Padua, Signed (28 results)

Heft. Condition: Gut. 14 Seiten; Das hier angebotene Heft stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); leichte altersbedingte Anbräunung des Papiers; der Zustand ist ansonsten ordentlich und dem Alter entsprechend gut. Einbandkanten sind leicht bestoßen. Das Heft wurde vom Autor SIGNIERT. Sprache: Deutsch Gewicht in Gramm: 40.

Softcover. 26,5 x 20 cm. Originalbroschur. Vollständig mit den Seiten 315 - 341 (2) der fortlaufenden Paginierung, mit 11 einfarbigen Abbildungen im Text. Insgesamt guter Zustand. Seite 341 mit handschriftlicher zweizeiliger Zueignung und Unterschrift des Verfassers, datiert März 1941. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Ob Sonnenschein oder warmer Regen: mit einem interessanten Buch kommen Sie immer gut durch den Tag. -- Wir kaufen Ihre werthaltigen Bücher! K02201-402944.

Soft cover. Condition: Very Good. Garner, Irene Welch (illustrator). First Edition. Signed by author on title page. 80 pages. Very good in cream colored paper wrappers with mild surface soiling to covers. Photographic illustrations by Irene Welch Garner. Padua Hills Theatre has been performing plays with actors of Mexican descent since 1932. These productions, with Spanish and English dialogue, present colorful scenes of Mexican or early California life, enhanced by authentic songs and dances and the costumes of the region. Signed by Author.

Hardcover. Condition: VG-. Dust Jacket Condition: Good. 1st Edition. The book and contents are tight. The author has signed a short inscription on the front free endpaper. The pages are clean. Covers are clean and have one bumped corner. The dust jacket has some edge chipping and browning. Signed by Author(s).

Condition: MOLTO BUONO. NOTA:Esemplare con dedica autografa di Aldo (Leoni). / Editoriale Programma cm.30x24, formato albo. pp.110, illustrazioni, legatura editoriale cartonata con sopraccoperta figurata a colori. Fotografie di Aldo Leoni.

Paperback. Condition: Like New. First Edition. First Edition, First Printing. Published by Cleup, 2012. Quarto. Paperback. Signed and inscribed by Zampieri and Zanatta on title page. Text in Italian and English. Book is like new with light crease on front cover top right corner. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Softcover. Condition: Very Good. First edition. Trade paperback. Toning on the wrapper edges, short tear on the spine head and slight warping else very good. Signed by Murray Mednick, Kelly Stuart, Leon Martell, and Cheryl Slean. Stories by Susan Champagne, Martin Epstein, Maria irene Fornes, Julie Hebert, Leon Martell, Murray Mednick, Susan Mosakowksi, John Steppling and Kelly Stuart.

Encuadernación de tapa blanda. Condition: Perfecto. 1? Edición. José María Velaz Pascual, Plasencia / Cáceres, 2007. El historiador cacereño, José María Velaz, recoge en su obra un estudio histórico-artístico sobre uno de los monasterios, que él mismo calificó como "uno de los más importantes de la región". El monumento, declarado bien de interés cultural en 1985, fue fundado en el siglo XV por la familia de los Condes de Alba de Aliste. El libro, que recaba documentación de los archivos de Cáceres, Plasencia, Guadalupe, Garrovillas de Alconétar y Sevilla, describe la evolución que vivió el edificio y su huerta, que juntos superan en dimensión a los 4.000 metros cuadrados que posee la plaza garrovillana, pasando incluso a albergar ganado o a convertirse en industria textil tras la desamortización de Mendizábal a principios de 1800. 191 pp. Ilustraciones b/n y color. 23 x 16. Tapa blanda de editorial ilustrada con solapas. Sin subrayados ni anotaciones. Perfecto estado de conservación. Firmado por el Autor(es).

Couverture souple. Condition: Assez bon. GLN-1081. Dédicacé par l'auteur.

8vo. pp. xi, [1], 349, [1]. 3 plates, folding map & 2 text maps. biblio. index. bds. dw. (dw. slightly soiled & worn, occasional pencil scoring). American philosopher Alan Gewirth's copy, signed. First American Edition.

