Anton Koberger (128 results)

Condition: New. pp. 664.

Condition: New. pp. 664.

Poster. Condition: Fine. First Printing. Original exhibition poster, 21 1/2"w x 31 1/2"h, printed on high quality textured paper and featuring an illustration fro "Schartzbehalter", published in Nuremburg by Anton Koberger, 1493. Fine, as issued. Well suited for framing, will be shipped loosely rolled in a mailing tube.

Condition: New. pp. 664.

465,cliv pp. lar.8vo. blue cloth.

Paperback. Condition: New. Print on Demand. Delving into the topic of mysticism, this book explores the intricate and profound connections between the human soul and the divine. The author delves into the historical and literary context of mysticism, tracing its evolution and examining the diverse practices and beliefs that have shaped its traditions. Through an in-depth analysis of mystical texts and experiences, the book uncovers the various paths to spiritual enlightenment, including contemplation, meditation, and the pursuit of unity with the divine. The author argues that mysticism offers a transformative perspective on reality, emphasizing the importance of introspection, compassion, and the cultivation of an inner connection to the sacred. Ultimately, this book provides a comprehensive and insightful exploration of mysticism, its history, practices, and transformative power, inviting readers to embark on their own journeys of spiritual discovery. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Condition: Sehr gut. 35 x 25 cm. As published: green morocco-grained cloth with black labels. Gilt title on front board and spine. Dark grey end papers. Near fine condition. Minor shelf wear. Edges dust dulled. Internally bright and clean. Slipcase rubbed and bumped with a small stain. See images.

Folio, green faux leather boards, gilt lettering to black section on front board & spine, unpaginated prelims + 289pp, extensively illus/maps/diagrams, VG+ (v slight scuffing to board corners & spine, light to moderate foxing & tanning to page edges, v slight chafing to boards).

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia stampata su carta forte, colorato a mano il fronte e lasciato in b/n il verso del foglio, cm 5,5 x 5,5 (il foglio), testo latino e immagini al recto (Sebastiano Foroli, più noto come Sebastiano dall'Aquila o come Sebastiano Aquilano, in latino Sebastianus Aquilanus (L'Aquila, 1440 circa 1510 circa), è stato un medico e umanista italiano). Frammento ben colorato e conservato. .

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia stampata su carta forte, colorato a mano il fronte e lasciato in b/n il verso del foglio, cm 8,5 x 10 (il foglio), testo latino e immagini al recto (San Roberto Re). Frammento con lieve fioritura ma ben colorato e conservato. .

Cf. Proctor 10958; ISTC ib00605000. Folio: a^8 b - z^6 A - Zz6 ^8. R4 missigned Q4. Text block trimmed at some juncture [not us], with current leaf size: ~ 28.6 cm x 18.8 cm. Rubricated / modest illumination of initial paragraph letters. Binding: 11-1/2" x 8" "Anton Koberger was the German goldsmith, printer and publisher who printed and published the Nuremberg Chronicle, a landmark of incunabula, and was a successful bookseller of works from other printers. He established in 1470 the first printing house in Nuremberg", from which sprang a number of editions of the Biblia Latina, first appearing in 1475, with this, reputedly, the last with the Koberger name. Binding - Fine. Imperfect textblock, lacking the initial gathering, and two leaves Zz1 & Zz6. Extensive period annotations throughout/some marginal paper restoration to numerous leaves [especially H3 (no loss) & lower portion of 8]. Some annotations affected by trimming. 1 cm closed tear to bottom edge of S2, T1; top of Qq5; bit of paper loss to Tt5 & Xx1 lower margin [no text affected]. Texblock overall, with a nod to the missing leaves, Very Good. A modern full calf binding, executed in period style, with brass bosses at each corner & center boss in each board. Modern leather strap clasp. Red edgestain.

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia stampata su carta forte, colorato a mano il fronte e lasciato in b/n il verso del foglio, cm 9 x 18 (il foglio), testo latino e immagini al recto (Philippus / Otto quartus). Qualche difetto ma ben colorato. .

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1480 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 19 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 19.

