Bill Hermann (29 results)

Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condition: Like New. Dust Jacket Condition: Like New. Royal Oak, 2011; signed by both authors; green paper covered boards; minimal shelf wear; illustrated jacket with minor wear; 8vo, 7 3/4" to 9 3/4" tall; interior is clean and unmarked; 104 pages. Signed by Author.

Paperback. Condition: Very Good. Don't Ride a Dinosaur into Your Battle for New Clients and Other Lessons for Leaders Who Want to Grow Their Business: Generating Revenue with Today's Marketing Tools and Practices This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Condition: New. pp. 151 Figures, Illus. (Mostly Col.), Maps.

Condition: New. pp. 151, Maps 1st Edition.

Paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condition: Good. - Quarto [11-1/4 inches high by 9-1/2 inches wide], softcover bound in pictorial wrappers. The wraps are rubbed & bumped. 76 & [4] pages. Profusely illustrated in color and in black, white & sepia. The page edges are slightly darkened. Good. Among the contents of this issue are "The Arctic Voyage of William Bradford", "Views of Japan: Photographs by Felix Beato", and "The Peasant Miners of Morococha: Photographs by Sebastian Rodriguez".

Hardcover. Condition: Brand New. 104 pages. 9.20x6.10x0.50 inches. In Stock.

PF. Condition: New.

Soft Cover. Condition: Very Good. Vol. 46, No. 4, July 1968. 183 pp. Plus pages numerous advertising pages. Incredible copy. Well bound with unmarked text save for occassional pen underlining. Page edges are mildly tanned. Paper cover has moderate wear save for worn edges and some small tears. Spine cover is tanned.

Hardcover. Condition: Fine. Dust Jacket Condition: Near fine. My World series. A Franklin Watts Library Edition. 32 p. 20 x 26 cm. B&w photos. Black hardcover in dustjacket. Small tears in jacket.

Hardcover. Condition: Brand New. 9.25x6.30x0.79 inches. In Stock.

303 pp.; 23.5 x 16 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed A history and survey of sound art by Alan Licht. Foreword by Jim O'Rourke. Artists include Harry Bertoia, François Baschet, Bernard Baschet, Jean Tinguely, Michael Snow, Alvin Lucier, Phill Niblock, Paul Panhuysen, Joe Jones, La Monte Young, Yasunao Tone, Hermann Nitsch, Bernhard Leitner, Annea Lockwood, Rolf Julius, Max Neuhaus, Akio Suzuki, Terry Fox, Maryanne Amacher, Charlemagne Palestine, Bill Fontana, Christina Kubisch, Brian Eno, Trimpin, Mike Kelley, Christian Marclay, Carl Michael von Hausswolff, Janet Cardiff, Michael J. Schumacher, Francisco Lopez, Stephen Vitiello, and Steve Roden. Includes a compilation CD with work by Bill Fontana, Steve Roden, Jean Dubuffet, Destroy All Monsters, Anthony Burr and Charles Curtis and Bernhard Gil. Includes artist's biographies, notes, index, and Audio CD Credits. Profusely illustrated in black-and-white and color. Fine. Contents clean and unmarked. Includes Audio CD. Due to large size and weight additional shipping charges will be required for international orders.

4°. 14 S., [2] Bl. u. 90 Tafeln in Kupfertiefdruck. Orig.-Leinenband mit illustr. Schutzumschlag. Auer 408. Bertolotti 150 f. Koetzle 67 f. The Open Book 160. Parr/Badger I, 216. Roth, The Book of 101 Books 160 f. - Erste französische Ausgabe des Klassikers der Aktfotografie, erschien zeitgleich mit den englischen und amerikanischen Ausgaben. - "The best example of the relationship that had now been established between art and eroticisim is Persctive of Nudes (1961) by the English photographer Bill Brandt. In the first part of the work, images of female nudes taken in the 1940s are shown in stifling Victorian interiors; they evoke the language of the cinema of the time, as well as the Surrealist aesthetic. . By contrast, the series of photographs tken in the 1950s for the second part . suggests the contemporary artistic experiments of Jean Arp and Henry Moore. This series revolutionizes the language of photography, and creates something absoletely new" (A. Bertolotti). - "Mortimer, whose writing here is crisp and clever, notes their formal inspiration in Henry Moore and Jean Arp, and points to Matisse and Picasso for models of voluptuous abstraction. But in the endcomparisons fail to convey Brandt's utter originality. "Very rarely are we able to free our minds of thoughts and emotions and just see for simple pleasure of seeing," he wrote in the introduction to his book 'Camera in London'. Brandt knew that freedom, and fully explored it here" (V. Aletti in Roth). - Schutzumschlag am Kapital mit kl. Einriß (mit Filmoplast überklebt), Exlibris, sehr gutes sauberes Exemplar. - First French edition of the classic of nude photography, published at the same time as the English and American editions. - Dust jacket with small tear at spine (pasted over with filmoplast), bookplate, very good clean copy. Sprache: französisch.

