Hofmann Armin (138 results)

Hardcover. Condition: Very Good +. Dust Jacket Condition: Very Good +. Hardcover black cloth boards with white titling on the spine and blind stamped titling on the cover. Includes color and b/w illustrations, Bibliography and Index, 215 pages. The DJ is in Very Good condition. Oversize and heavy: 10 1/4" x 10 1/4". Profusely Illustrated (illustrator). …

Trade Paperback. Condition: Used - Very Good. Used copy with light weawr. Spine is sun faded.

Hardcover. Condition: Used - Very Good. 'Food for thought for communication/information/interface/interaction designers -- in short, anyone involved in human-to-human communication. What an exquisite feast'. -- Daniel Boyarski 'This book represents the best of writing on design. Hiebert's project-based explanations are fascinating deconstructions that make sense and demystify the process of design'. -- Douglass Scott, Yale School of Art and Rhode Island School of Design In this visually exciting book, an award-winning graphic designer and teacher addresses students, educators, computer graphics users, practicing designers, and others seeking to understand the principles and process of good design. Kenneth J. Hiebert extends the innovative approach he used in his previous book, Graphic Design Processes, showing how inventive graphic design arises from diverse stimulus sources. Interweaving theory and concrete, creative activity, he demonstrates the integration of such stimuli as nature, music, personal experience, statistical data, vernacular expression, and architecture in well-designed work. With clear explanations and hundreds of revealing illustrations, Hiebert discusses and demonstrates the process of design creation: first finding more universal and latent beginning points inherent in sources, then engaging in a thought process that leads to fresh and unpredictable interpretive results. He explains how to use the computer as an enabling tool while avoiding the cliche forms of obvious computer-generated design. When designers understand how to meld form, technique, and communication, Hiebert says, design becomes an exciting personal process, independent of stylistic trends. With clear explanations and hundreds of revealing illustrations, the author of GRAPHIC DESIGN PROCESSES continues to discuss and demonstrate the process of design creation and how inventive graphic design inspiration arises from diverse sources. Hiebert reveals how by melding form, technique, and communication, design becomes an exciting personal process. 240 color and 400 b&w illustrations. Very nice clean, tight copy free of any marks.…

Probable first edition (no direct statement). 216 pages. Hardcover: H 25.75 x L 25.75cm. White dust jacket rubbed with light soiling; slight bumping/scuffing at edges with minor tear at spine head. Black cloth with white stamped spine lettering. Short swath of black marker upon top edge perhaps as a publisher's remainder mark; slight soiling to text block's bottom edge. Interior pages are clean. Binding is firm. A very good+ copy in a very good+ dust jacket. Color frontispiece, b/w and color illustrations throughout; section of artist biographies; Bibliography; Index. The contributing authors examine "the contradictory range of causes that the poster has served: political, ideological, artistic and commercial . . . [drawing from] such diverse sources as Art Nouveau, Secession, Dada, Constructivism, Bauhaus, Futurism, and De Stijl" (quoted from the dj front flap). Six chapters as follows: "Broadside to Billboard" by Mildred Friedman, "Posters at the Turn of the Century" by Robert Brown, "Function and Abstraction in Poster Design" by Dawn Ades, "The Russian Film Poster: 1920-1930" by Alma Law, "Thoughts on the Poster" by Armin Hofmann, and "Collecting Graphic Art" by Merrill C. Berman. Produced in conjunction with an exhibition first shown at the Walker Art Center, Minneapolis, May 12-August 12, 1984. Please note that this book has an approximate shipping weight of 4 pounds (1.81 kg) and may require additional postage for any postal class other than domestic Media Mail. ISBN 0896594335. Profusely Illustrated (illustrator).…

Trade Paperback. Condition: Used - Very Good. Used copy with light wear, dj faded. Binding is tight no interio marks.

