Charles E Brock Illustrator (18 results)

Hardcover. Condition: As New. GIFT QUALITY 1979 U.K. hardcover with dust jacket protected by a Brodart jacket cover. UNREAD COPY is clean and bright inside and out with sharp edges and corners and no tears. This is NOT an ex-library book. NOT corner-clipped (retains the original UK cover price on the front jacket flap). A very nice copy! 1979 facsimile reprint of the 1929 Macmillan original. W.S. Gilbert's stage play, interspersed with both black-and-white and colour illustrations by W. Russell Flint and Charles E. Brock.…

Condition: Good. Good condition. No Dust Jacket No. 32 - Kings Treasuries of Literature series. Owner's name on endpage. (Ebenezer Scrooge).

Hardcover. Condition: Fine. None. Original green gilt flower motif-decorated cloth with gilt-decorated spine and gilt top foreedge. An unusually well preserved copy in gleaming gilt. Issued separately as part of a three-volume series.

Hardcover. Condition: Very Good. None. All Brock plates present. A tight copy, unmarked and whole. Out of print and uncommon.

Hardcover. Condition: Very Good. None. First Edition. Very good- (very lightest top edge stain). First in the annual Cuneo Press Christmas Book series, with 42 illustrations by Caldecott on quality Linweave paper. Limited to 1000 copies, this volume includes Mr. Pickwick's Christmas and other classic selections. A very presentable copy in the red leather labels. Illustrated by Randolph Caldecott illus. First edition. Binding is Cloth Bds.…

Condition: Very Good. Hard back binding in publisher's original illustrated russet cloth covers, orange title and author lettering to the spine and to the front cover. 8vo. 7½'' x 5¼''. Contains [xvi] 251 printed pages of text + 16 page catalogue with colour frontispiece. Prize plate dated 1924, sporadic foxing and in Very Good condition, no dust wrapper. Member of the P.B.F.A. STORIES FOR GIRLS. …

First Edition. Very good copy in the original gilt-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Some light foxing to prelims. Remains well-preserved overall. Physical description: xx, 687 pages, 16 unnumbered leaves of plates : color plates ; 24 cm. Genres: Fiction. Illustrated text. 1 Kg. …

First Edition. Very good copy in the original gilt-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Some light foxing to prelims. Remains well-preserved overall. Physical description: xx, 687 pages, 16 unnumbered leaves of plates : color plates ; 24 cm. Genres: Fiction. Illustrated text. 1 Kg. …

Hardcover. Condition: Very Good. Publisher's decorated white cloth binding with gilt top edge, other edges untrimmed, with illustrations (including 8 colour) by C.E. Brock. viii, 158 pages ; 18 cm. Shelfwear to cover, slight lean to spine, offsetting to endpapers, no inscriptions. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Condition: Very Good. Hard back binding in publisher's original rich scarlet cloth covers, black title, author lettering and small illustrations to the spine and to the upper panel, illustrated end papers. 8vo. 8'' x 6''. Contains [xvi] 310 printed pages of text with colour plates, monochrome illustrations, and headers and tailpieces throughout. Neat ink name to the front free end paper dated 1937, very light foxing to the closed page edges, spin not faded, corners sharp and pointed and in very Good clean and fresh condition, no dust wrapper. Member of the P.B.F.A. NINETEENTH CENTURY.…

Original Cloth Boards. Condition: Very Good. No Dust Jacket. Second Edition; Second Impression. Some fading to front cover. Corners mildly scuffed with head & tail of spine gently bumped. Small tear on hinge-side end-papers. Some foxing & browning. Crease on page 15. Small hinge crack (3.5 cm) on page 81. Some crease & presaure on stitched hinges.; [Association Copy] Signed by author with dedication to Robert Loraine reading "To Rpobert Loraine, Wishing that he might like my work half as much as I like his! Kate Douglas Wiggin (Mrs George Riggs) London, After "Cyrano" Tuesday Sept. 2nd 1919" (Gifted by the author to Robert Loraine after his performace as Cyrano in Cyrano de Bergerac a few years before her death) Dedication & signature verified by noted scholar on the subject Dr. Rowena Edlin-White. Originalgreen cloth boards with ornate blind-stamped cover depicting elaborate floral & scroll work bordered by Scottish thistles. Blind-stamped design continues on spine, with gilt lettering. Back cover has blind-stamped floral design. Illustrations throughout including frontispiece, chapter head-pieces &; 301 pages.…

