Excerpt from Margaret Armstrong and American Trade Bindings: With a Checklist of Her Designed Bindings and Covers
In 1968, if we knew a fair amount about Miss Armstrong, our knowledge of the field of designed bindings was in its infancy, and we have learned a good deal in the years that have followed. In the introduction, we try to set her work into the context of her contemporaries in the art; for some years she had very few competitors other than Alice C. Morse and Mrs. Henry Whitman. Will Bradley designed his first pamphlet cover for Harriet Monroe, The Columbian Ode, in 1893, and his first book cover in 1894 for Tom Hall, When Hearts are Trumps. Frank Hazenplug's first cover work dates from late 1894, we believe, but perhaps from early 1895. There were older artists working in the field, George Wharton Edwards and Louis J. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."synopsis" may belong to another edition of this title.
Essayist, novelist, and scholar, John Espey is Professor Emeritus of English at the University of California, Los Angeles. In 1990, Espey's "Strong Drink, Strong Language received a nomination for the National Book Critics Circle Award.
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Paperback. Condition: New. Print on Demand. This book delves into the captivating world of American trade bindings, with a special focus on the trailblazing work of Margaret Armstrong. It explores the evolution of book cover design during the late 19th and early 20th centuries, a period marked by a shift from artisan craftsmanship to the involvement of formally trained artists. The author sheds light on the pioneers of this era, including Sarah Whitman and Alice C. Morse, who, alongside Armstrong, brought a fresh perspective to the art of book covers. The narrative delves into the influences that shaped Armstrong's distinctive style, from the intricate botanical motifs of Art Nouveau to the cultural shifts of the time. It examines her innovative approach to design, including the creation of "identity tags" for authors through consistent cover elements and the use of vibrant colors and intricate detail. The book also explores the collaborative relationship between artists and publishers, highlighting the impact of commercial success on design choices and the evolving role of book covers in marketing and sales. Through meticulous research and insightful analysis, this work offers a comprehensive look at the artistry and impact of Margaret Armstrong and her contemporaries. It reveals how their innovative designs not only enhanced the aesthetic appeal of books but also played a pivotal role in shaping the identity of American literature during a transformative period. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Seller Inventory # 9781334356254_0
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # LW-9781334356254
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # LW-9781334356254
Quantity: 15 available