31 : 24,5 cm. 63 pages with 51 lithographs inthe text by Desider von Fay. Original Boards One of 500 numbered copies. Imprint signed by the author and the artist. - Spine a bit damaged, boards a bit faded.

4to. 63 S. Mit 51 Illustrationen von Desider von Fay. Späterer Leinwandband. Eins von 400 (GA 500) num. Exemplaren. - MIt mehrzeiliger hs. Widmung des Verfassers auf Vortitel. - Gutes Exemplar.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. Published by manchester University Press in 1966, here is the first hardback printing of J.K (Kenneth) Hyde's PADUA IN THE AGE OF DANTE: A Social History of an Italian City State (inscribed by the author to the Oxford Academic husband and wife, Gill Avery and Anthony Cockshut in blue ink to the front free end paper). 350 pages, mint condition fold-out map of the featured region at the rear of the book, illustrations, blue cloth binding, gilt lettering, the book is in near fine condition with some minor finger marking to the outside top page edges. The dust jacket is very good with some moderate staining, and tanning to the spine. Inscribed by Author(s).

25 x 17 cm, Broschur. 8 S. Einband berieben, bestoßen, gebräunt, eselsohrig. Mit Einrissen. Handschriftliche Widmung von Felice Battaglia auf der ersten Seite. Sprache: Italienisch Gewicht in Gramm: 550.

Condition: Good. 8vo. Charcoal Cloth over Decorative Boards, 66, 62, 66, 71, & 16 pp. Herr Und Frau Knopp loosely laid in (string-bound wraps). Good with marginal tears at head and tail of spines & corners of boards; marginal tears & sunning to Herr Und Frau Knopp wraps; text block with minor damp-staining to top edges. Illustrated. Signed by Peter Selz inside cover. Auf Deutsch. Very rare bound with edition, though the individual volumes are available.From the collection of UC Berkeley art historian Peter Selz (1919 - 2019).

Notre Dame, IN: The Ave Maria, (1896). First edition (BAL 19004, printing A, but with the endpapers described for printing B). Original brown cloth, gilt, decorated in gilt and black. Flyleaves. A presentation copy: "To Clif Tipton with love, Chas. Warren Stoddard. St. Anthony's Rest. The Bungalow. 300 M. St - NW. Washington. D.C. Dec/97". Light wear, front gutter cracked. A Very Good copy.

Hardcover. Condition: Very Fine. Dust Jacket Condition: No DJ as Issued. Giotto and Others (illustrator). 1st Edition 1st Issue. Giotto and His Works in Padua Being an Explanatory Notice of the Series of Woodcuts Erected for the Arundel Society After the Frescoes in the Arena Chapel (FIRST EDITION, 1854) Ruskin, John small 4to. Bound in full tan gilt straight grained morocco by Sangorski of London with raised bands on spine gilt fleuron compartments on spine, black morocco label, all edges gilt, profusely illustrated with many engravings of murals, frescos, and masterpieces of the Medieval and early Renaissance in Italy. masterful text by Ruskin, only the rear joint is weak, else fine. Superb copy. By the Binder.

Condition: guter Zustand. Gail, Wilhelm. Grabmal des Antenor in Padua.1843. Radierung / Strichätzung, auf aufgewalztem China. Historische Ansicht, von Wilhelm Gail. 32 x 23,5 cm (Blatt), 14,3 x 11,0 cm (Darstellung), 16,9 x 12,8 cm (Platte).Aus: Radir-Club München [Hrsg.], Radirungen (München: L. A. Montmorillon 1843), Heft 2. Guter Zustand.Wilhelm Gail (1804 München - 1890 München). Deutscher Maler und Grafiker. Seit 1817 Bauschüler und seit 1820 Malschüler an der Münchner Akademie. 1822-25 bildete er sich im Atelier seines Schwagers Peter Heinrich Lambert Hess weiter. 1825-27 auf Einladung des Baron von Malzen Studienreise nach Italien. So war er in Florenz, Rom und Neapel tätig. Ab 1827 ist er wieder in München. 1830 Studienreise nach Frankreich. 1831-32 neuerliche Studienreise nach Italien. 1832-33 Studienreise nach Spanien. Rechts unten signiert: Wilh. Gail. Mit Trockenstempel des Münchner Radiervereins. 32 x 23,5 cm (Blatt), 14,3 x 11,0 cm (Darstellung), 16,9 x 12,8 cm (Platte).

