Hopper Hal (11 results)

SHEET MUSIC. Condition: Good. B000PK4F2E [The picture on the cover is of Eileen Barton] Ships, well packaged and very quickly, from MI. A detailed description is coming soon. The condition selected for the item is accurate and consistent with our other listings of the same general condition. If you have any questions or you would like a detailed description of the item prior to our revision of the listing, please do not hesitate to contact us. We will get back to you as quickly as possible. Please buy with confidence from us, as we have several thousand satisfied customers and your satisfaction is the goal we strive to achieve with every transaction.

No Binding. Condition: Good. No Jacket. Pages Show Moderate Page Wear; Slight Yellowing; Few Creases; Faded Soft Cover With White Lettering And Image Of Singer On Front. Verse And Chorus. Love Song.

Soft cover. Condition: Very Good. Original vintage sheet music. Piano, lyrics and guitar chords. Minor edgewear otherwise fine.

SingleIssueMagazine. Condition: Good to Very Good-. Vol. 242, No. 1. Pulp magazine. [Edited by Albert J. Gibner.] Cover art by C. C. Beall for "The Purple Ball" (pt. 1 of 6) by Frank L. Packard. Includes "Two Wrongs" by Jack Allman; "Notre Dame to Beat" (novelette) by Lieut. John Hopper; "The Jon of the Blue-Faced Man" by Will McMorrow; "Men of Daring: Sgt.-Major Daniel Daly, 'Devin Dog Dan" (True Story in Pictures) by Stookie Allen; "Bee Bait" by Hal Davenport; "Trail of the Buzzard" by Hapsburg Liebe; "Sons of Gun Fighters" (pt. 2 of 3) by Walt Coburn; "Captain Redspurs" (pt. 4 of 6) by F. V. W. Mason. Features: "Freak European Newspapers" by Kenneth P. Wood; "Pull Cart Man" by Colin K. Cameron; "Across Europe by Torpedo-Boat" by Albert Martin; "Mexico's Unusual Pawn Shop" by J. E. Gibson; "Argonotes"; "Looking Ahead!" Tanning; creassing; standard edgewear with nicks, dings and small losses; minor soiling and stains. Book.

Sheet music. Condition: As New.

Condition: Good. Good condition.

Loin de vous . près de vous! Paroles françaises de Louis Hernnevé. Paroles anglaises de Tom Adair. 4°. Illustr. Doppelblatt mit Noten. Sprache: Französich, Erste französische Ausgabe. - Französisch-englische Parallelausgabe des Jazz-Klassikers von 1944, den schon Louis Armstrong, Ella Fitzgerald und Frank Sinatra interpretierten. - Preis- und Auslieferungsstempel und kleiner Eckknick, sonst schön erhalten. - Weltweit nur ein Exemplar in Bibliotheken (französische Nationalbibliothek).

Paperback. Condition: Good. First Edition. 4 pages. Average wear. Few pencil markings. A quality copy.

Original black-and-white program for the 1964 film, printed for the Art Theatre Guild. The Art Theatre Guild (ATG) began in 1961 as an independent agency distributing films (mostly Japanese) rejected by major studios. The company operated until the 1980s, with theaters in Arizona, California, Colorado, Illinois, Kentucky, Massachusetts, Missouri, New Mexico, Ohio, and Tennessee. The first of Meyer's "noir" cycle (1964-1965), or "Gothic" period as Meyer puts it, a series of sexploitation films shot in black-and-white, powerful psycho-sexual female characters, male impotence, and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. Other films in his "Gothic" period include "Mudhoney" (1965), "Motorpsycho!" (1965), and the epic and legendary, "Faster, Pussycat! Kill! Kill! " (1965). "Fanny Hill" (1964) snuck in right after "Lorna," although that film is generally left out of the "Gothic" period. "Lorna" was written by James Griffith, who stars as the Preacher narrator of the film, and stars Lorna Maitland as a voluptuous, sexually unfulfilled newlywed. Her husband, Jim (Rucker), works in a salt mine all day and studies all night, giving Lorna too much time to herself. One day, while Lorna skinny-dips in a nearby river, an escaped convict (Bradley) rapes her in the reeds. The vile act could otherwise have been exploited, perhaps comically, by Meyer, but here the scene acts as a catalyst for one repressed woman's sexual awakening. Lorna invites the convict into her home while her husband is gone, prompting Jim's coworkers (among them the underrated Hal Hopper) to tease him about Lorna's infidelity. Things take a bitter, fatal turn when Jim returns home to discover Lorna and her object of desire. 5.5 x 8.5 inches, folded once as issued. Two horizontal creases and faint foxing, else Near Fine.

Vintage pressbook for the 1965 film. The final film in Russ Meyer's "noir" cycle (1964-1965), or "Gothic" period, as Meyer puts it, a series of sexploitation films shot in black and white, with powerful and vengeful female characters, male impotence, and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. One of the first films to discuss post-traumatic stress disorder in a Vietnam War veteran. Six pages, saddle stitched, 11 x 17 inches. Folded once horizontally. Very Good plus overall.

Vintage pressbook for the 1965 film. Based on Raymond Friday Locke's 1958 novel "Streets Paved With Gold." A melodramatic tale about a drifter who falls in love with his employer's married niece, a beautiful young woman with an abusive, alcoholic husband. The first film in Russ Meyer's "noir" cycle (1964-1965), or "Gothic" period, as Meyer puts it, a series of sexploitation films shot in black and white, with powerful female characters, male impotence, and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. Set in Spooner, Missouri. Six leaves, saddle stitched, 11 x 17 inches. Folded once horizontally. Very Good plus overall.