Crome John (24 results)

No Binding. Condition: VG. Sized 6.5 x 9.5 inches, engraved by Cole after the Crome painting, salvaged from a damaged issue of The Century Illustrated Monthly Magazine, Volume LIX, No. 1, November, 1899. John Crome / T. Cole, Engraver (illustrator).

Hardcover. Condition: Very Good. 1st Edition. The Batsford Book of Romantic Poetry Edited by Samuel Carr London: B.T. Batsford Ltd., 1982. First edition. Hardcover, original brick-red cloth with gilt lettering to the spine. Dust jacket present. 124 pages (including preliminaries and indexes), with 4 colour plates and numerous black-and-white illustrations throughout. Illustrated endpapers. 8vo (approximately 23 × 14 cm / 9 × 5½ inches). ISBN 0 7134 3903 3 / 9780713439038. Includes indexes of poets and artists. This handsomely produced Batsford anthology brings together poems of the Romantic period with the paintings and drawings that so often shared the same subjects and sensibility. The double aim, set out in the introduction, is both to give pleasure through the juxtaposition of memorable (and sometimes unfamiliar) verse and pictures, and to show how closely the poets and painters of the age responded to the same themes: night and nightmare, storm-lashed coasts, ruined abbeys, moonlight, the Lakes, the Alps, and the Italian landscape. Wordsworth's Tintern Abbey appears alongside views by Turner, Girtin and Crome; Shelley's The Cloud is paired with Constable; Byron and de Loutherbourg share stormy coastal scenes; Erasmus Darwin and Henry Fuseli are both preoccupied by the night-mare; and the Lakes, Alps and Italy recur throughout. The colour plates include works after William Blake (Thus wept the Angel voice… from America), Francis Towne (The Source of the Arveiron), John Constable (Stonehenge), and J.M.W. Turner (The Devil's Bridge, St Gothard — a detail of which also forms the striking jacket illustration, supplied by Thomas Agnew & Sons). Black-and-white reproductions throughout feature further works by Joseph Wright of Derby, James Ward, Henry Fuseli, John Crome, John Constable, George Barret Jnr, Thomas Girtin, J.C. Buckler, Edward Burney, John Martin, Samuel Palmer, and others. Front and back endpapers reproduce watercolours and paintings by J.S. Cotman and P.J. de Loutherbourg respectively. About the editor Samuel Carr (1913-) was a successful and prolific British editor of illustrated poetry anthologies, almost all published by Batsford. His other titles include The Poetry of Cats (1974), Birds, Beasts and Fishes, The Poetry of Childhood, The Poetry of Birds, The Poetry of Horses, The Poetry of Railways, Hymns as Poetry (with a preface by John Betjeman), The Batsford Book of Country Verse, and later volumes such as Ode to the Countryside and Ode to Flowers. He specialised in carefully chosen thematic collections that paired verse with fine reproductions of related art, producing attractive, accessible books that remain popular with collectors of both poetry and illustrated volumes. Condition (based on the copy shown) Book: Very Good. Clean, bright cloth boards with only light shelf-wear; tight binding; pages clean and unmarked, with the illustrations crisp. No significant foxing or inscriptions noted. Dust jacket: Very Good. The Turner jacket design is intact and attractive, with only minor edge-wear and light shelf-rubbing; protected or unclipped as applicable. The volume presents very well and is a strong, attractive copy of this first edition. A pleasing example of Batsford's characteristic illustrated poetry anthologies, offering both literary and visual enjoyment of the Romantic period. George Barret Jnr., J. Barnett, William Blake, J.C. Buckler, Edward Burney, John Constable, J.S. Cotman, David Cox, J.R. Cozens, John Crome, Francis Danby, Thomas Doughty, Henry Fuseli, Thomas Girtin, W.H. Hunt, P.J. de Loutherbourg, John Martin, S.Palmer (illustrator).…

Loose Leaf. Condition: New. Reproduction. Original title: Wooded Landscape German: Bewaldete Landschaft French: Paysage boisé Spanish: Paisaje arbolado High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (ca. 1812). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Road Scene, Heathersett German: Straßenszene, Heathersett French: Scène routière, Heathersett Spanish: Escena del camino, Heathersett High-quality fine-art reproduction based on an original work from the Artic. Creation period: 19th century (1812). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Front of the New Mills German: Vorderseite der neuen Mühlen French: Devant les nouveaux moulins Spanish: Frente de los Nuevos Molinos High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1813). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Back of the New Mills, Norwich German: Rückseite der neuen Mühlen, Norwich French: Retour des nouveaux moulins, Norwich Spanish: Back of the New Mills, Norwich High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1812). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Condition: New. Reproduction. Original title: Landscape with Oak Trees German: Landschaft mit Eichen French: Paysage avec chênes Spanish: Paisaje con árboles de roble High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (ca. 1812). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Condition: Very Good. 6 pages, with illustrations. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 24 x 29 cms. Category: The Connoisseur; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Condition: Very Good. This is an original antique print of A Windmill near Norwich (c.1816) by John Crome, held in the National Gallery, London. It is taken from Les Grands Musées du Monde - La National Gallery, a part-work on the National Gallery's collection published by Pierre Lafitte et Cie under the direction of Armand Dayot, Inspecteur general des Beaux-Arts. The print is glued along its top edge to its original grey paper publication page. Condition: Very good but due to age minor defects possible. Page Size: 11x8" Print Size: 7x5" (Sizes are approximate).…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Two oversized hardcovers with DJ. Cream canvas bindings with gold lettering on spines. Some foxing on both front cover bindings. Pictorial dust jackets are in very good condition, still glossy, with some bumping on top of spine of Volume II. Both volumes have some foxing along fore-edges. Volume I contains mostly text and critical cataloguing of the works of artist John Crome the Elder. Includes a few high-quality color reproductions of artworks. Volume II contains black and white reproductions of artworks on every page. Bindings good and tight. Pages clean and square. Since these are oversized books, extra shipping will be required.…

