Softcover. 4°. Zwölf Originalhefte. 446 Seiten mit vielen einfarbigen Abbildungen und Porträts. Mit dem dazugehörigen Jahrgangs-Inhaltsverzeichnis (VIII Seiten). Sauber und gut erhalten. Weitere Rubriken: Gewerkschaftsnachrichten / GDBA - Organisationsnachrichten / Auszeichnungen / Jubiläen und Gedenktage / Todesfälle / Im Scheinwerfer / Wir gedenken unserer Großen / Bücherecke. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Ob Sonnenschein oder warmer Regen: mit einem interessanten Buch kommen Sie immer gut durch den Tag. -- Wir kaufen Ihre werthaltigen Bücher! K02129L-300704.
Published by Universum Film [UFA] / L'Alliance Cinematographique Europeenne, Berlin Paris, 1936
Manuscript / Paper Collectible
Vintage French pressbook for the 1936 German film "Flitterwochen," seen here under the alternate title "Faux Depart." A German comedy in which a honeymoon goes wrong, beginning when the wife insists on bringing her pet dog on her honeymoon. Two pages, saddle stapled, 9.5 x 12 inches. Very Good plus, with a light dampstain to one corner and a couple of mild corner creases.
Language: German
Published by Kloster St. Magdalena, Speyer,, 2004
Seller: Clerc Fremin, Steingaden, Germany
Hardcover Pappe. 168 Seiten Zustand: keine Beschädigungen, keine Eintragungen. Rücken, Ecken, Kanten sehr gut. Sprache: Deutsch Gewicht in Gramm: 650.
Publication Date: 1844
Seller: Jean-Paul TIVILLIER, MEYS, France
Émile Wattier PARIS, Boulé et Compagnie, Imprimeurs-Éditeurs [Rue Coq-Héron, 3] - 1844 - R.32x24x2 cm - Réunion de 6 numéros sous reliure; demi-percaline chagrinée bleue, dos lisse titré or; tranches mouchetées; (6), 64 et (2), 64 et (2), 64 et (2), 64 et (2), 64 et (2), 64 et (2) pages; "Rêverie" planche litographique à 3 teintes hors pagination [dessin sur acier par Émile Wattier, aquatinte de H. Berthoud]; texte sur 2 colonnes. (Collection Le Magasin Littéraire - Littérature, Histoire, Beaux-Arts, Voyages, Romans, Nouvelles, Feuilletons, extraits d'ouvrages inédits et de publications nouvelles - 4e Année - N° 37 à 42 - de Juillet à Décembre 1844 - "Douze Francs par an"). Rousseurs à la planche. Bon exemplaire. Français Revues.
Language: English
Published by Milano : Franco Maria Ricci, 1989, 1989
ISBN 10: 8821601269 ISBN 13: 9788821601262
Seller: Joseph Valles - Books, Stockbridge, GA, U.S.A.
First Edition
Hardcover. Condition: As New. Dust Jacket Condition: Fine. Limited Edition. [1st edition, 1st printing] ; Limited edition No. 4832 of 5000 (as stated on colophon) ; 301 p. (some folded) : chiefly color illustrations, maps, plans ; 30 cm. ; ISBN: 8821601269; 9788821601262 ; LC: NA9072.M55; Dewey: 711.5 ; OCLC: 23695425 ; text in Italian and English. ; Issued in Montedison-designed slipcase. ; black silk, with hand-laid paper ; photographic plate paste-down on front cover ; decorative black endpapers ; signed card of Montedison Director General Carlo Maria Columbo, laid in ; publisher Franco Maria Ricci initialled quality control card, laid in ; Design, Franco Maria Ricci, Laura Casalis; Grafica, Silvia Fois; Fotolito : Fotoincisioni Bassoli, Fotolito Storti, Milano; Stampa, Grafiche Milani ; Gruppo Ferruzzi ; "Edison was established in 1884 in Milan as a power utility. In 1966, Edison merged with Montecatini, to create Montedison"-wikipedia ; 'In 1801, Antolini was hired during the short-lived Repubblica Cisalpina to complete a massive plan for the center of Milan, a project later taken over by Napoleon and called the Foro Bonaparte. The city was designated the capital of Napoleonic Italy in 1805, and the Foro Bonaparte was part of a larger redevelopment project that consisted of cutting wide roads through the medieval center and constructing monumental government buildings and shopping areas that linked together the major neighborhoods of the city. The Foro was to be located in the area around the Castello Sforzesco.and Napoleon ordered the outer walls of the Castello to be updated with an ordered classical arrangement and a temple facade plan. Encircling this area Antolini designed 12.buildings to include a theater, museum, bathhouse and stock exchange.the plan was scaled down due to its high cost by Luigi Canonica in 1802."