Freeman Hunter (45 results)

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: As New. Unread book in perfect condition.

Condition: New.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: New. In English.

dvd. Condition: Used - Good.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 404 pages. 8.00x5.25x1.01 inches. In Stock.

PF. Condition: New.

Paperback. Condition: Used; Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.…

CD. Condition: New. Dust Jacket Condition: New. Synopsis: Dive into the vibrant world of rock musical theatre with 'The Who's Tommy: Original Cast Recording.' Released in 1993, this two-disc set showcases the ingenious collaboration between Pete Townshend and Des McAnuff, bringing to life the iconic story of Tommy, a deaf, dumb, and blind boy who becomes a pinball champion. Blending rock with theatrical storytelling, this album captures the essence of a groundbreaking musical experience that has resonated with audiences around the globe. As part of the Rock music category, it promises a captivating auditory journey filled with powerful melodies and poignant lyrics. Playlist: Disc One: 1. Overture 2. Captain Walker 3. It's A Boy 4. We've Won 5. Twenty-One 6. Amazing Journey 7. Courtroom Scene 8. Sparks 9. Amazing Journey (Reprise) 10. Christmas/See Me, Feel Me 11. Do You Think It's Alright 12. Fiddle About 13. See Me, Feel Me (Reprise) 14. Cousin Kevin 15. Sensation 16. Sparks (Reprise) 17. Eyesight To The Blind 18. Acid Queen 19. Pinball Wizard Disc Two: 1. Underture (Entr'acte) 2. It's A Boy (Reprise)/There's A Doctor 3. Go To The Mirror/Listening To You 4. Tommy, Can You Hear Me? 5. I Believe My Own Eyes 6. Smash The Mirror 7. I'm Free 8. Streets Of London 1961-63: Miracle Cure 9. Sensation (Reprise) 10. Im Free/Pinball Wizard (Reprise) 11. Tommy's Holiday Camp 12. Sally Simpson 13. Welcome 14. Sally Simpson's Question 15. We're Not Gonna Take It 16. See Me, Feel Me (Reprise)/Listening To You.…

paperback. Condition: New. 1st.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

First Edition. Staped softcover, good with edge wear, toning. shelf wear. contributions by Amy Lowell, Carl van vechten, Julia Peterking, Vincent, Starrett, dubose Heyward and others.

Softcover. Condition: Near Fine. Magazine. Perfectbound. Small quarto. 153-307pp. Small crack in mid-spine, else fine. Inscribed by William J. Smith to fellow author Daniel Hoffman above his memoir entitled "My Friend Tom: The Poet-Playwright Tennessee Williams", and Smith's penned notation on page 187. Additionally, laid in is a handwritten letter from Smith to Hoffman. Poetry, short stories and art by William J. Smith, Richard Howard, David Huddle, Andrew Hudgins, X.J. Kennedy, Jill McCorkle, Jay Rogoff, J. Allyn Rosser, Stephen Dixon, Castle Freeman, Jr., Scott Sternbach, Kent Lydecker, Susan Forscher Weiss, Jefferson Hunter, Richard A. Macksey, and Erin McGraw.…

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: New.

Condition: New. 2023. paperback. . . . . .

Hardcover. Condition: Fair. First Edition. Undated but around the 1930's. A series of stories, poems and songs by various childrens authors. A lot of b&w and colour plate illustrations. A used book so edges are worn, front free end page missing, some b & w illustrations neatly coloured in.

No Binding. Condition: Very Good. A fine engraving mounted and ready to frame ca 1855. This is an excellent opportunity to purchase an attractive portrait of this eminent personage. Anatomist and Obstetrician. Engraved By Freeman (illustrator).

Stapled Pamphlet. Condition: Very Good binding. Octavo. 291-322 pp. First edition. As issued in self wrappers. This copy is fairly clean but for some light soiling and toning to the covers. The Reviewer began as a biweekly, shifted to a monthly and concluded its final years as a quarterly. A significant publication begun by Emily Clark, Hunter Stagg, Mary Dallas Street, and Margaret Freeman in Richmond in 1921. While its earliest issues are largely if not exclusively southern writers, over its 4 years it published work from some of the most talented writers of the period, southern and otherwise. In addition to publishing heavyweights like Gertrude Stein, Ellen Glasgow, H.L. Mencken, Carl Van Vechten, Amy Lowell, and others, it brought out new writers like Julia Peterkin who would go on to be the first southern novelist to win a Pulitzer Prize. In 1924 it was moved to Chapel Hill where Paul Green took over editing the magazine for its final year. In 1925, all unpublished manuscripts were used to begin The Southwest Review, still in publication today. In his article, "'An Experiment of Southern Letters': Reconsidering the Role of The Reviewer in the Southern Renaissance," Benjamin Wise writes, "The magazine was essential in the literary awakening of the region during this timeand is essential to our understanding of the periodnot just because it was published, but because of what it published, who published it, and when it was published." He goes on to write, "The Reviewer changed over time in its short career, and the writing in its pages reflected the contested cultural terrain of the South in these years. It provided a forum for writing from and about the South, and in doing so The Reviewer played a crucial role in the development of a new artistic sensibility that reshaped southern literature." For such a significant publication which had at its peak over a thousand subscribers, it is fairly uncommon to find individual issues. Smith, Leanne. "Reviewer, The" Encyclopedia Virginia. Virginia Humanities. Wise, Benjamin E. "'An Experiment in Southern Letters': Reconsidering the Role of The Reviewer in the Southern Renaissance." The Virginia Magazine of History and Biography 113. 2 (2005): 146178.…

