Hoppner James (10 results)

Hardcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

No Binding. Condition: Fine. 1st Edition. Original Engraving. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Henry Meyer (12 June 1780 - 28 May 1847)[1] Was An English Portrait Painter, More Known As A Stipple And Mezzotint Engraver. Meyer Was Born John Meyer In London - A Son Of John Meyer And Anna Torade Hoppner Who Married At St James Westminster 22 December 1767. Contrary To Other Accounts Henry Meyer's Father Was A Hairdresser And Not An Engraver.Joseph Farington Recorded That Henry Meyer Was A Nephew Of John Hoppner, Referring To Him As 'Mier' (8 February 1810), And In The Obituary Of Meyer In Gentleman's Magazine (1847 Ii 665). A Prominent Early 19Th-Century Artist, Henry Meyer Was Admitted As A Pupil To Christ's Hospital, London In 1791 Where He Studied Under Benjamin Green. On 25 August 1794 He Was Apprenticed To Benjamin Smith For Seven Years And Ultimately Trained In Engraving Techniques At The Royal Academy Schools Under Francesco Bartolozzi. His First Published Engravings Appeared In The Early 19Th Century Attributed To J. H. Meyer, He Later Dropped The J And Most Of His Works Were Published Under The Name Henry Meyer Or H. Meyer. In The Ensuing Years He Showed His Skill At Portraits And Decorative Subjects. He Produced Engravings Of Such Notables As Lady Hamilton, Admiral Nelson, Sir John Nicholl, Lord Hawkesbury, Lord Byron, And Giuseppe Ambrogetti. His Painting Of Charles Lamb Was Hung In The India Office For Many Years. He Was A Founding Member Of The Society Of British Artists, Exhibiting Many Of His Works With This Association Between 1824 And 1830, And Acting As Its President In 1828/9.

Condition: Good. Stipple engraving measuring 7 x 11 inches. Light foxing.

32,7 x 23,5 cm (Abb.), 46,5 x 36,0 cm (Blatt). In der Platte bezeichnet. Auf Van Gelder Zonen Büttenpapier. Rand unten m. großen Wasserflecken u. leicht gebräunt.

Mezzotint. Proof before letters. Possibly state i-vii/ix, Chaloner Smith notes that there are six progress proofs, and one finished proof before inscription in the British Museum. Without comparison it is impossible to note which state this print is. In excellent condition with the exception of some light foxing in the margins. Laid onto contemporary backing sheet with rubbed crease in upper left corner. Image size: 25 1/8 x 16 7/8 inches. In Hoppner's dramatic portrait Lady Heathcote is depicted as Hebe, the goddess of youth. This captivating portrait presents Lady Catherine Sophia Heathcote, the wife of Sir Gilbert Heathcote, in the guise of Hebe, the Greek goddess of youth and spring. In the backdrop, one can spot Ganymede, taking the form of an eagle, who would eventually take over as the cupbearer to the gods. This artistic choice reflects a tradition that was prevalent in portraiture during this era. Posing as historical and mythical figures allowed sitters to convey specific attributes and symbolism, often reflecting their own qualities or aspirations. Lady Heathcote, in her portrayal as Hebe, is depicted in the act of pouring divine ambrosia amidst turbulent stormy clouds, serving as an ethereal embodiment of her undoubtedly vivacious and spirited nature. The artwork masterfully merges elements of Classicism and Romanticism, showcasing both the idealized form associated with classical antiquity and the emotional depth and drama that characterized the Romantic period in art. By assuming the persona of Hebe, the youthful and vibrant cupbearer of the gods, Lady Heathcote steps into a more dynamic and powerful role, breaking away from the conventional confines of female representation. Chaloner Smith, British Mezzotinto Portraits 23, possibly states i-vii/iii (Smith does not count the progress proofs as states); O'Donoghue, Catalogue of Engraved British Portraits. in the British Museum 2; Lennox-Boyd & Stogdon, possibly states i-vii/ix.

