Published by Oxford University Press, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Published by Oxford University Press, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: Bellwetherbooks, McKeesport, PA, U.S.A.
hardcover. Condition: Good. Crease/tear to cover.
Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Published by Oxford University Press, Incorporated, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: Better World Books, Mishawaka, IN, U.S.A.
First Edition
Condition: Very Good. 1ST. Used book that is in excellent condition. May show signs of wear or have minor defects.
Published by Oxford University Press, Incorporated, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: Better World Books, Mishawaka, IN, U.S.A.
First Edition
Condition: Good. 1ST. Used book that is in clean, average condition without any missing pages.
Published by Oxford University Press, Incorporated, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: Better World Books, Mishawaka, IN, U.S.A.
First Edition
Condition: Very Good. 1ST. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Published by Oxford University Press, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: HPB-Emerald, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Published by Oxford University Press, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: Library House Internet Sales, Grand Rapids, OH, U.S.A.
Hardcover. Condition: Good. No Jacket. Why Jazz? is a Q&A handbook for novice listeners, a concise history of jazz's major figures and trends, and a plain-English guide to many musical techniques. As in his jazz reviews for NPR's Fresh Air, Whitehead packs a lot of information into compact, accessible prose. Former library book. Mylar protector included. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Ex-Library.
Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.
Published by Oxford University Press, USA, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Condition: New. 2011. 1ST. Hardcover. New. Dust Jacket is Fine.
Published by Oxford University Press, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: Book Alley, Pasadena, CA, U.S.A.
hardcover. Condition: Very Good. Dust Jacket Condition: good. A very good hardcover in a good dust jacket. Publisher's remainder mark to dust jacket bar code. No markings.
Published by Oxford University Press, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Published by Oxford University Press, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Published by Oxford University Press, USA 1/3/2011, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Hardback or Cased Book. Condition: New. Why Jazz?: A Concise Guide. Book.
Published by Oxford University Press, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: Lakeside Books, Benton Harbor, MI, U.S.A.
Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!
Published by Oxford University Press, USA, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: Antiquariat-Fischer - Preise inkl. MWST, Freiburg, Germany
Pappeinband. Condition: Gut. gut erhalten 3-38/39 Sprache: Englisch Gewicht in Gramm: 211.
Published by Oxford University Press, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Published by Oxford University Press, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: California Books, Miami, FL, U.S.A.
Condition: New.
Published by Oxford University Press, USA, New York, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. What was the first jazz record? Are jazz solos really improvised? How did jazz lay the groundwork for rock and country music? In Why Jazz, author and NPR jazz critic Kevin Whitehead provides lively, insightful answers to these and many other fascinating questions, offering an entertaining guide for both novice listeners and long-time fans. Organized chronologically in a convenient question and answer format, this terrific resource makes jazz accessible to a broad audience, and especially to readers who've found the music bewildering or best left to the experts. Yet Why Jazz is much more than an informative Q&A; it concisely traces the century-old history of this American and global art form, from its beginnings in New Orleans up through the current postmodern period. Whitehead provides brief profiles of the archetypal figures of jazz—from Louis Armstrong and Duke Ellington to Wynton Marsalis and John Zorn—and illuminates their contributions as musicians, performers, and composers. Also highlighted are the building blocks of the jazz sound—call and response, rhythmic contrasts, personalized performance techniques and improvisation—and discussion of how visionary musicians have reinterpreted these elements to continually redefine jazz, ushering in the swing era, bebop, cool jazz, hard bop, and the avant-garde. Along the way, Why Jazz provides helpful plain-English descriptions of musical terminology and techniques, from "blue notes" to "conducted improvising." And unlike other histories which haphazardly cover the stylistic branches of jazz that emerged after the 1960s, Why Jazz groups latter-day musical trends by decade, the better to place them in historical context. Whether read in self-contained sections or as a continuous narrative, this compact reference presents a trove of essential information that belongs on the shelf of anyone who's ever been interested in jazz. Why Jazz? is a Q&A handbook for novice listeners, a concise history of jazz's major figures and trends, and a plain-English guide to many musical techniques. As in his jazz reviews for NPR's Fresh Air, Whitehead packs a lot of information into compact, accessible prose. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Oxford University Press, Oxford, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: Abacus Bookshop, Pittsford, NY, U.S.A.
First Edition
hardcover. Condition: Fine copy in fine dust jacket. 1st. 8vo, 172 pp.