Stapled Pamphlet. Condition: Very Good binding. Octavo. [2] 197-226 pp. First edition. As issued in self wrappers. This copy has covers that are toned and a trifled soiled; contents clean. The Reviewer began as a biweekly, shifted to a monthly and concluded its final years as a quarterly. A significant publication begun by Emily Clark, Hunter Stagg, Mary Dallas Street, and Margaret Freeman in Richmond in 1921. While its earliest issues are largely if not exclusively southern writers, over its 4 years it published work from some of the most talented writers of the period, southern and otherwise. In addition to publishing heavyweights like Gertrude Stein, Ellen Glasgow, H.L. Mencken, Carl Van Vechten, Amy Lowell, and others, it brought out new writers like Julia Peterkin who would go on to be the first southern novelist to win a Pulitzer Prize. In 1924 it was moved to Chapel Hill where Paul Green took over editing the magazine for its final year. In 1925, all unpublished manuscripts were used to begin The Southwest Review, still in publication today. In his article, "'An Experiment of Southern Letters': Reconsidering the Role of The Reviewer in the Southern Renaissance," Benjamin Wise writes, "The magazine was essential in the literary awakening of the region during this timeand is essential to our understanding of the periodnot just because it was published, but because of what it published, who published it, and when it was published." He goes on to write, "The Reviewer changed over time in its short career, and the writing in its pages reflected the contested cultural terrain of the South in these years. It provided a forum for writing from and about the South, and in doing so The Reviewer played a crucial role in the development of a new artistic sensibility that reshaped southern literature." For such a significant publication which had at its peak over a thousand subscribers, it is fairly uncommon to find individual issues. Smith, Leanne. "Reviewer, The" Encyclopedia Virginia. Virginia Humanities. Wise, Benjamin E. "'An Experiment in Southern Letters': Reconsidering the Role of The Reviewer in the Southern Renaissance." The Virginia Magazine of History and Biography 113. 2 (2005): 146178.…

Stapled Pamphlet. Condition: near Very Good binding. Octavo. 291-322 pp. First edition. As issued in self wrappers. This copy has some closed tears to the margins of several leaves from being opened roughly, otherwise, it is fairly clean but for some light soiling and toning to the covers. The Reviewer began as a biweekly, shifted to a monthly and concluded its final years as a quarterly. A significant publication begun by Emily Clark, Hunter Stagg, Mary Dallas Street, and Margaret Freeman in Richmond in 1921. While its earliest issues are largely if not exclusively southern writers, over its 4 years it published work from some of the most talented writers of the period, southern and otherwise. In addition to publishing heavyweights like Gertrude Stein, Ellen Glasgow, H.L. Mencken, Carl Van Vechten, Amy Lowell, and others, it brought out new writers like Julia Peterkin who would go on to be the first southern novelist to win a Pulitzer Prize. In 1924 it was moved to Chapel Hill where Paul Green took over editing the magazine for its final year. In 1925, all unpublished manuscripts were used to begin The Southwest Review, still in publication today. In his article, "'An Experiment of Southern Letters': Reconsidering the Role of The Reviewer in the Southern Renaissance," Benjamin Wise writes, "The magazine was essential in the literary awakening of the region during this timeand is essential to our understanding of the periodnot just because it was published, but because of what it published, who published it, and when it was published." He goes on to write, "The Reviewer changed over time in its short career, and the writing in its pages reflected the contested cultural terrain of the South in these years. It provided a forum for writing from and about the South, and in doing so The Reviewer played a crucial role in the development of a new artistic sensibility that reshaped southern literature." For such a significant publication which had at its peak over a thousand subscribers, it is fairly uncommon to find individual issues. Smith, Leanne. "Reviewer, The" Encyclopedia Virginia. Virginia Humanities. Wise, Benjamin E. "'An Experiment in Southern Letters': Reconsidering the Role of The Reviewer in the Southern Renaissance." The Virginia Magazine of History and Biography 113. 2 (2005): 146178.…

