Ilkka Uimonen (24 results)

Magazine. The March 14, 1999, issue of the Sunday New York Times Magazine, with: Seth Mydans on the flare-up of ethnic violence in Indonesia since the death of Suharto with photographs by Ilkka Uimonen; a profile of Zinedine Zidane by John Vinocur with portraits by Steve Pyke; a photograph by Larry Fink, the subject interviewed on "What They Were Thinking;" an architectural piece on the new Comme des Garcons store in Chelsea, designed by Rei Kawakubo and Takao Kawasaki photographed by Todd Eberle; an examination of the retail giant Amazon by Peter de Jonge with photos by David Samuel Robbins; Lisa Belkin on an adopted boy whom the adoption agency lied about with photos by Bobby Fisher; Margaret Talbot on Elizabeth Dole and Hillary Clinton running for office; interview with Ned Rorem on mourning; William Safire, On Language; and much more. Staple-bound magazine; 84 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Good with stress marks to the spine, wrinkling to the cover due to moisture, and light signs of handling. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

Paperback. First edition. Fine paperback. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The fourth issue of the magazine Trolley (Spring 2005/Issue 4), published by Trolley, the art and photography book publishing house. It's part catalogue of upcoming releases with an essay devoted to each book and many images reproduced and part original material. This issue includes work by Philip Jones Griffiths, Ilkka Uimonen, Nick Waplington, Jarret Schecter, Carrie Levy, and others. Introduction and text by Thomas Rees. Sewn signatures, glued open spine, as issued; 80 pages; color and b&w illustrations throughout; 6.25 x 9.75 inches.…

Paperback. Condition: Very Good. Very Good. Appears unread. Pasadena's finest independent new and used bookstore.

Paperback. Condition: new. Paperback. Ilkka Uimonen travelled to Jerusalem on September 25, 2000, to photograph a story in the Old City. Three days later Ariel Sharon visited the Temple Mount and the Al-Aqsa mosque, in what seemed to the watching world to be a flagrant disregard for the sensitivities of the Palestinians. There began at once a cycle of violence that has yet to be resolved. As the vehemence escalated Uimonem sought out flashpoints on both sides, Palestinian and Israeli. His photographs in Cycles do not follow the chronology of the events - they are very much his own narrative of his experiences. Since 2000, Ilkka Uimonen has been photographing the seemingly endless cycle of violence between Israelis and Palestinians—seeking all the while to illuminate both sides of the story. Surrounded by history, he represented the present, knowing that one could never truly photograph the past. The images in Cycles do not follow the chronology of the events—they are very much Uimonen's personal narratives of his experiences. The sequence of 60 photographs of combatants and innocents is presented without an introduction: the violence and defining sentiments require none. All of the images are full bleed, and collectively provide a mesmeric testimony to the aggression, despair, and pride that exist without boundaries in Palestine. The starkness of Cycles closely reflects Uimonen's stark realism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New. When Ariel Sharon visited the Temple Mount and the Al-Aqsa mosque in September 2000, there began at once a cycle of violence that has yet to be resolved. Ilkka Uimonen was there to witness the events.As the vehemence escalated he sought out flashpoints on both sides, Palestinian and Israeli. His photographs in Cycles do not follow the chronology of the events; they are very much his own narrative of his experiences. His sequence of 61 photographs of the combatants, and the innocents, is presented without an introduction. The violence and defining sentiments require none. His images fill the page, all of them full bleed, and provide a mesmeric testimony to the aggression, despair and pride that exist without boundaries in Palestine.Cycles has been edited and bound with Ilkka Uimonen's stark realism in mind. There are no frills to this volume that weighs heavy in the hand. …

Condition: new.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Exhibition Announcement Cards. The original announcement card for an exhibition of work by Paolo Pellegrin, Thomas Dworzak, Alex Majoli, and Ilkka Uimonen titled "Off Broadway" and held at 60 Mercer Street, NYC, May 5 - May 30, 2004, as part of the annual Magnum in May documentary festival. The card features a 1994 image by Dworzak. Stiff thin postcard, printed both sides; 6 x 4 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.…

Exhibition Announcement Cards. This is not a book. The original announcement card for an exhibition of work by Paolo Pellegrin, Thomas Dworzak, Alex Majoli, and Ilkka Uimonen titled "Off Broadway" and held at 60 Mercer Street, NYC, May 5 - May 30, 2004, as part of the annual Magnum in May documentary festival. The card features a 2002 image by Pellegrin. Stiff thin postcard, printed both sides; 6 x 4 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.…

Condition: New.

