Friere (35 results)

Paperback. Condition: Good. Friere, Carlos (illustrator).

Paperback. Condition: Good. Friere, Carlos (illustrator).

Condition: good. Friere, Carlos (illustrator). This book is in good condition with very minimal damage. Pages may have minimal notes or highlighting. Cover image on the book may vary from photo. Ships out quickly in a secure plastic mailer.

Paperback. Condition: Very Good. Friere, Carlos (illustrator). It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: very_good. Friere, Carlos (illustrator). Shows minimal signs of wear and previous use. Can include notes highlighting. A portion of your purchase benefits nonprofits! - Note: Edition & format may differ from what is shown in stock photo & item details. May not include supplementary material such as toys, access code, dvds, etc.

Paperback. Condition: Acceptable. Friere, Carlos (illustrator). This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket.

Paperback. Condition: Good. Friere, Carlos (illustrator). This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

Condition: Good. Friere, Carlos (illustrator). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. Friere, Carlos (illustrator). Good condition ex-library book with usual library markings and stickers.

Condition: Good. Friere, Carlos (illustrator). Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Friere, Carlos (illustrator). Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Friere, Carlos (illustrator). Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: very_good. Friere, Carlos (illustrator). Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.

Condition: Good. Friere, Carlos (illustrator). . Owner's name on inside cover. Bookplate inside.

Condition: Very Good. Friere, Carlos (illustrator). Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

paperback. Condition: Good. Friere, Carlos (illustrator). The item is in good condition and works perfectly, however it is showing some signs of previous ownership which could include: small tears, scuffing, notes, highlighting, gift inscriptions, and library markings.

Paperback. Condition: As New. No Jacket. Friere, Carlos (illustrator). Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: As New. No Jacket. Friere, Carlos (illustrator). Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. Friere, Carlos (illustrator). There is very little shelf wear. FAST SHIPPING & FREE TRACKING!

Condition: good. Friere, Carlos (illustrator). Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condition: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condition: As New. Excellent, unread, like-new condition. Interior is clean. No writing or markings of any kind.

Paperback. Condition: Very Good. 9 x 12 in. Paper wraps. No text. Condition is VERY GOOD ; mild wear, covers rubbed. Binding tight and text unmarked. Photo. Stax.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,150grams, ISBN:

Hardback. Condition: Fine. Dust Jacket Condition: No d.j. 1st Edition. ix, 336pp.Frontis. portrait and 24 plates, Blue buckram, gilt. No inscriptions, fading wear or marks.

Soft cover. Condition: Fine. Drawings and photographs by the Canadian east coast artist. Faint wear to covers. No marks to inside pages. No crease to spine. Appears unread. s69.

softcover. Condition: acceptable. no jacket. 0 (illustrator). 1st. Writers & Readers Publishing Cooperative, 1974. Slim Rare 1st edition paperback. Oversize. 192pp. Some creasing / wear to spine & covers, strong tanning to pages. Fair copy.

Original Wraps. Condition: Near Fine. Dust Jacket Condition: No Jacket, as Issued. Max Cannon, Barry Hall, Friere Wright (illustrator). First Edition. Ambit Number 20, published in 1964. Includes a two-page illustrated spread of "Martin's Mag" by William Burroughs - plus Anselm Hollo's long poem sequence "Heads to Appear" illustrated by Barry Hall, and Zulfikar Ghose reviews Philip Larkin's "Whitsun Weddings" + B. S. Johnson reviews books by Brian Higgins, Jeremy Robson & Keith Wright. Illustrated throughout in monochrome. ***Near fine in glossy card stapled covers. The covers are just very slightly rubbed. No bumps or creases. No tears. Internally also near fine with no inscriptions. Pages clean. No marks. Spine tight. ***222mm x 165mm. 56 pages. ***Contents - George Macbeth "The Ski Murders"; Colin Ward "Two Poems"; Max Cannon "Transition Down Under"; Samuel Bingham "The Death Ash Movement"; Taner Baybars "Four Poems"; Oswell Blakeston "Retrospect 12"; Keith Musgrove "Some People"; William Burroughs "Martin's Mag"; Anselm Hollo "Heads to Appear"; Barry Hall "Upon Stands"; Friere Wright "Three Drawings"; Robin Harland "Reviews MacNiece"; Zulfikar Ghose "Reviews Larkin" (B. S. Johnson doesn't appear in the Contents). ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting.' (Martin Bax interview with 3:AM magazine) ***A collectable 1960s edition of the magazine in near fine condition - this issue of particular interest for collectors of the work of William Burroughs, who features, and for collectors of AMBIT and poetry magazines in general. An uncommon issue of the magazine. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.

Original Wraps. Condition: Near Fine. Dust Jacket Condition: No Jacket, as Issued. Max Cannon, Barry Hall, Friere Wright (illustrator). First Edition. Ambit Number 20, published in 1964. Includes a two-page illustrated spread of "Martin's Mag" by William Burroughs - plus Anselm Hollo's long poem sequence "Heads to Appear" illustrated by Barry Hall, and Zulfikar Ghose reviews Philip Larkin's "Whitsun Weddings" + B. S. Johnson reviews books by Brian Higgins, Jeremy Robson & Keith Wright. Illustrated throughout in monochrome. ***Near fine in glossy card stapled covers. The covers are just very slightly rubbed. No bumps or creases. No tears. Internally also near fine with no inscriptions. Pages clean. No marks. Spine tight. ***222mm x 165mm. 56 pages. ***Contents - George Macbeth "The Ski Murders"; Colin Ward "Two Poems"; Max Cannon "Transition Down Under"; Samuel Bingham "The Death Ash Movement"; Taner Baybars "Four Poems"; Oswell Blakeston "Retrospect 12"; Keith Musgrove "Some People"; William Burroughs "Martin's Mag"; Anselm Hollo "Heads to Appear"; Barry Hall "Upon Stands"; Friere Wright "Three Drawings"; Robin Harland "Reviews MacNiece"; Zulfikar Ghose "Reviews Larkin" (B. S. Johnson doesn't appear in the Contents). ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting.' (Martin Bax interview with 3:AM magazine) ***A collectable 1960s edition of the magazine in near fine condition - this issue of particular interest for collectors of the work of William Burroughs, who features, and for collectors of AMBIT and poetry magazines in general. An uncommon issue of the magazine. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.