Forti Simone (75 results)

Paperback or Softback. Condition: New. Handbook in Motion: An Account of an Ongoing Personal Discourse and Its Manifestations in Dance. Book.

Condition: New.

Paperback. Condition: New.

Paperback. Condition: new. Paperback. Tracing a period in her life from the 1969 Woodstock Festival through the following years living on the land, this singular dance artist's direct and poetic writings bring a turbulent transitional era to life. Arriving in New York in the early 60's from California, she brought with her a series of pieces that proved to be a serious influence on the development of "postmodern" dance in years to come. Her "dance-constructions" were based on a concern with bodies in action, the movement not being stylized or presented for its visual line but rather as a physical fact. Combining drawings, "dance reports" (short descriptions of events whose movement made a deep impression on the author's memory), and documentary materials such as scores, descriptions, letters to colleagues, and photographic records of performances, Forti's eye toward creating idioms for exploring natural forms and behaviors is evident throughout.Simone Forti shifted from painting in 1955 to study dance with Anna Halprin and went on to study composition with Robert Dunn at the Merce Cunningham Studio leading to her association with Judson Dance Theater in the '60s. Her work spans from early minimalist dance-constructions, through animal movement studies, news animations, land portraits, and currently, Logomotion, an improvisational form based on the resonance between movement and the spoken word. She performs and teaches worldwide. Combines drawings, "dance reports", and documentary materials to explore the work of Simone Forti. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Paperback. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. : Este libro explora la interacción con las tecnologías digitales. Publicado por CONTREDANSE en francés, ofrece una visión de cómo interactuamos con las tecnologías digitales en nuestra vida cotidiana. El libro cuenta con la colaboración de varios autores, incluyendo a Florence Corin, Billy Klüver, Simone Forti y Sarah Rubidge, entre otros. EAN: 9782930146249 Tipo: Libros Categoría: Tecnología Título: Interagir avec les technologies numériques Autor: Florence Corin| Billy Klüver| Simone Forti| Sarah Rubidge Idioma: fr.…

Softcover. Condition: Très bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Paperback. Condition: Brand New. 152 pages. 8.75x7.00x0.20 inches. In Stock.

Condition: New. Special order direct from the distributor.

Paperback. 95p., french-fold wraps, profusely illus., old price sticker on rear wrap else very good exhibition catalog. One of 1,000 copies.

Condition: New.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,200grams, ISBN:1892184214. …

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address on rear.

Condition: As New. Unread book in perfect condition.

Condition: new.

Condition: new.

Condition: NEW.

Taschenbuch. Condition: Neu. Neuware - Tracing a period in her life from the 1969 Woodstock Festival through the following years living on the land, this singular dance artist's direct and poetic writings bring a turbulent transitional era to life. Arriving in New York in the early 60's from California, she brought with her a series of pieces that proved to be a serious influence on the development of postmodern dance in years to come. Her dance-constructions were based on a concern with bodies in action, the movement not being stylized or presented for its visual line but rather as a physical fact. Combining drawings, dance reports (short descriptions of events whose movement made a deep impression on the author's memory), and documentary materials such as scores, descriptions, letters to colleagues, and photographic records of performances, Forti's eye toward creating idioms for exploring natural forms and behaviors is evident throughout.Simone Forti shifted from painting in 1955 to study dance with Anna Halprin and went on to study composition with Robert Dunn at the Merce Cunningham Studio leading to her association with Judson Dance Theater in the '60s. Her work spans from early minimalist dance-constructions, through animal movement studies, news animations, land portraits, and currently, Logomotion, an improvisational form based on the resonance between movement and the spoken word. She performs and teaches worldwide.…

SOFTCOVER. Condition: Fine. 1st Edition. 4to in stiff card covers, 95pp on various types of paper, colour plates, etc . [CONDITION: FINE, a well preserved clean and tight unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Softcover/Paperback. Condition: Gut. 95 p.; Ill., Good. Ex-library with usual markings. Stamp on the side edge. Clean pages. Sprache: Englisch Gewicht in Gramm: 420.

Smyth-sewn in printed wrappers. Described on the front cover as "An account of an ongoing personal discourse and its manifestations in dance." Very good minus, with some toning to covers, shelf wear, and some scratches or wear to the edges of the text block, though interior is unaffected.

