Scale Space Theory Computer Vision by Lindeberg Tony (31 results)

Hardcover. Condition: Très bon. Ancien livre de bibliothèque. Edition 1993. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 1993. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Condition: Very Good. Image shows actual book for sale. Book Condition: Very Good; firm binding; contents very good. No Dust Jacket. Hard Cover Springer 1993 Computing Mathematics.

Paperback. Condition: new. Paperback. We perceive objects in the world as having structures at both coarse and fine scales. A tree, for instance, may appear as having a roughly round or cylindrical shape when seen from a distance, even though it is built up from a large number of branches. At a closer look, individual leaves become visible, and we can observe that they in turn have texture at an even finer scale. The fact that objects in the world appear in different ways, depending upon the scale of observation, has important implications when analyzing measured data, such as images, with automatic methods. Scale-Space Theory in Computer Vision describes a formal framework, called scale-space representation, for handling the notion of scale in image data. It gives an introduction to the general foundations of the theory and shows how it applies to essential problems in computer vision such as computation of image features and cues to surface shape. The subjects range from mathematical underpinning to practical computational techniques. The power of the methodology is illustrated by a rich set of examples. The problem of scale pervades both the natural sciences and the viA sual arts. The earliest scientific discussions concentrate on visual perA ception (much like today!) and occur in Euclid's (c. 300 B. C. ) Optics and Lucretius' (c. 100-55 B. C. ) On the Nature of the Universe. A very clear account in the spirit of modern "scale-space theory" is presented by Boscovitz (in 1758), with wide ranging applications to mathematA ics, physics and geography. Early applications occur in the cartographic problem of "generalization", the central idea being that a map in order to be useful has to be a "generalized" (coarse grained) representation of the actual terrain (Miller and Voskuil 1964). Broadening the scope asks for progressive summarizing. Very much the same problem occurs in the (realistic) artistic rendering of scenes. Artistic generalization has been analyzed in surprising detail by John Ruskin (in his Modern Painters), who even describes some of the more intricate generic "scale-space sinA gularities" in detail: Where the ancients considered only the merging of blobs under blurring, Ruskin discusses the case where a blob splits off another one when the resolution is decreased, a case that has given rise to confusion even in the modern literat Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Condition: New.

Hardcover. Condition: new. Hardcover. We perceive objects in the world as having structures at both coarse and fine scales. A tree, for instance, may appear as having a roughly round or cylindrical shape when seen from a distance, even though it is built up from a large number of branches. At a closer look, individual leaves become visible, and we can observe that they in turn have texture at an even finer scale. The fact that objects in the world appear in diffrent ways, depending upon the scale of observation, has important implications when analyzing measured data, such as images, with automatic methods. This work describes a formal framework, called "scale-space representation", for handling the notion of scale in image data. It gives an introduction to the general foundations of the theory and shows how it applies to essential problems in computer vision such as computation of image features and cues to surface shape. The subjects range from mathematical underpinning to practical computational techniques. The power of the methodology is illustrated by a set of examples. The fact that objects in the world appear in different ways has important implications when analyzing measured data, such as images, with automatic methods. This work describes a formal framework, called scale-space representation, for handling the notion of scale in image data. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Condition: New. In.

Condition: New. In.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Gebunden. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 440.

Condition: New. The fact that objects in the world appear in different ways has important implications when analyzing measured data, such as images, with automatic methods. This work describes a formal framework, called scale-space representation, for handling the notion of scale in image data. Series: The Springer International Series in Engineering and Computer Science. Num Pages: 424 pages, biography. BIC Classification: UYQV. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 234 x 156 x 25. Weight in Grams: 796. . 1993. Hardback. . . . .

Buch. Condition: Neu. Neuware -The problem of scale pervades both the natural sciences and the vi sual arts. The earliest scientific discussions concentrate on visual per ception (much like today!) and occur in Euclid's (c. 300 B. C. ) Optics and Lucretius' (c. 100-55 B. C. ) On the Nature of the Universe. A very clear account in the spirit of modern 'scale-space theory' is presented by Boscovitz (in 1758), with wide ranging applications to mathemat ics, physics and geography. Early applications occur in the cartographic problem of 'generalization', the central idea being that a map in order to be useful has to be a 'generalized' (coarse grained) representation of the actual terrain (Miller and Voskuil 1964). Broadening the scope asks for progressive summarizing. Very much the same problem occurs in the (realistic) artistic rendering of scenes. Artistic generalization has been analyzed in surprising detail by John Ruskin (in his Modern Painters), who even describes some of the more intricate generic 'scale-spacesin gularities' in detail: Where the ancients considered only the merging of blobs under blurring, Ruskin discusses the case where a blob splits off another one when the resolution is decreased, a case that has given rise to confusion even in the modern literature.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 444 pp. Englisch.

