After Daniel (54 results)

Soft cover. Condition: Very Good. 100 pages. 3 Martyn Crucefix Rebuilding Tellisford Weir 5 Lisa Kelly Six Perspectives on Lilian Kjaerulff 8 Joshua Mostafa / Julian Openski Cheat Mode 16 Gavin Morrison Phillip King 26 Martin Monahan Notes for an Appliqué of the Fish Market 27 Dan Duggan Chinese Night 29 Kita Shantiris Scars 31 Donna Pucciani Dust 32 Anna Saunders After Dark 33 Krishan Coupland Decade 37 Daniel Jeffreys The Brightlingsea Boy 41 George Looney Tattoo of a Road Runner 43 Dominic Bury The Lighthouse 44 Carrie Etter Imagined Sons 45 Natacha Bryan June Meeting 47 Kate Miller Bouquet 48 Neil Ayling Ectype (Limited Edition Poster) 50 Trevor Shearer 57 David Troupes The First Settlement 59 Joanna Bratten Sunset Over Watford 59 Aideen Henry Spindrift 60 Stuart Snelson The Double Life 67 Jessica Mayhew Pin Ups 69 Katrina Naomi Portrait of my Step-father as a Xmas Tree 70 Alex Strnad Praga Cantat 72 Beth Gilstrap/ Abby Clark Getting By With Sound 81 Carolyn Jess-Cooke What matters 82 Pippa Little For Adele 83 Sinta Werner 93 Huw Lawrence Emigre 94 Eli Goldstone Dumb 96 Enoh Meyomesse Ambit Action 97 Afric McGlinchey Spillage 99 Joel Scarfe In Time 100 Jack Conway Hems Untitled #4 Artwork on cover by Phillip King.

Soft cover. Condition: Very Good. 174 pages. Thomas Carothers "Civil Society" / Martin Libicki "Rethinking War: The Mouse's New Roar?" / Wolfgang H Reinicke "The Other World Wide Web: Global Public Policy Networks" / Michael McFaul "Getting Russia Right" / Daniel Treisman "After Yeltsin Comes.Yeltsin" (SL#95).

Hardcover. Condition: Fair. Wth illustrations by Kauffmann (illustrator). Undated edition, late 19th or ealry 20th century. Loosely bound, back inner hinge completely split with spine coming away. Decorated purple cloth boards. Gilt closed page edges. Peeling, scuffing and dust spotting on cover and spine. No jacket.

Hardcover. Condition: Good+. Illustrated by Alice B Woodward (illustrator). H/b; 8vo; book covers are extremely faded; contents much better condition; illustrated green & white endpapers, with a this book belongs to box that is not filled in. Colour frontis plus 7 further colour plates and further b/w plates; a few small nicks to plate edges; occasional small brown mark on pages; ; 8vo 8" - 9" tall.

Hardcover. Condition: Very good. Dust Jacket Condition: very good. Cloth/dust jacket Octavo. printed covers, beige cloth to spine, gilt lettering to spine, dust jacket unclipped, 188 pp.

Hard. Condition: Fine. Illustrated with 16 plates after Daniel Chodowiecki. (illustrator). Limited edition No. 47 of 150 copies bou. Fine. Fine binding of full plum levant, with five bands to spine and exquisitely tooled in gilt and with gilt lettered calf tile to spine. Gilt inner dentelles. Marbled endpapers. Uncut pages. Top edge gilt. 176pp. German language text. 0.

Sehr seltener Augsburger Kupferstich in reicher barocker Umrahmung von ca. 1750. -- Zeigt die Figur des Heiligen mit dazugehörigem Namenstag bzw. Tag der Verehrung im Kirchenjahr. -- Blatt-Masse ca. 17 x 10,5 cm -- gut erhalten. || Very rare, richly decorated copper engraving from c. 1750. Shows the figure of the saint with the associated name day or day of worship. in good condition. || ! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Sehr seltener Augsburger Kupferstich in reicher barocker Umrahmung von ca. 1750. -- Zeigt die Figur des Heiligen mit dazugehörigem Namenstag bzw. Tag der Verehrung im Kirchenjahr. -- Blatt-Masse ca. 17 x 10,5 cm -- gut erhalten. || Very rare, richly decorated copper engraving from c. 1750. Shows the figure of the saint with the associated name day or day of worship. in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Sehr seltener Augsburger Kupferstich in reicher barocker Umrahmung von ca. 1750. -- Zeigt die Figur des Heiligen mit dazugehörigem Namenstag bzw. Tag der Verehrung im Kirchenjahr. -- Blatt-Masse ca. 17 x 10,5 cm -- gut erhalten. || Very rare, richly decorated copper engraving from c. 1750. Shows the figure of the saint with the associated name day or day of worship. in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