--Allison Lee Palmer ; Contents (English) : The publisher to the reader -- The Foro Bonaparte, a Jacobin utopia in Milan -- The first plans for the Foro Bonaparte (1801) -- La Bastiglia di Milano, un audace impresario, L'amico Sommariva -- The drawings of the Foro Bonaparte -- Designing the city : The 1801 Economic and Political Plan -- An architect for the Republic amid Doric and Freemasonry -- A man from the Romagna at the court of Pope Pius VI, The Doric comes to Faenza, The advantages of Freemasonry -- The Marengo column, A discussion with the First Consul, The schemings of the Commission -- Contrasting Pistocchi, Rectangle versus circle, A project in progress -- Enter the military, The astute Canonica, A question of money -- From project to model, The Description of the Foro Bonaparte -- Opposition to Antolini, the Letter from Citizen X to a friend -- Barabino, Canonical, Rossi : plans for the modification of the Foro Bonaparte -- Milan, Archivo Storico Civico Fin-de-siecle projects -- From utopia to bourgeoisie, Fin-de-siecle in Foro Bonaparte ; color tipped-in plates, 18 fold-out plates, several in full color ; artwork by Felice Giani, Giuseppe Camporesi, Domenico Lucchi, Hubert Robert, Feliz Albites, Alessandro Emanuele Marvuglia, Domenico Santi, Giovanni Lazarini, Fernando Bonsignore, Jacques-Louis David, Giacomo Pinchetti, Franz Hogenberg, Giovanni Battista Clarici, Arcangelo Lavelli, Adele Chavassieu d'Houdebert, Domenico Aspari, Vincenzo Magnani, Vincenzo Berenzi, Paolo Bargigli, Andrea Appiani, Luigi Rados, Giuseppe Pistocchi, Giuseppe Longhi, A.-G.-L. Boucher-Desnoyers, Luigi Canonica, Francisco Rosaspina, Luigi Cagnola, Gaspare Gallinari, Gaetano Berettini, Alois Schmid, Cesare Beruto, Pietro Gadda, Giuseppe Pirovano, Enrico Combi, Giovanni Giachi, A, Bellani, Romeo Botelli, and Luigi Montini ; a beautifully produced publication ; " (This volume is part of a special edition reserved for Montedison, and was printed in an edition of 5000 numbered copies under the direction of Franco Maria Ricci, Milan, in October 1989. The typeface used is Bodoni. The handmade paper was laid by Cartiere Miliani di Fabriano) ; fading spots to slipcase spine, else AS NEW/FINE. Book.
Language: German
Published by Vereinigte Chemische Fabriken Kreidl k.A.
Seller: Antiquarische Fundgrube e.U., Wien, Austria
Broschiert. 24 S. Einband vergilbt u. etw. bestaubt, Seiten vergilbt u. leicht stockfleckig G1000a *.* Sprache: Deutsch Gewicht in Gramm: 70.
Publication Date: 1969
Manuscript / Paper Collectible Signed
Autograph note signed from composer Adele Franz to producer Daniel Selznick. The note, executed on Franz's stationery, noting that she is delivering herewith the LP soundtrack recording for an obscure play titled, "Long Time Between Loves," along with a script for same. Included is a photostat of Selznick's detailed response, in which he mentions his favorite songs on the record, noting that it has "the primitive charm of French cabaret music." Adele Franz worked most notably as an actress under the name Adele Longmire, and is best known for her roles in "Battle Circus" (1953) and the film noir, "The Turning Point" (1952). Daniel Selznick, the son of David O. Selznick, is best known as a producer for films such as Peter Bogdanovich's "Targets" (1968) and various documentaries about Hollywood. His association with his father allowed him many opportunities to meet and correspond with numerous actors, actresses, and directors of note. Note: 5 x 4 inches. Bonded stationery stock, Near Fine. Photostat letter: 8.5 x 11 inches. Signed.
Language: German
Published by Wien, Vereinigte Chemische Fabriken Kreidl, Heller & Co o.J. um 1940., 1940
Seller: Antiquariat Deinbacher, Murstetten, Austria
First Edition
8° , Softcover/Paperback. 1.Auflage,. 52 Seiten. Einband etwas berieben, innen guter und sauberer Zustand Sprache: Deutsch Gewicht in Gramm: 110.
Condition: Very good plus. First Edition. First edition of this beautiful silhouette picture book by a young student of Viennese juvenile art theorist and pedagogue Franz Cizek, with Cizek's own introduction describing his famous classes for children ages 6-15. 10'' x 13''. Original pictorial boards with maroon cloth spine. Decorative endpapers. Wiener Jugendkunst-Bilderbücher 4. Text in German. Verses and illustrations by Bailer. [16] pages. Light wear and bumping to boards with a few scuffs and faint traces of soil. Pages lightly toned.
Language: German
Published by Leipzig, Ferdinand Hirt & Sohn,, 1924
Leipzig, Ferdinand Hirt & Sohn, (1924). 15 S., davon 6 Scherenschnitt-Taf. in Braun- bzw. Schwarzdruck. (= Wiener Jugendkunst-Bilderbücher, 4). Quer-4to (ca. 16 x 33 cm). OHLn. mit VDeckel-Illustr. u. gemusterten Vors. Franz Cizek (1865-1946), österreichischer Maler u. Kunstpädagoge, förderte in seiner Mal- u. Zeichenschule als erster die freie Entfaltung der spontanen künstlerischen Aktivität der Kinder. Seine Schule wurde 1897 staatlich anerkannt, 1906 als Versuchsschule in die Kunstgewerbeschule eingegliedert (Ernennung zum Professor), ab 1910 als Sonderkurs für Jugendkunst geführt. Cizek nahm starken Einfluß auf die Entwicklung der Kunsterziehung u. gewann besonders in England u. Amerika viele Anhänger AEIOU Österreich-Lex.). Die Illustratorin A. Bailer (auch: Beiler, 1905-1937) war Schülerin der "Jugendkunst-Klasse" der Kunstgewerbeschule des Österreichischen Museums für Kunst u. Industrie in Wien, die unter dem Wahlspruch "Die Jugend für die Jugend" Bilderbücher nach selbsterfundenen Texten herstellten. - Deckel fleckig (Vorderdeckel mit größerem, braun. Wischfleck), hs. Besitzvermerk aT,dat. März 1942, sonst gut erhaltenes Exemplar.