Taschenbuch. Condition: Neu. Neuware -The problem of scale pervades both the natural sciences and the vi sual arts. The earliest scientific discussions concentrate on visual per ception (much like today!) and occur in Euclid's (c. 300 B. C. ) Optics and Lucretius' (c. 100-55 B. C. ) On the Nature of the Universe. A very clear account in the spirit of modern 'scale-space theory' is presented by Boscovitz (in 1758), with wide ranging applications to mathemat ics, physics and geography. Early applications occur in the cartographic problem of 'generalization', the central idea being that a map in order to be useful has to be a 'generalized' (coarse grained) representation of the actual terrain (Miller and Voskuil 1964). Broadening the scope asks for progressive summarizing. Very much the same problem occurs in the (realistic) artistic rendering of scenes. Artistic generalization has been analyzed in surprising detail by John Ruskin (in his Modern Painters), who even describes some of the more intricate generic 'scale-spacesin gularities' in detail: Where the ancients considered only the merging of blobs under blurring, Ruskin discusses the case where a blob splits off another one when the resolution is decreased, a case that has given rise to confusion even in the modern literature.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 444 pp. Englisch.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - The problem of scale pervades both the natural sciences and the vi sual arts. The earliest scientific discussions concentrate on visual per ception (much like today!) and occur in Euclid's (c. 300 B. C. ) Optics and Lucretius' (c. 100-55 B. C. ) On the Nature of the Universe. A very clear account in the spirit of modern 'scale-space theory' is presented by Boscovitz (in 1758), with wide ranging applications to mathemat ics, physics and geography. Early applications occur in the cartographic problem of 'generalization', the central idea being that a map in order to be useful has to be a 'generalized' (coarse grained) representation of the actual terrain (Miller and Voskuil 1964). Broadening the scope asks for progressive summarizing. Very much the same problem occurs in the (realistic) artistic rendering of scenes. Artistic generalization has been analyzed in surprising detail by John Ruskin (in his Modern Painters), who even describes some of the more intricate generic 'scale-spacesin gularities' in detail: Where the ancients considered only the merging of blobs under blurring, Ruskin discusses the case where a blob splits off another one when the resolution is decreased, a case that has given rise to confusion even in the modern literature.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - The problem of scale pervades both the natural sciences and the vi sual arts. The earliest scientific discussions concentrate on visual per ception (much like today!) and occur in Euclid's (c. 300 B. C. ) Optics and Lucretius' (c. 100-55 B. C. ) On the Nature of the Universe. A very clear account in the spirit of modern 'scale-space theory' is presented by Boscovitz (in 1758), with wide ranging applications to mathemat ics, physics and geography. Early applications occur in the cartographic problem of 'generalization', the central idea being that a map in order to be useful has to be a 'generalized' (coarse grained) representation of the actual terrain (Miller and Voskuil 1964). Broadening the scope asks for progressive summarizing. Very much the same problem occurs in the (realistic) artistic rendering of scenes. Artistic generalization has been analyzed in surprising detail by John Ruskin (in his Modern Painters), who even describes some of the more intricate generic 'scale-spacesin gularities' in detail: Where the ancients considered only the merging of blobs under blurring, Ruskin discusses the case where a blob splits off another one when the resolution is decreased, a case that has given rise to confusion even in the modern literature.

Paperback. Condition: Brand New. 444 pages. 9.00x6.00x1.00 inches. In Stock.

Paperback. Condition: Like New. Like New. book.

Condition: New. The fact that objects in the world appear in different ways has important implications when analyzing measured data, such as images, with automatic methods. This work describes a formal framework, called scale-space representation, for handling the notion of scale in image data. Series: The Springer International Series in Engineering and Computer Science. Num Pages: 424 pages, biography. BIC Classification: UYQV. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 234 x 156 x 25. Weight in Grams: 796. . 1993. Hardback. . . . . Books ship from the US and Ireland.

