Wonjung Bae (9 results)

Buch. Condition: Neu. Neuware -Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s.Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s. Through repetitive actions within a meditative painting practice, Nam creates a modern interpretation of golbeop ( )a classical principle of East Asian painting that emphasizes the structural vitality and life force of the brushstroke. His work organically bridges tradition and contemporaneity, craftsmanship and abstract form, and physicality and spirituality, while weaving together personal memory and collective cultural experience. The central formal elements of his practice are lines reminiscent of furrowed fields and architectural motifs, such as traditional lattice windows and rafters. 132 pp. Englisch, Koreanisch.

Buch. Condition: Neu. Neuware -Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s.Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s. Through repetitive actions within a meditative painting practice, Nam creates a modern interpretation of golbeop ( )a classical principle of East Asian painting that emphasizes the structural vitality and life force of the brushstroke. His work organically bridges tradition and contemporaneity, craftsmanship and abstract form, and physicality and spirituality, while weaving together personal memory and collective cultural experience. The central formal elements of his practice are lines reminiscent of furrowed fields and architectural motifs, such as traditional lattice windows and rafters. 132 pp. Englisch, Koreanisch.

Buch. Condition: Neu. Neuware -Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s.Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s. Through repetitive actions within a meditative painting practice, Nam creates a modern interpretation of golbeop ( )a classical principle of East Asian painting that emphasizes the structural vitality and life force of the brushstroke. His work organically bridges tradition and contemporaneity, craftsmanship and abstract form, and physicality and spirituality, while weaving together personal memory and collective cultural experience. The central formal elements of his practice are lines reminiscent of furrowed fields and architectural motifs, such as traditional lattice windows and rafters.

Condition: New.

8vo. Pp: 169. Publisher's colour illustrated softcovers with flaps. Copiously illustrated throughout in colour. Printed on the occasion of the exhibition Birth of the Modern Art Museum at MMCA Deoksugung in Seoul. Texts by Kim Jonghun, Kim Inhye, an Bae Wonjung.ISBN: 9788963031880 Near fine, no signs of wear. Mark to bottom page edge.

Buch. Condition: Neu. Neuware -Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s.Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s. Through repetitive actions within a meditative painting practice, Nam creates a modern interpretation of golbeop ( )a classical principle of East Asian painting that emphasizes the structural vitality and life force of the brushstroke. His work organically bridges tradition and contemporaneity, craftsmanship and abstract form, and physicality and spirituality, while weaving together personal memory and collective cultural experience. The central formal elements of his practice are lines reminiscent of furrowed fields and architectural motifs, such as traditional lattice windows and rafters.Hartmann Books, Liststraße 28/1, 70180 Stuttgart 132 pp. Englisch, Koreanisch.

Buch. Condition: Neu. Neuware - Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s.Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s. Through repetitive actions within a meditative painting practice, Nam creates a modern interpretation of golbeop ( )a classical principle of East Asian painting that emphasizes the structural vitality and life force of the brushstroke. His work organically bridges tradition and contemporaneity, craftsmanship and abstract form, and physicality and spirituality, while weaving together personal memory and collective cultural experience. The central formal elements of his practice are lines reminiscent of furrowed fields and architectural motifs, such as traditional lattice windows and rafters.

Buch. Condition: Neu. Nam Tchun-Mo A Well That Never Dries | Wonjung Bae | Buch | 132 S. | Englisch | 2026 | Hartmann Books | EAN 9783960701408 | Verantwortliche Person für die EU: Hartmann Projects Verlag, Angelika Hartmann, Liststr. 28/1, 70180 Stuttgart, a[dot]hartmann[at]hartmannprojects[dot]com | Anbieter: preigu.

Buch. Condition: Neu. Neuware -Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s.Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s. Through repetitive actions within a meditative painting practice, Nam creates a modern interpretation of golbeop ( )a classical principle of East Asian painting that emphasizes the structural vitality and life force of the brushstroke. His work organically bridges tradition and contemporaneity, craftsmanship and abstract form, and physicality and spirituality, while weaving together personal memory and collective cultural experience. The central formal elements of his practice are lines reminiscent of furrowed fields and architectural motifs, such as traditional lattice windows and rafters. 132 pp. Englisch, Koreanisch.