Mark Innerst (31 results)

Softcover, 44 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Softcover, 48 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Condition: Very Good. Very Good. 2010 D C Moore Gallery. Exhibition catalog. Softcover. Oversized. Color plates of the art works. High-quality glossy paper. NOT ex-library. Binding tight. Covers have light edge and surface wear. Pages clean and unmarked. 46 pages. Remains of old price on first page. Very small dent on bottom edge. Catalog of an exhibition held at DC Moore Gallery, New York, Nov. 4-Dec. 18, 2010. Essay by Michael Duncan.

Paperback. First edition. Fine/As New paperback with French flaps. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The catalogue for an exhibition of the New York City urban landscape paintings of Mark Innerst, held at the Paul Kasmin Gallery, NYC, September 8 - October 7, 2000. Essay by Katherine Gass. 32 pages; 10 full-page color plates, printed recto only, + 1 color studio view; 8.5 x 11.75 inches. Biography, exhibition history, collections list. LAID-IN are 2 illustrated exhibition announcements for show of the artist's work in 2010 and 2012.

Softcover exhibition catalog, 40 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Paperback. First edition. Near Fine with a touch of shelf wear and a bump at the crown. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalog for an exhibition of paintings by Mark Innerst, held at DC Moore Gallery, NYC, November 4 - December 18, 2010. Essay by Michael Duncan. 46 pages; color plates and text illustrations throughout; 10.5 x 11.25 inches. Biography/exhibition history. LAID-IN is the illustrated gallery exhibition announcement card and press release.

Paperback. Condition: Good.

[168] pp.; 30.6 x 23 cm.; sewn bound; black-and-white & color; edition size 2500; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 16 - August 10, 1986. Essay by Christopher Knight. Introduction by Richard Koshalek. Artists include John Ahearn, Carl Andre, Richard Artschwager, Jennifer Bartlett, Jean-Michel Basquiat, Jonathan Borofsky, Richard Bosman, Troy Brauntuch, Scott Burton, Larry Clark, Peter Drake, Eric Fischl, Dan Flavin, Bryan Hunt, Mark Innerst, Neil Jenney, Donald Judd, Ellsworth Kelly, Anselm Kiefer, Rex Lau, Barry LeDoux, Robert Mangold, Brice Marden, Agnes Martin, Michael McClard, Malcolm Morley, Robert Moskowitz, Elizabeth Murray, Susan Rothenberg, Robert Ryman, David Salle, Julian Schnabel, Richard Serra, Joel Shapiro, Cindy Sherman, Frank Stella, Cy Twombly, and Terry Winters. Includes exhibition checklist. Very Good. Rubbing of cover edges with 1.5 cm. dog-ear to bottom right corner of recto and 2.7 cm. crease to bottom left corner of verso. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Trade paperback. Condition: As New. First edition. "Mark Innerst is a painter who transforms the urban and rural landscape, investing it with a radiant beauty and complexity. Cities like New York and Philadelphia can simultaneously appear majestic, immense, and serene, as streetscapes become a series of soaring verticals or stacked, layered blocks of color. Buildings curve overhead or sweep downward to street level, where human activity is reduced to blurs of light and movement. In his new Midtown series, inspired in large part by the towers that line Manhattan's Sixth Avenue in the forties and fifties, as well as in his paintings of downtown Philadelphia, Innerst reduces architecture to abstracted elements, stripes and geometric shapes, that recede in rhythmic progressions to either an opening at the end of an urban canyon or the fa�§ade of another building, closing the view in upon itself. Innerst also paints panoramic vistas of rivers and estuaries, atmospheric landscapes intersected by prismatic hues that create bold visual effects. By emphasizing the refraction of light in these luminous environments, some of which include industrial buildings on a low horizon in the distance, he invites us to reflect on the interplay between an idealized landscape and the modern world. From his exacting use of glazes to his handmade frames, Innerst adapts tradition to his contemporary intentions. In his new work, he continues to draw upon the great tradition of nineteenth century European and American painting and the structural and expressive use of color as explored in mid-twentieth-century abstraction, as Edward Burns notes in his catalogue essay. His paintings are vibrant and inventive, anchored in his immediate environment, while at the same time, transcending everyday perception with a dynamic vision of the modern world.".