Paperback. Condition: new. Paperback. We perceive objects in the world as having structures at both coarse and fine scales. A tree, for instance, may appear as having a roughly round or cylindrical shape when seen from a distance, even though it is built up from a large number of branches. At a closer look, individual leaves become visible, and we can observe that they in turn have texture at an even finer scale. The fact that objects in the world appear in different ways, depending upon the scale of observation, has important implications when analyzing measured data, such as images, with automatic methods. Scale-Space Theory in Computer Vision describes a formal framework, called scale-space representation, for handling the notion of scale in image data. It gives an introduction to the general foundations of the theory and shows how it applies to essential problems in computer vision such as computation of image features and cues to surface shape. The subjects range from mathematical underpinning to practical computational techniques. The power of the methodology is illustrated by a rich set of examples. The problem of scale pervades both the natural sciences and the viA sual arts. The earliest scientific discussions concentrate on visual perA ception (much like today!) and occur in Euclid's (c. 300 B. C. ) Optics and Lucretius' (c. 100-55 B. C. ) On the Nature of the Universe. A very clear account in the spirit of modern "scale-space theory" is presented by Boscovitz (in 1758), with wide ranging applications to mathematA ics, physics and geography. Early applications occur in the cartographic problem of "generalization", the central idea being that a map in order to be useful has to be a "generalized" (coarse grained) representation of the actual terrain (Miller and Voskuil 1964). Broadening the scope asks for progressive summarizing. Very much the same problem occurs in the (realistic) artistic rendering of scenes. Artistic generalization has been analyzed in surprising detail by John Ruskin (in his Modern Painters), who even describes some of the more intricate generic "scale-space sinA gularities" in detail: Where the ancients considered only the merging of blobs under blurring, Ruskin discusses the case where a blob splits off another one when the resolution is decreased, a case that has given rise to confusion even in the modern literat Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condition: new. Hardcover. We perceive objects in the world as having structures at both coarse and fine scales. A tree, for instance, may appear as having a roughly round or cylindrical shape when seen from a distance, even though it is built up from a large number of branches. At a closer look, individual leaves become visible, and we can observe that they in turn have texture at an even finer scale. The fact that objects in the world appear in diffrent ways, depending upon the scale of observation, has important implications when analyzing measured data, such as images, with automatic methods. This work describes a formal framework, called "scale-space representation", for handling the notion of scale in image data. It gives an introduction to the general foundations of the theory and shows how it applies to essential problems in computer vision such as computation of image features and cues to surface shape. The subjects range from mathematical underpinning to practical computational techniques. The power of the methodology is illustrated by a set of examples. The fact that objects in the world appear in different ways has important implications when analyzing measured data, such as images, with automatic methods. This work describes a formal framework, called scale-space representation, for handling the notion of scale in image data. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The problem of scale pervades both the natural sciences and the vi sual arts. The earliest scientific discussions concentrate on visual per ception (much like today!) and occur in Euclid's (c. 300 B. C. ) Optics and Lucretius' (c. 100-55 B. C. ) On the Nature of the Universe. A very clear account in the spirit of modern 'scale-space theory' is presented by Boscovitz (in 1758), with wide ranging applications to mathemat ics, physics and geography. Early applications occur in the cartographic problem of 'generalization', the central idea being that a map in order to be useful has to be a 'generalized' (coarse grained) representation of the actual terrain (Miller and Voskuil 1964). Broadening the scope asks for progressive summarizing. Very much the same problem occurs in the (realistic) artistic rendering of scenes. Artistic generalization has been analyzed in surprising detail by John Ruskin (in his Modern Painters), who even describes some of the more intricate generic 'scale-spacesin gularities' in detail: Where the ancients considered only the merging of blobs under blurring, Ruskin discusses the case where a blob splits off another one when the resolution is decreased, a case that has given rise to confusion even in the modern literature. 444 pp. Englisch.

Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The problem of scale pervades both the natural sciences and the vi sual arts. The earliest scientific discussions concentrate on visual per ception (much like today!) and occur in Euclid's (c. 300 B. C. ) Optics and Lucretius' (c. 100-55 B. C. ) On the Nature of the Universe. A very clear account in the spirit of modern 'scale-space theory' is presented by Boscovitz (in 1758), with wide ranging applications to mathemat ics, physics and geography. Early applications occur in the cartographic problem of 'generalization', the central idea being that a map in order to be useful has to be a 'generalized' (coarse grained) representation of the actual terrain (Miller and Voskuil 1964). Broadening the scope asks for progressive summarizing. Very much the same problem occurs in the (realistic) artistic rendering of scenes. Artistic generalization has been analyzed in surprising detail by John Ruskin (in his Modern Painters), who even describes some of the more intricate generic 'scale-spacesin gularities' in detail: Where the ancients considered only the merging of blobs under blurring, Ruskin discusses the case where a blob splits off another one when the resolution is decreased, a case that has given rise to confusion even in the modern literature. 444 pp. Englisch.

Buch. Condition: Neu. Scale-Space Theory in Computer Vision | Tony Lindeberg | Buch | xii | Englisch | 1993 | Springer US | EAN 9780792394181 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu Print on Demand.

Condition: New. Print on Demand pp. 440 49:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Gloss Lam.