Illustrated edition; 8vo; frontispiece and illustrations by C.E. Brock, 16pp. advertisements, some foxing to early leaves; publisher's green cloth elaborately blocked in gilt with thistles, roses, hearts and scrolls decorations, gilt edges, overall very good. An attractive edition of this charmingly illustrated insight into English life in the 19th century.…

First illustrated edition; 8vo; frontispiece and illustrations by C.E. Brock, 16pp. advertisements, some foxing to early leaves; publisher's green cloth elaborately blocked in gilt with shamrocks, hearts and scrolls decorations, gilt edges, hinges pulling slightly, overall very good. An attractive edition of this charmingly illustrated insight into Irish life in the 19th century.…

[English Literature] FIRST DENT EDITION with colour illustrations fully revised by Charles Brock for this edition. Small octavo (20 x 13cm), pp.xiv; 336. With twenty-four colour plate illustrations, including a frontispiece, by Charles Brock. Publisher's original pale green cloth with gilt titles and elaborate gilt tooling to spines and uppers, decorative endpapers printed in green; top edge gilt, others untrimmed. Contents clean, no inscriptions, bookplate of Phyllis Logan (possibly the 'Downton Abbey' actress), endpapers toned as usual. Discreet, near-invisible mend to gutters, covers remain bright, minor dustiness to rear board. The timeless tale of the incisive Lizzie Bennett and the incorrigible Mr. Darcy, navigating what first seems to them a miserable acquaintance but eventually a well-earned romance.…

Charles Dickens' Christmas Books Illustrated by Charles Edmund Brock DICKENS, Charles. BROCK, C.E., illustrator. Christmas Books. With Illustrations by C.E. Brock. London: J.M. Dent, 1905-1909. Five small octavo volumes (7 x 4 1/2 inches; 178 x 114 mm.). With a total of forty color plates and forty-eight illustrations in the text by Charles Edmund Brock. Full vellum, covers and spine elaborately decorated and lettered in gilt, top edge gilt, others uncut. Boards slightly splayed, otherwise a fine set. Bookplate of Ernest Gould Williams on front paste-down of first volume. The titles: A Christmas Carol The Haunted Man The Battle of Life The Cricket on the Hearth The Chimes Following the overwhelming success of A Christmas Carol in 1843, Dickens embarked upon the Christmas Books project, seeking to marshal "the Carol philosophy . in order to strike a sledgehammer blow" for England's lower classes. He continued publishing the Christmas Books throughout the 40s, and the stories became mainstays of Dickens's public reading tours of the 1850s and 1860s. C[harles]. E[dmund]. Brock (1870-1938) was a widely published English line artist and book illustrator who earned his first book commission at age twenty. He became a very successful illustrator, best known for his line work, initially in the tradition of Hugh Thomson, but he was also a skilled colorist. Brock's work varied with the sort of story he was illustrating, some of it refined and described as "sensitive to the delicate, teacup-and-saucer primness and feminine outlook of the early Victorian novelists," while other work was "appreciative of the healthy, boisterous, thoroughly English characters," i.e. soldiers, rustics, and "horsey types." Other illustrations were grotesqueries drawn to amuse children looking at or reading storybooks.…

