Venini, First Edition (55 results)

Hardcover. Condition: Fine. Color Illustrations Throughout (illustrator). 1st Edition. 52 P. Undated, Circa 2002?

Hardcover. Condition: Fine. Color Illustrations Throughout (illustrator). 1st Edition. 24 Pp. Fine.

Hardcover. Condition: Fine. Color Illustrations Throughout (illustrator). 1st Edition. 36 Pp. Fine.

Hardcover. Condition: Fine. Color Illustrations Throughout (illustrator). 1st Edition. 24 Pp. Fine.

Hardcover. Condition: Fine. Color Illustrations Throughout (illustrator). 1st Edition. 24 Pp. Fine.

Hardcover. Condition: Fine. Color Illustrations Throughout (illustrator). 1st Edition. 24 Pp. Undated, Circa 1996? Fine.

Hardcover. Condition: Fine. Color Illustrations Throughout (illustrator). 1st Edition. 24 Pp. Fine.

Soft cover. Condition: Very Good. 1st Edition. Catalogue of traveling exhibition organized by the Smithsonian Institute. Numerous color photographs. Chronology and exhibition list. A few faint creases and a few tiny spots to lower edge of cover. Inside pages are clear and bright without marks, inscriptions or fading. 48 pages. c2.

Soft cover. Condition: Fine. Color Illustrations Throughout (illustrator). 1st Edition. Square Brochure, About 100 Pp, Fine.

Soft cover. Condition: Fine. Color Illustrations Throughout (illustrator). 1st Edition. 36 Pp. Illustrated Wrappers, Exquisite Tipped In Color Plates. Fine. Scarce.

Soft cover. Condition: Fine. Color Illustrations Throughout (illustrator). 1st Edition. Square Brochure, About 100 Pp, Fine.

Wraps. Condition: Good +/NO DUSTJACKET. Color Photographs (illustrator). First Printing. Italy: Cermenate / Luigi Massoni Editore. Good +/NO DUSTJACKET. 1978. First Printing. Wraps. written in Italian, English, French, and German . Square 4to., Unpaginated (text block measures approx. 0.25in.), cover light shelf wear to edges and corners, rubbed spot to front cover, otherwise very good; some pages damaged at edges (previously stuck together and now lightly peeled(?)), pen note on bottom edge of one page, otherwise pages clean .

Softcover. Condition: Wie neu. 1. Auflage. As good as new - gift quality! The book block, edges and corners are perfect. Inside without name entry, without dedication, no cancellations. 261 pages in 30 x 28 cm format. I will be happy to send you more of my own photos on request. No delivery to France and Austria. Cross-border shipping costs may vary.

Condition: Near Fine. First edition (softcover). 4to (30cm by 21cm), 240pp. Illustrated throughout in colour. Original laminated card wrappers. This book is in very good condition. Text in Italian and English.

Hardcover. Condition: Fine. Dust Jacket Condition: Slipcase. Color Illustrations Throughout (illustrator). 1st Edition. Two Catalogs, Venini Artglass 2003 (Hardcover, 198 Pp., Inscribed From Antonella Paron Of Venini Mgmt.) And Also Venini Artglass 2003 (Softcover, 50 Pp) In Black Slipcase. Both Fine. Inscribed by Author(s).

Hard Cover. Condition: Fine. Dust Jacket Condition: Near Fine. First Edition. First Edition (stated) First Printing in dust jacket, no markings, NOT ex-lib, binding tight pages bright, white-stamped black boards excellent & unbumped, jacket shows only slight wear to rear panel edges with small closed tear top front panel at spine fold, else Fine (dj in mylar protector); 4to; 320pp indexed & illus. Extra shipping charge REQUIRED for shipment of this heavy oversize book (additional charge WILL BE SUBSTANTIAL for expedited or overseas shipment).

Soft cover. Condition: Fine. Dust Jacket Condition: Box. Color Illustrations Throughout (illustrator). 1st Edition. #2138 Of 4000 Copies Of A Limited Edition. Black Cloth, Gilt, Cover Illustration, Black Patterned Endpapers And Matching Black Patterned Clamshell Box. Inscription From Antonella Paron Of The Firmvenini, And Her Gift Card, On Half Title. Fine In Fine Box, Faint Black Discoloration Around Small Area Of Upper Front Edge Of Box.

Condition: New. 2019. 01st Edition. Hardcover. . . . . .