Hardcover. Condition: FINE CONDITION. Dust Jacket Condition: NEAR FINE DUST JACKET. First Edition, First Printing. //NO REMAINDER MARK//NO PREVIOUS OWNER MARKS OF ANY KIND (no names or inscriptions, no bookplate, no underlining, etc) //NOT PRICECLIPPED// NEW MYLAR COVER//. John Crome (illustrator).

No Binding. Condition: Very Good. A fine print of an engraved portrait. Mounted and ready to frame. A fine opportunity to purchase a portrait of this eminent personage.

SOFTCOVER. Condition: Fine. 1st Edition. Quarto size (4to) in stiff card covers, unpaginated, approx. 40pp text plus 12pp plates . [CONDITION: An extremely well preserved FINE very clean and tight unmarked copy (name on verso of front cover) ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Two volumes. The catalogue raisonne. 16 color and 243 b&w plates. Large 4to, publisher's cloth. Fine in fine djs.

Leinen. Condition: Sehr gut. 321+166 S., 29 cm Zustand:2 Bücher, Leineneinband mit Schutzumschlag, sehr guter Zustand, ein SU mit hinterlegtem Einriss an der oberen Ecke --- Inhalt: 1.Text and critical catalogue, 2.Illustrations WO1-1 Sprache: Englisch Gewicht in Gramm: 2600.

Hardcover. Condition: Very Good. 1st Edition. First Edition ( 'First Published in 1921' ). 52 Plates, all accounted for. Once listed, this will be the Only original copy for sale anywhere on the Internet. Happily, the book is in very nice condition. You can see the covers in the photos. The gilt lettering on both the front and spine is nicely bright. There are 2 tiny tears off the top edge of the spine. There is some superficial scratching, mostly on the rear cover where there's also some color variance. The cover edges are in very solid shape, no rub-through. Surprisingly, the same can be said for the cover corners. Quite positively, the book is very solidly bound from cover to cover. I turned over every page. There are no cracks or spaces between any of them or between either cover and any page. The covers are nicely, tightly bound. The pages are in excellent condition. Exceptionally clean, I found only two text pages and two Plates with some spotting off their top edge, not reaching the print (the second blank front and rear end papers also have a little spotting off their top edges). Creasing is not an issue. I didn't see any tears. There are no markings. No attachments of any kind. Two pen jags on margin of one page, no other writing anywhere in the book. The frontispiece (which looks great) is protected by a tissue guard in very good shape. The plates are all in Very good condition. Two early text pages have a speck-sized loss at the tip of their top corners. The top page edge is gilt. It looks very good, very shiny. The middle and bottom page edges are deckled or rough-cut, but only some of the bottom edges actually appear rough-cut. Only the text pages are numbered, 206 in total. The very extensive Appendixes (A-F) begin at page 75. A Bibliography and an Index of Names and Pictures bring the book to a close. Eleven of the plates are bound within the Appendixes. 'John Crome, once known as Old Crome to distinguish him from his artist son John Berney Crome, was an English landscape painter of the Romantic era, one of the principal artists and founding members of the Norwich School of painters. He lived in the English city of Norwich for all his life. Most of his works are of Norfolk landscapes. In 1803 Crome and Robert Ladbrooke formed the Norwich Society of Artists, a group that also included Robert Dixon, Charles Hodgson, Daniel Coppin, James Stark and George Vincent. Their first exhibition was in 1805; it marked the start of the Norwich School of painters, the first art movement created outside London. Crome contributed 22 works. He served as President of the Society several times and held the position at the time of his death. He exhibited 13 works at the Royal Academy between 1806 and 1818. He visited Paris in 1814, following the defeat of Napoleon, and later exhibited views of Paris, Boulogne, and Ostend. Crome's work is in the collections of public art galleries, including the Tate Gallery and the Royal Academy in London, and the Castle Museum in Norwich. His works, renowned for their originality and vision, were inspired by direct observation of the natural world combined with a comprehensive study of old masters.' 'Charles Henry Collins Baker was an English art historian and painter. He exhibited at the Royal Academy and at the New English Art Club. In 1911, he became the art critic for the Saturday Review as well as an assistant and secretary to Sir Charles Holroyd, Director of the National Gallery. While working at the Gallery he befriended E. M. Forster, who was working there as a cataloguer and guard. In 1912, Collins Baker wrote Lely and the Stuart Portrait Painters, considered to be his most important book; Ellis Waterhouse called it the 'last great scholarly monument' of 'the last great age of the self-taught scholar in England.' He retained his post of Keeper of the National Gallery when Charles Holmes succeeded Holroyd as Director in 1916. Collins Baker and Holroyd have been described as the 'driving forces of the Gallery' of that period.'. John Crome (illustrator).…

