Bae Wonjung (28 results)

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Buch. Condition: Neu. Neuware -Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s.Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s. Through repetitive actions within a meditative painting practice, Nam creates a modern interpretation of golbeop ( )a classical principle of East Asian painting that emphasizes the structural vitality and life force of the brushstroke. His work organically bridges tradition and contemporaneity, craftsmanship and abstract form, and physicality and spirituality, while weaving together personal memory and collective cultural experience. The central formal elements of his practice are lines reminiscent of furrowed fields and architectural motifs, such as traditional lattice windows and rafters. 132 pp. Englisch, Koreanisch.…

Buch. Condition: Neu. Neuware -Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s.Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s. Through repetitive actions within a meditative painting practice, Nam creates a modern interpretation of golbeop ( )a classical principle of East Asian painting that emphasizes the structural vitality and life force of the brushstroke. His work organically bridges tradition and contemporaneity, craftsmanship and abstract form, and physicality and spirituality, while weaving together personal memory and collective cultural experience. The central formal elements of his practice are lines reminiscent of furrowed fields and architectural motifs, such as traditional lattice windows and rafters. 132 pp. Englisch, Koreanisch.…

Buch. Condition: Neu. Neuware -Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s.Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s. Through repetitive actions within a meditative painting practice, Nam creates a modern interpretation of golbeop ( )a classical principle of East Asian painting that emphasizes the structural vitality and life force of the brushstroke. His work organically bridges tradition and contemporaneity, craftsmanship and abstract form, and physicality and spirituality, while weaving together personal memory and collective cultural experience. The central formal elements of his practice are lines reminiscent of furrowed fields and architectural motifs, such as traditional lattice windows and rafters.…

Condition: new.

Hardcover. Condition: new. Hardcover. The first international publication on a pioneer of Korean Abstract ArtHa Indoo (1930-1989) stands as a pioneering figure in the history of Korean contemporary art. Drawing from traditional Korean aesthetics and Buddhist philosophy, he developed a unique form of geometric, non-formal abstraction that opened new horizons for Korean abstract art. Known for his experimental spirit and distinctive visual language, he left a profound impact on both his peers and subsequent generations.This richly illustrated monograph is the first comprehensive international publication to chronicle Ha Indoo's artistic journey, spanning from his early works in the 1950s to his final creations in the 1980s. Through a wide array of paintings, the volume traces the evolution of his practice while shedding light on the philosophical and aesthetic depth embedded in his work.Featuring rare archival materials, photographs of his studio, and key exhibition highlights, the book offers an intimate glimpse into the artist's creative environment and contemplative process. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

hardcover. Condition: New.

Hardback. Condition: New.

Hardback. Condition: New.

Condition: New. 2026. hardcover. . . . . .

Condition: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Condition: New.

Condition: New.

Hardcover. Condition: Brand New. 240 pages. 8.75x2.00x11.25 inches. In Stock.

Condition: New.

Buch. Condition: Neu. Neuware -Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s.Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s. Through repetitive actions within a meditative painting practice, Nam creates a modern interpretation of golbeop ( )a classical principle of East Asian painting that emphasizes the structural vitality and life force of the brushstroke. His work organically bridges tradition and contemporaneity, craftsmanship and abstract form, and physicality and spirituality, while weaving together personal memory and collective cultural experience. The central formal elements of his practice are lines reminiscent of furrowed fields and architectural motifs, such as traditional lattice windows and rafters.Hartmann Books, Liststraße 28/1, 70180 Stuttgart 132 pp. Englisch, Koreanisch.…

Condition: NEW.

Hardcover. Condition: new. Hardcover. The first international publication on a pioneer of Korean Abstract ArtHa Indoo (1930-1989) stands as a pioneering figure in the history of Korean contemporary art. Drawing from traditional Korean aesthetics and Buddhist philosophy, he developed a unique form of geometric, non-formal abstraction that opened new horizons for Korean abstract art. Known for his experimental spirit and distinctive visual language, he left a profound impact on both his peers and subsequent generations.This richly illustrated monograph is the first comprehensive international publication to chronicle Ha Indoo's artistic journey, spanning from his early works in the 1950s to his final creations in the 1980s. Through a wide array of paintings, the volume traces the evolution of his practice while shedding light on the philosophical and aesthetic depth embedded in his work.Featuring rare archival materials, photographs of his studio, and key exhibition highlights, the book offers an intimate glimpse into the artist's creative environment and contemplative process. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

8vo. Pp: 169. Publisher's colour illustrated softcovers with flaps. Copiously illustrated throughout in colour. Printed on the occasion of the exhibition Birth of the Modern Art Museum at MMCA Deoksugung in Seoul. Texts by Kim Jonghun, Kim Inhye, an Bae Wonjung.ISBN: 9788963031880 Near fine, no signs of wear. Mark to bottom page edge.…

