Paolozzi, First Edition (146 results)

Hardcover. Condition: Very Good. No Jacket. 1st Edition. 1st edition. Hardbound, no dust jacket.

1st edition. Fine paperback copy. Particularly well-preserved; tight, bright and clean. Provenance: Bookplate of Tony and Tania Webster. Physical description: 80 pages : illustrations, portraits ; 30 cm. Notes: Includes bibliographical references. Subjects: Paolozzi, Eduardo 1924-2005; National Galleries of Scotland (Edinburgh) (Perm.)1900-1999; Sculptors Italy 20th century; Sculptors Scotland 20th century; Scottish National Gallery of Modern Art (Edinburgh); Paolozzi Eduardo British sculpture; Paolozzi Eduardo British printmaking. 3 Kg.

Softcover. Condition: Gut bis sehr gut. Ohne Schutzumschlag. 1. Auflage. 144 pages with many illustrations, partly coloured.

Softcover. Condition: Wie neu. 1. Auflage. (Hefte der Akademie der Bildenden Künste München, 3); witrh many b/w-plates.

Softcover. Condition: Fine. Dust Jacket Condition: Very Good. First Edition. Fine-looking, structurally sound hardcover, little discernible wear, bright interior, unmarked. Short, oblong hardcover format, unblemished. Bright and shiny dust jacket, illustrated, lightly worn and rubbed. No date of publication listed, but appears to be 1975. Illustrated endpapers front and rear, gray linen cloth over boards, black lettering to front cover and spine. 64 illustrations, 11 being in full color. Unpaginated, but with roughly 60 pp. and including a full set of notes, bibliography and index.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

First Edition. First edition. Softcover. 160 pages. Features text by Paolozzi and Malcolm McLeod and Dawn Ades. Includes 48 color and 150 black and white illustrations. A near fine copy in wrappers with some very minute wear. Internally a clean copy.

1st edition. Fine paperback copy. Particularly well-preserved; tight, bright and clean. Provenance: Bookplate of Tony and Tania Webster. Physical description: 80 pages : illustrations, portraits ; 30 cm. Notes: Includes bibliographical references. Subjects: Paolozzi, Eduardo 1924-2005; National Galleries of Scotland (Edinburgh) (Perm.)1900-1999; Sculptors Italy 20th century; Sculptors Scotland 20th century; Scottish National Gallery of Modern Art (Edinburgh); Paolozzi Eduardo British sculpture; Paolozzi Eduardo British printmaking. 1 Kg.

Condition: Gut. 93 SS. mit vielen Abbildungen. Katalog der gleichnamigen Ausstellung. - Vortitel mit kleinem Stempel (Nachlass Dr. Klaus Vierneisel, Archäologe), sonst gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 550 Fol., Illustrierte Original-Broschur.

Soft cover. Condition: Very Good -. First Edition. 1976. 28pp. B&W images. This book was published to coincide with the exhibit at the Scottish Arts Council, Fruit Market Gallery (5 June - 3 July, 1976). Book has light soiling to covers, and shelf wear to corners and spine ends. No inscriptions.

Softcover. XXXVI Seiten with many pictures. Green Softcover. 31 x 25 cm. Spine and cover sheets with small missing parts, inside clean. Good copy. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! K01000-208555.

Soft cover. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket. First Edition. 48 pages. Top cover show a couple of small and light smudges. Volume is otherwise Fine.

Soft cover. Condition: Very Good. 1st Edition. Book is in very good condition. 54pp with colour photographs and illustrations.

Original Wraps. Condition: Very Good. Dust Jacket Condition: Very Good. Michael Foreman, Laura Knight et al (illustrator). First Edition. Ambit Number 126, published in 1991. Illustrated throughout in monochrome. ***Very good in textured card monochrome-illustrated outer wrapper over thin white card covers. The edges of the outer wrapper are slightly rubbed. The top corner of the page block is slightly creased. No tears. Internally also very good with no inscriptions. Pages clean. Spine tight. ***244mm x 176mm. 96 pages. ***Contents: Jim Burns: Poems; Justine Rivers: Skin; Robert MacAulay; Judy Gahagan: Poem; John Emanuel: Drawings; Elaine Randell: Poem; Jonathan Treitel: Quest; Ken Cox: Drawings; Elaine Randell: Storm Damage; Laurie Preece: Pitures; Donal Atkinson Poems; Charles Shearer: Drawings; John Gower: Lillian; Mike Foreman; Edward Lowbury; Mary Knight: The Girl with the Unicorn; David Remfry; Herbert Lomas: Reviews; Florence Elon: From Frieda & William; Pop Art Retrospective from Ambit: Hockney / Paolozzi / Caulfield / Donaldson / Jones / Blake / Anuand / Donaldson; Joel Lane: The Death of the Witness; Laura Knight; Jeff Nuttall: Eyes IV; Jacqueline Lucas: Poems; William Hampton: To a Man Who Became a Storyteller; Ann Born / Vernon Scannell: Reviews; Duncan Chambers: Poems; Eric Mathieson: Reviews; Robert Magowan: Looking for Binoculars; Kevin Crossley-Holland: Poem. ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting. (Martin Bax interview with 3:AM magazine) ***An early 90s edition of the magazine in very nice, collectable condition. Of interest to collectors of AMBIT and poetry magazines in general. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.