First Edition. First edition. Softcover. Exhibition catalog for a show that ran October 1990 at Curt Marcus Gallery and then January 1991 at the Michael Kohn Gallery. Text by Robert Rosenblum. Includes 17 color illustrations, a list of previous exhibitions, and a bibliography. A near fine copy in French style wrappers with some toning to the spine.

Trade Paperback. First Edition. Illustrated catalogue of Mark Innerst new paintings from October 9 to November 8, 2003. 13 color plates. Illustrated paper wrappers. First edition (first printing). A fine copy in wrappers (paperback).

Paperback. First edition. Fine paperback with French flaps. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The catalogue for an exhibition of the New York City urban landscape paintings of Mark Innerst, held at the Paul Kasmin Gallery, October 9 - November 8, 2003. Essay by Nathan Kernan. 40 pages; 13 color plates; 8.5 x 11.75 inches. Checklist. LAID IN is a 15.5- x 10.5-inch illustrated poster/exhibition announcement for the show, folded as issued, as well as the gallery press release.

Paperback. Condition: Near Fine. 1st. 1 volume (unpaged), illustrations; 24 cm. Catalogue of an exhibition held at the Curt Marcus Gallery, New York, October 1990 and at the Michael Kohn Gallery, Santa Monica, January 1991. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. Size: 4to. Collectible.

Oversized Hardcover. Condition: Good.

Softcover, 40 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

First Edition. First edition. Oblong softcover. 48 pages. Exhibition catalog for a show that ran September 27 through November 13 1988 at Illinois State University and then traveled to four other locations for additional dates. Foreword by Barry A. Rosenberg. Essay by Barry Blinderman. Includes numerous color and black and white illustrations, list of previous exhibitions, list of public collections and selected bibliography. A clean near fine copy in wrappers.

[unpaginated]; 25.5 x 20.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held jointly at Kent Fine Art and Curt Marcus Gallery, New York, November 17 - December 31, 1987. Curated and with an essay by Douglas Blau. Artists include Troy Brauntuch, Ralph Albert Blakelock, Thomas Moran, Charles Wilson Peale, Johannes Vermeer, William Merritt Chase, Randy Dudley, Chesley Bonestell, Norman Rockwell, John Bowman, Thornton Oakley, Caspar David Friedrich, James Abbott McNeill Whistler, Cindy Sherman, Hans W. Hannau, Stanford Gifford, William Cameron Menzies, Ricahrd Bergh, Winslow Homer, Joseph M. Newman, Stanley Kubrick, Hugh Ferriss, Arnold Genthe, Mark Innerst, Eugene Medard, Eugene Chaperon, Joseph Wright of Derby, David Deutsch, Thomas Eakins, Charles West Cope, Charles Lewis Fusell, C.E. Swaye, Thomas Anshutz, George Pal, Virgil Mirano, Howard Hawkes, Jack Conway, Charles H. Stephens, Johann Zoffany, John Ferguson Weir, Walter Dorwin Teague, Thomas Cole, Jan Christiaensz, Virgil Mirano, Jack Goldstein, Komar & Melamid, William L. Sonntag, Hubert Robert, Bonfils, Elihu Vedder, Edwin Dickinson, William Bradford, Jospeh Mallord, William Turner, Frederic Edwin Church, Michael Zwack, Arnold Böcklin, Alain Resnais, Karl Friedrich Schinkel, George Caleb Bingham, Thomas Wilmer Dewing, Joseph Hirsch, Fernand Khnopff, James Rosenquist, Giuseppe Pellizza Da Volpedo, Chuck Rogers, Angelo Morbelli, Gustave Caillebotte, Michele Zalopany, Edward Hopper, John Singer Sargent, and Rembrandt van Rijn. Includes an image index. Fair. Water damage to top right corner of second half of the catalogue with light staining and rippling; final four pages are stuck together and previous page was also stuck but has been separated resulting in surface tearing of page. Rubbing of cover edges. 7 mm. tear and bumping to spine and 2 mm. tear to bottom edge of spine. Sold "as-is." Due to the size of this item, additional shipping charges will be required for international orders.

