Anton Koberger (129 results)

Condition: New. pp. 664.

Condition: New. pp. 664.

Poster. Condition: Fine. First Printing. Original exhibition poster, 21 1/2"w x 31 1/2"h, printed on high quality textured paper and featuring an illustration fro "Schartzbehalter", published in Nuremburg by Anton Koberger, 1493. Fine, as issued. Well suited for framing, will be shipped loosely rolled in a mailing tube.

Condition: New. pp. 664.

465,cliv pp. lar.8vo. blue cloth.

Paperback. Condition: New. Print on Demand. Delving into the topic of mysticism, this book explores the intricate and profound connections between the human soul and the divine. The author delves into the historical and literary context of mysticism, tracing its evolution and examining the diverse practices and beliefs that have shaped its traditions. Through an in-depth analysis of mystical texts and experiences, the book uncovers the various paths to spiritual enlightenment, including contemplation, meditation, and the pursuit of unity with the divine. The author argues that mysticism offers a transformative perspective on reality, emphasizing the importance of introspection, compassion, and the cultivation of an inner connection to the sacred. Ultimately, this book provides a comprehensive and insightful exploration of mysticism, its history, practices, and transformative power, inviting readers to embark on their own journeys of spiritual discovery. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Condition: Sehr gut. 35 x 25 cm. As published: green morocco-grained cloth with black labels. Gilt title on front board and spine. Dark grey end papers. Near fine condition. Minor shelf wear. Edges dust dulled. Internally bright and clean. Slipcase rubbed and bumped with a small stain. See images.

Folio, green faux leather boards, gilt lettering to black section on front board & spine, unpaginated prelims + 289pp, extensively illus/maps/diagrams, VG+ (v slight scuffing to board corners & spine, light to moderate foxing & tanning to page edges, v slight chafing to boards).

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia stampata su carta forte, colorato a mano il fronte e lasciato in b/n il verso del foglio, cm 5,5 x 5,5 (il foglio), testo latino e immagini al recto (Sebastiano Foroli, piů noto come Sebastiano dall'Aquila o come Sebastiano Aquilano, in latino Sebastianus Aquilanus (L'Aquila, 1440 circa 1510 circa), č stato un medico e umanista italiano). Frammento ben colorato e conservato. .

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia stampata su carta forte, colorato a mano il fronte e lasciato in b/n il verso del foglio, cm 8,5 x 10 (il foglio), testo latino e immagini al recto (San Roberto Re). Frammento con lieve fioritura ma ben colorato e conservato. .

Paperback. Condition: Near Fine. The text presents repeated questions "Consequenter queritur ." and is organized with article headings. Fol. xvi only. 64 lines of commentary around text. Double column of Gothic letter. Paragraph markings in red and blue ink. Wide margins, a wonderful survival from a rare Koberger printed Bonaventura, and a beautiful production. (Size: 415 x 275mm).

Paperback. Condition: Very Good+. [31 January 1498]. The "Postilla" was the commentary on the Psalms written by Cardinal Hugh, of Saint-Cher (c. 1200-1263) also known as Hugo de Sancto Caro. Double column of 72 lines. Printed marginalia. Beautiful large format by the Koberger press, only slight marginal toning or stains in upper right margin. (Size: 320 x 220mm).

Cf. Proctor 10958; ISTC ib00605000. Folio: a^8 b - z^6 A - Zz6 ^8. R4 missigned Q4. Text block trimmed at some juncture [not us], with current leaf size: ~ 28.6 cm x 18.8 cm. Rubricated / modest illumination of initial paragraph letters. Binding: 11-1/2" x 8" "Anton Koberger was the German goldsmith, printer and publisher who printed and published the Nuremberg Chronicle, a landmark of incunabula, and was a successful bookseller of works from other printers. He established in 1470 the first printing house in Nuremberg", from which sprang a number of editions of the Biblia Latina, first appearing in 1475, with this, reputedly, the last with the Koberger name. Binding - Fine. Imperfect textblock, lacking the initial gathering, and two leaves Zz1 & Zz6. Extensive period annotations throughout/some marginal paper restoration to numerous leaves [especially H3 (no loss) & lower portion of 8]. Some annotations affected by trimming. 1 cm closed tear to bottom edge of S2, T1; top of Qq5; bit of paper loss to Tt5 & Xx1 lower margin [no text affected]. Texblock overall, with a nod to the missing leaves, Very Good. A modern full calf binding, executed in period style, with brass bosses at each corner & center boss in each board. Modern leather strap clasp. Red edgestain.