331 pp.; 28.9 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held the Bauhaus-Archive, Museum für Gestaltung, Berlin, February 9 - April 20, 1992. Texts by Klaus Weber, Peter Haffenden, Peter Hahn, Karsten Kruppa, Katja Schneider, Beate Manske, Helmut Erfurth, Thomas Heyden, Jutta Weber, and Karsten Hintz. Artists include August Agatz, Josef Albers, Waldemar Alder, Alfred Arndt, Carl Auböck, Gerd Balzer, Max Bill, Heinrich Siegfried Bormann, Marianne Brandt, Hin Bredendieck, Marcus Leser Bronstein, Maria Cyrenius, Christian Dell, Hermann Gautel, Walter Gropius, Lawrence H. Haase, Erika Hackmack, Walter Hartstang, Walther Erich Heller, Walter Holzhausen, Johannes Itten, Martin Jahn, Carl Jakob Jucker, Paul Klee, Josef Knau, Alfred Kopka, Max Sinowjewitsch Krajewski, Alfred Lipovac, Friedrich Marby, Erich Markiewiz, Erika Marx, Gerda Marx, Adolf Meyer, Laszlo Moholy-Nagy, Gyula (Julius) Pap, Hans Pistorius, Josef Pohl, Hans Przyrembel, Paul Reindl, Otto Rittweger, Wolfgang Rössger, Wilhelm Schabbon, Alfred Schäfter, Oskar Schlemmer, Herbert Schröter, Lili (Elisabeth) Schultz, Helmut Schulze, Rudolf Schwarz, Naum (Nachman Julius) Slutzky, Otto Umbehr, Gerhard Vallentin, Wilhelm Wagenfeld, Elisabeth Winkelmayer, Richard Winkelmayer, Willi Wirths, and Werner Zimmermann. Includes biography, Bauhaus chronology, bibliography. Text in German. Very Good. Light rubbing of covers and cover edges with wear at top edge of spine. Yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Großfoto (4°), eigenhändig signiert mit persönlicher Widmung (auf seinem Boot) See you, Hilde.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1897 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 48 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: German.

Hermann Zapf.Manuale Typographicum: 100 Typographical Arrangements with Considerations About Types, Typography and the Art of Printing Selected from Past and Present, Printed in Eighteen Languages. New York: Z-Presse Frankfort, 1968. Limited edition, No. 204 of 975 numbered copies. Signed by Herman Zapf, with additional Inscription to Bill Wittliff: "For Bill Wittliff in recognition of his taste / and care in producing fine editions / Hermann Zapf / Austin, April 23, 1970." Quarto. [118]pp (indexed). Fully illustrated, with typographic examples by Zapf. Publisher's quarter parchment over brown silk-covered boards, spine and front cover lettered in gilt, original unclipped dust jacket. With two small prints signed by Zapf laid-in. From the collection of Bill Wittliff, highly regarded book designer, typographer, photographer and screenwriter from Austin Texas, founder of the Encino Press. . Spine foxed and toned; light sunning to board edges; jacket toned, creased, and chipped. Very good.

Hermann Zapf.Typographic Variations Designed by Hermann Zapf on Themes in Contemporary Book Design and Typography in 78 book and Title Pages. New York: Museum Books, 1964. Limited edition, No. 498 of 500 numbered copies. Signed by Herman Zapf, with additional Inscription to Bill Wittliff: "For Bill Wittliff with best regards / Hermann Zapf / Austin, April 23, 1970." Quarto. [78]pp + 4pp notes. Fully illustrated, with printed and mounted typographic examples by Zapf. Publisher's quarter parchment over green paper-covered boards, spine lettered in gilt, original unclipped dust jacket. With two pamphlets laid-in, one signed by Zapf. From the collection of Bill Wittliff, highly regarded book designer, typographer, photographer and screenwriter from Austin Texas, founder of the Encino Press. . Spine slightly foxed and toned; jacket lightly creased and soiled. Very good.