Magazine. First edition. Fine magazine with spots of grit on the back cover. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The February 1, 2004, issue of the Sunday New York Times Magazine with: the story of the collapse of the cable company Adelphia and its owners, the Rigas family, by Roger Lowenstein with photographs by Jeff Riedel; African-American disenchantment with the Democratic Party, South Carolina, by Joann Wypijewski with photos by Barbel Schmidt; an analysis of what the Shiite clerics of Najaf, Iraq, want, by David Rieff with photographs by Ilkka Uimonen; an interview with W. Todd Bassett; a fashion pictorial photographed by Thierry Desfontaines with The Mighty Marching Panthers modeling; and much more. Staple-bound magazine; 74 pages; color and b&w reproductions throughout; 9.5 x 11.5 inches.…

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: Brand New. 128 pages. 9.50x7.50x0.75 inches. In Stock.

Condition: New.

paperback. Condition: near fine. 60 two-page images in black and white. 8vo, white cloth-backed paper wrappers (no title on spine). Great Britain: Trolley LTD, 2004. A near fine copy.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condition: Fine. No Jacket. 1st Edition. A fine unused, unblemished book, as new.

Taschenbuch. Condition: Neu. Neuware.

Paperback. Condition: new. Paperback. Ilkka Uimonen travelled to Jerusalem on September 25, 2000, to photograph a story in the Old City. Three days later Ariel Sharon visited the Temple Mount and the Al-Aqsa mosque, in what seemed to the watching world to be a flagrant disregard for the sensitivities of the Palestinians. There began at once a cycle of violence that has yet to be resolved. As the vehemence escalated Uimonem sought out flashpoints on both sides, Palestinian and Israeli. His photographs in Cycles do not follow the chronology of the events - they are very much his own narrative of his experiences. Since 2000, Ilkka Uimonen has been photographing the seemingly endless cycle of violence between Israelis and Palestinians—seeking all the while to illuminate both sides of the story. Surrounded by history, he represented the present, knowing that one could never truly photograph the past. The images in Cycles do not follow the chronology of the events—they are very much Uimonen's personal narratives of his experiences. The sequence of 60 photographs of combatants and innocents is presented without an introduction: the violence and defining sentiments require none. All of the images are full bleed, and collectively provide a mesmeric testimony to the aggression, despair, and pride that exist without boundaries in Palestine. The starkness of Cycles closely reflects Uimonen's stark realism. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Soft cover. Condition: Very Good. 4to, wrps., n.p. (ca. 200 p. with photographs), limited first edition (this is nr. 362) In very good condition. K20.

Condition: New.

Paperback. Condition: New. When Ariel Sharon visited the Temple Mount and the Al-Aqsa mosque in September 2000, there began at once a cycle of violence that has yet to be resolved. Ilkka Uimonen was there to witness the events.As the vehemence escalated he sought out flashpoints on both sides, Palestinian and Israeli. His photographs in Cycles do not follow the chronology of the events; they are very much his own narrative of his experiences. His sequence of 61 photographs of the combatants, and the innocents, is presented without an introduction. The violence and defining sentiments require none. His images fill the page, all of them full bleed, and provide a mesmeric testimony to the aggression, despair and pride that exist without boundaries in Palestine.Cycles has been edited and bound with Ilkka Uimonen's stark realism in mind. There are no frills to this volume that weighs heavy in the hand. …

Paperback. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback in card box. Condition: Near fine in wraps. First Edition. 19 x 25cm near fine paperback contained within an off-white card box with some minor marks. Since 2000, The Finnish photographer, Ilkka Uimonen has been photographing the seemingly endless cycle of violence between Israelis and Palestinians--seeking all the while to illuminate both sides of the story. Surrounded by history, he represented the present, knowing that one could never truly photograph the past. The images in Cycles do not follow the chronology of the events--they are very much Uimonen's personal narratives of his experiences. The sequence of 60 photographs of combatants and innocents is presented without an introduction: the violence and defining sentiments require none. All of the images are full bleed, and collectively provide a mesmeric testimony to the aggression, despair, and pride that exist without boundaries in Palestine. The starkness of Cycles closely reflects Uimonen's stark realism.I.…