Hardcover. Condition: Very Good. [1486-] 1487. Part 3 (of 4). Chancery folio (305 x 205mm). Pagination: 348 leaves [near contemporary foliation in red ink throughout, though mispaginated at 188 with some worming towards end obscuring numbers]. Collation: AA-GG10, HH12, II-MM10, NN12, OO8; PP-TT10, VV-XX6, YY10, ZZ10, AAA-FFF10, GGG8, HHH8, III-MMM10, NNN8. Contents of Part 3: Isaiah (AA10-HH12), Jeremiah (II10-NN12), Book of Lamentations (Jeremiah) (OO8), Baruch (PP-PP7r), Ezekiel (PP7v-YY4), Daniel (YY5-BBB8), Hosea (CCC-DDD3), Joel (DDD4-DDD8), Amos (DDD9-EEE6), Obadiah (EEE7-EEE8r), Jonah (EEE8v-FFF1), Micah (FFF1v-FFF6r), Nahum (FFF6v-FFF8r), Habakkuk (FFF8v-GGG3r), Zephaniah (GGG3v-GGG7r), Haggai (GGG7v-HHH2r), Zechariah (HHH2v-III6r), Malachi (III6v-III10r), and the Book of Maccabees (III10v-NNN8r), Blank NNN8v. Double columns of 56 lines of text surrounded by 72-73-line commentary, plus headlines. 16 woodcuts, of which 3 full-page, illustrating Ezekiel's Vision (full-page on PP10r of Christ enthroned above Evangelist Symbols and Heavenly Wheel), diagrams of Solomon's Temple and different views of gates and enclosures of the Temple (as mostly column miniatures, but some full-page on QQ6, TT6r, TT6v, TT7r, TT9v-TT10r, UU1v, XX2r, XX5r, YY1), and a full-page genealogical diagram for the Kings of Syria in the Book of Daniel (BBB2v) and half-page diagram for kings of (KKK1v). Rubricated throughout with blue and red Lombard initials, mostly over printed guide letters, extra flourished in red ink over the headlines, foliation, paragraph and signature marks. Gothic Types: 9:165G (headlines and headings), 7:83G (text). Near contemporary blind-stamped pigskin tooled with devices of stags and roses and other floreate ornaments with original brass clasps and leather straps, contemporary manuscript leaves reusedas binding waste visible in gutters; Front pastedown with added near contemporary manuscript index of 20 lines in Latin cursiva for contents books of prophets; (small marginal tear on AA1-2 and with minor loss on HH7, occasional foxing not severe, some intermittent marginal worming or browned leaves; pigskin rubbed and lacking bosses, one leather strap torn but holding, remnants of paper label on spine; otherwise a wonderful and solid incunable volume from an important set of glossed biblical commentaries). In the early 18th century, this volume was in the collection of Gallus Winckelmann (16951757), a Benedictine monk and scholar active at Banz Abbey in Bavaria; his note on AA1: "Coemit ad usum F. Gallus Winckellmann Prof[essus] Banth[ensis]). The early-19th century signature of "Daniel Kendig" on front endpaper above perhaps an earlier inscription noting Lyra's commentaries. Then in England, the front pastedown with the mid-19th century bookplate of Joseph M. Lybrand (rector of Saint Paul's Church, Camden) and America with the early-20th century labels of the Philadelphia Divinity School (their bookplate and perforated stamp, formerly collection number 4436). This volume is part three of four in the second Koberger edition of the Bible printed in Nuremberg in 148687; parts one through three were undated with the fourth part dated 3 December 1487. This second edition was preceded by bible set printed by Anton Koberger in 1485. It was a monumental production incorporating the biblical commentary of medieval Franciscan scholar Nicholas de Lyra (12701349), with theadditions of Paul of Burgos (ca. 13511435) and responses to the latter by Matthias Doering (d. 1469), as well as the commentary of William the Breton (ca. 11651225) on the Prologues of Jerome. Part 3 of the set contained the books of the Major and Minor Prophets, along with the books of the Lamentations and Maccabees. Nicholas de Lyra's biblical gloss, or 'Postilla,' encouraged much scholarly discourse throughout the Middle Ages and was frequently reprinted into the 16th century. This edition includes the famous woodcut of Ezekiel's Vision and the various views and implements of Solomon's Temple.

Paperback. Condition: Very Good+. Four illustrated leaves, uncolored (one mounted). 1) One leaf from chapter "Tercia etas mundi" (fol. XXVII) depicting in woodcuts the lineage of Christ (Linea Christi) and the Kings of Egypt (Reges Egipti) and vignette of Joseph interpreting dreams before the Pharaoh. On verso, kings and lineage continued and a vignette of an imaginary view of Athens or Minerva. The earliest obtainable view of this period. Three leaves from chapter "Sexta etas mundi" 2) (fol. CV) depicting authors, Seneca, Lucanus, Persius, and the martyrdom of Apostle Philip. On verso, bust portraits of the Popes Linus, Anacletus, and Appollinaris and the martyrdom of Apostle Bartholomew. 3) (fol. CXL) bust portrait of Euthices hereticus and right portion of view of Strassburg. On verso, bust portraits of Popes Simplicius, Felix, Helasius, Anastasius and bishops, Mamercus and Remigius. 4) Mounted (fol. CCLIII). Verso only visible, circumcision of Simon the Sellig child of Trent. One of the most anti-semitic illustrations of the entire book, Simon of Trent was at the center of a suspicious kidnapping case where the Jewish community of Trent was subsequently severely punished. The woodblock engravers of the famous 'Liber chronicarum' were Michael Wolgemut, the famed teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Recent scholarship has shown that Albrecht Dürer may also have collaborated on this work given his associations, and since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations. The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose press was famous throughout Europe. While it is purported that these leaves are all from the same editions they may have come from different disbound copies. Still, an opportunity to own the illustrated pages of this most famous world chronicle. (Size: 18 x 13 in.).