Oversize Hardback. Condition: Very Good. A clean, unmarked book with a tight binding. 9 7/8"w x 9 7/8"h. 227 pages. Many color illustrations. Keywords: Poster Graphics, Constructivism, Bauhaus Movement, El Lissitzky, Alexander Rodchenko, Cassandre Posters, Herbert Bayer, Futurist Design, Art Nouveau Poster, Walker Art Center, Abbeville Press, Avant Garde Graphics 2.…

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

paperback. Condition: Fair. Name inscription, no other writing. Solid binding. Cover shows , deep crease.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 2nd Edition. Stated Second Edition. The book is bound in cream colored cloth with titling in black on the front cover and spine. Sprinkle of foxing on the front cover. Back cover is slightly bowed. Foxing on the top edges. name of previous owner on the first free endpaper. Otherwise, the pages are clean, smooth and unmarked. The dust jacket is in very good condition with light soiling and edge wear. The original price is on the front flap. Hofmann was an influential Swiss graphic designed who introduced Swiss graphic design in The United States in the 1980's while he was teaching at the Yale University School of Art. Please see all images.…

35 SS. 8°. OLn. Äußerlich leicht angestaubt. Aufgrund der von der Europäischen Union erlassenen EPR-Handels-Erschwernisse kann in folgende Länder KEIN VERSAND mehr erfolgen: Bulgarien, Griechenland, Luxemburg, Polen, Österreich, Rumänien, Dänemark, Schweden, Slowakei, Spanien. Sollte eine deutsche Lieferadresse möglich sein, kann an diese aber problemlos geliefert werden! * * * due to EPR-Restrictions NO SHIPPING to Austria, Bulgaria, Denmark, Greece, Luxembourg, Poland, Romania, Sweden, Slovakia and Spain * * * Sprache: Deutsch 499 gr.…

OBroschur. Condition: Tadellos. Premiere/ UA 16. März 2018. 24 S. mit Stab u. Besetzung, geheft. OBroschur, kl.8°. OBeitrag: Abstieg zu den Müttern (J. Etzold). Mit 16 "Kollektiven Erinnerungen", je mit 1 farb. Foto u. kurzen Erläuterungen. Tadellos. Broschüre.

Condition: New.

Condition: As New. Unread book in perfect condition.

hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Broschur. Condition: sehr gut. V, 211 S. : zahlr. graph. Darst. ; 21 cm. Sprache: deu.

Hardback or Cased Book. Condition: New. Graphic Design Manual: Principles and Practice. Book.

Hardback. Condition: New.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condition: new. Hardcover. Armin Hofmann's richly varied work is recognized for its reliance on the fundamental elements of graphic form - point, line, and shape - and the economic use of color and fonts. The thoroughly revised edition of the 1965 design ma-nual classic is still setting standards. Especially in times of the re-turn to clear and minimalistic geomet-ric forms and patterns, his rich body of work serves as a perfect starting point for contemporary design practices. Elements of image and form are ana-lyzed and examined with regard to their inherent laws. To correspond to the contemporary design techniques, this new edition is divided into computer-system-friendly sections. Thus adapting Hofmann's methods to the requirement of modern design practices and serv-ing as a valuable handbook for a new generation of designers Hofmann is a timeless pioneer of graphic form with an economic use of color and fonts, whose work remains relevant to contemporary minimalistic design work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 3rd Edition. Squ. 8vo. 25 cm. Profusely illustrated in black and white. Text in German, French and English. Orig. printed boards. D.w. V.g.

Condition: New.

Paperback. Condition: New. The history of posters is rich in variations on the hand. In consumer posters, a hand presents desirable products. But the hand can also take the form of a symbolically charged gesture in the political poster. In cultural posters, the hand then becomes the emblem of the creative individual. Just as versatile as the rhetoric of the hand are its diverse uses as a design element. In this volume, photographic, illustrative and abstract graphic images add up to a small cultural history of the hand as an eloquent conveyor of messages.…

Original publisher's sewn paperback, pictorial front- and backcover, 2nd edition, square 8vo: frontispiece, 228pp., 6 contributions with illustrations - notes & references, CATALOGUE with over 200 couloured plates & illustrations with references, biographical notes artists, acknowledgements, index. Very fine copy. …

Paperback. Condition: New. The history of posters is rich in variations on the hand. In consumer posters, a hand presents desirable products. But the hand can also take the form of a symbolically charged gesture in the political poster. In cultural posters, the hand then becomes the emblem of the creative individual. Just as versatile as the rhetoric of the hand are its diverse uses as a design element. In this volume, photographic, illustrative and abstract graphic images add up to a small cultural history of the hand as an eloquent conveyor of messages.…

Condition: new.

Condition: New.