Condition: New. &Uumlber den AutorSIMONE FORTI shifted from painting in 1955 to study dance with Anna Halprin and went on to study composition with Robert Dunn at the Merce Cunningham Studio leading to her association with Judson Dance Theater in the .

Hardcover. Condition: Very Good. Interesting object; a board book with four pages of text, DVD unopened. No marks in text. Not a library book. Ships in a cardboard enclosure. Thank you from Tim's Used Books, open shop in Provincetown, Massachusetts, founded 1991 on the idea of good books that don't have to cost a lot. 12 26 23.…

Paperback. Condition: new. Paperback. Tracing a period in her life from the 1969 Woodstock Festival through the following years living on the land, this singular dance artist's direct and poetic writings bring a turbulent transitional era to life. Arriving in New York in the early 60's from California, she brought with her a series of pieces that proved to be a serious influence on the development of "postmodern" dance in years to come. Her "dance-constructions" were based on a concern with bodies in action, the movement not being stylized or presented for its visual line but rather as a physical fact. Combining drawings, "dance reports" (short descriptions of events whose movement made a deep impression on the author's memory), and documentary materials such as scores, descriptions, letters to colleagues, and photographic records of performances, Forti's eye toward creating idioms for exploring natural forms and behaviors is evident throughout.Simone Forti shifted from painting in 1955 to study dance with Anna Halprin and went on to study composition with Robert Dunn at the Merce Cunningham Studio leading to her association with Judson Dance Theater in the '60s. Her work spans from early minimalist dance-constructions, through animal movement studies, news animations, land portraits, and currently, Logomotion, an improvisational form based on the resonance between movement and the spoken word. She performs and teaches worldwide. Combines drawings, "dance reports", and documentary materials to explore the work of Simone Forti. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Dance performance flier, 5 x 10 inches; good condition; creased at corners; an unmailed copy.

292 pp.; 24 x 20 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Critical theory by Sally Banes on post modernist dance in the early 1960's with photographs by Robert Alexander. "'Terpsichore in Sneakers' is the first full-scale discussion of the artists who have made post-modern dance today's pre-eminent choreographic movement. Sally Banes traces post-modernism's origins in the work of Cunningham and Ann Halprin, its explosion in the Judson Dance Theater of the early '60s, and its relationship to other avant-garde movements in the arts during th 1960s and 70s including Happenings, pop and minimal art and related developments in the visual arts, theater and literature." -- taken from jacket cover. Individual chapters are devoted to Simone Forti, Yvonne Rainer, Steve Paxton, Trisha Brown, David Gordon, Deborah Hay, Lucinda Childs, Douglas Dunn, Meredith Monk, Kenneth King and The Grand Union. Includes photographs, chronology and a selected bibliography. Fine. Covers and contents clean and unmarked in unread condition. Due to size and weight additional shipping charges will be required for international orders. Well-illustrated (illustrator).…

13 x 20cm 230pp very good paperback. The volume collects Simone Forti's News Animations from 1980 to 2018 through the transcriptions of the performances, images, and drawings seeking to capture their spirit, their poetic stance and, mostly, understand how they manage to describe the society and the world we live in.Simone Forti was an American postmodern artist, dancer, choreographer, and writer. From the 1950s onward, she exhibited, performed, and taught workshops throughout the world. Her innovations in postmodern dance, including her seminal 1961 body of work, Dance Constructions, along with her contribution to the early Fluxus movement, have influenced many notable dancers and artists.…

[4] pp.; 21.6 x 13.9 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Program for an evening of performances by Trisha Brown Company performed at The Marymount Manhattan Theatre, New York, in 1979. The evening included performances of "Accumulation (1971) With Talking (1973) Plus Water Motor (1978)," performed by Trisha Brown; "Planes (1968)," performed by Daniel Lepkoff and Terry O'Reilly with films by Jud Yalkut and music by Simone Forti; "Line-Up (1977)," performed by Trisha Brown, Elizabeth Garren, Lisa Kraus, Nina Lundborg, and Mona Sulzman and "Glacial Decoy (1979)," New York Premiere, performed by Trisha Brown, Elizabeth Garren, Lisa Kraus and Nina Lundborg with visual presentation and costumes by Robert Rauschenberg. Includes biographies of the performers. Cover photograph by Babette Magolte. Good / Very Good. Gentle 6 mm. dog-ear to lower right corner of recto and additional light handling wear. Contents clean and unmarked.…