Condition: New. 2017. 01st Edition. Hardcover. . . . . .

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. First US edition. A fine copy in a near fine DJ protected in removable mylar cover. See my photos of the book you will receive, not stock photos. More available upon request. This book is in my possession and will be packed in bubble wrap and shipped in a cardboard box. USPS tracking provided. #139.

Volume: 1 20x21 cm., in brossura, pp. 119 (1), illustrazioni in nero nel testo e 63 tavole a colori, prima edizione, in italiano, buone condizioni.

Brossura. Condition: nuovo. Dust Jacket Condition: nuovo. prima edizione. TAPIO WIRKKALA AT VENINI,Edited by Marino Barovier et Carla Sonego.Milano 2021 Catalogue Exhibition Language : English text - Codice articolo 013095 - Coll. Garage 1 : Settore Murano.

Couverture souple. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. THomas Stearns at Venini,edited by Marino Barovier and Carla Sonego.Milano 2019 pages 338 ills. Paperback -language : english text codice articolo 011794.

Couverture souple. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. Number: 137737 Title: FULVIO BIANCONI at Venini Author: Barovier, Marina (ed) Price: = eur 150,00.- ISBN: 9788857230078 Description: Milano: Skira, 2105. 30cm., paperback, 512pp., 1800 color illus. Exhibition held at Le Stanze del Vetro, Venezia. Summary: A prolific graphic artist and designer, Bianconi began working with Venini after the Second World War, designing models with extravagant forms, characterised by a powerful use of colour. Some of his works capture the enthusiasm of the ?fabulous? 1950s and have become an icon of the art of Murano glass for that period. Language : English text.

Hardcover. Condition: VG+. Dust Jacket Condition: VG+. First Edition. Produced for an exhibition on the Isola di San Giorgio Maggiore in Venice, white boards in Very Good +condition, 44 pages in a Very Good + dj with one tiny closed tear at foot of spine. Heavily illustrated; texts in English. Heavy book may require additional shipping charge.

Couverture souple. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. Venice, Island of San Giorgio Maggiore September 8th ? December 1st, 2013 The exhibition Napoleone Martinuzzi. Venini 1925-1931, curated by Marino Barovier, will open to the public on the island of San Giorgio Maggiore in Venice on September 8th, 2013. It is the second exhibition dedicated to the history of the Venini glassware company promoted by Le Stanze del Vetro, a long-term cultural initiative launched by Fondazione Giorgio Cini and Pentagram Stiftung, devoted to the study and the promotion of the art of glassmaking in the twentieth century. Le Stanze del Vetro envisages, among its many cultural activities, ten exhibitions, taking place on a yearly basis, focussing on Venini, whose production represents a landmark in 20th-century artistic glass manufacturing. Each monographic exhibition will present the work of one of the artists who over the years collaborated with the glassware company from Murano. Each exhibition will be accompanied by a catalogue that will form, at the end of the long-term program, the catalogue raisonné of the Venini production. The exhibition space for Le Stanze del Vetro was designed last year by Annabelle Selldorf Architects of New York. Annabelle Selldorf Architects specialize in the design of exhibition spaces and museums, and have decided to collaborate with some of the most important Venetian craftsmen, namely Augusto Capovilla and Gino Zanon, two family-run companies that represent local excellence in various fields. As in the case of the exhibition Carlo Scarpa. Venini 1932-1947 - which opened on the Island of San Giorgio last August and will open at the Metropolitan Museum of Contemporary Art in New York next November (November 5, 2013-March 2, 2014) ? this exhibition, dedicated to Napoleone Martinuzzi, is made possible thanks to thorough research by Marino Barovier and a group of scholars on the history of the Murano glass-making company and on the important designers who contributed to making it renowned throughout the world. Through the analysis and cross-checking of various documentary sources (photos, catalogues, furnace drawings) and their comparison with the real objects provided by museums, public and private institutions, Italian and foreign collectors, a comprehensive review was made of the glass objects designed by Napoleone Martinuzzi between 1925 and 1931, when he was the Art Director of Venini. During the period of his collaboration with Paolo Venini, Martinuzzi designed beautiful objects whose shapes are inspired by classical design, but through the use of innovative techniques and of glass paste. The exhibition Napoleone Martinuzzi. Venini 1925 ? 1931 traces his whole production chronologically: from the elegant transparent blown glass to the works with an unprecedented opaque texture, from the experimentations with pulegoso glass (a semi-opaque or translucent glass with a rough surface due to tiny bubbles that form by using special ingredients) to pieces with intense and compact colours. There are about 200 works on display, covering the most significant glass production of the ingenious sculptor from Murano. Many of these works were presented at the Venice Biennale between 1926 and 1930, and at the great exhibitions of decorative arts, in particular the Biennale and the Triennale in Monza. 1930 was an important year in the history of Venini: thanks to Martinuzzi?s talent, the Venini production was noted for the singular richness of the works shown at these great exhibitions. The classical transparent glass pieces were presented, along with a collection of pulegoso glass with an archaic flavour, the striking aquariums together with the brightly coloured velato vases, the cacti together with a colourful bestiary. The exhibition also delves into the bond between Martinuzzi and the poet Gabriele D'Annunzio, who commissioned the Murano artist to make not only sculptures but works of glass too. To illustrate this particular bond and the artistic vision .ills.in color.