Eigenhändiger Brief (3 S. 8°, in Tinte, mit Anschrift auf der Rückseite) mit Ort, Datum, Unterschrift signiert Padua, 24.08.1785 - an Abbe Jean Baptiste Sibilato in Venedig (dito zum gleichen Preis : ein weiterer E.Brief m.U. desselben).

Condition: Fine. 30'' x 20'' original one sheet lobby or outside advertisement colour poster from L. A. Theatre Works | Padua Hills Playwrights' Workshop / Festival Advertising. In Fine condition. SIGNED by Murray Mednick beside his name 'Murray Mednick'. Sent rolled in a tube with end caps. We currently hold in stock over 100 other English and foreign theatre and cinema posters. Member of the P.B.F.A. THEATRE (Cinema) POSTERS.

First Edition. Signed and inscribed in the year of publication by the author Louis Berrone at the front free endpaper: To Denis Guerin on the train from New York to New Haven - an Irish Texan from ParnellÕs Court in Yankee Connecticut - Best regards, Louis Berrone, November 19, 1977Ó. Fine copy in a fine dust jacket. From the publisher: ÒThese essays were only recently recovered from the archives of the University of Padua by Louis Berrone of Fairfield University. Because Professor Berrone was interested in the influence of Dickens on Joyce, he made a special trip to Padua, hoping he would be able to find the manuscript mentioned by Joyce in a letter to his brother, dated April 25, 1912.Ó To our benefit, BerroneÕs treasure hunt uncovered two essays by Joyce - one on Dickens and another on the Renaissance. Included in this book is a detailed description of JoyceÕs life in Padua during the time he wrote the essays and how this setting and context influenced JoyceÕs future works in both fiction and nonfiction. Rare signed.