Condition: Fine. Second edition. Two volumes bound in one, small octavo (6 15/16 x 4 1/16 inches; 177 x 103 mm.). xxii, 294, [1, imprint], [1, blank];, xii, 254, [1, imprint], [1, blank] pp. Two engraved frontispieces and one hundred and sixty-two black & white illustrations, including decorative head and tailpieces, all by Charles E. Brock. Bound ca. 1906 in a fine pastel "vellucent" binding by Cedric Chivers (stamp-signed in gilt on rear lower turn-in), with a delicately hand-painted 'Art Nouveau' floral design. This binding is No. LXXXV on page 34 of the Cedric Chivers catalog "Books in Beautiful Bindings." The front cover with three red flowers and a green vine design enclosing the title "The Essays And The Last Essays of Elia. Charles Lamb". Lower cover with a similar design but with just one red flower. Smooth spine similarly decorated and lettered in watercolor and gilt, gilt ruled turn-ins, mottled pale-green liners and end-papers, all edges gilt. Neat ink inscription dated "Xmas 1906" on front blank. A very fine example housed in the original fleece-lined, green cloth slipcase (missing the movable spine panel). Patented in 1898, Chivers's "vellucent" bindings departed from traditional methods of creating hand-painted vellum bindings. The usual approach was to merely bind a book in vellum and then paint on a design, but this is prone to rubbing and flaking and such examples are often now found chipped and deteriorated. In the 18th century Chivers's great predecessor, Edwards of Halifax, painted in reverse on the underside of translucent vellum, thereby providing a layer of protection for the design. His technique was not widely copied and almost vanished with his death, and it was not until the 1890s that Chivers developed his own similar method for protecting the design underneath the vellum itself - the backing sheet of the vellum was painted, which was then covered in vellum which had been shaved to transparency. The vellum was then tooled in gilt, on occasion incorporating additional mother-of-pearl and onlays. The books which Chivers thus bound have always been a favorite of collectors, and usually still present well, the vellum having served its purpose of protecting the design for many decades, as Chivers intended. Chivers was also known to have employed a great many craftswomen at his bindery in Portway: "forty women for folding, sewing, mending, and collating work, and in addition, five more women worked in a separate department, to design, illuminate, and colour vellum for book decoration, and to work on embossed leather. These five were Dorothy Carleton Smyth, Alice Shepherd, Miss J.D. Dunn, Muriel Taylor, and Agatha Gales" (Tidcombe). This book brings together Charles Lamb's Essays of Elia (first published in 1823) with the subsequent volume Last Essays of Elia (issues in 1833). The accessible and conversational essays were published under the pseudonym Elia, inspired by an Italian man that Lamb had known at the South Sea House, and had appeared serially in The London Magazine between 1820 and 1825. Despite his struggles with mental illness, Charles Lamb (1775-1834) would be celebrated for his literary contributions, producing a range of material from essays to poems. Lamb belonged to an active literary circle which included Percy Bysshe Shelley and Lord Byron. Fine.…

Condition: Near Fine. Fifth edition. Two volumes bound in one, small octavo (180 x 105 mm.). xxii, 294, [1, imprint], [1, blank];, xii, 254, [1, imprint], [1, blank] pp. Two engraved frontispieces and one hundred and sixty-two black & white illustrations, including decorative head and tailpieces, all by Charles E. Brock. Bound ca. 1905 by Cedric Chivers (stamp-signed in gilt on rear lower turn-in). Bound in handsome green morocco with decorative gilt floral patterns on the front board encircling a "vellucent" title label. Spine with gilt titles and art nouveau floral pattern. All edges gilt, pale green end papers. Spine toned, previous owner's gift inscription on the first blank, otherwise a fine copy overall. Patented in 1898, Chivers's "vellucent" bindings departed from traditional methods of creating hand-painted vellum bindings. The usual approach was to merely bind a book in vellum and then paint on a design, but this is prone to rubbing and flaking and such examples are often now found chipped and deteriorated. In the 18th century Chivers's great predecessor, Edwards of Halifax, painted in reverse on the underside of translucent vellum, thereby providing a layer of protection for the design. His technique was not widely copied and almost vanished with his death, and it was not until the 1890s that Chivers developed his own similar method for protecting the design underneath the vellum itself - the backing sheet of the vellum was painted, which was then covered in vellum which had been shaved to transparency. The vellum was then tooled in gilt, on occasion incorporating additional mother-of-pearl and onlays. The books which Chivers thus bound have always been a favorite of collectors, and usually still present well, the vellum having served its purpose of protecting the design for many decades, as Chivers intended. Chivers was also known to have employed a great many craftswomen at his bindery in Portway: "forty women for folding, sewing, mending, and collating work, and in addition, five more women worked in a separate department, to design, illuminate, and colour vellum for book decoration, and to work on embossed leather. These five were Dorothy Carleton Smyth, Alice Shepherd, Miss J.D. Dunn, Muriel Taylor, and Agatha Gales" (Tidcombe). This book brings together Charles Lamb's Essays of Elia (first published in 1823) with the subsequent volume Last Essays of Elia (issues in 1833). The accessible and conversational essays were published under the pseudonym Elia, inspired by an Italian man that Lamb had known at the South Sea House, and had appeared serially in The London Magazine between 1820 and 1825. Despite his struggles with mental illness, Charles Lamb (1775-1834) would be celebrated for his literary contributions, producing a range of material from essays to poems. Lamb belonged to an active literary circle which included Percy Bysshe Shelley and Lord Byron. Near Fine. …

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1901. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol:- Volume v.2, Pages:- 258, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume v.2 258 258.…