Paperback. Condition: Near Fine. 1st Edition. Stapled wraps. Approx. 20 pp. Exhibition catalogue illustrated in b/w with cover illustration in colour. Text in English. 8vo.

Softcover. Condition: Gut bis sehr gut. Ohne Schutzumschlag. 1. Auflage. 163 pages with many illustrations,partly coloured.

Soft cover. Condition: As New. 1st Edition. Uninscrbed. No wear.

Hardcover. Condition: Fine. Dust Jacket Condition: VG+. 1st Edition. Black cloth, lettered in white, square format. As issued. Color illus. dust jacket shows minor rubbing along edges, small chip along bottom rear edge, 1 1/2" closed tear at upper rear flap fold, now in mylar. 144 pp., 16 color plates, 70+ b&w illus. 1st ed. Size: 8vo - over 7¾" - 9¾" tall. Book.

Paperback. Condition: Very Good+. First Edition Thus. 10 pages; Paris: Very Good+. 1960. First Edition Thus. 10 pages; Clean and secure in original orange and white stiff wrappers. Off print from the periodical Cimaise, pp 114-132, No.50, Oct. -Nov. -Dec. 1960. Text in English, French, Spanish, German. Five b/w illustrations. Sir Eduardo Luigi Paolozzi (1924 - 2005) was a Scottish artist, known for his sculpture and graphic works. He is widely considered to be one of the pioneers of pop art. .; Art and Art History, Most Recent Listing, Most Recent Listing.

Soft cover. Condition: Very Good. Eduardo Paolozzi (illustrator). First Edition. 1989. 52pp.B&W and colour images. Produced to coincide with the exhibition at the Talbot Rice Gallery 1 April - 20 May, 1989. Essay by Andrew Patrizio. Slight browning to page edges. Otherwise in excellent condition with no inscriptions.

Hardcover. Condition: Very good +. First Edition. WORKS ON PAPER: Barnaby Furnas, Jim Nutt, Eduardo Paolozzi with essay by Thomas Crow and Matthew Israel. Good selection of works reproduced from each artist. Nice group of JIm Nutt portraits. 64 pages. Hardcover. Very good + condition.

Soft cover. Condition: Near Fine. No Jacket. 1st Edition. Catalogue.

First edition, first printing. Mostly German text with captions to illustrations in English.Near fine paperback exhibition catalogue, covered in plastic.

Softcover/Paperback. Condition: Fine. First Edition. Exhibition catalogue. 'Paolozzi as a Portrait Sculptor' by Robin Spencer. Drawings, sculptures, collages, all portraits, most head and shoulders; 'The highest praise I can possibly give to Paolozzi is to say that if the entire 20th century were to vanish in some huge calamity, it would be possible to reconstitute a large part of it from his sculptures and screenprints' J.G. Ballard Pictorial wrappers. Fine. book.

Softcover/Paperback. Condition: Very Good. First Edition. Exhibition catalogue for a touring exhibition through England, Scotland and Wales. Essays by Frank Whitford, Robin Spencer, Wieland Schmied, Paolozzi's 'The Iconography of the Present' and an intrerview between Richard Hamilton and Paolozzi; 60+ reproductions, 128pp. Pictorial wrappers. Very good. book.

Paperback. Condition: Very Good. First edition. 8vo. Original card covers. Documentation, essays by Daniel Herrmann, Robin Spencer, Richard Cork, Colin St.John Wilson. Colour and b/w plates.

Paperback. Condition: Very Good. First edition. 4to. Original card covers. essay by Frank Whitford, monochrome plates, 17 item catalogue.

Soft cover. Condition: Near Fine. Eduardo Paolozzi (illustrator). First Edition. 1999. 80pp. Colour and B&W illustrations. Eduardo Paolozzi is a major figure in postwar British art: a father of pop art, a creator of key icons of the nuclear age, a brilliant manipulator of the images produced by the media, an iconoclast and traditionalist, an outsider and academician. This copiously illustrated book, produced on the occasion of the opening of the Dean Gallery in Edinburgh, celebrates the artist's generous gift of work to the National Galleries of Scotland. It provides a chronological survey of Paolozzi's career and artistic development and is an indispensable guide to his work. Excellent condition with no inscriptions.

Soft cover. Condition: Very Good. 1st Edition.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran January 8 through February 2, 1966. Attractive catalog with white, pink, yellow and green paper. Features black and white illustrations, a checklist, and biographical information. A very good copy in die-cute stapled wrappers with some light wear and from the library of the Marlborough Gallery with their marks. Still, a nice copy with an interesting provenance.

Soft cover. Condition: Near Fine. 1st Edition. Title - Eduardo Paolozzi - Recurring themes / Author - Robin Spencer / Publisher - Trefoil books / Year - 1984 / Language - English / Binding - Softcover / Size - 24 x 22,5 cm / Pages - 144 / ISBN - 086294063x.