Faisst Julia (19 results)

hardcover. Condition: New. 1st.

Condition: Neu. 247 Seiten B02-01-01B Sprache: Englisch Gewicht in Gramm: 700 8° 14,0 x 1,9 x 21,0 cm, Gebundene Ausgabe.

Dt. Erstausg., 2., überarb. Aufl. 368 S. Zustand: Sehr gut, neuwertig. - Bereits 1946 nahm der in Lettland geborene nicht amerikanische prachpsychologe David Boder in Europa mit einem hochmodernen Drahttongerät über 100 Gespräche mit jüdischen und nichtjüdischen Überlebenden von Vernichtungspolitik, Konzentrationslagern und Kriegswirren auf. Die acht für diesen Band ausgewählten und zum Teil original auf deutsch geführten Interviews stellen damit eine der allerfrühesten Sammlungen von Nachkriegszeugenaussagen dar. Während Boder Frauen und Männer aus Deutschland, Frankreich, Polen und Estland von ihren bewegenden Lebenserfahrungen berichten lässt, gelingt es ihm, ihre noch frischen Erinnerungen und Emotionen in ihren eigenen Stimmen präzise aufzuzeichnen. So sind die traumatischen Spuren des Erlebten der oft verstörenden Sprache der Interviews prägnant eingeschrieben. Zusammen mit der von Boder entwickelten Trauma-Theorie kann dieser Beitrag zur Holocaust-Forschung als ungewöhnlich früher Versuch einer Erinnerungsund Medienforschung gelten. ISBN: 9783825360672 Sprache: Deutsch Gewicht in Gramm: 687 Gr. 8° (24x16cm), Hardcover/Pappeinband.

Condition: Neu. Photography, Race, and Modern American Literature. Emancipation, both in aesthetic and political terms, was the decisive aim of modernist authors in the United States. 'Cultures of Emancipation' investigates how black and white writers from the 1860s to 1945 (Frederick Douglass, Harold Frederic, Henry James, Gertrude Stein, Jean Toomer, and Charles Chesnutt) enlisted photography to set themselves free, politically and artistically. In the face of personal and historical crises such as Abolitionism and the Great Migration, they turned to photography to abolish slavery, obtain equal rights, and refashion themselves as writers of an era that would become dominated by images. Photography served as the thematic, structural, and conceptual fulcrum of modernist literature. Reading interdisciplinary modernism across the color line, this is the first study to place photography at the center of both black and white literary modernism. At the intersection of literary and visual studies, race studies, and cultural history, 'Cultures of Emancipation' shows how vital photography was to the rise and development of modernist literature as well as the aesthetics and politics of modern selfhood. 247 Seiten mit 28 Abb., gebunden (American Studies - A Monograph Series; Vol. 228/Universitätsverlag Winter 2012). Früher EUR 42,00. Gewicht: 372 g - Gebunden/Gebundene Ausgabe.

Condition: New.

Hardcover. Condition: new. Hardcover. Emancipation, both in aesthetic and political terms, was the declared aim of modernist US authors. 'Cultures of Emancipation' investigates how writers from the 1860s to 1945 (Frederick Douglass, Harold Frederic, Henry James, Gertrude Stein, Jean Toomer, Charles Chesnutt) enlisted photography to set themselves free, politically and artistically. In the face of decisive personal and historical crises such as Abolitionism and the Great Migration, they turned to photography to abolish slavery, obtain equal rights, and refashion themselves as writers of an era that would become dominated by images. Acknowledging that interdisciplinary modernism reaches across the color line, this is the first study to place photography at the center of both black and white modernist literature. Situated at the intersection of literary and visual studies, race studies, and cultural history, it shows how vital photography was to the rise and development of literary modernism - serving as its thematic, structural, and conceptual fulcrum. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Condition: New. 2012. Hardcover. . . . . .

Condition: New. 2012. Hardcover. . . . . . Books ship from the US and Ireland.

Condition: Hervorragend. Zustand: Hervorragend | Seiten: 270 | Sprache: Englisch | Produktart: Bücher | Picturing America argues that photography is a prevalent practice of making places, determining how we situate ourselves in the world. As a prime site of knowledge and change, it enacts our perception as well as transformative conception of American environments.

Condition: Neu. Hrsg. von Julia Faisst, Alan Rosen und Werner Sollors. Mit einem Nachwort von Alan Rosen. Acht Interviews, die der Psychologe bereits 1946 mit Überlebenden der Vernichtungspolitik führte und 1949 auf Englisch publizierte - teils in ihrer ursprünglichen deutschen Fassung. Boders Gesprächsaufzeichnungen stellen eine der allerfrühesten Sammlungen von Nachkriegszeugenaussagen dar. Während Boder Frauen und Männer aus Deutschland, Frankreich, Polen und Estland von ihren bewegenden Lebenserfahrungen berichten lässt, gelingt es ihm, ihre noch frischen Erinnerungen und Emotionen in ihren eigenen Stimmen präzise aufzuzeichnen. So sind die traumatischen Spuren des Erlebten der oft verstörenden Sprache der Interviews prägnant eingeschrieben. Fünf der acht 1949 in englischer Fassung publizierten Interviews wurden auf deutsch geführt und erscheinen nun zum ersten Mal in ihrer ursprünglichen Fassung. 2., überarbeitete Auflage. 368 Seiten, gebunden (Universitätsverlag Winter 2012). Früher EUR 25,00. Gewicht: 693 g - Gebunden/Gebundene Ausgabe.

Hardcover. Condition: new. Hardcover. Emancipation, both in aesthetic and political terms, was the declared aim of modernist US authors. 'Cultures of Emancipation' investigates how writers from the 1860s to 1945 (Frederick Douglass, Harold Frederic, Henry James, Gertrude Stein, Jean Toomer, Charles Chesnutt) enlisted photography to set themselves free, politically and artistically. In the face of decisive personal and historical crises such as Abolitionism and the Great Migration, they turned to photography to abolish slavery, obtain equal rights, and refashion themselves as writers of an era that would become dominated by images. Acknowledging that interdisciplinary modernism reaches across the color line, this is the first study to place photography at the center of both black and white modernist literature. Situated at the intersection of literary and visual studies, race studies, and cultural history, it shows how vital photography was to the rise and development of literary modernism - serving as its thematic, structural, and conceptual fulcrum. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New. &Uumlber den AutorKerstin Schmidt Ph.D. (Freiburg 2005) and P.D. (Munich 2010), is Professor of English and Chair of American Studies at the Catholic University of Eichstaett-Ingolstadt, Germany. Julia Faisst, Ph.D. (Harvard U.

Buch. Condition: Neu. Neuware - Picturing America: Photography and the Sense of Place argues that photography is a prevalent practice of making American places. Its collected essays epitomize not only how pictures situate us in a specific place, but also how they create a sense of such mutable place-worlds. Understanding photographs as prime sites of knowledge production and advocates of socio-political transformations, a transnational set of scholars reveals how images enact both our perception and conception of American environments. They investigate the power photography yields in shaping our ideas of self, nation, and empire, of private and public space, through urban, landscape, wasteland and portrait photography. The volume radically reconfigures how pictures alter the development of American places in the past, present, and future.

hardcover. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condition: new. Questo è un articolo print on demand.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condition: Brand New. 269 pages. 9.50x6.50x1.00 inches. In Stock. This item is printed on demand.