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia stampata su carta forte, colorato a mano il fronte e lasciato in b/n il verso del foglio, cm 9 x 18 (il foglio), testo latino e immagini al recto (Philippus / Otto quartus). Qualche difetto ma ben colorato. .

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1480 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 19 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 19.

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia stampata su carta forte, colorato a mano il fronte e lasciato in b/n il verso del foglio, cm 10 x 20 (il foglio), testo latino e immagini al recto e al verso (Io. Serapion / Seno e Arnulphus). Frammento ben conservato. .

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia stampata su carta forte, colorato a mano il fronte e lasciato in b/n il verso del foglio, cm 10 x 27 (il foglio), testo latino e immagini al recto (S. Stephanus / Petrus Damianus / Isaac medicus). Frammento ben conservato. .

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia stampata su carta forte, colorato a mano il fronte e lasciato in b/n il verso del foglio, cm 10 x 24,5 (il foglio), testo latino e immagini al recto (Guido musicus / Lanfrancus / Hermannus cotractus). Frammento ben conservato. .

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia stampata su carta forte, colorato a mano il fronte e lasciato in b/n il verso del foglio, cm 10 x 27 (il foglio), testo latino e immagini al recto e al verso (Reges Hungarie S. Stefano / S. Emericus / S. Ladislaus). Frammento ben conservato. .

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia stampata su carta forte, colorato a mano il fronte e lasciato in b/n il verso del foglio, cm 9,5 x 24 (il foglio), testo latino e immagini al recto (Lapanus astronom. / Hugo abbas / Theobaldus). Frammento ben conservato. .

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", Norimberga, 1493. Foglio LXXVII. Xilografia stampata su pagina singola, b/n, cm 47,5 x 32,5 circa (il foglio). Al recto figure di filosofie pontefici; al verso veduta della cittŕ di Alessandria d'Egitto. Foglio interessato da leggera e contenuta presenza rosso - violastra, il cosiddetto fungo rosso, ma al solo margine superiore, peraltro ben impresso e in buono stato di conservazione. .

27,5x40cm Planche originale de l'édition latine, colorisée ŕ l'aquarelle ŕ la main. Tache marginale.

No legatura. Condition: Discreto. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia in b/n, cm 47,5 x 32,5 circa (il foglio), testo in latino. Fioriture nella parte superiore del foglio, peraltro in buono stato di conservazione.

No legatura. Condition: Ottimo. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia, b/n, cm 32,5 x 47,5 circa (il foglio). Molto buono lo stato di conservazione. .

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia in b/n, cm 32,5 x 47,5 (il foglio), al verso del foglio simboli regi e pontifici, testo in latino. La monumentale opera dello Schedel, il "Liber Cronicarum", rappresenta uno "dei piů straordinari lavori mai realizzati" dall'editoria del XV secolo. Foglio con un circoscritto e ben eseguito intervento di restauro al margine superiore, ottimo stato di conservazione.

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia in b/n, cm 32,5 x 47,5 (il foglio), al verso del foglio volti di pontefici, testo in latino. La monumentale opera dello Schedel, il "Liber Cronicarum", rappresenta uno "dei piů straordinari lavori mai realizzati" dall'editoria del XV secolo. Foglio restaurato al margine superiore, altrimenti buon esemplare.

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia in b/n, cm 32,5 x 47,5 (il foglio), al verso del foglio volti di filosofi, testo in latino. La monumentale opera dello Schedel, il "Liber Cronicarum", rappresenta uno "dei piů straordinari lavori mai realizzati" dall'editoria del XV secolo. Foglio molto ben restaurato al margine superiore, buon esemplare.

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia in b/n, cm 47,3 x 32,5 circa (il foglio); al verso del foglio simboli pontifici e teste di filososfi 8Anassimandro e Anassimene), testo in latino. La monumentale opera dello Schedel, il "Liber Cronicarum", rappresenta uno "dei piů straordinari lavori mai realizzati" dall'editoria del XV secolo. Foglio molto ben restaurato al margine superiore, buon esemplare.