," by Edward Burns. "Mark Innerst is a painter who transforms the urban and rural landscape, investing it with a radiant beauty and complexity. Cities like New York and Philadelphia can simultaneously appear majestic, immense, and serene, as streetscapes become a series of soaring verticals or stacked, layered blocks of color. Buildings curve overhead or sweep downward to street level, where human activity is reduced to blurs of light and movement. In his new Midtown series, inspired in large part by the towers that line Manhattan's Sixth Avenue in the forties and fifties, as well as in his paintings of downtown Philadelphia, Innerst reduces architecture to abstracted elements, stripes and geometric shapes, that recede in rhythmic progressions to either an opening at the end of an urban canyon or the façade of another building, closing the view in upon itself. Innerst also paints panoramic vistas of rivers and estuaries, atmospheric landscapes intersected by prismatic hues that create bold visual effects. By emphasizing the refraction of light in these luminous environments, some of which include industrial buildings on a low horizon in the distance, he invites us to reflect on the interplay between an idealized landscape and the modern world. From his exacting use of glazes to his handmade frames, Innerst adapts tradition to his contemporary intentions. In his new work, he continues to draw upon the great tradition of nineteenth century European and American painting and the structural and expressive use of color as explored in mid-twentieth-century abstraction, as Edward Burns notes in his catalogue essay. His paintings are vibrant and inventive, anchored in his immediate environment, while at the same time, transcending everyday perception with a dynamic vision of the modern world." - quotation from press release.

Softcover. Condition: VG. Color illus. wraps; 43 pp.; Profusely illustrated in color. Accompanied a 2012 gallery exhibition "Mark Innerst: New Paintings"; Includes an essay by David Coggins, as well as biographical and exhibition information about the artist.

Softcover. Condition: VG. Color illus. wraps; 46 pp.; Profusely illustrated in color. Accompanied a 2010 gallery exhibition featuring paintings by Pennsylvania artist Mark Innerst (b. 1957). Includes an essay by Michael Duncan, as well as biographical and exhibition information about the artist.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran October 1990 at Curt Marcus Gallery and then January 1991 at the Michael Kohn Gallery. Text by Robert Rosenblum. Includes 17 color illustrations, a list of previous exhibitions, and a bibliography. A near fine copy in French style wrappers with some toning to the spine.

Trade Paperback. First Edition. Illustrated catalogue of Mark Innerst new paintings from October 9 to November 8, 2003. 13 color plates. Illustrated paper wrappers. First edition (first printing). A fine copy in wrappers (paperback).

Paperback. First edition. Fine paperback with French flaps. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The catalogue for an exhibition of the New York City urban landscape paintings of Mark Innerst, held at the Paul Kasmin Gallery, October 9 - November 8, 2003. Essay by Nathan Kernan. 40 pages; 13 color plates; 8.5 x 11.75 inches. Checklist. LAID IN is a 15.5- x 10.5-inch illustrated poster/exhibition announcement for the show, folded as issued, as well as the gallery press release.

Paperback. Condition: Very Good. First Edition. First Edition, First Printing. Published by Curt Marcus Gallery, 1991. Octavo. Paperback. Book is very good with light shelf wear. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Paperback. Condition: Near Fine. 1st. 1 volume (unpaged), illustrations; 24 cm. Catalogue of an exhibition held at the Curt Marcus Gallery, New York, October 1990 and at the Michael Kohn Gallery, Santa Monica, January 1991. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. Size: 4to. Collectible.

Oversized Hardcover. Condition: Good.

Softcover, 40 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

First Edition. First edition. Oblong softcover. 48 pages. Exhibition catalog for a show that ran September 27 through November 13 1988 at Illinois State University and then traveled to four other locations for additional dates. Foreword by Barry A. Rosenberg. Essay by Barry Blinderman. Includes numerous color and black and white illustrations, list of previous exhibitions, list of public collections and selected bibliography. A clean near fine copy in wrappers.