Hardcover. Condition: Brand New. 184 pages. 8.10x5.70x0.80 inches. In Stock.
Published by Oxford University Press, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
US$ 23.19
Quantity: Over 20 available
Add to basketCondition: New.
Published by Oxford University Press, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: Ria Christie Collections, Uxbridge, United Kingdom
US$ 27.52
Quantity: Over 20 available
Add to basketCondition: New. In.
Published by Oxford University Press, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
US$ 25.70
Quantity: Over 20 available
Add to basketCondition: As New. Unread book in perfect condition.
Published by Oxford University Press, USA, New York, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: CitiRetail, Stevenage, United Kingdom
Hardcover. Condition: new. Hardcover. What was the first jazz record? Are jazz solos really improvised? How did jazz lay the groundwork for rock and country music? In Why Jazz, author and NPR jazz critic Kevin Whitehead provides lively, insightful answers to these and many other fascinating questions, offering an entertaining guide for both novice listeners and long-time fans. Organized chronologically in a convenient question and answer format, this terrific resource makes jazz accessible to a broad audience, and especially to readers who've found the music bewildering or best left to the experts. Yet Why Jazz is much more than an informative Q&A; it concisely traces the century-old history of this American and global art form, from its beginnings in New Orleans up through the current postmodern period. Whitehead provides brief profiles of the archetypal figures of jazz—from Louis Armstrong and Duke Ellington to Wynton Marsalis and John Zorn—and illuminates their contributions as musicians, performers, and composers. Also highlighted are the building blocks of the jazz sound—call and response, rhythmic contrasts, personalized performance techniques and improvisation—and discussion of how visionary musicians have reinterpreted these elements to continually redefine jazz, ushering in the swing era, bebop, cool jazz, hard bop, and the avant-garde. Along the way, Why Jazz provides helpful plain-English descriptions of musical terminology and techniques, from "blue notes" to "conducted improvising." And unlike other histories which haphazardly cover the stylistic branches of jazz that emerged after the 1960s, Why Jazz groups latter-day musical trends by decade, the better to place them in historical context. Whether read in self-contained sections or as a continuous narrative, this compact reference presents a trove of essential information that belongs on the shelf of anyone who's ever been interested in jazz. Why Jazz? is a Q&A handbook for novice listeners, a concise history of jazz's major figures and trends, and a plain-English guide to many musical techniques. As in his jazz reviews for NPR's Fresh Air, Whitehead packs a lot of information into compact, accessible prose. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Published by Oxford University Press, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: BennettBooksLtd, San Diego, NV, U.S.A.
hardcover. Condition: New. In shrink wrap. Looks like an interesting title!
Published by Oxford University Press Jan 2011, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. Neuware - What was the first jazz record Are jazz solos really improvised How did jazz lay the groundwork for rock and country music In Why Jazz, author and NPR jazz critic Kevin Whitehead provides lively, insightful answers to these and many other fascinating questions, offering an entertaining guide for both novice listeners and long-time fans.Organized chronologically in a convenient question and answer format, this terrific resource makes jazz accessible to a broad audience, and especially to readers who've found the music bewildering or best left to the experts. Yet Why Jazz is much more than an informative Q&A; it concisely traces the century-old history of this American and global art form, from its beginnings in New Orleans up through the current postmodern period. Whitehead provides brief profiles of thearchetypal figures of jazz-from Louis Armstrong and Duke Ellington to Wynton Marsalis and John Zorn-and illuminates their contributions as musicians, performers, and composers. Also highlighted are the building blocks of the jazz sound-call and response, rhythmic contrasts, personalized performance techniquesand improvisation-and discussion of how visionary musicians have reinterpreted these elements to continually redefine jazz, ushering in the swing era, bebop, cool jazz, hard bop, and the avant-garde. Along the way, Why Jazz provides helpful plain-English descriptions of musical terminology and techniques, from 'blue notes' to 'conducted improvising.' And unlike other histories which haphazardly cover the stylistic branches of jazz that emerged after the 1960s, Why Jazz groupslatter-day musical trends by decade, the better to place them in historical context.Whether read in self-contained sections or as a continuous narrative, this compact reference presents a trove of essential information that belongs on the shelf of anyone who's ever been interested in jazz.
Published by Oxford University Press Inc, 2011
ISBN 10: 0199731187 ISBN 13: 9780199731183
Language: English
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
US$ 23.99
Quantity: Over 20 available
Add to basketHardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 358.