Innerst Mark (27 results)

Softcover, 44 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Softcover, 48 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Condition: Very Good. Very Good. 2010 D C Moore Gallery. Exhibition catalog. Softcover. Oversized. Color plates of the art works. High-quality glossy paper. NOT ex-library. Binding tight. Covers have light edge and surface wear. Pages clean and unmarked. 46 pages. Remains of old price on first page. Very small dent on bottom edge. Catalog of an exhibition held at DC Moore Gallery, New York, Nov. 4-Dec. 18, 2010. Essay by Michael Duncan.

Paperback. First edition. Fine/As New paperback with French flaps. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The catalogue for an exhibition of the New York City urban landscape paintings of Mark Innerst, held at the Paul Kasmin Gallery, NYC, September 8 - October 7, 2000. Essay by Katherine Gass. 32 pages; 10 full-page color plates, printed recto only, + 1 color studio view; 8.5 x 11.75 inches. Biography, exhibition history, collections list. LAID-IN are 2 illustrated exhibition announcements for show of the artist's work in 2010 and 2012.

Softcover exhibition catalog, 40 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Paperback. First edition. Near Fine with a touch of shelf wear and a bump at the crown. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalog for an exhibition of paintings by Mark Innerst, held at DC Moore Gallery, NYC, November 4 - December 18, 2010. Essay by Michael Duncan. 46 pages; color plates and text illustrations throughout; 10.5 x 11.25 inches. Biography/exhibition history. LAID-IN is the illustrated gallery exhibition announcement card and press release.

Paperback. Condition: Good.

Trade paperback. Condition: As New. First edition. "Mark Innerst is a painter who transforms the urban and rural landscape, investing it with a radiant beauty and complexity. Cities like New York and Philadelphia can simultaneously appear majestic, immense, and serene, as streetscapes become a series of soaring verticals or stacked, layered blocks of color. Buildings curve overhead or sweep downward to street level, where human activity is reduced to blurs of light and movement. In his new Midtown series, inspired in large part by the towers that line Manhattan's Sixth Avenue in the forties and fifties, as well as in his paintings of downtown Philadelphia, Innerst reduces architecture to abstracted elements, stripes and geometric shapes, that recede in rhythmic progressions to either an opening at the end of an urban canyon or the fa�§ade of another building, closing the view in upon itself. Innerst also paints panoramic vistas of rivers and estuaries, atmospheric landscapes intersected by prismatic hues that create bold visual effects. By emphasizing the refraction of light in these luminous environments, some of which include industrial buildings on a low horizon in the distance, he invites us to reflect on the interplay between an idealized landscape and the modern world. From his exacting use of glazes to his handmade frames, Innerst adapts tradition to his contemporary intentions. In his new work, he continues to draw upon the great tradition of nineteenth century European and American painting and the structural and expressive use of color as explored in mid-twentieth-century abstraction, as Edward Burns notes in his catalogue essay. His paintings are vibrant and inventive, anchored in his immediate environment, while at the same time, transcending everyday perception with a dynamic vision of the modern world.".

First edition. Softcover. Exhibition catalog for a show that ran October 1990 at Curt Marcus Gallery and then January 1991 at the Michael Kohn Gallery. Text by Robert Rosenblum. Includes 17 color illustrations, a list of previous exhibitions, and a bibliography. A near fine copy in French style wrappers with some toning to the spine.

Trade Paperback. First Edition. Illustrated catalogue of Mark Innerst new paintings from October 9 to November 8, 2003. 13 color plates. Illustrated paper wrappers. First edition (first printing). A fine copy in wrappers (paperback).

Paperback. First edition. Fine paperback with French flaps. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The catalogue for an exhibition of the New York City urban landscape paintings of Mark Innerst, held at the Paul Kasmin Gallery, October 9 - November 8, 2003. Essay by Nathan Kernan. 40 pages; 13 color plates; 8.5 x 11.75 inches. Checklist. LAID IN is a 15.5- x 10.5-inch illustrated poster/exhibition announcement for the show, folded as issued, as well as the gallery press release.

Paperback. Condition: Near Fine. 1st. 1 volume (unpaged), illustrations; 24 cm. Catalogue of an exhibition held at the Curt Marcus Gallery, New York, October 1990 and at the Michael Kohn Gallery, Santa Monica, January 1991. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. Size: 4to. Collectible.

Oversized Hardcover. Condition: Good.

Softcover, 40 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

First edition. Oblong softcover. 48 pages. Exhibition catalog for a show that ran September 27 through November 13 1988 at Illinois State University and then traveled to four other locations for additional dates. Foreword by Barry A. Rosenberg. Essay by Barry Blinderman. Includes numerous color and black and white illustrations, list of previous exhibitions, list of public collections and selected bibliography. A clean near fine copy in wrappers.

Softcover, 32 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Condition: Good. 4to. 31 pp. Soft cover. Near Fine. Color plates. Features works by Mark Innerst and an essay by Edward Burns.

Condition: Good. Oblong. 4to. 48 pp. Soft cover. Very Good. Color plates. Features works by Mark Innerst and an essay by Barry Blinderman.

Condition: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDSmudge mark front cover else very good. *.

Paperback. Condition: Gut. unnummericht, ausschließlich Farbabbildungen, 26 cm, Guter Zustand. Sprache: Deutsch Gewicht in Gramm: 390.

Softcover, 36 pages, very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Condition: Sehr gut. 40 S. Umschlag leicht berieben, sonst gutes Exemplar. - ENGLISCH - Ausstellungskatalog des amerikanischen Malers. - In this new group of works from 1990, Innerst continues to create layers of history and memory with the mysterious reducing glass of his art, once again wedding the private and the public. Paralleling Duncan Hannah's and Eric Fischl's concern with excavating reveries of childhood innocence and experience, Innerst offers two venerable deities from the pantheon of American boyhood - one, a baseball player, who we feel must have struck a home run; the other, a Boy Scout, hand and hat on heart, who would aspire to the ancient virtues - reverence,cleanliness, thrift, cheer, trustworthyness - that are literally inscribed like a litany around the paintings edge. R. Rosenblum Sprache: Englisch Gewicht in Gramm: 550 Mit zahlr. auch farb. Abb. - Broschiert.

4°: ca 45 S., viele Abb. OKart. Sprache: deutsch.

Softcover. First Edition; First Printing. Very Good+ in wrappers. ; 4to 11" - 13" tall; 40 pages.

Poster, measuring 17 x 24 inches; very good condition; machine folded 2 times into 4 sections; an unmailed copy. Will be mailed folded.

Condition: Good. [Exhibition brochure]. 4to. [8 pp.]. Single white and color illustrated sheet, folded into fourths. Very good. Color plates. Includes works by Katherine Bowling, Robert Ferrandini, Michael Flanagan, Mark Innerst, Joan Nelson, and Elaine Spatz-Rabinowitz. Includes text by Donna Harkavy. Includes artist bios and chronologies for each exhibited artist. Includes exhibition checklist. Brochure created to accompany the exhibition "Insights: A Distant View", held from October 23, 1994 through February 26, 1995 at the Worcester Art Museum in Worcester, MA. Scarce.

Condition: new. First Edition. copertina rigida in tessuto, sovracopertina plastificata; Edizione limitata 500 copie.