Stapled Pamphlet. Condition: Very Good binding. Octavo. 165-196 pp. First edition. As issued in self wrappers. This copy has covers that are toned and a trifled soiled; contents clean. The Reviewer began as a biweekly, shifted to a monthly and concluded its final years as a quarterly. A significant publication begun by Emily Clark, Hunter Stagg, Mary Dallas Street, and Margaret Freeman in Richmond in 1921. While its earliest issues are largely if not exclusively southern writers, over its 4 years it published work from some of the most talented writers of the period, southern and otherwise. In addition to publishing heavyweights like Gertrude Stein, Ellen Glasgow, H.L. Mencken, Carl Van Vechten, Amy Lowell, and others, it brought out new writers like Julia Peterkin who would go on to be the first southern novelist to win a Pulitzer Prize. In 1924 it was moved to Chapel Hill where Paul Green took over editing the magazine for its final year. In 1925, all unpublished manuscripts were used to begin The Southwest Review, still in publication today. In his article, "'An Experiment of Southern Letters': Reconsidering the Role of The Reviewer in the Southern Renaissance," Benjamin Wise writes, "The magazine was essential in the literary awakening of the region during this timeand is essential to our understanding of the periodnot just because it was published, but because of what it published, who published it, and when it was published." He goes on to write, "The Reviewer changed over time in its short career, and the writing in its pages reflected the contested cultural terrain of the South in these years. It provided a forum for writing from and about the South, and in doing so The Reviewer played a crucial role in the development of a new artistic sensibility that reshaped southern literature." For such a significant publication which had at its peak over a thousand subscribers, it is fairly uncommon to find individual issues. Smith, Leanne. "Reviewer, The" Encyclopedia Virginia. Virginia Humanities. Wise, Benjamin E. "'An Experiment in Southern Letters': Reconsidering the Role of The Reviewer in the Southern Renaissance." The Virginia Magazine of History and Biography 113. 2 (2005): 146178.…

Stapled Pamphlet. Condition: Very Good binding. Octavo. 37-68 pp. First edition. As issued, in self wrappers. This copy has covers that are toned and a trifled soiled, a closed tear to the margin of two leaves; contents clean. The Reviewer began as a biweekly, shifted to a monthly and concluded its final years as a quarterly. A significant publication begun by Emily Clark, Hunter Stagg, Mary Dallas Street, and Margaret Freeman in Richmond in 1921. While its earliest issues are largely if not exclusively southern writers, over its 4 years it published work from some of the most talented writers of the period, southern and otherwise. In addition to publishing heavyweights like Gertrude Stein, Ellen Glasgow, H.L. Mencken, Carl Van Vechten, Amy Lowell, and others, it brought out new writers like Julia Peterkin who would go on to be the first southern novelist to win a Pulitzer Prize. In 1924 it was moved to Chapel Hill where Paul Green took over editing the magazine for its final year. In 1925, all unpublished manuscripts were used to begin The Southwest Review, still in publication today. In his article, "'An Experiment of Southern Letters': Reconsidering the Role of The Reviewer in the Southern Renaissance," Benjamin Wise writes, "The magazine was essential in the literary awakening of the region during this timeand is essential to our understanding of the periodnot just because it was published, but because of what it published, who published it, and when it was published." He goes on to write, "The Reviewer changed over time in its short career, and the writing in its pages reflected the contested cultural terrain of the South in these years. It provided a forum for writing from and about the South, and in doing so The Reviewer played a crucial role in the development of a new artistic sensibility that reshaped southern literature." For such a significant publication which had at its peak over a thousand subscribers, it is fairly uncommon to find individual issues. Smith, Leanne. "Reviewer, The" Encyclopedia Virginia. Virginia Humanities. Wise, Benjamin E. "'An Experiment in Southern Letters': Reconsidering the Role of The Reviewer in the Southern Renaissance." The Virginia Magazine of History and Biography 113. 2 (2005): 146178.…

Condition: New. 2023. paperback. . . . . . Books ship from the US and Ireland.

Hardback. Condition: Very Good. No Jacket. circa 1938. Almost very good condition with no wrapper. Large format. Pictorial boards, cloth spine. Front cover shows two children dancing in costume. First story 'Children of the Igloo'. Colour plates & b/w text illustrations. Spine bumped and worn with nicks to cloth at ends, also darkened. Wear to corners and cover edges. Some light scratches and foxing to covers. Both joints and a few hinges cracked. Ink inscription, dated 1938, to verso of frontis. Just an odd mark/fox spot to contents. One colour plate has been stuck into place with clear tape, now yellowed. Packaged with care and promptly dispatched. Aris, Ernest A. & Soper, Vernon L. & Bull, Rene & et al., (illustrator).…

Soft cover. Condition: Very Good. Paperback book in very good condition. Very little sign of use. Name written neatly inside front cover.