Softcover, 32 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Condition: Good. 4to. 31 pp. Soft cover. Near Fine. Color plates. Features works by Mark Innerst and an essay by Edward Burns.

Condition: Good. Oblong. 4to. 48 pp. Soft cover. Very Good. Color plates. Features works by Mark Innerst and an essay by Barry Blinderman.

Condition: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDSmudge mark front cover else very good. *.

Paperback. Condition: Gut. unnummericht, ausschließlich Farbabbildungen, 26 cm, Guter Zustand. Sprache: Deutsch Gewicht in Gramm: 390.

Softcover, 36 pages, very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Condition: Sehr gut. 40 S. Umschlag leicht berieben, sonst gutes Exemplar. - ENGLISCH - Ausstellungskatalog des amerikanischen Malers. - In this new group of works from 1990, Innerst continues to create layers of history and memory with the mysterious reducing glass of his art, once again wedding the private and the public. Paralleling Duncan Hannah's and Eric Fischl's concern with excavating reveries of childhood innocence and experience, Innerst offers two venerable deities from the pantheon of American boyhood - one, a baseball player, who we feel must have struck a home run; the other, a Boy Scout, hand and hat on heart, who would aspire to the ancient virtues - reverence,cleanliness, thrift, cheer, trustworthyness - that are literally inscribed like a litany around the paintings edge. R. Rosenblum Sprache: Englisch Gewicht in Gramm: 550 Mit zahlr. auch farb. Abb. - Broschiert.

4°: ca 45 S., viele Abb. OKart. Sprache: deutsch.

Softcover. First Edition; First Printing. Very Good+ in wrappers. ; 4to 11" - 13" tall; 40 pages.

[1] pp.; 11 x 13.8 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard / announcement published in conjunction with show held December 2 - 18, 1995. Artists included Ross Bleckner, Lawrence Carroll, Milton Avery, James Welling, Mark Innerst, Gerhard Richter, Laurie Simmons, Peter Halley, Robert Rauschenberg, David Wojnarowicz, Allan McCollum, Cindy Sherman, Richard Prince, Vik Muniz, Michelangelo Pistoletto, Sal Scarpitta, Jonathan Lasker, Annette Lemieux, Peter Nagy, Robert Longo, Not Vital, Sol LeWitt, Robin Rose, Sandro Chia, and Saint Clair Cemin. Very Good. Mailed copy with mailing marks and light wear.

Poster, measuring 17 x 24 inches; very good condition; machine folded 2 times into 4 sections; an unmailed copy. Will be mailed folded.

[20] pp.; 24 x 18.8 cm.; staple bound; black-and-white; edition size 500; unsigned and unnumbered; offset-printed Exhibition catalogue for show held [September 18] - October 13, 1981. Introduction by exhibition curator, Robert Longo, with text by Valerie Smith. Show included artists Gretchen Bender, Peter Fleps, Peter Coates, Mark Innerst, Anne Doran, Bill Komoski, and Jim Isermann. Incorporates two illustrations for each exhibiting artist. Fine. Covers and contents clean and unmarked.

Condition: Good. [Exhibition brochure]. 4to. [8 pp.]. Single white and color illustrated sheet, folded into fourths. Very good. Color plates. Includes works by Katherine Bowling, Robert Ferrandini, Michael Flanagan, Mark Innerst, Joan Nelson, and Elaine Spatz-Rabinowitz. Includes text by Donna Harkavy. Includes artist bios and chronologies for each exhibited artist. Includes exhibition checklist. Brochure created to accompany the exhibition "Insights: A Distant View", held from October 23, 1994 through February 26, 1995 at the Worcester Art Museum in Worcester, MA. Scarce.