Jac Leirner (33 results)

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condition: Good. Ex-library book with stickers and/or stamps throughout.

Softcover staple bound, 12 pages, very good condition, light shelfwear to covers; no internal marks.

Hardcover. Condition: Fine. First Edition. As New. Still in the original shrinkwrap. Essay by Robert Storr. English/Spanish text. Not an ex-library copy. No remainder marks. No names or marks in the text. Most books shipped within 24 hours. All books mailed with Delivery Confirmation. Fine condition. A volume in Fundacion Cisnero's Conversaciones/Conversations series. ; Conversaciones/conversations; 8vo.; 199 pages.

Hardcover. Condition: Good.

Hardcover without dustjacket as issued; 200 pages; in English and Portuguese; new condition; still sealed in shrinkwrap; clean and crisp.

Softcover, 192 pages, in Portuguese; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

First Edition. First edition. Softcover. [12 pages.] Exhibition catalog for a show that ran May 11 through June 11, 1993. Text in English and Portuguese. Features an essay by Paulo Herkenhoff. Includes 7 color illustrations and a list of previous exhibitions. A near fine copy in stapled wrappers. A pleasing copy of this uncommon catalog on the work of Brazilian artist Jac Leirner.

Softcover, staple bound with dustjacket, 24 pages, in Portuguese and English; very good condition, no internal marks, clean and crisp.

First Edition. First edition. Large oblong hardcover. Produced on the occasion of 47th Venice Biennale. Includes color illustrations. A very good copy in paper covered boards with bumping to the top right corner and some other light wear. No dust jacket as issued.

Hardcover. Condition: Near Fine. No Jacket. Size: 21 x 40 cm.

Paperback. Condition: Very Good. Qto., 32 pages, illustrated. The text is in both English and Portuguese. A Very Good clean copy.

Hardcover without dustjacket as issued, 28 pages; very good condition; moderate rubbing wear to covers with 3-inch abrasion to upper left corner of front cover; no internal marks. Foreign shipping may be extra.

Softcover with dustjacket,128 pages, in English and Spanish; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Brand New. blg rep edition. 199 pages. 9.25x6.50x1.00 inches. In Stock.

Einban etwas bestossen, aber ohne Stempel, keine An-und Unterstreichungen, guter Zustand. Hardcover. Original Pappband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations. .

Ohne Stempel, keine An-und Unterstreichungen, altersgemäss guter Zustand. Softcover. Original gheftet.

Softcover exhibition catalog, 32 pages, in Portugese and English; very good condition, light wear and rubbing to white covers; no internal marks.

Small landscape 8vo. White dust jacket with black lettering to front and spine. White paper covers. Copiously illustrated in colour.ISBN: 9781910844076 Very good plus with bump to rear spine end, in very good plus dust jacket with small crease to rear spine edge.

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.

Couverture rigide. Condition: Comme neuf. Edition originale. Bruxelles 2025. -- 1 Volume/1. -- Comme Neuf -- Broché. Format 33,5 x 23,5 cm . -------- 512 pages d'Illustrations. [ sans texte ]. ******************* Présentation éditeur : "" « Tickets to the Core présente mon univers personnel, entièrement lié à la musique. Des concerts, des opéras et des spectacles ont été vécus pendant des décennies lors d'événements en direct et dans d'innombrables lieux à travers le monde. Les billets peuvent porter les noms de solistes virtuoses et évoquer des compositeurs géniaux et uniques, morts ou vivants. Ce livre est une déclaration passionnée où les goûts et les tendances sont mis à nu, traversant le présent et le passé. » Jac Leirner Jac Leirner (née en 1961 à São Paulo) est une sculptrice et artiste multimédia brésilienne. Principalement connue pour sa série d' uvres utilisant des matériaux du quotidien (billets de banque, papier pour cigarettes, autocollants, sacs en plastique, cartes de visite, articles de quincaillerie, etc. ), qu'elle rassemble pour former de nouvelles configurations, classées par ordre de grandeur, couleur ou forme, Jac Leirner donne du sens et de la valeur aux objets courants avec humour et élégance, et établit des liens avec les problèmes sociaux dans sa patrie ou avec sa vie personnelle, étudiant les notions de répétition, d'obsession, d'esclavage et de valeur, tant sur les plans matériel, économique qu'artistique. Ses uvres, rigoureuses sur le plan conceptuel et d'une grande beauté formelle, s'inspirent d'un large éventail d'influences artistiques et formelles, tout en embrassant l'héritage transgressif du dadaïsme, du constructivisme, du pop art et de l'art conceptuel, de l'Arte Povera et du punk, entre autres. "" ********************** ref fav-02-06.