No Binding. Condition: Very Good. 1st Edition. Original Engraving, Trimmed To Near The Image. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Daniel Niklaus Chodowiecki (1726 -1801) Was A Polish?And Later German?Painter And Printmaker With Huguenot Ancestry, Who Is Most Famous As An Etcher. He Spent Most Of His Life In Berlin, And Became The Director Of The Berlin Academy Of Art. In A Letter To Józef ??cki, The Polish Astronomer, He Wrote: "I Consider It An Honour To Be A Genuine Pole, Even Though I Am Now Living In Germany". Because Of His Mother's And His Wife's Huguenot Descent He Was Very Close To The Huguenots Of Berlin. Nearly All His Life And Career Was Spent In Germany, Writing In German And Living In Berlin From The Age Of Almost 17. .

Original Kupferstich-Portrait. -- Bild-Maße: ca. 17,5 x 11 cm. -- gut erhalten. || Original engraved portrait. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Sehr seltener Augsburger Kupferstich in reicher barocker Umrahmung von ca. 1750. -- Zeigt die Figur des Heiligen mit dazugehörigem Namenstag bzw. Tag der Verehrung im Kirchenjahr. -- Blatt-Masse ca. 17 x 10,5 cm -- gut erhalten. || Very rare, richly decorated copper engraving from c. 1750. Shows the figure of the saint with the associated name day or day of worship. in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 550.

Original Kupferstich-Portrait aus dem 17. Jahrhundert. -- Blattmasse: ca. 28 x 18,5 cm. Plattenmasse: ca. 20,5 x 14,5 cm. -- gut erhalten. || Original copper engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Hardcover. Condition: Very Good. HAVELL Daniel after HASELER H. (illustrator). 1st Edition. With Lord Gwydir's Summer Cottage! Internally, folding coloured frontis, additional engraved title page with coloured print, [5], (viii) only, [1], 2-100, [2] pp. Complete with twenty-two hand-coloured aquatints (including folding panoramic frontispiece of Sidmouth and coloured vignette on engraved title page). Engraved map of Sidmouth on penultimate page with touring directions below. Illustrations by Daniel Havell; after H. Haseler. Contemporary half red morocco over marbled boards, expertly rebacked using original spine. Smooth spine partitioned by gilt rules and with gilt decorations between, gilt spine lettering, marbled endpapers, Some rubbing to boards. Overall, a very good copy; very clean and fresh. There are two issues of this book with the latter having two more views and no text. Page 100 is devoted to a description of 'Additional Buildings &c.' that, at the time of printing, were being completed in or near Sidmouth. Two of the buildings mentioned in this section later had plates illustrative of them. "Copies with the extra views also discard the letterpress title and text, the book appearing in album form only. It will also be noted that the present copy carries a leaf giving the name of the 'first fifty subscribers', and it is possible that the early state was limited to a number but little in excess of fifty" (Abbey). This copy has the subscriber list. Probably the next owner of Woodlands was Peter Burrell, Lord Gwydir, who purchased the old house in about 1806 and immediately set about altering it into the most picturesque thatched cottage ornée, spending a great deal of money in the process. Historically, the Gwydir estates lay in County Caernavon. Lord Gwydir's estate was Langley Park, Beckenham, Kent, and 'Woodland Cottage', as he renamed the house, was his seaside retreat. Part of the cottage was pulled down and a new west front was built overlooking the garden allowing a suite of reception rooms to be formed, all of which were decorated in fashionable Regency style. Lord Gwydir was also responsible for the lovely barrel ceilings found in the Dining Room and rooms 11, 14 and 15. He put in a new staircase - one of the best in the district - with a spacious landing. All the windows were changed and many fashionable 'Gothic' headed casements were installed; some still have the original coloured glass. Regency craftsmen replaced the inner doors and mouldings. He was so keen to oversee the work and improvements himself that he rented a house in Fortfield Terrace (built 1790-94) for the duration of the work. The building he created was mentioned in many books on Regency times. As a result of family connections he moved in the highest social circles and was a friend of the Prince Regent, 'Woodland Cottage' was visited by many of his society friends. The garden was a particularly picturesque feature, and much commented upon. There was a loggia along the north side supported by pillared oak trunks and roofed with rustic branches with the bark left on, these were planted with roses and honeysuckle which twined up, the whole terminating in a little room of similar design all surrounded by orchards. As with many great houses of the time, when Lord Gwydir was not in residence visitors were admitted to view the house and gardens. 22 hand coloured aquatints. Abbey Scenery 307. Prideaux p329. Only 1 copy located by OCLC.