Buch. Condition: Neu. Neuware - Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s.Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s. Through repetitive actions within a meditative painting practice, Nam creates a modern interpretation of golbeop ( )a classical principle of East Asian painting that emphasizes the structural vitality and life force of the brushstroke. His work organically bridges tradition and contemporaneity, craftsmanship and abstract form, and physicality and spirituality, while weaving together personal memory and collective cultural experience. The central formal elements of his practice are lines reminiscent of furrowed fields and architectural motifs, such as traditional lattice windows and rafters.…

Buch. Condition: Neu. Nam Tchun-Mo A Well That Never Dries | Wonjung Bae | Buch | 132 S. | Englisch | 2026 | Hartmann Books | EAN 9783960701408 | Verantwortliche Person für die EU: Hartmann Projects GbR, Markus Hartmann, Liststr. 28/1, 70180 Stuttgart, info[at]hartmannprojects[dot]com | Anbieter: preigu. …

Hardcover. Condition: new. Hardcover. The first international publication on a pioneer of Korean Abstract ArtHa Indoo (1930-1989) stands as a pioneering figure in the history of Korean contemporary art. Drawing from traditional Korean aesthetics and Buddhist philosophy, he developed a unique form of geometric, non-formal abstraction that opened new horizons for Korean abstract art. Known for his experimental spirit and distinctive visual language, he left a profound impact on both his peers and subsequent generations.This richly illustrated monograph is the first comprehensive international publication to chronicle Ha Indoo's artistic journey, spanning from his early works in the 1950s to his final creations in the 1980s. Through a wide array of paintings, the volume traces the evolution of his practice while shedding light on the philosophical and aesthetic depth embedded in his work.Featuring rare archival materials, photographs of his studio, and key exhibition highlights, the book offers an intimate glimpse into the artist's creative environment and contemplative process. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Condition: Neu. Neuware - The first international publication on a pioneer of Korean Abstract Art>This richly illustrated monograph is the first comprehensive international publication to chronicle Ha Indoo's artistic journey, spanning from his early works in the 1950s to his final creations in the 1980s. Through a wide array of paintings, the volume traces the evolution of his practice while shedding light on the philosophical and aesthetic depth embedded in his work.Featuring rare archival materials, photographs of his studio, and key exhibition highlights, the book offers an intimate glimpse into the artist's creative environment and contemplative process.…

Hardback. Condition: New. Featuring over 130 artworks-some previously unpublished-this richly illustrated volume is essential for understanding modern art in Korea and how it evolved to meet the contemporary global contextPublished with Los Angeles County Museum of Art.In The Space Between, a generative period in Korean art between the traditional and the contemporary is illuminated comprehensively for the first time. After the centuries-long Joseon dynasty came 35 uninterrupted years of the Japanese colonial period (1910-45) followed by the Korean War (1950-53). During this tumultuous time, Korean artists grappled with issues such as identity and nationalism and experimented with a broad range of media. The book is organized into five categories: "The Modern Encounter"- foreign influences enter the country in a significant way in the late 19th and early 20th centuries; "The Modern Response"-how foreign methods are accepted or rejected; "The Pageantry of the New Woman (Sinyeoseong) Movement"-modern women's attitudes; "The Modern Momentum"-advances in using foreign styles; and "Evolving into the Contemporary"-a glimpse into the contemporary.Most notable during this period are the introductions of photography, sculpture and oils, which arrived via Japan and came to define modern art in Korea. At the same time, traditional ink painting reinvented itself: works grew larger in scale while keeping traditional landscape motifs with alterations in the use of color and composition. Artists of modern ink believed that theirs was the true future of modern art, unsullied by elements found in the West. By the end of the Korean War, the magnified status of the US made way for access to American abstract art and, indirectly, European informel. For nearly a decade, abstract expressionist and informel styles dominated Korean art. The volume concludes in the 1960s, setting the stage for contemporary art in Korea.…

Hardback. Condition: New.

Buch. Condition: Neu. Neuware -Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s.Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s. Through repetitive actions within a meditative painting practice, Nam creates a modern interpretation of golbeop ( )a classical principle of East Asian painting that emphasizes the structural vitality and life force of the brushstroke. His work organically bridges tradition and contemporaneity, craftsmanship and abstract form, and physicality and spirituality, while weaving together personal memory and collective cultural experience. The central formal elements of his practice are lines reminiscent of furrowed fields and architectural motifs, such as traditional lattice windows and rafters. 132 pp. Englisch, Koreanisch.…

Hardback. Condition: New.