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia stampata su carta forte, colorato a mano il fronte e lasciato in b/n il verso del foglio, cm 10 x 20 (il foglio), testo latino e immagini al recto e al verso (Io. Serapion / Seno e Arnulphus). Frammento ben conservato. .

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia stampata su carta forte, colorato a mano il fronte e lasciato in b/n il verso del foglio, cm 10 x 27 (il foglio), testo latino e immagini al recto (S. Stephanus / Petrus Damianus / Isaac medicus). Frammento ben conservato. .

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia stampata su carta forte, colorato a mano il fronte e lasciato in b/n il verso del foglio, cm 10 x 24,5 (il foglio), testo latino e immagini al recto (Guido musicus / Lanfrancus / Hermannus cotractus). Frammento ben conservato. .

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia stampata su carta forte, colorato a mano il fronte e lasciato in b/n il verso del foglio, cm 10 x 27 (il foglio), testo latino e immagini al recto e al verso (Reges Hungarie S. Stefano / S. Emericus / S. Ladislaus). Frammento ben conservato. .

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia stampata su carta forte, colorato a mano il fronte e lasciato in b/n il verso del foglio, cm 9,5 x 24 (il foglio), testo latino e immagini al recto (Lapanus astronom. / Hugo abbas / Theobaldus). Frammento ben conservato. .

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", Norimberga, 1493. Foglio LXXVII. Xilografia stampata su pagina singola, b/n, cm 47,5 x 32,5 circa (il foglio). Al recto figure di filosofie pontefici; al verso veduta della città di Alessandria d'Egitto. Foglio interessato da leggera e contenuta presenza rosso - violastra, il cosiddetto fungo rosso, ma al solo margine superiore, peraltro ben impresso e in buono stato di conservazione. .

27,5x40cm Planche originale de l'édition latine, colorisée à l'aquarelle à la main. Tache marginale. NB. Les commandes et questions sont traitées dans les 24h, les expéditions reprendront le 13 juin. Tous les ouvrages de notre catalogue peuvent être consultés et retirés sous quelques jours à Saint-Gilles ou Paris, 5e arr. Merci de nous contacter.

No legatura. Condition: Discreto. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia in b/n, cm 47,5 x 32,5 circa (il foglio), testo in latino. Fioriture nella parte superiore del foglio, peraltro in buono stato di conservazione.

No legatura. Condition: Ottimo. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia, b/n, cm 32,5 x 47,5 circa (il foglio). Molto buono lo stato di conservazione. .

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia in b/n, cm 32,5 x 47,5 (il foglio), al verso del foglio simboli regi e pontifici, testo in latino. La monumentale opera dello Schedel, il "Liber Cronicarum", rappresenta uno "dei più straordinari lavori mai realizzati" dall'editoria del XV secolo. Foglio con un circoscritto e ben eseguito intervento di restauro al margine superiore, ottimo stato di conservazione.

Single folio leaf , 17 X 12.5 in., on laid paper, printed on recto and verso in double columns with rubricated initials and section divisions. A nice example from one of the early printing masters in Germany, identified in an early dealer's hand in pencil at base of verso. A handsome and clean incunable leaf. Few dents and a touch of soil, fine.

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia in b/n, cm 32,5 x 47,5 (il foglio), al verso del foglio volti di pontefici, testo in latino. La monumentale opera dello Schedel, il "Liber Cronicarum", rappresenta uno "dei più straordinari lavori mai realizzati" dall'editoria del XV secolo. Foglio restaurato al margine superiore, altrimenti buon esemplare.

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia in b/n, cm 32,5 x 47,5 (il foglio), al verso del foglio volti di filosofi, testo in latino. La monumentale opera dello Schedel, il "Liber Cronicarum", rappresenta uno "dei più straordinari lavori mai realizzati" dall'editoria del XV secolo. Foglio molto ben restaurato al margine superiore, buon esemplare.

No legatura. Condition: Buono. Anton Koberger, Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia in b/n, cm 47,3 x 32,5 circa (il foglio); al verso del foglio simboli pontifici e teste di filososfi 8Anassimandro e Anassimene), testo in latino. La monumentale opera dello Schedel, il "Liber Cronicarum", rappresenta uno "dei più straordinari lavori mai realizzati" dall'editoria del XV secolo. Foglio molto ben restaurato al margine superiore, buon esemplare.

