Opera by Propertius, First Edition (5 results)

Couverture rigide. Condition: Assez bon. Edition originale. Londini, Typis J. Brindley, 1749, in-18, relié plein veau marbré époque, dos à nerfs orné avec pièce de titre, frottements, épidermure, coins et coiffes usés, page de garde absente. Belle impression londonienne de ce recueil d'élégies en latin des poètes romains Catulle, Properitus et Tibulle. Gaius Valerius Catullus, Propertius, illustré d'un frontispice gravé. M7-A.

Hardcover. Condition: Fair. No Jacket. 1st Edition. Quarto; size of binding: 9 3/8 in. x 11 5/8 in., titlepage, (remounted on a paper tab), [1]-372 pp. Quarter bound with black, polished calf spine, sides & corners; the spine features a maroon morocco title label, gilt-lettered: CATULLI TIBULLI ET PROPERTT OPERA BASKERVILLE, and at the base: 1772, with simple decoration of gilt & blindstamped lines; marbled paper-covered boards, all edges sprinkled red, light brown endpapers. Binding is unsigned, but from the mid-19th century period. Modern bookplate on the front paste-down. Spine ends & cover edges show wear, abrasion & rubbing to the outer cover surfaces; with damp & other staining to the titlepage (which has been re-mounted), to left-hand margin & lower left corner area of pp. [1]-21 + from pp. 372 back to p. 350, with various degrees of brown spotting, or tanning to most page margins. Scan shows the spine & part of the front cover. Weight: 3 ½ lbs. Postage may be extra on this item. (Latin text).

Baskerville's first quarto edition. Quarto. Bound in contemporary red morocco, lettered and decorated gilt. All edges gilt. A very good copy indeed, one corner repaired.

First Aldine edition of a collection of poems by three of the most important classical poets of the 1st century BCE, writing in the elegiac tradition, this copy with the outer forme of the first quire (A) in the corrected state, with "Propertius" on the title-page instead of the erroneous "Propetius" (a press variant: as far as we know, it is always correct in the running heads and where the three names on the title-page repeat on i8v). The poets Gaius Valerius Catullus (84-55 BCE), Albius Tibullus (55-19 BCE) and Sextus Propertius (50-15 BCE), had a strong preference for writing about intimate and familiar subjects such as love, eroticism, rejection and mourning, which sets their lyrical and elegiac poetry apart from the heroic poetry of many other, earlier classical poets, who often focused on the epic of heroes. In the present work, the poets express their love and desire for various women, among others "Lesbia" (Catullus), "Delia" (Tibellus) and "Cynthia" (Propertius). The present collection of poems became very successful as they ran through many, sometimes bowdlerized, editions throughout the 16th century. It is also often regarded as one of the most successful works of the Aldine press. With some 17th-century(?) Latin annotations in the margins and occasional underlining, both in brown ink; a 1772 owner's inscription on the otherwise blank i7v: "Jo Antonio Icodori[?] da P[?]o vora[?]; and the armorial bookplate of the Edinburgh advocate William Hugh Murray (1822/23-1867) of Geanies on the front paste-down. Lightly washed, probably the binder's attempt to make the annotations, inscription and occasional minor stains or smudges less prominent (some small brown marginal stains in e7 just reach the text on e7v), a small marginal tear repaired. Binding a little worn at the extremities. Overall in good condition and with generous margins.l Adams C1138 (with "Propetius" corrected as in ours: cf. C1137); Ahmanson-Murphy 40b (cf. 40 & 40a); Aldo Manuzio tipografo 55; BM STC Italian, p. 160; Dibdin I, p. 374; EDIT16 10356; Renouard, 1502, no. 16 (p. 39); USTC 821181. Gold-tooled, green long-grained sheepskin (vertical grain) (ca. 1800), sewn on 5 recessed cords, each board with a frame made from a decorative roll with a tulip-like flower inside each corner (curiously a frame of blind single fillets runs along the outside edge of the gold-tooled frame, perhaps made first as guide lines), the flat spine divided into 5 fields by 6 impressions of a second decorative roll, with the names of the three authors in roman capitals in the 2nd field and each of the others with a larger thistle-like flower, wove endpapers (made on a single-faced mould?), the inside pages of the bifolia serving as paste-downs and their conjugate free leaves have a white glaze with a watered-silk (moiré) pattern, brown stuck-on headbands, green silk ribbon marker. With more than 100 spaces (2 8-line, 6 6-line and the rest 2-line) with guide letters left for manuscript initials, none filled in. Set in Aldus's italic type (with upright capitals) throughout, the first italic printing type, first used in 1501, with titles, headings, running heads, etc. set in the capitals of the same type, with an occasional word of Greek in the text. Pages: [152] ll.

1. Aufl. 520 S. + 1 gestochener Frontispiz la Gewicht in Gramm: 2800 4°, Ledereinband der Zeit auf 6 Bünden mit Deckelvergoldung, Einband leicht berieben, guter und Innen sauberer Zust.