paperback. Condition: New. Prima edizione (First Edition). Libro d'artista. Fotografie a colori di Eduardo Giannini Ortega Design di Lorenzo Mason Studio. Cm 33,3 x 23,5. pp. 512. . Nuovo (New). . Prima edizione (First Edition). . "Tickets to the Core presenta il mio universo personale, interamente legato alla musica. Concerti, opere e spettacoli sono stati vissuti per decenni, dal vivo e in innumerevoli luoghi in tutto il mondo. I biglietti possono recare i nomi di virtuosi solisti e riportare sulla carta il genio e l'unicità di compositori, viventi e defunti. Questo libro è una dichiarazione appassionata in cui gusti e tendenze vengono messi a nudo, abbracciando presente e passato." Jac Leirner.Jac Leirner (São Paulo, 1961) vive e lavora a São Paulo in Brasile. L'opera di Jac Leirner si esprime spesso tramite processi di raccolta e di ordine: accumulazione di oggetti e osservazione profonda e acuta delle loro caratteristiche, interruzione del corso del loro consumo, conseguente rielaborazione e traduzione in qualità visive che esprimano in maniera il più possibile senza mediazioni colore, materialità e presenza nello spazio, spesso mimando le caratteristiche precipue degli oggetti stessi e usandoli come paragone proporzionale di misura. Leirner dispone e presenta il suo lavoro con modalità insolitamente complesse, così da evidenziare la banalità di ogni oggetto utilizzato, consentendone una rilettura sotto l'aspetto della forma e della bellezza. Mediante l'utilizzo di una compulsiva ripetizione, di serialità e di audaci accenti ritmici di colore, la pratica artistica di Leirner guarda alla storia del Costruttivismo brasiliano nonché all'eredità dell'Arte Povera e del Minimalismo. ll suo lavoro è stato oggetto di esposizioni personali presso istituzioni pubbliche e private internazionali, tra le quali: Swiss Institute Contemporary Art New York, New York, USA (2023); Ludwig Museum, Colonia, Germania (2020); IMMA, Dublino, Irlanda (2017); The Fruitmarket Gallery, Edimburgo, Scozia (2017), MoCA - Museum of Contemporary Art Shanghai, Shanghai, Cina (2016); Museo Tamayo, Città del Messico, Messico (2014); CAAM: Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spagna (2014), Yale School of Art, New Haven, USA (2012), Estação Pinacoteca, San Paolo, Brasile (2011); Centro Universitário da USP - Maria Antonia, San Paolo, Brasile (2008; 2001); Museu de Arte da Pampulha, Belo Horizonte, Brasile (2006); Miami Art Museum, Miami, USA (2004); MASP - Museu de Arte Moderna de São Paulo, San Paolo, Brasile (2001; 1999); The Bohen Foundation, New York, USA (1998); ICA - The Institute of Contemporary Art Boston, Boston, USA (1991); Walker Art Center, Minneapolis, USA (1991). Ha partecipato a numerose biennali e mostre internazionali. Book.

Hardcover. Condition: Fine. Qto., 248 pages, colour illustrated. The text is in both English and Portuguese. Looks unused, a Dine copy.

Couverture souple. Condition: Comme neuf. 120 PAGES-IN 8-NOMBREUSES ILLUSTRATIONS (22A).

Condition: Wie neu. 575 pp., 12, 5 x 17 cm, 500 colour ill. Sprache(n)/language(s): enPractically new, in its original wrapping.

hardcover. Condition: Very Good.

Condition: Good. 4to. 32 pp. Soft Cover. Very Good. Typographical paper wraps with French folds. Small stain on bottom edge of front cover. Color and B&W plates throughout. Extremely Scarce.Retrospective on Jac Leirner (b. Sao Paulo, SP 1961,) with close to 60 works including sculptures, objects, installations and watercolors created between the years 1980 and 2011. Jac Leirner's use packs of cigarettes, plastic bags, cash, cards and other products taken from the universe of mass consumption and gives them new meanings in his artistic world. The exhibition included works from the series "Os Cema" (1987), made with 100 bills sewn in a canvas, and "Nomes" (1989), composed of hundreds of bags that cover one wall of the exhibition space. In them, the artist explored the variety of shapes and colors of materials, incorporating issues related to the presence of color, linearity and horizon. Works exhibited comprised "Corpus Delict" (1993), and "Foi um Prazer" (1997), where Leirner puts on the walls business cards of artists, curators and gallery owners, and, "Adesivos 44" (2004), an installation presented originally at the Miami Art Museum, MAM.

245 pp.; 28.8 x 23.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Book about artists and their studios with photographs by Gustavo Malheiros and texts by Lilian Tone. Artists include Regina Silveira, Adriana Varejão, Erika Verzutti, Jac Leirner, Maria Klabin, Renata Lucas, Leda Catunda, Sofia Borges, Mônica Nador, Iole de Freitas, Maria Laet and Beatriz Milhazes. Text in Portuguese. Fine. In publisher's issued shrink wrap. Due to large size and weight additional shipping charges may be required for international orders.