First edition. Newton's Pendulum, Taylor's Challenge, Bernoulli's Theorems. An autograph letter signed by Nikolaus I Bernoulli (1687-1759), in Latin, written from Padua on 29 April 1719 to the Scottish mathematician James Stirling, then in Venice - preserved undisturbed at the Stirling family seat of Garden House in Stirlingshire from the eighteenth century until 2025, the earliest item of Stirling's scientific correspondence recorded in private hands, and one of the earliest of his mathematical manuscripts known to survive anywhere. Its three principal subjects - the motion of a cycloidal pendulum in a resisting medium (Newton, Principia Book II), Brook Taylor's 1718 public challenge to the Continental mathematicians on the integration of rational functions, and a method for the determination of areas by means of infinite series proposed by Johann Bernoulli - bear directly on the active mathematical frontier of the spring of 1719, and each leads, by a short path, back to the Newton-Leibniz calculus priority dispute in which the two correspondents were at that moment figures of considerable interest. The letter closes with a Latin appendix of seven theorems by Johann Bernoulli on the integration of rational functions, treating Taylor's challenge among other cases - mathematical content, not epistolary filler - and thereby takes on the character of a short memoir. Stirling would use the underlying ideas in the paper Methodus Differentialis Newtoniana Illustrata submitted to the Royal Society six weeks later, and would refer explicitly to Bernoulli's pendulum question in the letter he wrote to Newton from Venice on 17 August 1719 offering to serve as a go-between in the priority dispute. A full transcription and English translation of the present letter is available on request. Nikolaus I Bernoulli (1687-1759) belonged to the second generation of the great Basel mathematical dynasty. Born in Basel on 10 October 1687, the son of a painter and city councillor, and a nephew of Jakob I and Johann I Bernoulli, he was trained in mathematics by Jakob from boyhood, defended his master's dissertation on infinite series (written by Jakob) under Jakob's supervision in 1704, and took his law doctorate in 1709 with a thesis on the application of the new probability theory to jurisprudence, De Usu Artis Conjectandi in Jure - an important early essay on quantitative legal reasoning. He travelled widely in the years immediately following: Paris in 1710; London in 1712, where he was received by Newton, Halley, de Moivre, and, as Tweedie conjectured, very possibly made the acquaintance of the young James Stirling during a stop at Oxford; and Paris again later in 1712, where his three-month residence at the country house of Pierre Rémond de Montmort resulted in the group of letters on probability printed in the second edition of Montmort's Analyse sur les Jeux de Hazard (1713) and, most consequentially, in Nikolaus's first formulation of what has since been known as the St Petersburg problem. In the same years he saw his uncle Jakob's posthumous Ars Conjectandi through the Basel press (also 1713). By 1716, on the warm recommendation of Leibniz - to whom Johann Bernoulli had earlier commended his nephew - he had been appointed Professor of Mathematics at Padua, a chair vacated by Jakob Hermann's removal to Frankfurt an der Oder. He held the Paduan chair until 1722, returning then to Basel, where he would serve as Professor of Logic from 1722 and Professor of Law from 1731 until his death in 1759. In the priority dispute he sided unambiguously with his uncle Johann in the Leibnizian interest, and it was he who first pointed out to the Bernoullis an error in Newton's handling of higher-order derivatives in Principia Book II - the issue that sits in the background of the present letter's opening subject. James Stirling (1692-1770) was born on 11 May 1692 at Garden House, Stirlingshire, the third son of the Jacobite laird Archibald Stirling, acquitted of high treason for his part in the Brig o'Turk gathering of 1708. Educated at Balliol College, Oxford, from 1710, Stirling held a Snell exhibition and, later, a Bishop Warner exhibition. The Hanoverian succession of 1714, the Jacobite rebellion of 1715, and the subsequent requirement that scholars swear the oath of allegiance to George I placed him in an impossible position: as a non-juror he lost his scholarships, was accused at assizes of corresponding with exiled Jacobites and of cursing the king (he was acquitted), and was ultimately denied a degree - though he remained in residence at Balliol for some time afterwards. In April 1717 his first book, the Lineae Tertii Ordinis Neutonianae, a mathematical commentary on Newton's classification of the cubic curves, was printed at the Sheldonian Theatre and added four further species to Newton's seventy-two; Newton himself was among the subscribers, and the work was dedicated to Nicolas Tron, the Venetian ambassador to London, whose patronage drew Stirling to Italy later the same year. Stirling's Italian residence - from 1717 until probably 1722, a period during which he became known in his family as the Venetian - is sparsely documented in other respects, but is the context out of which the present letter springs. He attended the University of Padua (certainly in 1721, and very likely earlier), formed a close friendship with Nikolaus Bernoulli there, and submitted to the Royal Society on 18 June 1719 his paper Methodus Differentialis Newtoniana Illustrata, a prospectus of what would become his magnum opus Methodus Differentialis (London, 1730). On returning to Britain by 1722 he passed through a teaching post at Watt's Academy in Covent Garden, was elected Fellow of the Royal Society on Newton's nomination on 3 November 1726, and corresponded over the following decade on roughly equal terms with Maclaurin, de Moivre, Euler, and Gabriel Cramer. In 1735 he became manager of the Scots Mining Company's lead mines at Leadhills, a post h. Signed.

9 pp. on 6 leaves. 8vo, Stitched at the spine fold; unbound. Small wormhole at the fore-edge of the first leaf and a small offset smudge of watercolor at its upper right corner; otherwise a very fine example nnin beautiful condition. Opposite the initial leaf is a heraldic device in gold and colors featuring a conical pine tree (presumably the coat of arms of the recipient, John Michael Pine. The initial leaf features a lovely broad border in colors decorated with the Virgin and Child, Saints, peacocks and floral decoration. The text of 6-1/4 pages is ruled in red, blue and gold and written in an elegant italic hand with initials and personal names in gold. Signed at the end of the text by M. A. Martinenghius.

Signed card, 5,5 x 3,25 inch, signed in black ink "Padua", attractively mounted (removable) for fine display with a photograph, shows Paul Mathias Padua as painter (altogether 8,25 x 11,75 inch), in very fine condition.