Joseph Huddart Stipple-engraved portrait on india paper. Huddart's portrait was painted by John Hoppner, portrait painter to the Prince of Wales, and was later replicated in a print published by Laurie and Whittle in 1802. Engraved by James Stow, it shows Huddart seated at a desk, using a pair of compasses. There is also a globe on the table and through the window behind him the open sea is visible. Wellcome: 1459-1; BM 1918,1125.1.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1825 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 422 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 422 Hazlitt, William, 1778-1830,Bentham, Jeremy, 1748-1832,Coleridge, Samuel Taylor, 1772-1834,Godwin, William, 1756-1836,Irving, Edward, 1792-1834,Tooke, John Horne, 1736-1812,Scott, Walter, Sir, 1771-1832,Byron, George Gordon Byron, Baron, 1788-1824,Southey, Robert, 1774-1843,Wordsworth, William, 1770-1850,Mackintosh, James, Sir, 1765-1832,Malthus, T. R. (Thomas Robert), 1766-1834,Gifford, William, 1756-1826,Jeffrey, Francis Jeffrey, Lord, 1773-1850,Brougham and Vaux, Henry Brougham, Baron, 1778-1868,Burdett, Francis, Sir, 1770-1844,Eldon, John Scott, Earl of, 1751-1838,Wilberforce, William, 1759-1833,Campbell, Thomas, 1777-1844,Crabbe, George, 1754-1832,Moore, Thomas, 1779-1852,Hunt, Leigh, 1784-1859,Irving, Washington, 1783-1859. Life of George Washington,Knowles, James Sheridan, 1784-1862,Cartwright, Samuel, recipient,Tulk, C. A., recipient,Humps, Charles K., recipient,Inglis, Robert Harry, Sir, 1786-1855, recipient,Moxon, Edward, 1801-1858, recipient,Lawrence, William, Sir, 1783-1867, recipient,Meyer, Henry Hoppner, 1783-1847, engraver,Cipriani, Giovanni Battista, 1727-1785, artist,Rouargue, Emile, 1795-1865, engraver,Collin, Mlle., artist,Thompson, John, 1785-1866, engraver,Bollinger, Friedrich Wilhelm, 1777-1825, engraver,Bocquet, E., engraver,Brompton, Richard, 1734-1783, artist,Dawsons, engraver,Huffman, artist,Gordon, John Watson-, Sir, 1788-1864, artist,Lely, Peter, Sir, 1618-1680, artist,Heath, Charles, 1785-1848, engraver,Leslie, Charles Robert, 1794-1859, artist,Chapman, J. (John), fl. 1792-1823, engraver,Finden, Edward Francis, 1791-1857, engraver,Phillips, Thomas, 1770-1845, artist,Picart, Charles, ca. 1780-1837, engraver,Gardner, Daniel, d. 1805, artist,Finden, W. (William), 1787-1852, engraver,Newton, Gilbert Stuart, 1794-1835, artist,Sanders, George, 1774-1846, artist,Armytage, James Charles, d. 1897, engraver,Droeshout, Martin, b. 1601, artist,Holl, William, 1771-1838, engraver,Watts, W. H., artist,Robinson, John Henry, 1796-1871, engraver,Lawrence, Thomas, Sir, 1769-1830, artist,Morrison, J., engraver,Jenkins, Joseph John, 1811-1885, engraver,Richmond, George, 1809-1896, artist,Maclise, Daniel, 1806-1870, artist,Posselwhite, George W., b. ca. 1822, engraver,Adcock, George H., engraver,Sicurec, F., artist,Colburn, Henry, d. 1855, publisher.

John Hoppner (illustrator). 'CHILDREN BATHING. / PAINTED BY I HOPPNER, R.A. PORTRAIT PAINTER TO HIS RH THE PRINCE OF WALES / PUBLISH'D APRIL 1799 BY WARD & CO AT MR SAY'S NO 78. CHARLOTTE STREET, PORTLAND CHAPEL'The Hoppner children.' Three young children near a stream: one standing, one seated nude on cloth, and one clothed child in the center, in a wooded landscape. Highly detailed mezzotint with soft tonal transitions.Made by James Ward after John Hoppner.Medium: Mezzotint engraving on hand laid (verge) paper. Watermark: AU 1903.Sheet size: 49.5 x 59.6 cm (19.49 x 23.46 inch). Image size: 45.6 x 55.9 cm. (17.95 x 22.01 inch).JAMES WARD, JOHN HOPPNER, MEZZOTINT, CHILDREN, PORTRAIT, 18TH CENTURY, BATHING, ENGLISH PRINT, LANDSCAPE, GEORGIAN ART | PCO-B8-40BACKGROUND INFORMATIONOriginally published by Ward & Co., April 1799, at Mr. Say's No. 78 Charlotte Street, Portland Chapel, London. This is propably a later impression on dated paper 1903.State: Proof before captions.Reference: Chaloner Smith 1884, no. 27; Frankau 1904.Biography engraver: James Ward (1769-1859) was a British engraver and painter, celebrated for his mezzotints and later for his animal paintings. He was among the most important mezzotinters of his generation.Biography artist: John Hoppner (1758-1810) was a leading English portrait painter of the late 18th century. He served as portraitist to the Prince of Wales and was noted for his depictions of children. Condition: good, given age. Light foxing, creasing and soiling. . General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1818. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol:- Volume 1, Pages:- 369, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 1 369 369.

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1818. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol:- Volume 2, Pages:- 385, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 2 385 385.