Original hand-coloured woodcut (25.5 x 18 cm) from the 'Schatzbehalter der wahren Reichtümer des Heils' to the neatline and mounted. With attractive old colour characteristic of Koberger's workshop. Some light browning and toning, generally very good. The Schatzbehalter was written by Stephan Fridolin, spiritual guide and confessor to the Poor Clares at Nuremberg, almost certainly at the behest of the nuns and their abbess, Caritas Pirckheimer, sister to Willibald. The text is based on Scripture and tells the story of the life and passion of Christ in 100 events; the accompanying illustrations were intended to impress the story more firmly on the mind of the audience, specifically those unable to read, as Fridolin states in the preface. It thus joins other late medieval works popularizing Scripture in text and image, such as the blockbook Biblia Pauperum. In his discussion of each woodcut, Fridolin explicates the literal and metaphysical meaning of the image, thus giving the modern reader an invaluable insight into medieval interpretation of imagery.

Nuremberg: Anton Koberger, July 1, 1496 (illustrator). Nuremberg: Anton Koberger, July 1, 1496. Handsome 1496 Edition of an Important Legal Dictionary [Jodocus of Erfurt, Attributed]. [Vocabularius Utriusque Iuris]. [Nuremberg: Anton Koberger, 1 July 1496]. [152] ff. Text in parallel columns. Collation: a-t8. Calf thumb tabs. Quarto (9" x 7"; 23 x 18 cm). Nineteenth-century period-style binding, quarter morocco over wooden boards, blind rules along board edges, raised bands and blind fillets forming crosses and rules to spine, hasps and buckles, with fragments of leather straps, to fore-edges, pastedowns, which are facsimiles of early printed leaves, added. Light rubbing to boards, spine ends worn, a few chips and vertical cracks to spine, minor worming to front and rear pastedowns at head of gutter, which continues, gradually diminishing, through a few adjacent leaves. Text printed in 47-line gothic type (plus headline), initial spaces blank. Moderate toning and light foxing to interior, light dampstaining to gutter near center of text block, which has a partial crack between k8 and l1, chips to corners and brief early annotations and underlining in two hands to a few leaves. An appealing copy in an attractive binding. $15,000. * A work of great authority, the Vocabularius, as it is popularly known, was published anonymously and is usually attributed to a jurist associated with the University of Erfurt named Jodocus. First published around 1474 in Basel, it went through more than seventy editions over the following 150 years. (It had a second life as a section of the 1559 and subsequent editions of Elio Antonio de Nebrija's Lexicon Juris Civilis.) A useful and highly respected reference work, the Vocabularius is a collection of terms dealing with the Ius Commune taken from such late-scholastic texts as the Vocabularius Stuttgardiensis (1432), the Collectio Terminorum Legalium (c. 1400), and the Introductorium pro Studio Sacrorum Canonum of Hermann von Schildesch (c. 1330). The Incunabula Short-Title Catalogue locates 7 copies of this imprint in North America, 3 in law libraries (Social Law, Library of Congress, and Yale). Incunabula Short-Title Catalogue iv00355000.

Single leaf CII, 32 cm. x 22.5 cm., printed on paper in gothic type, 71 lines, double column, featuring a central block of text surrounded by a border commentary; within a double-sided mount. *The biblical text comprises Luke 17.26 to 18.35, beginning 'illum multa pati . . .' ['And as it came to pass in the days of Noah, so shall it be also in the days of the Son of man']. On the reverse, the text includes the well-known line 'suffer little children to come unto me and forbid them not: for as such is the kingdom of God' [18:16] The commentary is that of Nicolaus of Lyra, the fourteenth-century Franciscan whose biblical exegesis is known to have influenced Martin Luther. Anton Koberger (c. 1440-1513) most famously printed the landmark Liber Chronicarum, or Nuremberg Chronicle, by Hartmann Schedel, in 1493. This leaf is from Koberger's second Latin Bible (see Goff B614). Signed.