Briefbogen (1 S. quer 8° mit gedrucktem persönlichen Briefkopf und Anschrift, am Oberrand auf größeres Albumblatt (4°) befestigt) in Tinte, mit E.ZITAT, Datum, Unterschrift signiert Rottach-Tegernsee, 23.2.56 "Je älter, je schwerer !." (dito zum gleichen Preis : E.Brief (1/2 S. 4° mit gedrucktem persönlichen Briefkopf mit Adresse) in Tinte mit Ort, Datum, Unterschrift signiert Rottach-Egern, 30.X.1970 - an den Psychologen und Graphologen Fritz Schweighofer mit einer Handschriftenprobe ".Mit Kugelschreiber kann man nicht schreiben, da kommt man sich vor als wär man kastriert.").

Eigenhändiger Brief (1 S. 8 to, links kl. Ausriß, rechts 1 cm Einriß) in Tinte mit Ort, Datum, Unterschrift signiert M. (München), 25. Mai (18)46 - an JOHANN GEORG MÜLLER (1822-49) Professor der Baukunst, schweizer Architekt, Maler, Dichter, Neugotiker) wegen vortrefflicher Zeichnungen der Prinzessin Luitpold. Nachsatz : (Peter von) CORNELIUS sah Ihre Zeichnungen bei mir, war hoch erfreut & stimmt aus voller Seele in Ihre LETZTE SKIZZE ! (dito : vorhanden sind noch 5 weitere E.Briefe (oft mehrseitig 8 to, gut erhalten) in Tinte mit Ort, Datum, Unterschrift von Förster an denselben, München 1848-50, je Euro 180,-).

The Renaissance was a period of crucial cultural, artistic, social and financial development in late Medieval and Renaissance Italy, and particularly the affluent cities of Florence, Venice, Genoa, and Padua.The Holy Roman Empire spanned central Europe, in one form or another, for the span of a millennia. For much of that time, it contained vast swaths of Italy, mainly in the north, and included the Italian city of Padua, which would become a hub in the Renaissance in that country and a major university center. As the Middle Ages bled into the period of the Renaissance, the Empire slowly lost direct control over Italy. It managed to maintain its power into the 16th century in part via old established orders that maintained local control.Among these Holy Roman imperial titles was the "comes palatinus caesareus" or the imperial count palatine. The office of imperial count palatine was hereditary and the emperors seem to have used it to create an Italian aristocratic class loyal to the empire. In 1357, the Emperor Charles IV added the power of conferring licenses and doctorates of civil law to those of the counts palatine. Later on, they acquired the power to confer doctorates in general. In 1363, Charles himself bestowed this honor to Giacomo Santacroce. His heir to this title and power given by it, which was significant, was Giovanni Santcroce, who, in addition to being the benefactor for religious and cultural efforts in the region, was a businessman.The Facino (or Facini) family was a prominent one from the town of Feltre. The Ioannes Baptista Facinus, namd in the document, was prominent in the cultural community. There remains today a church bearing the crest of this family, constructed shortly before his birth.Francisco Fabriano and Andreas Tinto were important functionaries and notaries of the period in Padua.Document signed, September 25, 1585, in Latin, using the Latin names of the people involved, including The Holy Roman Emperor Charles, signed by important figures of the late Italian renaissance. In it, "Ioannes Sancta Cruce" bestows the position of "comes palatinus caesareus" on "Ioannes Baptista Facinus" and all his male heirs. The document is witnessed and signed not only by Santa Cruce himself, described as "the most excellent lawyer, lord, count, soldier, knight (horseman) of the Court of Caesar", but also by Fabriano and Tinto. The document is likely in the hand of Tinto himself.Such Italian Renaissance documents are very uncommon. The most direct comparable was acquired by J.P. Morgan and is now in the Morgan Library.There is an extended portion in the middle about Holy Roman Emperor Charles IV, who, it describes, in 1357, added the power of conferring licenses and doctorates of civil law to the position.

Printed with platetone, 1-2 mm. margins all around. Watermark: Letters in circle. Signed in plate Laur.Lo.I.F. and in lwer right of legend Lorenzo tinti D.D.D. 297 x 202 mm. Loli a Bolognese painter and engraver was the favorite student of Guido and is called by the Italians Lorenzo del Signor Guido Reni. Bartsch XIX 169, 8 pale stain in image, marginal fold not affecting the image Printed with platetone, 1-2 mm. margins all around. Watermark: Letters in circle. Signed in plate Laur.Lo.I.F. and in lwer right of legend Lorenzo tinti D.D.D. 297 x 202 mm. Signed.