Hardcovers. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. Two tall quarto volumes in aqua boards in dust-jackets, slipcased. Volume I has 259 pages with historical photos, diagrams & other images and contains chapters on "the artists", "Techniques", The Blue, Green and Red Catalogues, "Lighting" and historical essays. Volume II is unpaginated but offers 385 full-color plates, many full-page. Both books & their jackets in excellent condition, appearing unread. Volume I does have a small abrasion to the front pastedown & a 1/4 inch closed tear to jacket at foot of spine. Both volumes show sunning to the jacket spines. Slipcase is sturdy but with rather heavy sunning on one side at the bottom 7 some rubbing to edges. A magnificent achievement.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. Color Illustrations Throughout (illustrator). 1st Edition. 320 Pp. Black Cloth. First Edition Stated. Inscribed By Santillana And Mentasti. Fine In Near Fine Dust Jacket. Inscribed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Color Illustrations Throughout (illustrator). 1st Edition. Green Boards. Two Volumes, Text Volume And Plate Volume. Both Volumes Fine In Fine Dust Jackets, Slipcase Fine Except Slight Fading At Edges. International Shipment Very Expensive, $100+.

Rilegato. Condition: nuovo. Dust Jacket Condition: nuovo. prima edizione. Venini Glass. Its History, Artists and Techniques. Catalogue 1921-2007. Deboni, Franco Editore: Umberto Allemandi (2007) ISBN 10: 8842215244 ISBN 13: 9788842215240 Nuovi/Rilegati Quantità: 1 Prezzo: EUR 325,00 Descrizione libro: Umberto Allemandi, 2007. Condizione libro: new. English text. Preface by Pierre Rosenberg. Torino, 2007; 2 voll., clothbound in a case, pp. 512, b/w col. ill., 385 col. plates, cm 25x34. (Archivi di Arti Decorative). The enormous success enjoyed by Venini design helped arouse international interest in Venetian glass. New techniques and models, impossible to imitate, contributed to the evolution of the decorative arts from the rank of crafts to that of art and placed Venini artworks among the highest artistic expressions of our times One of the most important changes during the 20th century was the evolution of the decorative arts from the rank of crafts to that of art: glass, today, has duly earned its place in museums, markets and the public opinion. The extraordinary inventiveness between the end of the 1940s and throughout the 1950s, together with the enormous success enjoyed by Venini design, helped arouse international interest in Venetian glass.New techniques, impossible to imitate, risked consigning the firm's earlier production (from 1925 to the Second World War) undeservingly to the shadows while they placed Venini artworks among the highest artistic expressions of our times.The much awaited reprint of the last edition of the catalogue raisonné has been enlarged with a section on lighting (lamps and chandeliers), a Dictionary of artists, the Red Catalogue, the Green Catalogue and the extended Blue Catalogue (doubled compared to the earlier edition). These three catalogues contain all the reproductions of Venini items as distributed in shops; the most important pieces are grouped together on a scale of 1:10, in chronological order, accompanied by notes on the technique and materials used (blown, pulegosi, pietra dura, in corpo, flowers and fruit, lattimi, a mezza filigrana, a bollicine, sommersi, pesanti, diamante, corrosi, frames, a treccia, clocks, a rilievi, handles and ash trays). Since these catalogues are not for sale, they have become extremely rare, but indispensable for the historical and technical information they contain.Language : English text - Coll. Bibl.Jardin : settore Murano.