Ion Grigorescu (14 results)

Softcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2007. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2007. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover with dustjacket, 312 pages, in English and Polish; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket as issued, 360 pages; in English and Romanian; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Brand New. Hardcover.Width: 14 cm. Height: 21cm. 352 pages. English text.

Hardcover. 30,5 x 30 cm. Original-Leinenband im originalen Umschlag, dieser ist stärker lädiert. Das Leinen selbst ist randbestoßen, die Deckel sind etwas aufgebogen. 9 (1) Seiten mit Titelei und einführendem Text, gefolgt von etwa 100 Seiten mit ganzseitigen s/w Fotos. Aus dem Nachlass des streitbaren Manfred Steinkühler, Diplomat des Auswärtigen Amtes u.a. in Bukarest, Rio de Janeiro und Mailand. Mit dessen ExLibris-Stempel auf dem Titelblatt. Innen ansonsten sauber. Außen in befriedigendem Zustand, innen gut erhalten. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! K00265.

Softcover. Condition: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Softcover. English. See images for condition. About the book >.>.> The Self-punishing One is a biased, elliptic and intentionally provocative exhibition. The names of the artists Stefan Bertalan. Florin Mitroi and Ion Grigorescu (herein referred to as BMG) are no pretext for an exhaustive, exclusively technical and (pretended) impartial approach to the history of Romanian art of the end of the 20th century. Both the exhibition and this catalogue are only intended to give substance to an idea. An idea about the human temptations and fixations of the 1980/90s in Romania. This paper does not have a pseudo-scientific perspective and ambition. Rather than rendering accurate data for an aseptic research, its major goal is to unveil and recover a fragmented, unapparent and deep (partially repugnant and imperceptible) truth. This paper has nothing to do with the scientific perspective, which tends to tacitly acknowledge the idea that, from the history of the arts perspective, the time of BMG was a time like any other, when art was produced the same way that art was produced anywhere and a.

Paperback. Condition: Near fine in wraps. First Edition. 21 x 26cm 126pp near fine paperback exhibition catalogue featuring various essays, colour and black and white reproductions.

Condition: Neuf.

Hardcover. Condition: Wie neu. 1. Aufl. 362 Seiten Exemplar wie neu, originalverpackt; like new, in original packaging D230921axz09 ISBN: 9783956790157 Sprache: Englisch Gewicht in Gramm: 661.

Hardcover. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Condition: buono. Fotografia Fine arts Photography CONDIZIONI ACCETTABILI Volume in lingua romena - in 4°.

brossura illustrata con busta. Condition: in ottimo stato. 352 b/n e a colori. Lingua: inglese/rumeno.

Broschiert. 3 Hefte. 1980-1991. Unpag., 63 S., unpag. Broschuren. Mit zahlr. farb. und schw.-w. Abb. Einbände berieben und teils etwas fleckig.

Hardcover. Condition: Gut bis sehr gut. 1. Auflage. B4 : 260 Seiten/pgs with 165 color & 120 bw. Illustrations -The artists in Double Life--from Marina Abramovic, Adrian Piper, and Andy Warhol to Ion Grigorescu, Eleanor Antin, Pierre Huyghe and Cindy Sherman--have all employed various strategies in their desire to assume different roles. Whether ironic, eccentric, utopian or critical, their methods have ranged from the subtle to the extreme. Zoe Leonard's pin-up calendar is filled with sexy portraits of her bearded self. Early black-and-white photographs by Cindy Sherman show the artist casually dressed as a random sampling of everyday people.