Condition: Good. Etching on laid paper. 37 x 29.5 cm (sheet). Very Good, a few specks of foxing, toning along sheet edges.

Condition: Good. 27x20 cm. Black and white steel engraving. Very Good.

Condition: Good. Engraving, 16 x 12 cm. Good with dry mold, faint creasing. Likely from a periodical such as "Universal Magazine.".

Hardcover. Condition: Fine. 300 Engravings After Designs By J.J. Grandville (illustrator). Attractively rebound in leather quarto with gilt titles, raised spine bands with thick marbled boards and end papers. Gift inscription in pencil dated 1860.

Folio (33 x 25cm) 7 pages. Disbound. Occasional light foxing. Plate printed.

Oblong folio (25 x 34cm) 2, 2, 2, 1 and 5 pages. Disbound, sewn, all parts bound together. Occasional light foxing. Plate printed.

No Binding. Condition: Very Good. 1st Edition. High Quality Lithograph, 595 X 485Mm. A Single Plate, The Long-Talied Paradigalla, From One Of The Most Admired Bird Plate Books, 1873. Shallow Chipping At Edges, Far From The Illustrated Area.

Schönes Kupferstich-Portrait von ca. 1690. An den Ecken aufmontiert. - Blatt-Maße: ca. 32,5 x 20 cm - gut erhalten. -- original engraving from c.1690. Mounted on paper. - in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Condition: Good. Stipple and line engraving on chine colle. 43 x 30 cm (sheet). Very Good, minor surface soiling, some tears along sheet edges, light specks of foxing.

Condition: Good. Double-page wood engraving on newsprint. Text on verso. 40 x 54 cm (sheet). Good, age toning along the sheet edges, tears to sheet edges, tears to sheet edges.

Condition: Good. Etching and engraving on laid paper. 44 x 31 cm (sheet). Very Good, minor surface soiling in the margins.

Condition: Good. Original engraving. 23 x 15 cm (sheet). Very Good, sheet trimmed to the plate mark, horizontal center crease.

Condition: Good. Stipple and line engraving on chine colle. 34 x 24.5 cm. (sheet). Very Good.

Condition: Good. Stipple and line engraving on chine colle. 36 x 24.5 cm. (sheet). Very Good.

Condition: Good. Line engraving. 28 x 21.5 cm. (sheet). Very Good. Surface soiling primarily in the margin areas. Missing lower right sheet corner. A few sheet creases at right sheet edges.

FREDERICK the IId KING OF PRUSSIA (antique 18th C engraving) engraved by James Heath after a painting Daniel Chodowiecki; from Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", c1790's. approx 9 1/2 x 8 1/2 ins. plate 78. . Johann Caspar Lavater was a swiss theologian and philosopher known throughout Europe for his studies on physiognomy. Following the physiognomy tradition of Della Porta and of many Renaissance and Baroque philosophers, he believed that the character of a person could be elucidated through examining their lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English edition of his Essay). Lavater was convinced that he could show his theories by analyzing the portraits of some of the main historical figures of the past, in some cases taken from paintings or (mainly for antiquity) sculptures. Some of the engravings in his volume, made by great masters of the time, are still considered today as graphic masterpieces. "very good for age" SEE OTHER LAVATER ENGRAVINGS TOO.