Soft cover. Condition: Very Good. 4to. Pp 46 with 10 b/w plates. Pictorial card covers, yapp edges. Scattered foxing throughout, ow a nice copy. An exhibition of 123 oil paintings and water colour drawings etc to mark the centenary of the death of the Norfolk landscape artist John Crome. With an appreciation by Laurence Binyon. VG.…

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 78. A perfect gift for your loved ones. Reprinted from 1921 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 78.…

Hardcover. Condition: As New.

Hardcover. Condition: As New.

Condition: Fair. Grade: Fair. Est. Dimension: Approximately (10" x 8" (inches)) Year Printed: 1988 Director: John Crome Original: Yes Shipped: Flat Product & Description Synopsis: The Movie tells the story of a successful businesswoman who craves love and seeks fulfillment through brief flirtations and unsatisfactory sexual liaisons. (Drama) Condition Specifics: Movie stills are in fair condition. There may be small scuffs to edges, scuffing more damage than would be expected in specific areas, all the stills have fold marks, see photos. But overall the movie stills are in good condition for age. Please carefully inspect images before purchasing whilst remembering all stills are original and therefore used. This is for 4 stills, glossy black and white. 4 Photo stills Photo 4 this still has some discolouration Shipping: All items are professionally packaged to ensure zero damage, in the unlikely case that your items arrive damaged please do get in touch so we can help resolve the matter.…

Original 19th-century engraving of a cottage hidden in the thickets of a woodland glade, barely visible behind the ivy, with a walker and his dog on the path. Engraved by J. H. Kernot after a painting by John Crome. Lettered below: The Glade Cottage. London, George Virtue. John Crome (1768-1821), Old Crome, founded the Norwich School, the first landscape school to form outside London, and was one of the most admired painters of trees in English art. The engraving reproduces one of his most characteristic subjects. Medium: Steel engraving. Artist / after: John Crome. Engraver: J. H. Kernot. Publisher: George Virtue, London. Date: 19th Century. Dimensions: 8.0 x 10.8 in (20.2 x 27.5 cm). Condition: Good condition, with wide margins. Slight toning of the paper and the odd isolated foxing spot. Español Grabado calcográfico original del siglo XIX con una casa oculta entre la espesura de un claro del bosque, apenas visible tras la hiedra, y un caminante con su perro en el sendero. Grabado por J. H. Kernot sobre un cuadro de John Crome. Al pie: «The Glade Cottage. London, George Virtue». John Crome (1768-1821), «Old Crome», fue el fundador de la Escuela de Norwich, la primera escuela paisajista formada fuera de Londres, y uno de los pintores de árboles más admirados de la pintura inglesa. El grabado reproduce uno de sus temas más característicos. Técnica: Grabado calcográfico (talla dulce sobre acero). Autor / dibujante: John Crome. Grabador: J. H. Kernot. Editor: George Virtue, Londres. Fecha: Siglo XIX. Medidas: 20,2 x 27,5 cm. Estado de conservación: Buena conservación, con amplios márgenes. Leve amarilleo del papel y algún punto de foxing aislado. Antigüedades y coleccionables > Arte. Kernot, J. H. (illustrator). …

Condition: Gut. Titelblatt, Porträt von John Crome, 16 Ansichten, 1 zusätzliches Blatt (Plate 1. Landscape with figures) Die Leinenmappe trägt den Aufdruck "Sketches of John Crome". Mappe berieben und bestoßen, eine Flügelklappe lose, Mappe außen mit alten Feuchtigkeitsschäden, fleckig, teilweise mit Einrissen, Vorsatzpapier teilweise ausgerissen. Die Tafeln selbst, bis auf vereinzelte Fleckchen gut erhalten. Die Beigabe hat ein etwas kleineres Format. Sehr seltene Mappe. Nicht in BMC. Enthält : Porträt John Crome's, A Sketch, Back of the new mills, Front of the new mills, At Cringleford, Near Hingham, A Sketch (2 Bilder übereinander), A Sketch, Mouthehold heath, A Sketch, Road Scene Heathersett, A Marlingford, At Colney, At Hackford, At Bwaburgh und a sketch, Near Hingham und Woodrising, At Trowse plus der Beigabe. Sprache: Deutsch Gewicht in Gramm: 770 Leinenflügelmappe mit goldgeprägten Titel, ca. 26,4 x 38 cm.…

LeatherBound. Condition: NEW. LeatherBound edition. Condition: New. Reprinted from (1769) edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 410.…